The night to come would be one for the ages. And these were the people who would play a magical and glorious role in the turning of events. For the thirteenth generation would take a step in history that night, down that path that makes men wizards and kings. Thus begins a tale of three young humble shepherds whose destiny takes them far beyond their flock and acknowledges their noble and forgotten ancestry. Chosen by elves, Byron, Corwin, and Cherish embark on a journey that takes them through perilous woods, hidden fortresses, and unlikely allies. Their adventures incorporate magic, awakened talents, and their undying commitment toward the better good for all. In this classic tale of good versus evil, magic does not seem so impossible when coupled with simple goodness, spirit, and unrivaled courage as three unlikely heroes come of age in turbulent times.
Busted families, broken hearts, secrets and corruption are the lifeblood of The CW’s gothic horror series Riverdale. The show is based on the original Archie comics, but this sinister town is a far cry from the wholesome, anyplace USA depicted in 80 years of the teen adventures featuring Archie, Jughead, Betty, Veronica, and the rest of the gang. This Riverdale is an other-worldly, ominous place where enigmatic parents and cunning town leaders hide wicked secrets while teens struggle to survive. The Riverdale gang face the definitive dilemma: good vs. evil. They fight ghouls, a cult leader, a serial killer, and each other—all while sporting inspiring outfits and photo-ready hair. Great music, the occasional Vixens cheer dance-off, and too-steamy-for-high-school sex scenes add an undeniable layer of watchability to the fan-favorite show. This bestselling Binge Watcher’s Guide will get you through all seven seasons. Keep the book beside you while binging; the trivia, quotes and episode commentaries will inform and entertain. Want more? The literary analysis, connection to the comics, and resources have you covered.
In her reassessment of Amy Lowell as a major figure in the modern American poetry movement, Melissa Bradshaw uses theories of the diva and female celebrity to account for Lowell's extraordinary literary influence in the early twentieth century and her equally extraordinary disappearance from American letters after her death. Recognizing Amy Lowell as a literary diva, Bradshaw shows, accounts for her commitment to her art, her extravagant self-promotion and self-presentation, and her fame, which was of a kind no longer associated with poets. It also explains the devaluation of Lowell's poetry and criticism, since a woman's diva status is always short-lived and the accomplishments of celebrity women are typically dismissed and trivialized. In restoring Lowell to her place within the American poetic renaissance of the nineteen-teens and twenties, Bradshaw also recovers a vibrant moment in popular culture when poetry enjoyed mainstream popularity, audiences packed poetry readings, and readers avidly followed the honors, exploits, and feuds of their favorite poets in the literary columns of daily newspapers. Drawing on a rich array of letters, memoirs, newspapers, and periodicals, but eschewing the biographical interpretations of her poetry that have often characterized criticism on Lowell, Bradshaw gives us an Amy Lowell who could not be further removed from the lonely victim of ill-health and obesity who appears in earlier book-length studies. Amy Lowell as diva poet takes her rightful place as a powerful writer of modernist verse who achieved her personal and professional goals without capitulating to heteronormative ideals of how a woman should act, think, or appear.
Much like the Information Age of the twenty-first century, the Industrial Age was a period of great social changes brought about by rapid industrialization and urbanization, speed of travel, and global communications. The literature, medicine, science, and popular journalism of the nineteenth century attempted to diagnose problems of the mind and body that such drastic transformations were thought to generate: a range of conditions or “diseases of modernity” resulting from specific changes in the social and physical environment. The alarmist rhetoric of newspapers and popular periodicals, advertising various “neurotic remedies,” in turn inspired a new class of physicians and quack medical practices devoted to the treatment and perpetuation of such conditions. Anxious Times examines perceptions of the pressures of modern life and their impact on bodily and mental health in nineteenth-century Britain. The authors explore anxieties stemming from the potentially harmful impact of new technologies, changing work and leisure practices, and evolving cultural pressures and expectations within rapidly changing external environments. Their work reveals how an earlier age confronted the challenges of seemingly unprecedented change, and diagnosed transformations in both the culture of the era and the life of the mind.
