Elora Rae Gannon believes her life is over. On her sixteenth birthday she receives news that she is a mythical monster of hellish proportions and if that's not bad enough, she receives this information in the form of a letter from her dead mother who also informs her that she must become part of an elite secret society of others like herself or die. Sucky birthday, huh? And just when she thinks she's got it all figured out, her new-found family in the Elite forces her to break ties with her human BFF shortly before her BFF just up and vanishes. With her world in utter upheaval, Elora makes the move to a new school- Marlind Prep, with full intentions of finding out exactly what is going on behind the scenes and why her best friend has vanished- all while trying to figure out how to successfully make out with her boyfriend without sucking the very life out of him!
Elora's days at Marlind Prep are anything but safe or boring. She receives news of her BFF's death not long after she disappears and is certain the Phoenix Elite are responsible. While searching for stability, Elora is stripped of her strength and sanity by the ancient Ruhk, Isaac, who continues to infiltrate her mind. Adding icing to the cake, she finds herself at odds with her mate/advisor, Ezra, leaving her vulnerable to the new guy, who just happens to find her on the verge of a nervous breakdown. What dangers await Elora among her own in RUHK'S RISING?
Thomas Fletcher first sees her in 1916, at a drug store in Birmingham, Alabama. He doesn’t know her, but her brown hair and beautiful eyes captivate him. He soon learns her name—Juliette Wilcox—and she would learn his. Their attraction cannot be denied, but something stands in their way. Thomas is a drafted soldier, about to be sent to Europe to fight in the dreaded World War I. Although Juliette begs for them to be married before he goes to boot camp, he doesn’t want to leave her a widow. Their letters will keep them close. Letters are all they will have until he returns from the battlefield—hopefully, alive. For the next four years, letters arrive from far off France and Germany to Juliette’s front porch in Alabama. For the next four years, their love grows, develops, and increases. Even so, war is a dark force, and many men never return. Will Thomas be one of the soldiers lost, or will he come home and make Juliette’s dreams of marriage a happy reality.
Stories, Memories, Thoughts is the second book in a series of narrative essay collections written by American Literature students at South Texas Community College, Starr County Campus. The narratives offer fresh and interesting views of life, family, friends, and culture in and around Starr County, Texas and Tamaulipas, Mexico. As with the previous book, Collection of Memories, all royalties from the sale of Stories, Memories, Thoughts are donated to Starr County Public Library.
Musicians, both fictional and real, have long been subjects of cinema. From biopics of composers Beethoven and Mozart to the rise (and often fall) of imaginary bands in The Commitments and Almost Famous, music of all types has inspired hundreds of films. The Encyclopedia of Musicians and Bands on Film features the most significant productions from around the world, including straightforward biographies, rockumentaries, and even the occasional mockumentary. The wide-ranging scope of this volume allows for the inclusion of films about fictional singers and bands, with emphasis on a variety of themes: songwriter–band relationships, the rise and fall of a career, music saving the day, the promoter’s point of view, band competitions, the traveling band, and rock-based absurdity. Among the films discussed in this book are Amadeus, The Blues Brothers, The Buddy Holly Story, The Commitments, Dreamgirls, The Glenn Miller Story, A Hard Day’s Night, I’m Not There, Jailhouse Rock, A Mighty Wind, Ray, ’Round Midnight, The Runaways, School of Rock, That Thing You Do!, and Walk the Line.With entries that span the decades and highlight a variety of music genres, The Encyclopedia of Musicians and Bands on Film is a valuable resource for moviegoers and music lovers alike, as well as scholars of both film and music.
When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbors, and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life. Told with dark humor and a sharp, satirical eye, "Mullumbimby "is a modern novel about romantic love and cultural warfare set against an ancient land.
