This chronological account traces the history of Afghanistan from pre-civilization to present-day events and considers the future of democracy in Afghanistan. For centuries, Afghanistan has endured control by a gamut of political regimes as a result of its strategic location along the trade route between Asia and the Middle East. The area has been at the center of constant conflict and only in recent years has recovered from the vestiges of warfare. The second edition of this popular reference offers a fresh glimpse at the country, showing modern Afghanistan to be a melting pot of cultures, tribes, and political influences all under the guiding belief of Islam. In addition to thorough coverage of the country's political, economic, and cultural history, the book provides students with an account of recent events in Afghanistan since 2007, such as the death of Osama bin Laden in Pakistan and the removal of NATO soldiers. Other changes include a revised timeline, an updated glossary, additions to the notable figures appendix, and an expanded bibliography that includes electronic resources.
In this vast and vivid panorama of history, Martin Meredith, bestselling author of The State of Africa, follows the fortunes of Africa over a period of 5,000 years. With compelling narrative, he traces the rise and fall of ancient kingdoms and empires; the spread of Christianity and Islam; the enduring quest for gold and other riches; the exploits of explorers and missionaries; and the impact of European colonisation. He examines, too, the fate of modern African states and concludes with a glimpse into their future. This is history on an epic scale.
The weather outside may be frightful... But this collection of Regency romances by some of your favorite authors is certain to be delightful! A USA Today bestseller! Christmas is a time for kisses under the mistletoe, swirling silk gowns, and dances with one's true love under the glittering candlelight... Celebrate Christmas in July with seven wintery tales! On WOLF Publishing's Naughty or Nice list, you'll find captivatingly sweet tales that melt your heart as well as sizzling romances that heat up your nights! Find out who's been naughty and who's been nice this year, in... Bree Wolf's: Once Upon an Aggravatingly Heroic Kiss Once upon a time, our beloved Grandma Edie began her career as the best matchmaker in known history by using her extraordinary talent to bring about her own happily-ever-after... Determined to perform a Christmas miracle by seeing her friend wed to the man she loves, Edith finds herself distracted from her task by a teasing gentleman with wicked eyes and a devilish smile. Sydney Jane Baily's: A Diamond for Christmas In a Regency Romeo and Juliet, heady desire blossoms between a lord and a lady from warring families. Lord Geoffrey Diamond is the heir to an earldom with dash-fire to spare. There is no lady in London he ought not to be able to woo and win. Except one. Lady Caroline is vexed to learn the only man who makes her tingle is prohibited. Forbidden even to dance with Diamond, she finds herself breaking all the rules in order to follow her heart. When they take a desperate chance on happiness, will it lead to a Christmas miracle or a Christmas calamity? Tracy Sumner's: The Governess Gamble He's a devil of a rake. Can an accidental governess teach him life's most important lesson? To repair her scandalous reputation, American heiress Franny Shaw flees to London in search of a desperate nobleman with a title for sale. An impulsive decision places her in the path of lonely libertine, Chance Allerton, at Christmastide. Can a make-believe governess teach a wicked viscount a sizzling lesson in love or will it take a holiday miracle? Fenna Edgewood's: The Countess's Christmas Groom She is his ideal match. The woman he has been waiting for all of his life. The only problem? He's her servant. This Christmas, two very unlikely individuals are about to realize they are one another's ideal match. And once mutual desire has been sparked, they will never be parted, no matter the price they must face. Charlie Lane's: A Very Daring Christmas Christmas is the most daring time of the year. Crowded London streets, eccentric shop keeps, violent-minded maids, and chaotic coffeehouses. A daring but reluctant debutant and the steward who adores her will brave it all to find the elusive perfect gift that could win their hearts desires. Jennifer Monroe's: Gentleman of Christmas Past A lady determined to find love. A gentleman wanting her hand in marriage. A Christmas story you will never forget. Miss Agnes Fitzimmons and Mr. Phillip Rutley each have a Christmas wish—to marry one another. Yet with financial burdens threatening to keep them apart, it will take a Christmas miracle to have the happily ever after they deserve. Meredith Bond's: Christmas Intrigue Can the joy of Christmas, and a beautiful woman, distract him from his duty? Is it a recipe for disaster? Not even close. Whether Markgraf Alexander Kottenfurst thinks the spirited Prudence Torrington is naughty or nice will determine if this Christmas intrigue will lead to something wonderful.
A celebration of "meet-cute" moments, this short-story collection features when-they-first-met-stories from such beloved YA authors as Armentrout, Nicola Yoon, Sara Shepard, and Katie Cotugno.