Sixteen-year-old Catherine Vernon has been stranded in London for the summer-no friends, no ex-boyfriend Adam the Scum (good riddance!), and absolutely nothing to do but blog about her misery to her friends back home. Desperate for something-anything-to do in London while her (s)mother's off researching boring historical things, Cat starts reading the 1815 diary of Katherine Percival her mom gives her-and finds the similarities between their lives to be oddly close. But where Katherine has the whirls of the society, the parties and the gossip over who is engaged to who, Cat's only got some really excellent English chocolate. Then she meets William Percival-the uber-hot descendant of Katherine-and things start looking up . . .
The eighteenth-century model of the criminal trial - with its insistence that the defendant and the facts of a case could 'speak for themselves' - was abandoned in 1836, when legislation enabled barristers to address the jury on behalf of prisoners charged with felony. Increasingly, professional acts of interpretation were seen as necessary to achieve a just verdict, thereby silencing the prisoner and affecting the testimony given by eye witnesses at criminal trials. Jan-Melissa Schramm examines the profound impact of the changing nature of evidence in law and theology on literary narrative in the nineteenth century. Already a locus of theological conflict, the idea of testimony became a fiercely contested motif of Victorian debate about the ethics of literary and legal representation. She argues that authors of fiction created a style of literary advocacy which both imitated, and reacted against, the example of their storytelling counterparts at the Bar.
This up-to-date compilation details the most significant stops along the Underground Railroad. Places of the Underground Railroad: A Geographical Guide presents an overview of the various sites that comprised this unique road to freedom, with entries chosen to represent all regions of the United States and Canada. Where most works on the Underground Railroad focus on the people involved, this unique guide explores the intricacies of travel that allowed the "conductors" to carry out the tasks entrusted to them. It presents an accurate picture of just where the Underground Railroad was and how it operated, including routes and itineraries and connections between the various Railroad locations. Through information about these locations, the book takes readers from the beginnings of organized aid to fugitive slaves during the period following the American Revolution up to the Civil War. It delineates the possible routes fugitive slaves may have taken by identifying the rivers, canals, and railroads that were sometimes used. And it shows that a network, though decentralized and variable over time and place, truly was established among Underground Railroad participants.
Pretty in Pink meets Anna and the French Kiss in this charming romantic comedy Ella is nearly invisible at the Willing School, and that's just fine by her. She's got her friends - the fabulous Frankie and their sweet cohort Sadie. She's got her art - and her idol, the unappreciated 19th-century painter Edward Willing. Still, it's hard being a nobody and having a crush on the biggest somebody in the school: Alex Bainbridge. Especially when he is your French tutor, and lessons have started becoming, well, certainly more interesting than French ever has been before. But can the invisible girl actually end up with a happily ever after with the golden boy, when no one even knows they're dating? And is Ella going to dare to be that girl?
Waggish tales of dogs, Christmas, and murder—by sixteen of today's best-loved crime novelists! A temperamental Yorkie provokes Yuletide mayhem at an English country house . . . A puppy forgotten in Santa's bag helps quell a coup at the North Pole . . . During a snow-white Christmas, a Portuguese water dog noses out murder at a Vermont inn . . . and many more, including: “Clicker Training” by Parnell Hall “The Emerald Collar” by Leslie O’Kane “Yellow Snow” by Jeffrey Marks “O Little Hound of Bethlehem” by Taylor McCafferty “Toy Pincher” by H. Robert Perry “The Fencing Crib” by Mark Graham “Red Shirt and Black Jacket” by Virginia Lanier “The Village Vampire and the Yuletide Yorkie” by Dean James “Psycho Santa’s Got a Brand-New Bag” by Deborah Adams “Midnight Clear” by Jane Haddam “Fowl Play” by Patricia Guiver “The Reunion” by Lillian M. Roberts “Good Dog Wenceslas” by Melissa Cleary “Habits” by Jeremiah Healy “Eye Witness” by David Leitz These thrilling tales of canine derring-do give dog lovers the treat of celebrating Christmas with sleuthhounds of many breeds—as they sniff out crime and render holiday justice.
