By exploring the material-discursive production of gender norms in Australian secondary schools, this book offers a novel feminist posthuman new materialist perspective on how schoolgirls are pre-determined within educational space and place. The text ultimately illustrates how gender and race inequity is reproduced through presumptive thinking and a failure to recognize student potential. Affect and the Making of the Schoolgirl maps affective accounts of students’ everyday experiences in school spaces. Student negotiations with prescriptive processes of subject participation and subject selection are explored to illustrate how inequities are systematically reproduced. Chapters also offer an examination of STEM subject fields as entitled male space. Engaging theoretically with concepts from performative feminist new materialism and affect theory, the text highlights filmic semblances created as part of an onto-epistemological project, and calls for alternative educational encounters which affirmatively acknowledge difference and promote non-binary thinking. This text will benefit postgraduate researchers, academics, and scholars with an interest in gender and sexuality education, teacher education, STEM education, gender inequality, intersectionality, and the sociology of education. Those interested in gender studies, affect theory and feminist theory, as well as educational policy and politics more broadly will also benefit from this book.
This book offers the first critical reassessment of an artist whose mature oeuvre constitutes a rich and often disquieting critique that is equal parts wit, seduction, and bite. Honorae Sharrer (1920-2009) was a major figure in the years surrounding World War II, though her commitment to leftist ideals and an alternate trajectory of surrealism put her at increasing odds with the political and artistic climate of the time"--
She couldn’t remember anything… Except her love for him. Stricken with temporary amnesia, Maddie Wolfe can’t remember a single thing about her life…or her boy-next-door husband, Sawyer. But even with electricity crackling between them, it turns out their fairy tale’s careening toward disaster. When Sawyer’s unexpectedly thrust into caring for his newborn twin nephews, will he finally change his mind about being a dad and give Maddie the family of her dreams—and his?
Simple Pleasures presents the first major critical assessment of works by the artist Doris Lee (1904-1983). Lee was one of the most recognized artists in America during the 1930s and 40s, and was a leading figure in the Woodstock Artist's Colony. Her oeuvre reveals a remarkable ability to merge the reduction of abstraction with the appeal of the everyday. In so doing, she offers one of the very rare examples of a coherent visual identity that successfully bridged the various artistic "camps" that formed with the shift in the art world in the post-World War II era. Doris Lee exploded onto the national scene in 1935 when her painting Thanksgiving was awarded the Art Institute of Chicago's Logan Prize and instigated the Sanity in Art movement in protest. Two years later, her painting Catastrophe was purchased by the Metropolitan Museum of Art. Simple Pleasures explores this initial national recognition in the 1930s within the context of American Scene painting, and traces the artist's thematic interest in the simple objects and scenes of the everyday through her career. It also examines the influence of the rise in abstraction during the late 1940s and 1950s, and the particular way in which this abstraction found resonance with Lee's long-held interest in, and collections of, folk and non-western art. During this post-war period, Lee, like many of her American Scene colleagues, found lucrative work in the heyday of commercial advertising. Lee's commercial commissions for patrons such as American Tobacco Company, Life magazine, Abbott Laboratories, and Associated American Artists are especially compelling in both their populist accessibility and in their deceptively sophisticated abstraction. Sixty-five works by the artist span the 1930s through the 1960s and are comprised of paintings, drawings, prints, and commissioned commercial designs in fabric and pottery. Included are advertisements by companies that commissioned images from Lee, and photographs that contextualize the artist's work within the Woodstock artist's community.
Whether looking for change, making a wish, chasing a dream, or searching for a truth, there's an exceptional little bookshop that has just what you need. Librorum Taberna is no ordinary bookstore, and Ezra Finfrock is no ordinary proprietor. Immune to the laws of time and space, this bookstore appears to people who are seeking something different, wherever and whenever it's needed. Though the shop is amazing, the books within Librorum Taberna are truly extraordinary. From mundane to magical, horrifying to humorous, these books have the power to change lives. Be warned, Ezra never guarantees the results, and he never gives a refund. Since 1996, the Colorado Springs Fiction Writers Group has been helping local writers improve their craft. The fifteen authors featured in An Uncommon Collection explore the dusty aisles of Librorum Taberna and meet the quirky proprietor, Ezra Finfrock. What they uncover may even change your life.
There are a number of participant accounts of the revival of Goddess religion among feminists in Europe, America and Australasia. But students and others interested in issues in the relation of religion, theo/alogy and gender need an accessible and concise critical overview of this contemporary religious phenomenon and its discourses. Introducing Thealogy, which offers a contextual analysis of the thealogy, ontology, historiography and ethics of various types of Goddess feminism, is designed to meet that need.
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