With The Abyssal Plain, Holloway and Talley have managed to transform the Cthulhu Mythos into something with a more modern flavor, drawing not just from the well of cosmic horror, but from technothrillers, survival horror, and splatterpunk, with just a dash of the lost sensibilities of the shudder pulps. A cup full of tentacles mixed with existential nihilism and sprinkled with liberal quantities of gore, this is Lovecraftian horror with a bloody bent that few others have dared to explore. --Peter Rawlik, author of Reanimators They called it the Event. The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse. The Rising has begun. A lone man who abandoned the world for his addictions searches a waterlogged Austin for something, anything to cling to. Little does he know that something else searches for him. In the Sonoran Desert, the downtrodden of the world search for a better life north of the border, only to see the desert become an ocean: an ocean that takes life and gives death. In the woods of Alabama, survivors escape to Fort Resistance, but soon discover that it isn't just the horrors of the deep places of the world that they need to fear; but rather a new and more deadly pestilence that has grown in their own ranks. In England, it's too late to fight, and all that's left is to survive. One man reaches for his own humanity, but what to do when humanity is an endangered species? And in the Pacific, He is rising. In The Abyssal Plain: The R'lyeh Cycle, authors William Holloway, Michelle Garza and Melissa Lason, Brett J. Talley, and Rich Hawkins have created a timely and uniquely modern reimagining of the Cthulhu Mythos.
Deep in the serene forest of Silverwood, California, a monster from another dimension is desperate for the human blood it needs to return home. What begins as a relaxing week in the woods for two groups of campers—employees on a corporate retreat and a Cub Scout troop—turns into a hellish ordeal when a mysterious dark force lurking among the trees preys on their most violent impulses. A rustic getaway featuring evil whispering trees, a teddy bear-clutching child laughing at your pain, and a malevolent otherworldly presence terrorizing the campground? Welcome to the most terrifying wilderness trip of your lives, campers. Based on Silverwood by Tony E. Valenzuela, Silverwood is a Realm Production written by Brian Keene, Richard Chizmar, Stephen Kozeniewski, and the Sisters of Slaughter — Michelle Garza and Melissa Lason. Listen away.
In a white trash Arizona town a war is coming, a battle for territory between rival drug cartels. Both sides refuse to be taken out easily, but when one seeks help from the blackest of magic, something else comes through too: The Shadow Man, a demon of ancient evil who seeks more than just a stretch of the Arizona border, is set free. He wishes to open the gates to his Kingdom, and to bring suffering and chaos. In a walk-in freezer, a man with loose ties to the cartels gets a glimpse at the approaching darkness and is left poisoned by it. His only hope is a young woman named Adriana, and her grandmother. But when the Shadow Man sets his sights on Adriana, his intentions become clear. He has come to claim what he believes is already his, and to unleash Hell upon the Earth.
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