Margot Fonteyn began life on the 18th of May, 1919 in Reigate, Surrey, as plain Peggy Hookham. She ended it on the 21st of February, 1991, as Prima Ballerina Assoluta, Dame of the British Empire and the most legendary dancer since Pavlova. Meredith Daneman, with her own extensive background in ballet, tells Fonteyn’s story in vivid prose with insight and sensitivity. Drawing upon extensive research, countless interviews, and exclusive access to never-before-seen letters and diaries—including those of Fonteyn’s extraordinary and devoted mother—Daneman presents firsthand remembrances of Fonteyn from a vast array of people who knew her and danced with her during the course of her lengthy career. Margot Fonteyn contains revelations not found in any other account of the ballerina, from insights into Fonteyn’s private world (especially regarding her relationship with her mother, the “Black Queen”) to her feelings about her fellow dancers and, of course, the men in her life—including choreographer Frederick Ashton, her husband Roberto Arias, and her long-time dance partner and rumored lover Nureyev.
Sir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from Murder on the Orient Express and Far From the Madding Crowd to Equus and Four Weddings and a Funeral. For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being. Anthony Meredith, whose two previous collaborations with co-researcher Paul Harris were the highly praised biographies of Malcolm Arnold and Malcolm Williamson, has been a widely published writer over the past twenty-five years. He is a member of MCC, a Friend of Covent Garden and Northern Ballet. His co-researcher, Paul Harris, is a leading music educationalist, well-known for his seminars, workshops and masterclasses, with over 500 books to his name.
Margot Fonteyn began life on the 18th of May, 1919 in Reigate, Surrey, as plain Peggy Hookham. She ended it on the 21st of February, 1991, as Prima Ballerina Assoluta, Dame of the British Empire and the most legendary dancer since Pavlova. Meredith Daneman, with her own extensive background in ballet, tells Fonteyn’s story in vivid prose with insight and sensitivity. Drawing upon extensive research, countless interviews, and exclusive access to never-before-seen letters and diaries—including those of Fonteyn’s extraordinary and devoted mother—Daneman presents firsthand remembrances of Fonteyn from a vast array of people who knew her and danced with her during the course of her lengthy career. Margot Fonteyn contains revelations not found in any other account of the ballerina, from insights into Fonteyn’s private world (especially regarding her relationship with her mother, the “Black Queen”) to her feelings about her fellow dancers and, of course, the men in her life—including choreographer Frederick Ashton, her husband Roberto Arias, and her long-time dance partner and rumored lover Nureyev.
Despite her parents' objections, thirteen-year-old Francie becomes involved in a theatrical production at Dubbs' School for Boys, winning the lead role and the attention of two student actors.
Meredith Nicholson (1866-1947) was an American author, diplomat, and lecturer. He worked from 1885-1897 for the Indianapolis News. His first novel was Short Flights (1891) and his last was The Cavalier of Tennessee in 1928, which included both prose and poetry. He was a member of the Democratic party, serving one term (1928-1930) as a reform city councilman in Indianapolis. For his long years of service and dedication to the Democratic party, Nicholson was rewarded with ministries to Latin America-Paraguay (1933-34), Venezuela (1935-1938) and Nicaragua (1938-1941).
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