Most parents want their kids to grow up to be something respectable like a doctor or lawyer. My mom wants me to become a man-eating ho. I, Eliana Barchim, vow to never follow my mother’s footsteps. Eliana’s determination to never be the succubus her mother wants her to be starts faltering when her mother unexpectedly interferes. It doesn’t help that a local shifter with a cute dimple is trying to help cheer Eliana up when her best and only friend leaves town. With her control slipping, Eliana resorts to something drastic to get rid of her mom. However, Eliana’s fear of ruining the one person she can trust to stand by her side might be the thing that brings her carefully composed control to its knees. Nothing can withstand a starving succubus’s hunger. Warning: Contains a reluctant succubus, a well-meaning mom who thinks monogamy is a dirty word, and a brownie who can't stop touching himself. Recommended for mature teen readers and up.
Luke’s been kicked in the teeth by fate enough to know: nice guys finish last. He’s done being nice and waiting for his due. Finding Bethony, another potential Mate, was supposed to be his chance at a true Mate. However, she’s young and afraid and needs time to get to know him first. Bethony has different plans. She’s willing to Claim Luke but only to stop her terrifying dreams; she’s not interested in love or romance. The closer the pair get to the Compound, the deeper the danger becomes. Luke isn’t the only wolf looking for Bethi. He must choose between Bethi’s safety and peace of mind or his dream of finding a true Mate.
Brace yourself for a three-book intro to a world filled with action, humor, and heaps of shifter romance! Every millennium, six uniquely gifted women are born to keep the balance between the races. While humans think they are alone, the werewolves are barely surviving, and a third race responsible for culling their numbers remains hidden from all. This bundle contains three books: Hope(less) - With her abilities, Gabby the discovers the existence of werewolves and others like her. She is the spark that ignites an inescapable fate for six uniquely gifted women. (Mis)fortune - Tormented by her predictions, Michelle escapes from the creatures who seek to use her only to run straight into the arms of another beast. However, this one isn’t what he seems. (Un)wise - Bethi, the keeper of past lives, fights the truth of who she is and what she needs to do when one of the werewolves finds her. But there’s no hiding from her destiny. She is the key to bring them all together.
Thomas’ race is dying. To protect those left, the Elders create a safe haven. However, the safety of their sanctuary is threatened by the cause of their kind’s decline. A human. But, she’s not like the rest; and despite his hatred of humans, Thomas wants her for his own. When females start dying while trying to reach safety, Thomas realizes it’s no longer just humans who pose a threat, but desperate males. Thomas must secure his place at Charlene’s side as leader of sanctuary, or everything they’ve worked together to build will crumble, and any hope of a future for Thomas’s race will die.
Surveying the state of American ballet in a 1913 issue of McClure's Magazine, author Willa Cather reported that few girls expressed any interest in taking ballet class and that those who did were hard-pressed to find anything other than dingy studios and imperious teachers. One hundred years later, ballet is everywhere. There are ballet companies large and small across the United States; ballet is commonly featured in film, television, literature, and on social media; professional ballet dancers are spokespeople for all kinds of products; nail polish companies market colors like "Ballet Slippers" and "Prima Ballerina;" and, most importantly, millions of American children have taken ballet class. Beginning with the arrival of Russian dancers like Anna Pavlova, who first toured the United States on the eve of World War I, Ballet Class: An American History explores the growth of ballet from an ancillary part of nineteenth-century musical theater, opera, and vaudeville to the quintessential extracurricular activity it is today, pursued by countless children nationwide and an integral part of twentieth-century American childhood across borders of gender, class, race, and sexuality. A social history, Ballet Class takes a new approach to the very popular subject of ballet and helps ground an art form often perceived to be elite in the experiences of regular, everyday people who spent time in barre-lined studios across the United States. Drawing on a wide variety of materials, including children's books, memoirs by professional dancers and choreographers, pedagogy manuals, and dance periodicals, in addition to archival collections and oral histories, this pathbreaking study provides a deeply-researched national perspective on the history and significance of recreational ballet class in the United States and its influence on many facets of children's lives, including gender norms, consumerism, body image, children's literature, extracurricular activities, and popular culture.
