Although Spain is an important member of the EU, relatively little is known about its economy and its interrelationship with political forces. This book, the first of its kind, offers a long-term view and analyzes this ever-changing relationship throughout the 20th century with its various upheavals such as the crisis of the democratic republic and the civil war in the 1930s, the long General Franco dictatorship from the 1940s until the 1970s and the subsequent transition to democracy. From the detailed studies of individual cases, specific companies as well as entrepreneurial organizations, a very diverse picture emerges, contradicting widespread simplistic interpretations of politico-economic linkages, which demonstrates both the pluralism of the economic interests as well as the complexity of their relationship to the political class.
Mercedes Ruiz interviews Angelo Cabrera, who managed to study and became an activist leader for young undocumented migrants in the US. Despite the unfavorable and discriminatory climate, Angelo fought for the political, social and educational rights.
On November 4th, 2007, I visited with my best friend to celebrate my birthday. It was a typical warm afternoon in Florida. I was surprisingly complimented with a delectable meal accompanied by Miami staple drink, Mojitos. I sat in the backyard terrace oblivious to all cares of this world, amid good company and laughter when suddenly I felt a lurch in my stomach followed by a piercing sound and the most uncomfortable, fullness sensation in my ears. The nausea wave followed suit and in seconds my celebratory meal and drinks were inevitably expelled in a projectile vomiting episode. The dejavu feeling was overwhelming. My relatives and friends' faces danced in a sort of a burlesque fashion around me. I was spinning violently yet my body rested motionless in my chair. The terrace did not stop gyrating and neither did the faces who danced in an uncontrollable kaleidoscope fashion. As I lay powerless and terrified I realized that I was Back in the Swirl of Meniere!
Although Spain is an important member of the EU, relatively little is known about its economy and its interrelationship with political forces. This book, the first of its kind, offers a long-term view and analyzes this ever-changing relationship throughout the 20th century with its various upheavals such as the crisis of the democratic republic and the civil war in the 1930s, the long General Franco dictatorship from the 1940s until the 1970s and the subsequent transition to democracy. From the detailed studies of individual cases, specific companies as well as entrepreneurial organizations, a very diverse picture emerges, contradicting widespread simplistic interpretations of politico-economic linkages, which demonstrates both the pluralism of the economic interests as well as the complexity of their relationship to the political class.
Mercedes Ruiz interviews Angelo Cabrera, who managed to study and became an activist leader for young undocumented migrants in the US. Despite the unfavorable and discriminatory climate, Angelo fought for the political, social and educational rights.
On November 4th, 2007, I visited with my best friend to celebrate my birthday. It was a typical warm afternoon in Florida. I was surprisingly complimented with a delectable meal accompanied by Miami staple drink, Mojitos. I sat in the backyard terrace oblivious to all cares of this world, amid good company and laughter when suddenly I felt a lurch in my stomach followed by a piercing sound and the most uncomfortable, fullness sensation in my ears. The nausea wave followed suit and in seconds my celebratory meal and drinks were inevitably expelled in a projectile vomiting episode. The dejavu feeling was overwhelming. My relatives and friends' faces danced in a sort of a burlesque fashion around me. I was spinning violently yet my body rested motionless in my chair. The terrace did not stop gyrating and neither did the faces who danced in an uncontrollable kaleidoscope fashion. As I lay powerless and terrified I realized that I was Back in the Swirl of Meniere!
From the cabinets of wonderof the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique Gómez Carrillo, Rubén Darío, José Asunción Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel García Márquez’s One Hundred Years of Solitude.
This book explores the Mesolithic period in the central-eastern area of Cantabria (Spain) as a manifestation of sociocultural evolution and change of the societies that lived in the area between the ninth and sixth millennia cal BC, until the introduction of farming.
These pages have been written by authors from the five continents fro March to May 2020, and they make up an emotional X-ray of what they were thinking and feeling while faced by a threat to their own lives. Artists, teachers, mayors, pensioners, ambassadors, homemakers, diplomats, writers, jobless, nurses... of all ages and origins, they all string their words together and write about love, fear, family, time or future. There are some who express themselves with a poem, an entry in a diary, a story or a critical reflection; and others with an illustration or a photograph. Together they create an intimate and diverse testimony of how a pandemic, the one in 2020, changed who we are as human beings.
Argentine Queer Tango: Dance and Sexuality Politics in Buenos Aires investigates changes in tango dancing in Buenos Aires during the first decade of the twenty-first century and its relationship to contemporary social and cultural transformations. Mercedes Liska focuses on one of the proposed alternatives to conventional tango, queer tango, which proposes to rethink one of the alleged icons of a national culture from a feminist conception and to imagine social transformation processes from bodily experiences. Specifically, this book analyzes the value of bodily experiences, the redefinition of the mind-body relationship, and the transformation in the dynamics of the dance from the heteronormative movements of tango. In doing so, Liska addresses the ways in which bodily techniques and gender theories are involved in the denaturing and corporeality decoding of tango and its historical senses as well as the connections between different tango dance practices spread throughout the world.