Blood is more than a fluid solution of cells, platelets and plasma. It is a symbol for the most basic of human concerns--life, death and family find expression in rituals surrounding everything from menstruation to human sacrifice. Comprehensive in its scope and provocative in its argument, this book examines beliefs and rituals concerning blood in a range of regional and religious contexts throughout human history. Meyer reveals the origins of a wide range of blood rituals, from the earliest surviving human symbolism of fertility and the hunt, to the Jewish bris, and the clitoridectomies given to young girls in parts of Africa. The book also explores how cultural practices influence gene selection and makes a connection with the natural sciences by exploring how color perception influences the human proclivity to create blood symbols and rituals.
Kelsey Waters, a wedding consultant to the stars, doesn’t believe in love or marriage. But that all changes when she catches the bouquet at her cousin’s wedding, and her life takes a magical turn worthy of some romantic fairy tale. Unfortunately, it doesn’t last. To her dismay, her prince charming is already married. To make matters worse, she has to spend the next two weeks working closely with him on his sister’s private wedding. Can Kelsey survive two weeks beside this handsome romantic? Or will she succumb to her inner desires with reckless abandon?
This book is a comprehensive introduction to the theory and practice of Community-Based Art Education (CBAE). CBAE encourages learners to make connections between their art education in a classroom setting and its application in the community beyond school, with demonstrable examples of how the arts impact responsible citizenship. Written by and for visual art educators, this resource offers guidance on how to thoughtfully and successfully execute CBAE in the pre-K–12 classroom and with adult learners, taking a broad view towards intergenerational art learning. Chapters include vignettes, exemplars of practice, curriculum examples that incorporate the National Coalition for Core Arts Standards, and research frameworks for developing, implementing, and assessing CBAE projects. “This is the book I have been waiting for—carefully researched, thought-provoking, and inspiring.” —Lily Yeh, Barefoot Artists Inc. “A practical guide for community-based art education that is theoretically grounded in social justice. Insightful suggestions for working with communities, planning, creating transformative learning, and evaluating outcomes are based in the authors’ deep experience. This book is a timely and welcome volume that will be indispensable to individuals and community organizations working in the arts for positive change.” —Elizabeth Garber, professor emeritus, University of Arizona
This book explores digital artists’ articulations of globalization. Digital artworks from around the world are examined in terms of how they both express and simulate globalization’s impacts through immersive, participatory and interactive technologies. The author highlights some of the problems with macro and categorical approaches to the study of globalization and presents new ways of seeing the phenomenon as a series of processes and flows that are individually experienced and expressed. Instead of providing a macro analysis of large-scale political and economic processes, the book offers imaginative new ways of knowing and understanding globalization as a series of micro affects. Digital art is explored in terms of how it re-centers articulations of globalization around individual experiences and offers new ways of accessing a complex topic often expressed in general and intangible terms. The Work of Art in a Digital Age: Art, Technology and Globalization is analytic and accessible, with material that is of interest to a range of researchers from different disciplines. Students studying digital art, film, globalization, cultural studies or digital media trends will also find the content fascinating.
Ever since the Custer massacres on June 25, 1876, the question has been asked: What happened - what REALLY happened - at the Battle of the Little Bighorn? We know some of the answers, because half of George Armstrong Custer’s Seventh Cavalry - the men with Major Marcus Reno and Captain Frederick Benteen - survived the fight, but what of the half that did not, the troopers, civilians, scouts, and journalist who were with Custer? Now, because a grass fire in August 1983 cleared the terrain of brush and grass and made possible thorough archaeological examinations of the battlefield in 1984 and 1985, we have many answers to important questions. On the basis of the archaeological evidence presented in this book, we know more about what kinds of weapons were used against the cavalry. We know exactly where many of the men fought, how they died, and what happened to their bodies at the time of or after death. We know how the troopers were deployed, what kind of clothing they wore, what kind of equipment they had, how they fought. Through the techniques of historical archaeology and forensic anthropology, the remains and grave of one of Custer’s scouts, Mitch Boyer, have been identified. And through geomorphology and the process of elimination, we know with almost 100 percent certainty where the twenty-eight missing men who supposedly were buried en masse in Deep Ravine will be found.
