This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
A modern look at a stunning assortment of blooms and the art you can create with a simple flower press A contemporary look at flowers, flower pressing, and floral arranging, The Modern Flower Press is a stunning collection of pressed flower techniques and the art you can make with them. Exploring a range of specific blooms, authors Amy Fielding and Melissa Richardson take readers through the process of pressing flowers, the proper techniques to use, the tools needed, and most importantly, the lovely works you can create. Filled with projects inspired by the changing seasons, this book is both a catalog of gorgeous flowers and a practical guide to working with their beauty. Fielding and Richardson offer detailed information, with a specific focus on composition, color, and form. From decorated window panes to letters and postcards, the end results are simply enchanting. Whether you're a gardener, floral enthusiast, or simply a nature lover, this incredible gift book has something for everyone.
In seventeenth-century northern Europe, as the Aristotelian foundations of scientia were rocked by observation, experiment, confessional strife, and political pressure, natural philosophers came to rely on the printed image to fortify their epistemologies—and none more so than René Descartes. In Skepticism’s Pictures, historian of science Melissa Lo chronicles the visual idioms that made, sustained, revised, and resisted Descartes’s new philosophy. Drawing on moon maps, political cartoons, student notebooks, treatises on practical mathematics, and other sources, Lo argues that Descartes transformed natural philosophy with the introduction of a new graphic language that inspired a wide range of pictorial responses shaped by religious affiliation, political commitment, and cultural convention. She begins by historicizing the graphic vocabularies of Descartes’s Essais and Principia philosophiae and goes on to analyze the religious and civic volatility of Descartes’s thought, which compelled defenders (such as Jacques Rohault and Wolferd Senguerd) to reconfigure his pictures according to their local visual cultures—and stimulated enemies (such as Gabriel Daniel) to unravel Descartes’s visual logic with devastating irony. In the epilogue, Lo explains why nineteenth-century French philosophers divorced Descartes’s thought from his pictures, creating a modern image of reason and a version of philosophy absent visuality. Engaging and accessible, Skepticism’s Pictures presents an exciting new approach to Descartes and the visual reception of seventeenth-century physics. It will appeal to historians of early modern European science, philosophy, art, and culture and to art historians interested in histories that give images their argumentative power.
Linking environmental sustainability with poverty reduction and social justice, and making science and technology work for the poor, have become central practical, political and moral challenges of our times. These must be met in a world of rapid, interconnected change in environments, societies and economies, and globalised, fragmented governance arrangements. Yet despite growing international attention and investment, policy attempts often fail. Why is this, and what can be done about it? How might we understand and address emergent threats from epidemic disease, or the challenges of water scarcity in dryland India? In the context of climate change, how might seed systems help African farmers meet their needs, and how might appropriate energy strategies be developed? This book lays out a new 'pathways approach' to address sustainability challenges such as these in today's dynamic world. Through an appreciation of dynamics, complexity, uncertainty, differing narratives and the values-based aims of sustainability, the pathways approach allows us to see how some approaches are dominant, even though they do not produce the desired results, and how to create successful alternative 'pathways' of responding to the challenges we face. As well as offering new ways of thinking about sustainability, the book also suggests a series of practical ways forward - in tools and methods, forms of political engagement, and styles of knowledge-making and communication. Throughout the book, the practicalities of the pathways approach are illustrated using four case studies: water in dryland India, agricultural seeds in Africa, responses to epidemic disease and energy systems/climate change. Published in association with the Economic and Social Research Council (ESRC)
This book explores how parents understand and engage with childhood vaccination in contrasting global contexts. This rapidly advancing and universal technology has sparked dramatic controversy, whether over MMR in the UK or oral polio vaccines in Nigeria. Combining a fresh anthropological perspective with detailed field research, the book examines anxieties emerging as highly globalized vaccine technologies and technocracies encounter the deeply intimate personal and social worlds of parenting and childcare, and how these are part of transforming science-society relations. It retheorizes anxieties about technologies, integrating bodily, social and wider political dimensions, and challenges common views of ignorance, risk, trust and rumour - and related dichotomies between Northernrisk society and Southerndeveloping society - that dominate current scientific and policy debates. In so doing, the book reflects critically on the stereotypes that at times pass forexplanations of public engagement with both routine vaccination and vaccine research. It suggests routes to improved dialogue between health professionals and the people they serve, and new ways to address science-society relations in a globalized world.