Within key texts of Romantic-era aesthetics, William Wordsworth, S. T. Coleridge, and other writers and theorists pointed to the poet, naturalist, and physician Erasmus Darwin as exemplifying a lack of originality and sensibility in the period’s scientific literature--the very qualities that such literature had actually sought to achieve. The success of this strawman tactic in establishing Romantic-era principles resulted in the historical devaluation of numerous other, especially female, imaginative authors, creating misunderstandings about the aesthetic intentions of the period’s scientific literature that continue to hinder and mislead scholars even today. Regenerating Romanticism demonstrates that such strategies enabled some literary critics and arbiters of Romantic-era aesthetics to portray literature and science as locked in competition with one another while also establishing standards for the literary canon that mirrored developing ideas of scientific or biological sexism and racism. With this groundbreaking study, Melissa Bailes renovates understandings of sensibility and its importance to the late eighteenth- and early nineteenth-century movement of scientific literature within genres such as poetry, novels, travel writing, children’s literature, and literary criticism that obviously and technically engage with the natural sciences.
Do you dream of wicked rakes, gorgeous Highlanders and muscled Viking warriors? Harlequin® Historical brings you three new full-length titles in one collection! This box set includes: THE VISCOUNT’S UNCONVENTIONAL LADY The Talk of the Beau Monde By Virginia Heath (Regency) Notorious divorcee Lord Eastwood needs a respectable match to halt society’s rumor mill. Yet it’s bold, vibrant artist Faith Brookes who has caught his attention… HER GALLANT CAPTAIN AT WATERLOO By Diane Gaston (Regency) When Lady Helene runs into her ex-fiancée Captain Rhys Landon in Brussels, she’s shocked that attraction still burns between them. On the eve of battle, their sparks explode into a night of passion, but will it be their last? HER BANISHED KNIGHT’S REDEMPTION By Melissa Oliver (Medieval) A mission to find and reunite lost heiress Lady Isabel with her family threatens exiled Knight Will’s chance at redemption and code of honor: he swore to protect her, not seduce her! Look for Harlequin® Historical’s February 2021 Box Set 2 of 2, filled with even more timeless love stories!
A college education-especially an elite one-is often a gateway to prestigious careers and wealth accumulation. But that gate is hard to pass through for those with few resources. High tuition and admissions barriers including standardized tests that require expensive preparation have historically kept many low-income students out of elite colleges and universities. Some of these institutions have taken measures to break down barriers that prevent low-income students from attending their schools. Not only are these colleges recruiting high-achieving students from low-income backgrounds, they're providing tuition grants instead of loans and on-campus resources to support these students. However, as sociologist Melissa Osborne shows in Polished, many of these students still aren't thriving"--
“Wild and ambitious . . . [with] something ablaze at its core. It burns.” —The New York Times Book Review A Tiny Upward Shove is inspired by Melissa Chadburn's Filipino heritage and its folklore, as it traces the too-short life of a young, cast-off woman transformed by death into an agent of justice—or mercy. Marina Salles’s life does not end the day she wakes up dead. Instead, in the course of a moment, she is transformed into the stuff of myth, the stuff of her grandmother’s old Filipino stories—an aswang, a creature of mystery and vengeance. She spent her time on earth on the margins; shot like a pinball through a childhood of loss, she was a veteran of Child Protective Services and a survivor, but always reacting, watching from a distance, understanding very little of her own life, let alone the lives of others. Death brings her into the hearts and minds of those she has known—even her killer—as she accesses their memories and sees anew the meaning of her own. In her nine days as an aswang, while she considers whether to exact vengeance on her killer, she also traces back, finally able to see what led these two lost souls to a crushingly inevitable conclusion. In A Tiny Upward Shove, the debut novelist Melissa Chadburn charts the heartbreaking journeys of two of society’s castoffs as they make their way to each other and their roles as criminal and victim. What does it mean to be on the brink? When are those moments that change not only our lives but our very selves? And how, in this impossible world, full of cruelty and negligence, can we rouse ourselves toward mercy?