Lawrence Meredith writes with one question in mind: What constitutes life before death? The Hindus teach that there is life before life. So do the Mormons and the primal-scream therapists. The Muslims teach that there is life after death, and so does just about anybody else who's willing to be called religious. Meredith argues that these views are "felonious." We have the responsibility, he writes, to live life in the here-and-now and seek to experience our own religion of the body. Defining and exploring the different stages of the body is key to understanding Life Before Death: -The body as God -The body as Christ -The body as spirit -The body as dance -The body as play -The body as mortal What readers are saying about this book: It takes no courage to say one is a Christian, but it takes great courage to be a Christian. It takes no courage to say one is a writer, but it takes great courage to be a writer and write so others can comprehend the content. Larry Meredith, in Life Before Death, shows that he has enormous courage. After finishing this book, the reader is more prepared to face death and even more prepared to face life. - Maya Angelou, Author Life Before Death reminds us of the value of our todays, the here and now, and the joys to be savored one day at a time, one victory at a time, one championship at a time. And when Life is the ultimate championship, we don't need 'just a little bit more.' - Cedric Dempsey, President, NCAA Meredith's vision is kaleidoscopic, and his supreme revelation is that 'the Word made flesh' is a vital form of Amazing Grace - Earle Labor, Ph.D., Wilson Professor of American Literature and Director of the Jack London Research Center
On the day after Christmas in 1811, the state of Virginia lost its governor and almost one hundred citizens in a devastating nighttime fire that consumed a Richmond playhouse. During the second act of a melodramatic tale of bandits, ghosts, and murder, a small fire kindled behind the backdrop. Within minutes, it raced to the ceiling timbers and enveloped the audience in flames. The tragic Richmond Theater fire would inspire a national commemoration and become its generation's defining disaster. A vibrant and bustling city, Richmond was synonymous with horse races, gambling, and frivolity. The gruesome fire amplified the capital's reputation for vice and led to an upsurge in antitheater criticism that spread throughout the country and across the Atlantic. Clerics in both America and abroad urged national repentance and denounced the stage, a sentiment that nearly destroyed theatrical entertainment in Richmond for decades. Local churches, by contrast, experienced a rise in attendance and became increasingly evangelical. In The Richmond Theater Fire, the first book about the event and its aftermath, Meredith Henne Baker explores a forgotten catastrophe and its wide societal impact. The story of transformation comes alive through survivor accounts of slaves, actresses, ministers, and statesmen. Investigating private letters, diaries, and sermons, among other rare or unpublished documents, Baker views the event and its outcomes through the fascinating lenses of early nineteenth-century theater, architecture, and faith, and reveals a rich and vital untold story from America's past.
In this book, Meredith's prose is presented for the first time in a critical edition. Its goal is to present Meredith's words as he intended them to be read, without the errors of his publishers, and with a complete scholarly apparatus that allows readers to re-create the history of each work's transmission. Each text, originally published in the New Quarterly Magazine between 1877 and 1879, is accompanied by a textual history, a list of editorial emendations, a historical collation (showing how Meredith's texts changed over time), and additional lists and tables as determined by the special circumstances of each text.
This book provides new and exciting interpretations of Helen Keller's unparalleled life as "the most famous American woman in the world" during her time, celebrating the 141st anniversary of her birth. Helen Keller: A Life in American History explores Keller's life, career as a lobbyist, and experiences as a deaf-blind woman within the context of her relationship with teacher-guardian-promoter Anne Sullivan Macy and overarching social history. The book tells the dual story of a pair struggling with respective disabilities and financial hardship and the oppressive societal expectations set for women during Keller's lifetime. This narrative is perhaps the most comprehensive study of Helen Keller's role in the development of support services specifically related to the deaf-blind, as delineated as different from the blind. Readers will learn about Keller's challenges and choices as well as how her public image often eclipsed her personal desires to live independently. Keller's deaf-blindness and hard-earned but limited speech did not define her as a human being as she explored the world of ideas and wove those ideas into her writing, lobbying for funds for the American Federation for the Blind and working with disabled activists and supporters to bring about practical help during times of tremendous societal change.
The era of the Scientific Revolution has long been epitomized by Galileo. Yet many women were at its vanguard, deeply invested in empirical culture. They experimented with medicine and practical alchemy at home, at court, and through collaborative networks of practitioners. In academies, salons, and correspondence, they debated cosmological discoveries; in their literary production, they used their knowledge of natural philosophy to argue for their intellectual equality to men. Meredith Ray restores the work of these women to our understanding of early modern scientific culture. Her study begins with Caterina Sforza’s alchemical recipes; examines the sixteenth-century vogue for “books of secrets”; and looks at narratives of science in works by Moderata Fonte and Lucrezia Marinella. It concludes with Camilla Erculiani’s letters on natural philosophy and, finally, Margherita Sarrocchi’s defense of Galileo’s “Medicean” stars. Combining literary and cultural analysis, Daughters of Alchemy contributes to the emerging scholarship on the variegated nature of scientific practice in the early modern era. Drawing on a range of under-studied material including new analyses of the Sarrocchi–Galileo correspondence and a previously unavailable manuscript of Sforza’s Experimenti, Ray’s book rethinks early modern science, properly reintroducing the integral and essential work of women.