Immerse yourself in three of Melissa Jagears’s heartwarming romances and see why so many readers have fallen in love with the characters of Armelle, Wyoming. This boxed set includes the first three Christian historical western romance novels in the series, Frontier Vows, full of adventure, intrigue, romance, and inspiration. Romancing the Bride Marrying a stranger to save a ranch is one thing; losing the land on their wedding day is another. Desperate to keep the ranch where three of her children and a husband lie buried, Annie Gephart must marry or sell. Which of the few bachelors in town would consider a surprise proposal to wed a plain widow with a rebellious daughter, a spirited boy, and unpaid taxes—without laughing in her face? ★★★★★ Wowzers! I loved this book so much! In this marriage of convenience, Jacob had a chance to back out, but he stays true to his vows and his new family. I love the gentle wooing he does of Annie. So many gentle touches. My heart was a puddle. ~ Review by A+D Pretending to Wed It’s a match made in heaven…as long as they don’t fall in love! The ranch Nolan Key has spent decades working for, even lost a leg for, is now his—or at least it should be. But an absurd clause in his father’s will means he’s in danger of losing the place to his lazy, undeserving cousin. Nolan finds himself scrambling to save his home—by proposing marriage-in-name-only to the town laundress. ★★★★★ I loved this book! It was one of those so sweet, can’t wait to see what happens, but don’t want it to end books! ~Review by JulieAnnette07 Depending on You She’s always believed in the magic of Christmas to heal hearts, but is she hoping for too big a miracle? Leah Whitsett had always thought of her husband as steadfast and morally upright, so when she learned Bryant had helped the mayor steal land from the townsfolk, nearly leading to her death at the hands of the mayor’s henchman, the foundation of her marriage was shaken. Now, weeks from Christmas, her husband has come home to atone for his mistakes. Will the season bring the hope they need, or are their rifts too wide to mend? ★★★★★ This story will take you on an incredible journey of tears, joy, and forgiveness that will leave you hanging onto every word! ~Review by Shonda
Politicians and lobbyists have incentives to conceal any quid pro quo relationships between them, leaving scholars largely unable to link campaign money to legislative votes. Using behind-the-scenes information gained from novel data sources such as legislators' schedules, fundraising events, legislative amendments, and the campaign contributions of individual lobbyists and the political action committees these lobbyists control, Amy McKay instead investigates how lobbyists influence the content of congressional legislation. The data reveal hidden relationships between lobbyists' campaign assistance and legislators' action on behalf of those lobbyists. Relative to constituents and even average lobbyists, the lobbyists who provide campaign money to members of Congress are more likely to secure meetings with those members, to see their requests introduced as legislation, and to achieve a larger portion of their legislative goals adopted into law. These findings raise important normative concerns about the ability of some to use money to co-opt the democratic process.
A distinguished group of scholars explore the moral values and political consequences of privatization The 21st century has seen a proliferation of privatization across industries in the United States, from security and the military to public transportation and infrastructure. In shifting control from the state to private actors, do we weaken or strengthen structures of governance? Do state-owned enterprises promise to be more equal and fair than their privately-owned rivals? What role can accountability measures play in mediating the effects of privatization; and what role does coercion play in the state governance and control? In this latest installment from the NOMOS series, an interdisciplinary group of distinguished scholars in political science, law, and philosophy examine the moral and political consequences of transferring state-provided or state-owned goods and services to the private sector. The essays consider how we should evaluate the decision to privatize, both with respect to the quality of outcomes that might be produced, and in terms of the effects of privatization on the core values underlying democratic decision-making. Privatization also affects the structure of governance in a variety of important ways, and these essays evaluate the consequences of privatization on the state. Privatization sheds new light on these highly salient questions of contemporary political life and institutional design.
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