Do you dream of wicked rakes, gorgeous Highlanders and muscled Viking warriors? Harlequin® Historical brings you three new full-length titles in one collection! This box set includes: THE DEBUTANTE'S SECRET By Sophia James (Regency) Esther Barrington-Hall needs a steadfast, responsible husband. Rakish Lord Wrotham is neither, but he is exciting and sexy. And dangerous, too, because he’s the only one who knows her past… THE SHOPGIRL'S FORBIDDEN LOVE By Jenni Fletcher Regency Belles of Bath (Regency) Nancy has been fighting her feelings for James, a handsome shop owner, for years. Finally, she can no longer deny her love—but discovers he’s engaged to someone else! A DEFIANT MAIDEN'S KNIGHT By Melissa Oliver Protectors of the Crown (Medieval) Joan’s deteriorating sight won’t stop her from helping Sir Warin, her fierce protector. If only fighting her attraction to the gallant knight was as simple as fighting their enemies!
A majestic novel of Florence Nightingale, whose courage, self-confidence, and resilience transformed nursing and the role of women in medicine Sweeping yet intimate, Flight of the Wild Swan tells the story of Florence Nightingale, a brilliant, trailblazing woman whose humanity has been obscured beneath the iconic weight of legend. From adolescence, Nightingale was determined to fulfill her life’s calling to serve the sick and suffering. Overcoming Victorian hierarchies, familial expectations, patriarchal resistance, and her own illness, she used her hard-won acclaim as a battlefield nurse to bring the profession out of its shadowy, disreputable status and elevate nursing to a skilled practice and compassionate art. In lush, lyrical detail, Melissa Pritchard reveals Nightingale as a rebel who wouldn’t relent—one whose extraordinary life offers a grand lesson in inspired will.
A lady’s need for protection A knight’s chance for redemption Exiled Knight William Geraint answers only to himself. Yet, a mission to reunite lost heiress Lady Isabel de Clancey with her family is Will’s chance to finally atone for the torment of his past. With every rushed mile, their intense attraction becomes dangerously thrilling. He swore to protect Isabel not seduce her, but their desire for each other could threaten the redemption he’s worked so hard to achieve… “Melissa Oliver’s debut blew us away.” — Alison May, Romantic Novelists’ Association Chair on The Rebel Heiress and the Knight “A brilliant, engrossing debut.” — The Blossom Twins on The Rebel Heiress and the Knight “Melissa Oliver sets the scene perfectly. A wonderful debut and I can’t wait to read what the author will write next!” — RaeReads on The Rebel Heiress and the Knight
The impact of the Irish famine of 1845-1852 was unparalleled in both political and psychological terms. The effects of famine-related mortality and emigration were devastating, in the field of literature no less than in other areas. In this incisive new study, Melissa Fegan explores the famine's legacy to literature, tracing it in the work of contemporary writers and their successors, down to 1919. Dr Fegan examines both fiction and non-fiction, including journalism, travel-narratives and the Irish novels of Anthony Trollope. She argues that an examination of famine literature that simply categorizes it as 'minor' or views it only as a silence or an absence misses the very real contribution that it makes to our understanding of the period. This is an important contribution to the study of Irish history and literature, sharply illuminating contemporary Irish mentalities.
Secrets, Magic and Murder… The gentleman’s clubs of Scott and Griswold’s Gaslamp fantastical London are full of secrets and the ones that Julian Lynes and Ned Mathey and their circles frequent are even moe hidden than most. Beneath their respectable, or less respectable, façades, they are a haven…or a torment for men who desire each other’s company. Now someone is leaving a trail of murder victims, each one found without a heart. Each one somehow connected to Lynes, Mathey, their friends, their enemies and the communities that they belong to. Finding the murderer could reveal everything, leading to certain ruin for some, and the loss of all they hold dear for Julian and Ned. How far will they go to solve the mystery and stop a killer?