It happens all the time: you're watching the Champion's League, pondering Robert Kilroy Silk's unnatural glow, reading the latest newspaper debate about EU bendy banana laws, and thinking: what's really going on in Europe? Does anyone actually know what they're talking about? And where are Riga and Vilnius anyway? You needn't worry any more. With this armchair guide you'll discover the strange and fascinating world that calls itself Europe - without ever having to leave your own home. There are insights into culture (how to join the Finns beating themselves with birch twigs in the sauna); the lowdown on the people that matter (porn stars turned politicians in Italy); fascinating facts and explanations of historical rifts (and you thought the relationship between Britain and France was bad). You'll find out how to talk like Berlusconi, unravel the workings of the EU and guide yourself from the Baltics to Belgium, Portugal to Poland. The Armchair Diplomat: Europe offers the basics of euro-education for very little pain. Perfect for slackers with a passion for travel.
The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States. BEST CLASSICAL MUSIC BOOK RELEASE OF 2019 by Classical-music.com, the official website of BBC Music Magazine. 2019 SUMMER READS ABOUT CLASSICAL MUSIC by the Australian Broadcasting Corporation. 2019 BEST BOOK AWARD FINALIST in both the History and Performing Arts categories, sponsored by American Book Fest. 2019 SUBVENTION AWARD by the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. One of the cherished narratives of American history is that of the Statue of Liberty welcoming immigrants to its shores. Accounts of the exclusion and exploitation of Chinese immigrants in the late nineteenth century and Japanese internment during World War II tell a darker story of American immigration. Less well-known, however, is the treatment of German-Americans and Germannationals in the United States during World War I. Initially accepted and even welcomed into American society at the outbreak of war, this group would face rampant intolerance and anti-German hysteria. Melissa D. Burrage's book illustrates this dramatic shift in attitude in her engrossing narrative of Dr. Karl Muck, the celebrated German conductor of the Boston Symphony Orchestra, who was targeted and ultimately disgraced by a New York Philharmonic board member and by capitalists from that city who used his private sexual life as a basis for having him arrested, interned, and deported from the United States. While the campaign against Muck made national headlines, and is the main focus of this book, Burrage also illuminates broader national topics such as: Total War; State power; vigilante justice; internment and deportation; irresponsible journalism; sexual surveillance; attitudes toward immigration; anti-Semitism; and the development of America's musical institutions. The mistreatment of Karl Muck in the United States provides a narrative thread that connects these various wartime and postwar themes. MELISSAD. BURRAGE, a former writing consultant at Harvard University Extension School, holds a Master's Degree in History from Harvard University and a PhD in American Studies from University of East Anglia. Support for thispublication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.
Exploring how the discrediting of Boucher and his school intersected with cultural debates about gender and class, this account of Boucher's art should persuade critics and admirers alike to take another, more considered look.
With the creation of the European Union and the introduction of the Euro, Europe has undergone a dizzying transformation recently—so much so that even Europeans are scratching their heads. Melissa Rossi brings US readers up to date on what has changed—and what makes each country tick. Which European nation most adores nuclear energy? Which country’s residents are by far the richest? Which prominent leader was once a taxi driver? Why are the typically calm Dutch getting twitchy? What happened to Czechoslovakia? With her trademark investigative flair and wry humor, Rossi gives the inside scoop on every nation in the European Union, with vital facts about local culture, politics, tourist attractions and recent events. From Portugal to Poland, What Every American Should Know About Europe is a no holds barred, humorous and comprehensive guide for anyone interested in what our transatlantic cousins are up to these days.
At the turn of the 18th century, Amsterdam is at the centre of an intellectual revolution, with artists and scientists racing to record the wonders of the natural world. Of all the brilliant naturalists in Europe, Maria Sibylla Merian is one of its brightest stars. For as long as she can remember, Dorothea Graff's life has been lived in service to her mother, Maria: from collecting insects to colouring illustrations for Maria's world-famous publications. While Dorothea longs for a life that is truly her own, she constantly finds herself drawn back into her mother's world - and shadow. When Maria becomes entranced by the plant and insect life of Suriname, she is determined to record it for herself. At just twenty years old, Dorothea decides to join her on this once-in-a-lifetime journey. All the family's savings are ploughed into the dangerous expedition, but greatness is never achieved without sacrifice. The Metamorphosis of the Insects of Suriname will be Maria's masterpiece, but ensuring its legacy - and her own survival - will become her daughter's burden. When offered a chance of happiness, will Dorothea have the courage to take it, and risk everything her mother built? From the jungles of South America to the bustling artists' studios of Amsterdam, Melissa Ashley charts an incredible period of discovery. With stunning lyricism and immaculate research, The Naturalist of Amsterdam gives voice to the long-ignored women who shaped our understanding of the natural world - both the artists and those who made their work possible.