This book contains the whole text of an Inquisition trial of a Morisco (converted Muslim) of Toledo, Spain, condemned to burn at the stake. It is preceded by an introduction which studies the trial and shows the multifaceted aspects of the text and its protagonists.
In the late fifteenth century, many of the Jews expelled from Spain made their way to Morocco and established a dynamic community in Fez. A number of Jewish families became prominent in commerce and public life there. Among the Jews of Fez of Hispanic origin was Samuel Pallache, who served the Moroccan sultan as a commercial and diplomatic agent in Holland until Pallache's death in 1616. Before that, he had tried to return with his family to Spain, and to this end he tried to convert to Catholicism and worked as an informer, intermediary, and spy in Moroccan affairs for the Spanish court. Later he became a privateer against Spanish ships and was tried in London for that reason. His religious identity proved to be as mutable as his political allegiances: when in Amsterdam, he was devoutly Jewish; when in Spain, a loyal converso (a baptized Jew). In A Man of Three Worlds, Mercedes García-Arenal and Gerard Wiegers view Samuel Pallache's world as a microcosm of early modern society, one far more interconnected, cosmopolitan, and fluid than is often portrayed. Pallache's missions and misadventures took him from Islamic Fez and Catholic Spain to Protestant England and Holland. Through these travels, the authors explore the workings of the Moroccan sultanate and the Spanish court, the Jewish communities of Fez and Amsterdam, and details of the Atlantic-Mediterranean trade. At once a sweeping view of two continents, three faiths, and five nation-states and an intimate story of one man's remarkable life, A Man of Three Worlds is history at its most compelling.
The genus Candida comprises more than 200 species, but few of them have been associated with human infections. C. albicans is the most important cause of disease. Other species such as C. dubliniensis, C. glabrata, C. guilliermondii, C. krusei, C. parapsilosis, and C. tropicalis are also being increasingly recognized as significant human pathogens. In recent years, the number of clinical infections caused by Candida species worldwide has risen considerably, and the incidence of resistance to traditional antifungal therapies is also increasing. There is an exigent need for novel antifungal remedies, and plants remain a vital source of these new substances, especially in low-resource countries. Natural compounds are potential antimycotic agents either in their nascent form or as template structures for more effective derivatives. The data and studies described in this chapter document the antimicrobial activity of plant extracts and essential oils against Candida species and show that medicinal plants can be a rich source of potential antifungal compounds.
This study frames the social dynamics of Latin American in terms of two types of cultural momentum: foundational momentum and the momentum of global order in contemporary Latin America.
Taking as its main subject a series of notorious forgeries by Muslim converts in sixteenth-century Granada (including an apocryphal gospel in Arabic), this book studies the emotional, cultural and religious world view of the Morisco minority and the complexity of its identity, caught between the wish to respect Arabic cultural traditions, and the pressures of evangelization and efforts at integration into “Old Christian” society. Orientalist scholarship in Early Modern Spain, in which an interest in Oriental languages, mainly Arabic, was linked to important historiographical questions, such as the uses and value of Arabic sources and the problem of the integration of al-Andalus within a providentialist history of Spain, is also addressed. The authors consider these issues not only from a local point of view, but from a wider perspective, in an attempt to understand how these matters related to more general European intellectual and religious developments.
Allá adonde nunca alcanzó a penetrar la mirada del hombre, ni la huella de su pie se ha dejado sentir? O, acaso, sólo las de algún héroe más divino que humano, transportado a esas lejanías por la magia de poderes sobrenaturales. En lugares tan remotos, tan perdidos que causa pavor siquiera imaginarlos. Envueltos en la bruma de los sueños terroríficos, ¿los ha creado quizás nuestra fantasía para encerrar en ellos, ?bajo llave?, a tantos seres horripilantes de los que la razón consciente desea huir?
This book presents the first focused investigation of Francisco Goya's (1746–1828) graphic output. Spanning six decades, Goya’s works on paper reflect the transformation and turmoil of the Enlightenment, the Inquisition, and Spain's years of constitutional government. Two essays, a detailed chronology, and more than 100 featured artworks illuminate the remarkable breadth and power of Goya's drawings and prints, situating the artist within his historical moment. The selected pieces document the various phases and qualities of Goya's graphic work—from his early etchings after Velázquez through print series such as the Caprichos and The Disasters of War to his late lithographs, The Bulls of Bordeaux, and including albums of drawings that reveal the artist’s nightmares, dreams, and visions.
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