Photography has been a key means by which Australians have sought to define their relationships with Japan. From the fascination with all things Japanese in the late nineteenth century, through the era of ‘White Australia’, the bitter enmity of the Pacific War, the path to reconciliation in the post-war period and the culturally complicated bilateralism of today, Australians have used their cameras to express a divided sense of conflict and kinship with a country that has by turns fascinated and infuriated. The remarkable photographs collected and discussed here for the first time shed new light on the history of Australia’s engagement with its most important regional partner. Pacific Exposures argues that photographs tell an important story of cultural production, response and reaction—not only about how Australians have pictured Japan over the decades, but how they see their own place in the Asia-Pacific. ‘Pacific Exposures presents the first study of the photographic exchanges between Australia and Japan—its photographers, personalities, motivations, anxieties and tensions—based on a diverse range of archival materials, interviews, and well-chosen photographs.’ — Dr Luke Gartlan, University of St Andrews ‘[Pacific Exposures] will become a key text on Australia’s interactions with Japan, and the way that photographs can inform cross-cultural relations through their production, consumption and circulation.’ — Prof. Kate Darian-Smith, University of Tasmania
Join Archivist Melissa Mannon on an exciting journey that begins at the dawn of the Industrial Revolution and travels through the advance of the computer age. Discover Waltham's history in this impressive and unprecedented pictorial collection, with photographs selected from the Waltham Public Library and other Waltham historical institutions. Separated from Watertown in 1738, Waltham shed its agricultural roots and went on to become a world-renowned manufacturing center. Entrepreneurs realized the power that could be harnessed from the Charles River and took full advantage of this natural resource. The Boston Manufacturing Company, founded in 1813 by Francis Cabot Lowell and Patrick T. Jackson, was the first mill in the world to mass-produce cotton cloth from start to finish under one roof. Waltham earned its nickname, "Watch City," from the Waltham Watch Company, the largest manufacturer of watches in the world in the nineteenth century. In 1929, Waltham began a third economic boom with the establishment of Raytheon and the electronics industry. Today, Waltham and its neighboring towns on the belt of Route 128 have become one of the country's largest manufacturing centers for computer and electronics equipment.
A heart-pounding, claustrophobic new story from Melissa Grey, the author of RATED. Ten years ago, disaster struck the remote town of Indigo Falls. A horrific event drove the residents underground, into shelters that keep them safe from the danger on the surface. No one speaks about what happened that fateful day, but even the youngest still remember the fear and, most of all, the searing pain when sunlight touched their skin. Now, a handful of families inhabit this bunker together, guided by a charismatic leader named Dr. Imogen Moran. There are many rules Dr. Moran has instilled to govern life belowground. You must always tell the truth. You must avoid the light of the sun. You must never touch skin to skin. But the most important rule, the one that was drilled into their heads from the moment the hatch slammed shut all those years ago, was at the very end of the list. It rattled around in their skulls when all was silent, echoing in the quiet, lonely dark. You must never go outside.
Winner of the SAMLA Studies Award Honorable Mention for the MLA William Sanders Scarborough Prize From the 1880s to the early 1900s, a particularly turbulent period of U.S. race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. In Afro-Realisms and the Romances of Race, Melissa Daniels-Rauterkus uncovers how black and white writers experimented with innovative narrative strategies to revise static and stereotypical views of black identity and experience. In this provocative and challenging book, Daniels-Rauterkus contests the long-standing idea that African Americans did not write literary realism, along with the inverse misconception that white writers did not make important contributions to African American literature. Taking up key works by Charles W. Chesnutt, Frances E. W. Harper, Pauline Hopkins, William Dean Howells, and Mark Twain, Daniels-Rauterkus argues that authors blended realism with romance, often merging mimetic and melodramatic conventions to advocate on behalf of African Americans, challenge popular theories of racial identity, disrupt the expectations of the literary marketplace, and widen the possibilities for black representation in fiction. Combining literary history with close textual analysis, Daniels-Rauterkus reads black and white writers alongside each other to demonstrate the reciprocal nature of literary production. Moving beyond discourses of racial authenticity and cultural property, Daniels-Rauterkus stresses the need to organize African American literature around black writers and their meditations on blackness, but she also proposes leaving space for nonblack writers whose use of comparable narrative strategies can facilitate reconsiderations of the complex social order that constitutes race in America. With Afro-Realisms and the Romances of Race, Daniels-Rauterkus expands critical understandings of American literary realism and African American literature by destabilizing the rigid binaries that too often define discussions of race, genre, and periodization.