A sweeping history the fortune seekers, adventurers, despots, and thieves who have ruthlessly endeavored to extract gold, diamonds, and other treasures from Africa and its people. Africa has been coveted for its rich natural resources ever since the era of the Pharaohs. In past centuries, it was the lure of gold, ivory, and slaves that drew merchant-adventurers and conquerors from afar. In modern times, the focus of attention is on oil, diamonds, and other rare earth minerals. In this vast and vivid panorama of history, Martin Meredith follows the fortunes of Africa over a period of 5,000 years. With compelling narrative, he traces the rise and fall of ancient kingdoms and empires; the spread of Christianity and Islam; the enduring quest for gold and other riches; the exploits of explorers and missionaries; and the impact of European colonization. He examines, too, the fate of modern African states and concludes with a glimpse of their future. His cast of characters includes religious leaders, mining magnates, warlords, dictators, and many other legendary figures-among them Mansa Musa, ruler of the medieval Mali empire, said to be the richest man the world has ever known.
Modern Love and Poems of the English Roadside occupies a distinctive and somewhat notorious place within George Meredith’s already unique body of work. Modern Love is now best known for the emotionally intense sonnet cycle which Meredith’s own contemporaries dismissed as scandalously confessional and indiscreet. While individual sonnets from the work have been anthologized, the complete cycle is rarely included, and the original edition has not been reprinted since its first appearance in 1862. This edition restores the original publication and supplements it with a range of accompanying materials that will reintroduce Meredith’s astonishing collection of poetry to a new generation of readers.
The economic effects of German unification are first discussed in the context of a global saving/investment model. Next, simulations of MULTIMOD are presented, suggesting for the FRG an initial increase in long-term real interest rates equal to 3/4 of a percentage point, increased output, a temporary half-point rise in inflation, a modest real appreciation of the deutsche mark, and a reduction of the (combined GDR and FRG) current account surplus equal to 2 percent of GNP. Effects on the rest of the world seem to be relatively small. Different policies are examined within the EMS, and other simulation studies are surveyed.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
• This book offers an engaging, well-researched introduction to the influential female figures who helped lay the foundations of Renaissance culture, making it easy for educators to integrate women’s history into the study of the past and for the general reader to gain a reliable, richly detailed overview. • Each chapter functions as a stand-alone study, combining an engaging narrative biography with an expert grasp of the cultural, political, and artistic context of this historical period to allow students and lecturers to either use parts or the whole of this book to support their studies and teaching. • Taken as a whole, students will be shown that these women were not isolated cases of female exceptionality, but rather a part of a larger and more complex tapestry of Renaissance achievement, one that connects them to one another as well as to the male writers, artists, and leaders whose names many readers will already know. • Interwoven within each chapter are primary sources (letters, poems, sketches) and portraits of each of the women discussed, providing students with a fuller picture of these women.
It was ordained that Shibli Bagarag, nephew to the renowned Baba Mustapha, chief barber to the Court of Persia, should shave Shagpat, the son of Shimpoor, the son of Shoolpi, the son of Shullum; and they had been clothiers for generations, even to the time of Shagpat, the illustrious. Now, the story of Shibli Bagarag, and of the ball he followed, and of the subterranean kingdom he came to, and of the enchanted palace he entered, and of the sleeping king he shaved, and of the two princesses he released, and of the Afrite held in subjection by the arts of one and bottled by her, is it not known as 'twere written on the finger-nails of men and traced in their corner-robes? As the poet says: Ripe with oft telling and old is the tale, But 'tis of the sort that can never grow stale. Now, things were in that condition with Shibli Bagarag, that on a certain day he was hungry and abject, and the city of Shagpat the clothier was before him; so he made toward it, deliberating as to how he should procure a meal, for he had not a dirhem in his girdle, and the remembrance of great dishes and savoury ingredients were to him as the illusion of rivers sheening on the sands to travellers gasping with thirst. And he considered his case, crying, 'Surely this comes of wandering, and 'tis the curse of the inquiring spirit! for in Shiraz, where my craft is in favour, I should be sitting now with my uncle, Baba Mustapha, the loquacious one, cross-legged, partaking of seasoned sweet dishes, dipping my fingers in them, rejoicing my soul with scandal of the Court!' Now, he came to a knoll of sand under a palm, from which the yellow domes and mosques of the city of Shagpat, and its black cypresses, and marble palace fronts, and shining pillars, and lofty carven arches that spanned half-circles of the hot grey sky, were plainly visible. Then gazed he awhile despondingly on the city of Shagpat, and groaned in contemplation of his evil plight, as is said by the poet: The curse of sorrow is comparison! As the sun casteth shade, night showeth star, We, measuring what we were by what we are, Behold the depth to which we are undone.