This innovative resource describes how teachers can help students employ "literacy tools" across the curriculum to foster learning. The authors demonstrate how literacy tools such as narratives, question-asking, spoken-word poetry, drama, writing, digital communication, images, and video encourage critical inquiry in the 5-12 classroom. The book provides many examples and adaptable lessons from diverse classrooms and connects to an active Website where readers can join a growing professional community, share ideas, and get frequent updates: http://literacytooluses.pbworks.com
A transnational history of corporatism-a "third path" between capitalism and communism-centered on mid-twentieth century Brazil. Following the First World War, there was a widespread feeling that the unchecked free-market competition had given rise to financial crisis, social unrest, and chronic underdevelopment. With people and governments across the world looking for an alternative to laissez-faire capitalism, Brazil took a central role in experimenting with a "third path" between capitalism and communism: corporatism. Remaking Capitalism: A Global History of Corporatism in Brazil, 1920s-1960s argues that corporatism transformed the Brazilian state into an agent of economic development, and it explains why it matters that this transformation was engineered under an authoritarian regime. Melissa Teixeira incorporates wide-ranging legal, economic, and cultural sources to document the process of state-building from the perspective of government ministries and grocery markets alike from 1917 to the 1950s. During the Getulio Vargas regime (1930-45), especially, the state took an unprecedented role in controlling social pressures and economic growth via wage and price agencies, labor tribunals and technical councils. Teixeira looks beyond categorical authoritarianism to explain how corporatism constituted an early experiment with the mixed economy as a path to development, combining state planning with a market economy. Corporatism, she shows, generated a model of development dependent on uneven and unequal citizenship, in which economic interests-and not individuals-organized and petitioned through the state. With Brazil at the center of this story of economic experimentation, Remaking Capitalism centers the Global South in the longer history of the production of economic thought. Drawing comparisons with the United States, Italy, and Portugal, Teixeira offers a transnational history of this important interwar attempt to create a third way between capitalism and communism"--
Art Deco buildings still lift their modernist principles and streamlined chrome into the skies of Baltimore and Washington, D.C. Second Place Winner of the Design and Effectiveness Award of the Washington Publishers The bold lines and decorative details of Art Deco have stood the test of time since one of its first appearances in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925. Reflecting the confidence of modern mentality—streamlined, chrome, and glossy black—along with simple elegance, sharp lines, and cosmopolitan aspirations, Art Deco carried surprises, juxtaposing designs growing out of speed (racecars and airplanes) with ancient Egyptian and Mexican details, visual references to Russian ballet, and allusions to Asian art. While most often associated with such masterworks as New York’s Chrysler Building, Art Deco is evident in the architecture of many U.S. cities, including Washington and Baltimore. By updating the findings of two regional studies from the 1980s with new research, Richard Striner and Melissa Blair explore the most significant Art Deco buildings still standing and mourn those that have been lost. This comparative study illuminates contrasts between the white-collar New Deal capital and the blue-collar industrial port city, while noting such striking commonalities as the regional patterns of Baltimore’s John Jacob Zinc, who designed Art Deco cinemas in both cities. Uneven preservation efforts have allowed significant losses, but surviving examples of Art Deco architecture include the Bank of America building in Baltimore (now better known as 10 Light Street) and the Uptown Theater on Connecticut Avenue NW in Washington. Although possibly less glamorous or flamboyant than exemplars in New York or Miami, the authors find these structures—along with apartment houses and government buildings—typical of the Deco architecture found throughout the United States and well worth preserving. Demonstrating how an international design movement found its way into ordinary places, this study will appeal to architectural historians, as well as regional residents interested in developing a greater appreciation of Art Deco architecture in the mid-Atlantic region.