Centering Women of Color in Academic Counterspaces offers a rich critical race feminist analysis of teaching, learning, and classroom dynamics among diverse students in a classroom counterspace centered on women of color. Annemarie Vaccaro and Melissa J. Camba-Kelsay focus on an undergraduate course called Sister Stories, which used counter-storytelling to explore the historical and contemporary experiences of women of color in the United States. Rich student narratives offer insight into the process and products of transformational learning about complex social justice topics such as: oppression, microaggressions, identity, intersectionality, tokenism, objectification, inclusive leadership, aesthetic standards, and diversity dialogues.
Thought-provoking…A lovely testament to horses and women from all walks of life." —Chicago Tribune In a phenomenon too prevalent to be mere chance, little girls all over the Western world wake one day to find themselves completely taken over by the love of all things equine. Melissa Holbrook Pierson was one of those horse-crazy girls who later returned to riding with a new appreciation for the nature of horses. Melding memoir, sociology, history, anecdote, and a bit of prose poetry, Dark Horses and Black Beauties delves beneath the shallow hypotheses explaining women's connection to horses to look at how this communication with another animal opens us up to a new apprehension of the larger "natural" world.
“In The Radiant Midnight you will find not merely abstract ideas about the essence of darkness or how to go about facing it. You will also find humor, Wisdom. Honesty. You will find Melissa’s very bone and blood…it is here, then, in reading—rather, perhaps, listening to—her words, that your heart, trapped as it may feel in its own midnight, begins to see the first signs of dawn.” –Curt Thompson, MD, author of Anatomy of the Soul Grace and Hope for Long Dark Nights Have you ever suffered with depression, sadness, or the feeling that you just can't seem to get it together? Do you wonder if you could ever view your deepest wounds in a different light? Through candid storytelling, biblical truth, honest lament, and unexpected humor, The Radiant Midnight is a bold refusal to simplify the experience of suffering by moving too quickly to try to relieve it. With questions to guide you and practical suggestions to lead you through dark moments, this book takes you on a journey of surrender, suffering, rest, and restoration as it encourages and comforts you in whatever struggle you face. The message of The Radiant Midnight is fueled by the passionate belief that not only will God lead you out of darkness, He will be fully and beautifully present within it. You can find deep contentment in painful circumstances and discover a profound intimacy with a compassionate, tender God who is with you in every moment—in each hope-filled dawn and every radiant midnight.
Filmmakers in sub-Saharan Francophone Africa have been using cinema since independence in the Sixties to challenge existing Western stereotypes of the continent. The author shows how directors working in a postcolonial context that has inevitably influence film agendas and styles have produced a range of alternative, challenging representations"--Page 4 of cover.
With contributions by Ross Barrett, Michelle DuBois, Judith Hoos Fox, Sandra Grindlay, Stephanie Mayer Heydt, Anna Lee Kamplain, Kevin Moore, Virginia Raguin, Melissa Renn, Kerry Schauber, and Miriam Stewart This handsome book is the first to appear in a series of three volumes that will catalogue Harvard University’s distinguished collection of American paintings. It documents nearly 500 paintings, watercolors, pastels, and stained-glass windows––many of which have never been published before––by artists born between 1826 and 1856. The book features works by Albert Bierstadt, Winslow Homer, John La Farge, John Singer Sargent, J. A. M. Whistler, and Sarah Wyman Whitman, along with numerous less-known but important artists. Entries that draw on new research and scholarship accompany the works. Included is an introduction by Theodore Stebbins, Jr., outlining Harvard’s collecting history and an essay by Virginia Raguin introducing Harvard’s Memorial Hall and its twenty-one masterworks in stained glass. Also included are eighty-three works by Charles Herbert Moore, artist, educator, and the Fogg Art Museum’s first director.
This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
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