President Kennedy’s announcement that an American would walk on the Moon before the end of the 1960s took the scientific world by surprise. The study of the Moon and planets had long fallen out of favor with astronomers: they were the stuff of science fiction, not science. An upstart planetary laboratory in Tucson would play a vital role in the nation’s grand new venture, and in doing so, it would help create the field of planetary science. Founded by Gerard P. Kuiper in 1960, the Lunar and Planetary Laboratory (LPL) at the University of Arizona broke free from traditional astronomical techniques to embrace a wide range of disciplines necessary to the study of planets, including geology, atmospheric sciences, and the elegant emerging technology of spacecraft. Brash, optimistic young students crafted a unique sense of camaraderie in the fledgling institution. Driven by curiosity and imagination, LPL scientists lived through—and, indeed, made happen—the shattering transition in which Earth’s nearest neighbors became more than simple points of light in the sky. Under Desert Skies tells the story of how a small corner of Arizona became Earth’s ambassador to space. From early efforts to reach the Moon to the first glimpses of Mars’s bleak horizons and Titan’s swirling atmosphere to the latest ambitious plans to touch an asteroid, LPL’s history encompasses humanity’s unfolding knowledge about our place in the universe.
From controversial cryptozoologist and explorer Dr. Veronica Wigberht-Blackwater, The Compendium of Magical Beasts is a definitive field guide that explores the history, biology, and anatomy of mythological creatures. Approaching the fantastic with a scientific eye, Dr. Wigberht-Blackwater explains the history, habits, and biology of each creature's existence with equal attention to detail. Her research is accompanied by stunning scientific illustrations of each specimen's anatomy, providing a comprehensive view of creatures most often dismissed as pure fantasy. Combining biological fact with folklore, cultural studies, and history, this volume is crucial to science both fringe and mainstream. Locked in a dusty attic for almost a century, Dr. Wigberht-Blackwater's trailblazing work was recently discovered by writer Melissa Brinks, who spent months transcribing the journals she found. Brinks joined forces with artist Lily Seika Jones to digitize the doctor's amazingly detailed anatomical diagrams in order to share these revolutionary findings with the world for the first time. The Bestiary: Mermaid, Unicorn, Wild Man, Gnome, Werewolf, Troll, Fairy, Jackalope, Winged Horse, Centaur, Minotaur, Vampire, Dragon, Sea Monsters/Loch Ness/Kraken, Goblin, Sphinx, Phoenix, Harpy, Cyclops, Banshee, Incubus/Succubus, Nymph, Ghoul, Selkie, Kelpie
Socrates wrote nothing; Plato's accounts of Socrates helped to establish western politics, ethics, and metaphysics. Both have played crucial and dramatically changing roles in western culture. In the last two centuries, the triumph of democracy has led many to side with the Athenians against a Socrates whom they were right to kill. Meanwhile the Cold War gave us polar images of Plato as both a dangerous totalitarian and an escapist intellectual. And visions of Plato have proliferated at the heart of postmodern critiques of the very idea of metaphysics and politics. Plato's Progeny begins with an account of modern responses to the trial of Socrates and the controversial question of Socrates' relation to Plato. At its centre are two chapters exploring the idea of Platonic origins in and for philosophy, and of Platonic foundations for philosophical politics. Exploring unfamiliar as well as familiar invocations of Plato, Melissa Lane argues that twentieth-century ideological battles have obscured the importance of Socratic individualism, the nature of Platonic ethics, and the value of Platonic politics. Succinct and clearly written, this is an ideal guide for everyone interested in the way philosophers are still writing footnotes to Plato.
In the mid-eighteenth century, many British authors and literary critics anxiously claimed that poetry was in crisis. These writers complained that modern poets plagiarized classical authors as well as one another, asserted that no new subjects for verse remained, and feared poetry's complete exhaustion. Questioning Nature explores how major women writers of the era—including Mary Shelley, Anna Barbauld, and Charlotte Smith—turned in response to developing disciplines of natural history such as botany, zoology, and geology. Recognizing the sociological implications of inquiries in the natural sciences, these authors renovated notions of originality through natural history while engaging with questions of the day. Classifications, hierarchies, and definitions inherent in natural history were appropriated into discussions of gender, race, and nation. Further, their concerns with authorship, authority, and novelty led them to experiment with textual hybridities and collaborative modes of originality that competed with conventional ideas of solitary genius. Exploring these authors and their work, Questioning Nature explains how these women writers' imaginative scientific writing unveiled a new genealogy for Romantic originality, both shaping the literary canon and ultimately leading to their exclusion from it.