In Curbing Traffic: The Human Case for Fewer Cars in Our Lives, mobility experts Melissa and Chris Bruntlett chronicle their experience living in the Netherlands and the benefits that result from treating cars as visitors rather than owners of the road. They weave their personal story with research and interviews with experts and Delft locals to help readers share the experience of living in a city designed for people. Their insights will help decision makers and advocates to better understand and communicate the human impacts of low-car cities: lower anxiety and stress, increased independence, social autonomy, inclusion, and improved mental and physical wellbeing. Curbing Traffic provides relatable, emotional, and personal reasons why it matters and inspiration for exporting the low-car city.
This stunning sequel to Brigitte Jordan’s landmark Birth in Four Cultures brings together the work of fifteen reproductive anthropologists to address core cultural values and knowledge systems as revealed in contemporary birth practices in Brazil, Greece, Japan, Mexico, the Netherlands, New Zealand, Tanzania, and the United States. Six ethnographic chapters form the heart of the book, three of which are set up as dyads that compare two countries; each demonstrates the power of anthropology’s cross-cultural comparative method. An additional chapter with ethnographic vignettes gives readers a feel for what fieldwork is really like on the ground. The eminently readable, theoretically rich chapters are enhanced by absorbing stories, photos, quotes, thought questions, and film suggestions that nudge the reader toward eureka flashes of understanding and render the book suitable for undergraduate and graduate audiences alike.
Nutrition for the Older Adult is a clear, comprehensive text that introduces students to nutrition and health promotion for older adults. Covering such important topics as the physiological changes of aging, weight and nutrition problems in older adults, nutritional assessment and support for the elderly, and diet and cultural diversity as well as exercise prescriptions for older adults, this text is an essential resource for students in the fields of nutrition, nursing, and gerontology.
Some deals can’t be broken. According to the family curse, Tessa has until her next birthday to select her future husband. However, choosing would mean his premature death. Unwilling to condemn any man to that fate, Tessa searches for an explanation behind the curse and the rules that dictate her life. What she learns is more terrifying than she could have imagined. A demon brokered a deal with her ancestor in exchange for a companion, and he's come to collect. Tessa has a choice to make. Pay the debt or condemn a man to death. Her time to decide is running out, and as she’s learned, breaking the family rules always has consequences.
They kept me prisoner for four years, using me for my predictions. They thought they had me subdued, meekly following orders, but they were wrong. I was waiting for a chance to run. I had to be careful, though. They had my brothers, and the leader wasn’t exactly human. The sudden death of her stepfather gives Michelle the only chance she may ever have to escape, and she takes it. She needs a place to hide and someone to listen to her predictions so her head doesn’t explode. Yet, there’s nowhere she can hide and no one to protect her from the monsters pursuing her. Then, she meets Emmitt. He’s calm, kind, caring…and a werewolf. If she can find a way to trust him, he might be able to do more than just keep her safe. He might be the one who can help her fight for answers about her gift and the other women like her.
Don't hide, and never run. I was fine existing on copious amounts of chocolate. But, thanks to Fenris’s less than helpful intervention, Mom’s building a nightclub named “Man-beef Buffet.” My hell is only beginning. Hounded by the Academy's guidance counselor, smothered by her mother, and harassed by a perverted brownie, Eliana’s patience for well-meaning help is thinning. She has more important matters on her plate. Like, dealing with the repercussions of a backfired spell while avoiding the local, hot werewolf. When something starts stalking her, Eliana decides she’d done playing by everyone else’s rules. She might be afraid to feed, but she’s far from weak. The beast pursuing her will soon feel what it’s like when the hunter becomes the hunted. Warning: Contains a starving succubus with violent reactions to sex toys, a loving mom who supports nudism, and a brownie with fertility issues. Recommended for mature teen readers and up.