How do we interpret the recent changes in world politics and what is the future likely to hold? The contributors to this volume share an assumption that history repeats itself. The book places the events of the past few years in broad historical context, examining how the political, military and economic arrangements of the past are reflected in current events. By tracing historical patterns in Western Europe, Russia, East Asia, Latin America and the United States, the contributors aim to provide a new perspective on the pressing questions and conflicts that characterize international politics now and in the years to come.
Examines the literature of black Caribbean emigrant and island women including Dorothea Smartt, Edwidge Danticat, Paule Marshall, and others, who use the terminology and imagery of "sucking salt" as an articulation of a New World voice connoting adaptation, improvisation, and creativity, offering a new understanding of diaspora, literature, and feminism"--Provided by publisher.
The devotion of these youths should give them a name in chivalry. In her honour, daily and nightly, they earned among themselves black bruises and paraded discoloured countenances, with the humble hope to find it pleasing in her sight. The tender fanatics went in bands up and down Rhineland, challenging wayfarers and the peasantry with staff and beaker to acknowledge the supremacy of their mistress. Whoso of them journeyed into foreign parts, wrote home boasting how many times his head had been broken on behalf of the fair Margarita; and if this happened very often, a spirit of envy was created, which compelled him, when he returned, to verify his prowess on no less than a score of his rivals. Not to possess a beauty-scar, as the wounds received in these endless combats were called, became the sign of inferiority, so that much voluntary maiming was conjectured to be going on; and to obviate this piece of treachery, minutes of fights were taken and attested, setting forth that a certain glorious cut or crack was honourably won in fair field; on what occasion; and from whom; every member of the White Rose Club keeping his particular scroll, and, on days of festival and holiday, wearing it haughtily in his helm. Strangers entering Cologne were astonished at the hideous appearance of the striplings, and thought they never had observed so ugly a race; but they were forced to admit the fine influence of beauty on commerce, seeing that the consumption of beer increased almost hourly. All Bavaria could not equal Cologne for quantity made away with. The chief members of the White Rose Club were Berthold Schmidt, the rich goldsmith's son; Dietrich Schill, son of the imperial saddler; Heinrich Abt, Franz Endermann, and Ernst Geller, sons of chief burghers, each of whom carried a yard-long scroll in his cap, and was too disfigured in person for men to require an inspection of the document. They were dangerous youths to meet, for the oaths, ceremonies, and recantations they demanded from every wayfarer, under the rank of baron, were what few might satisfactorily perform, if lovers of woman other than the fair Margarita, or loyal husbands; and what none save trained heads and stomachs could withstand, however naturally manful. The captain of the Club was he who could drink most beer without intermediate sighing, and whose face reckoned the proudest number of slices and mixture of colours. The captaincy was most in dispute between Dietrich Schill and Berthold Schmidt, who, in the heat and constancy of contention, were gradually losing likeness to man. 'Good coin,' they gloried to reflect, 'needs no stamp.
This adaptable instrument's origins date back centuries. Celtic legends amuse us with mystical stories describing the creation of stringed music, but practical history recounts that the modern birth of the violin occurred in Italy as early as the sixteenth century. The skilled craft of hand production was renowned in France as well, but it is the British classic type and its history that W. Meredith Morris writes about in British Violin Makers . This classic, comprehensive reference to violin making, reprinted in 1920, features a biographical dictionary of craftsmen, along with many of their signatures and marks. Twenty-six photographs of selected makers and their instruments help place the contemporary reader in the style of the period. Reverend Morris's second editionimproves upon the first 1904 edition by adding more than 150 names to the list of makers who produced six violins or more. A new foreword by music scholar Benjamin Hebbert explains the important role British violin makers played in the development of the instrument. From Morris's narrative, one gets a feel for the importance of the craftsman and his materials. He explains the various types of wood and varnish used, and how they, along with the arch and contour, work together to produce a specific tone. Speaking with fervor, the way a wine connoisseur does when describing a certain vintage, Morris compares and contrasts the quality of British instruments to that of other nations.
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