Narratives of Women’s Health and Hysteria in the Nineteenth-Century Novel looks extensively at hysteria discourse through medical and sociological texts and examines how this body of work intersects with important cultural debates to define women’s social, physical, and mental health. The book sketches out prominent shifts in cultural reactions to the idea of diffused agency and the prized model of the interiorized, individual person capable of self will and governance. Melissa Rampelli takes up the work of Jane Austen, Charles Dickens, George Eliot, and Thomas Hardy, showing how the authors play with and manipulate stock literary figures to contribute to this dialogue about the causes and cures of women’s hysterical distress.
Listen to Classic Rock! Exploring a Musical Genre provides an overview of this diverse and complex musical genre for scholars of classic rock and curious novices alike, with a focus on 50 must-hear musicians, songwriters, bands, and albums. Listen to Classic Rock! Exploring a Musical Genre explores in detail the genesis, evolution, and proliferation of classic rock. It begins with a background on the development of classic rock and its subgenres. Next, an A to Z listing of artists (musicians, songwriters, and bands), albums, important concerts, and songs; a chapter on classic rock's impact on popular culture; a chapter on classic rock's legacy; and a bibliography. This organization gives readers the choice of starting from the beginning to learn how classic rock and each of its subgenres emerged after rock and roll or skip ahead to a specific artist, recording, or song in the Must-Hear Music section. This volume stands out from other resources on classic rock for its listening-centered approach. Most books on classic rock focus on trivia, history, terminology, or criticism. It also explores the sound of the music of important artists and offers musical analyses that are accessible to upper-level high school and lower-level undergraduates while at the same time maintaining the interest of classic rock aficionados and scholars.
When other girls her age were experiencing their first crushes, Melissa Sue Anderson was receiving handwritten marriage proposals from fans as young, and younger, than she was. When other girls were dreaming of their first kiss, Melissa was struggling through hers in front of a camera. From age eleven in 1974 until she left the show in 1981, Melissa Anderson literally grew up before the viewers of Little House on the Prairie. Melissa, as Mary, is remembered by many as “the blind sister”—and she was the only actor in the series to be nominated for an Emmy. In The Way I See It, she takes readers onto the set and inside the world of the iconic series created by Michael Landon, who, Melissa discovered, was not perfect, as much as he tried to be. In this memoir she also shares her memories of working with guest stars like Todd Bridges, Mariette Hartley, Sean Penn, Patricia Neal, and Johnny Cash. In addition to stories of life on the set, Melissa offers revealing looks at her relationships off-set with her costars, including the other Melissa (Melissa Gilbert) and Alison Arngrim, who portrayed Nellie Oleson on the show. And she relates stories of her guest appearances on iconic programs such as The Love Boat and The Brady Bunch. Filled with personal, revealing anecdotes and memorabilia from the Little House years, this book is also a portrait of a child star who became a successful adult actress and a successful adult. These are stories from “the other Ingalls sister” that have never been told.
When the dust settles in this Texas town, who will be left standing? It’s been six weeks since Jack McBride’s life went to hell: the resolution of his first case as chief sparked a county-wide drug war, his brother Eddie rode into town with a pocket full of cocaine and trouble on his mind, his estranged wife returned from her one-year sabbatical determined to win him back, and Ellie Martin ended their brief affair. To the Stillwater natives, the increase in local crime can be traced directly back to the day outsider McBride took the job, and they’re gunning to get rid of him. One particular group is led by Joe Doyle, a successful local businessman who’s running for city council against Ellie and her plan to revitalize downtown. Now Jack has discovered proof Doyle is the biggest crime lord in the county, and, with murders piling up and the drug war intensifying, Jack suspects the crimes aren’t business but personal—and he’s the target. The bitter election and Jack’s investigation spark old rivalries and new jealousies, making Ellie and those who love Stillwater most wonder if it’s even worth saving.
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