The final Judgement is here... My sisters hate their gifts, but they don’t know how lucky they are. They have a home and family. I have nothing. But, I am Courage, and I know my purpose. I exist for one reason only: to complete the Judgement. Olivia is blind, yet sees. And what she sees, she keeps to herself. Her father conspires for control while Olivia does her own plotting with forces that only she understands. Now, time is running out, and choices that will impact the world must be made. Book 6 of 6 in the Judgement of the Six series Book 6 of 6 in the Judgement of the Six Companion series
Over 250,000 copies downloaded! Freedom is so close Gabby can taste it. After years of meeting single werewolves and successfully dodging the mating bullet, she's on her way to her last Introduction to say "No, thanks" one final time. As a human, she has no plans to attach herself to a werewolf. But, she didn’t count on meeting Clay. With a single look, Gabby knows Clay is the one. And, unfortunately, he knows it too. The silent, ruggedly-handsome werewolf is determined to win his mate by any means necessary. Gabby does what any sane girl would do and runs. Not only does Clay follow, but something truly dangerous does as well. Now, hunted for the secrets she’s spent her whole life protecting, Gabby must turn to the one man she didn't want for the help she needs. Time is running out to discover who or what wants her, and Gabby’s just starting to realize there’s more at stake than the heart and freedom of one human girl. Fans of Dannika Dark, K.F. Breene, and Stephenie Meyer won't want to miss this immersive world of werewolves and mayhem filled with all the romance and hot alpha maleness you're looking for. Download today! Complete series order: Hope(less) (Mis)fortune (Un)wise (Un)bidden (Dis)content (Sur)real
I hate. I thought I hated before the letter, before the werewolves, but now I understand that was nothing more than a chip on my shoulder. The urbat took what was mine. And, they will pay. Isabelle leads a very normal life...for an emotional syphon. If not for Ethan and his bar, she would have lost her sanity long ago. But everything changes with the crash of her fighting cage and a man who transforms into a wolf. There’s something about Carlos—when he’s not growling at her—that makes her do things she wouldn’t normally do, like sigh and daydream. Attraction aside, she is faced the very real evidence that werewolves and urbat exist, and the urbat are after her. And the only way she can keep Ethan safe is to join with the werewolves and Carlos. It’s a race against time to stop a war, fight for love, and find the last Judgement.
Don’t pet my dragon. He bites. I’m no princess, and Vidar is no prince. Yet, I was no less royally screwed the minute I asked him for help. Turns out, granting that kind of favor makes us dragon bound, and that’s something I did not sign up for. For the last year and a half, Kelsey and her sister have been on the run from a fate worse than death. Unfortunately, their hard-won safety in a town filled with mythical creatures shatters when the world starts shaking and their past catches up to them. In a desperate moment, Kelsey asks her angry and hot-as-sin neighbor for help. If only she’d known dragons protect for life. What the heck is she supposed to do with a surly dragon?
The story of finding my Mate starts like a bad bar joke--a woman walked into a diner. If only the punch line made it better. But it doesn't. She's running and scared and keeping a secret. One of my kind, a werewolf, had kept her prisoner for years. What he did is unforgivable. What I'll do when I find him will be far worse.
Power isn’t everything. But in Uttira, it’s all that matters. The truth is harder to face than I ever imagined. I’ve made too many mistakes to count. So, no more failures. No more running. It’s time to embrace what I am. Eliana thought she had everything under control. However, she discovered just how wrong she was. She’s been feeding from Fenris in her sleep, and now he’s bound to her in ways she never wanted. She knows she needs to let him go; yet with him, she could have the one thing she’s secretly wanted. A mate for life. To make matters worse, Adira pushes her to enjoy Fenris while Raiden is doing everything possible to keep the two apart. Including bringing back the one person who would willingly kill Eliana to have Fenris for herself. Tired of it all, Eliana does what she’s been fighting not to do for so long: She embraces what she is. It’s time for the people in power to feel what it’s like to be a puppet. And when she’s done, the world will be on its knees. Warning: Contains an affection-starved werewolf, a brownie fond of public exhibition, and a succubus on the edge.
Hades sleeps no more. I woke the god of the underworld and paid his price for a chance to win my freedom. A kiss. Just one. But since surrendering his fee, I can’t stop thinking about doing it again. I am in so much trouble. Convincing Hades that she’s human is proving more difficult than Ashlyn imagined. The sexy king of Hell believes she’s playing games by withholding what he truly wants: Her. He alternates between outrageous promises to lay the world at her feet and demands for the affection he craves. He doesn’t ask for much. Just…everything. Even as she denies him, Ashlyn’s drawn closer to succumbing to his desires. And when a mysterious immortal with the ability to enter Hell attempts to kill Ashlyn, she knows there’s nowhere safer than within Hades’ protective arms. Now, not only must Ashlyn safeguard her heart from the seductive Hades, she must also figure out who wants her dead before Hades destroys the whole world in her name.
