This well established scholarly edition was first published in 1965, seven years after publication of the papyrus containing the text. It includes introductory essays on scenery, staging, setting, actors and their roles, costumes and masks. The Greek text is accompanied by an apparatus and a full commentary.
The greatest writer of Greek New Comedy and the founding father of European comedy, Menander (c.341-290 BC) wrote over one hundred plays, of which only one complete play and substantial fragments of others survive. This new verse translation is accurate and highly readable, providing a consecutive text by using surviving words in the damaged papyri.
These comedies by Greek dramatist Menander reveal that the oft-employed theme of mistaken identity is as old as the great Dionysus. The Penn Greek Drama Series presents original literary translations of classical Greek drama. The aim of the series is to make both the works and their interpretations accessible to the reading public.
Menander (c. 341-291 BC) was the foremost innovator of Greek New Comedy, a dramatic style that moved away from the fantastical to focus upon the problems of ordinary Athenians. This collection contains the full text of 'Old Cantankerous' (Dyskolos), the only surviving complete example of New Comedy, as well as fragments from works including 'The Girl from Samos' and 'The Rape of the Locks', all of which are concerned with domestic catastrophes, the hazards of love and the trials of family life. Written in a poetic style regarded by the ancients as second only to Homer, these polished works - profoundly influential upon both Roman playwrights such as Plautus and Terence, and the wider Western tradition - may be regarded as the first true comedies of manners.
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