Clay is a man of few human talents. As a wolf, he hunts well and can fight off a grizzly twice his size, but has no aspirations. The idea of a Mate isn’t something he has ever seriously entertained. Dreamed about, maybe, but he knows the chances are nearly non-existent. Then he meets Gabby, a human girl. She hates him at first sight, yet he can’t let her go. Who he was is no longer important. Now, who he needs to become to win her over is the only thing that matters.
The dreams start, and Bethi’s very normal life goes down the toilet. She soon realizes the dreams are actually memories from past lives…and not just hers. She sees the lives of other women like her. The recalled memories follow the same terrifying pattern: Dog-men chase her, and she sees her eventual tormented death. Learning from the past, Bethi sets out to find a way to live this time around. The dreams hint at an answer. She needs to be strong enough to find it or die…again.
Carlos has spent his entire life avoiding attachments to individuals and has devoted his time to protecting his race. His childhood taught him that something is out there, threatening the existence of werewolves, and he will let nothing interfere with his vendetta to stop the threat. Physical attachment and vendetta collide when he sees Isabelle. She’s meant to be his Mate and instinct demands that he protect her above all else. However, letting go of his past is as impossible as embracing a future filled with love. Isabelle wants nothing to do with him, except fight with him. Carlos must find a way through her emotional armor and hope, together, they can heal and face the threat.
I left home because I didn't want to end up in a cage like a lab rat. Hitching rides, begging for cash, and sleeping on the ground got old fast. That was the only reason I braved an overgrown path to a group of buildings. I'd hoped to find a bed and a decent night's sleep. However, what I found was a place overrun by werewolves. While on the run, Charlene finds herself surrounded by werewolves, creatures she can't control with her mind like she can humans. Their existence has her believing she's found a safe place to stay, a place where secrets are okay. However, she soon discovers she's anything but safe. Charlene must learn how to use her abilities to influence the strange new species because if she can't, the next bite she suffers might just kill her. Read how the cycle begins, and have no doubt. Charlene's past will shape the future of the Judgements.
Life in Uttira isn't easy for Megan. Knowing what she is hasn't helped her control her temper, an unfortunate personality trait that might just keep her from graduating. Her mood swings don't bother her as much as the weird side effects that come with them. When things start to go up in flames around her, she knows she needs help controlling her abilities. But, the only person with the answers abandoned Megan in Uttira months ago. Megan knows she must find her mother in the real world. However, the only way out of the magical barrier surrounding Uttira is with the mark of Mantirum. A mark she will only receive if she can manage to graduate from Girderon Academy. In order to start her search, Megan needs to learn to control her temper…or die trying.
Megan’s temper lands her in Girderon Academy, an exclusive school founded in a town of misfit supernatural creatures. It’s the one place she should be able to fit in, but she can’t. Instead, she itches to punch the smug sheriff in his face, pull the hair from a pack of territorial blondes, and kiss the smile off the shy boy’s face. Unfortunately, she can’t do any of that, either, because humans are dying and all clues point to her. With Megan’s temper flaring, time to find the real killer and clear her name is running out. As much as she wants to return to her own life, she needs to embrace who and what she is. It’s the only way to find and punish the creature responsible.
The dreams start, and Bethi’s very normal life goes down the toilet. She soon realizes the dreams are actually memories from past lives…and not just hers. She sees the lives of other women like her. The recalled memories follow the same terrifying pattern: Dog-men chase her, and she sees her eventual tormented death. Learning from the past, Bethi sets out to find a way to live this time around. The dreams hint at an answer. She needs to be strong enough to find it or die…again.
I hate. I thought I hated before the letter, before the werewolves, but now I understand that was nothing more than a chip on my shoulder. The urbat took what was mine. And, they will pay. Isabelle leads a very normal life...for an emotional syphon. If not for Ethan and his bar, she would have lost her sanity long ago. But everything changes with the crash of her fighting cage and a man who transforms into a wolf. There's something about Carlos-when he's not growling at her-that makes her do things she wouldn't normally do, like sigh and daydream. Attraction aside, she is faced the very real evidence that werewolves and urbat exist, and the urbat are after her. And the only way she can keep Ethan safe is to join with the werewolves and Carlos. It's a race against time to stop a war, fight for love, and find the last Judgement.
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