The stomping of black-booted automatons; the drums beating in tune to murderous chants of hatred a retentive memory of a little girl has captured it all. Her early, serene Munich childhood wiped out: a school in flame, a journey alone to England ahead. Gone is the school she loved. Parted from her adored father with whom she endured prison and worse. Stored away safely is her memory of GRAF ZEPPELIN, the hideous faces of the Nazi leaders and her love of Munich. KINDERTRANSPORT to England aged nine without friend or language leaves her traumatised unused as she is to cope with caring for herself. Stays at holiday camps; with a kind, generous Jewish family in London, then it is off once more with Jewish schoolchildren to Bedfordshire weeks before WW2. A love affair begins with the English country-side and its animal inhabitants. Evacuated to an ancient farm house with no amenities whatever, where she is joined by her pious old grandmother, she settles down to school-life in this strictly orthodox school, new friends all refugees. Through her father, a well-known poet, she discovers what is happening to Jews in Europe early on and her faith is shattered. A contrasting tale of two childhoods, one recalling a deceptively idyllic beginning; the other an awakening in a strange but charitable land and the forever haunting realisation of what has been done to her people. This is a unique portrait of childhood.
Annie Ehrlich, a woman of a certain age, born in Munich is the only Holocaust survivor of her family. She is living contentedly with her husband and writes for various journals. Through her work she has contact with the publisher of Jacob Jabot, revisionist historian and fervent holocaust denier. A chance meeting with this vile man convinces her that the world must be rid of him and that she must be the one to do it. At the Munich Opera House, during the performance of Gotterdammerung, Jabot falls into her honey trap and invites her home. A dense phantasmagoria of sexual power play and revenge follows, during which the reader is taken on a journey through the darkest hours of European history as seen through the eyes of one of its hapless victims, through the post war years of rebuilding and rebirth and back into a present that flickers between the real and the imaginary, the desired and the feared. Nemesis is at turns literary autobiography, wish fulfilment and poignant commentary on the basest human emotions by an author who herself lived through the madness of Nazi Germany.
The stomping of black-booted automatons; the drums beating in tune to murderous chants of hatred a retentive memory of a little girl has captured it all. Her early, serene Munich childhood wiped out: a school in flame, a journey alone to England ahead. Gone is the school she loved. Parted from her adored father with whom she endured prison and worse. Stored away safely is her memory of GRAF ZEPPELIN, the hideous faces of the Nazi leaders and her love of Munich. KINDERTRANSPORT to England aged nine without friend or language leaves her traumatised unused as she is to cope with caring for herself. Stays at holiday camps; with a kind, generous Jewish family in London, then it is off once more with Jewish schoolchildren to Bedfordshire weeks before WW2. A love affair begins with the English country-side and its animal inhabitants. Evacuated to an ancient farm house with no amenities whatever, where she is joined by her pious old grandmother, she settles down to school-life in this strictly orthodox school, new friends all refugees. Through her father, a well-known poet, she discovers what is happening to Jews in Europe early on and her faith is shattered. A contrasting tale of two childhoods, one recalling a deceptively idyllic beginning; the other an awakening in a strange but charitable land and the forever haunting realisation of what has been done to her people. This is a unique portrait of childhood.
Annie Ehrlich, a woman of a certain age, born in Munich is the only Holocaust survivor of her family. She is living contentedly with her husband and writes for various journals. Through her work she has contact with the publisher of Jacob Jabot, revisionist historian and fervent holocaust denier. A chance meeting with this vile man convinces her that the world must be rid of him and that she must be the one to do it. At the Munich Opera House, during the performance of Gotterdammerung, Jabot falls into her honey trap and invites her home. A dense phantasmagoria of sexual power play and revenge follows, during which the reader is taken on a journey through the darkest hours of European history as seen through the eyes of one of its hapless victims, through the post war years of rebuilding and rebirth and back into a present that flickers between the real and the imaginary, the desired and the feared. Nemesis is at turns literary autobiography, wish fulfilment and poignant commentary on the basest human emotions by an author who herself lived through the madness of Nazi Germany.
Crime, Deviance and Society: An Introduction to Sociological Criminology offers a comprehensive introduction to criminological theory. The book introduces readers to key sociological theories, such as anomie and strain, and examines how traditional approaches have influenced the ways in which crime and deviance are constructed. It provides a nuanced account of contemporary theories and debates, and includes chapters covering feminist criminology, critical masculinities, cultural criminology, green criminology, and postcolonial theory, among others. Case studies in each chapter demonstrate how sociological theories can manifest within and influence the criminal justice system and social policy. Each chapter also features margin definitions and timelines of contributions to key theories, reflection questions and end-of-chapter questions that prompt students reflection. Written by an expert team of academics from Australia, New Zealand and the United Kingdom, Crime, Deviance and Society is a highly engaging and accessible introduction to the field for students of criminology and criminal justice.
The Voice of America (VOA) is the oldest and largest U.S. government-funded international media organization. In 2020, Donald Trump nominated Michael Pack, a right-wing documentarian and close friend of Steve Bannon, to lead the organization and curb what Trump saw as the network's overly negative reporting on the U.S. During the seven months that Pack oversaw the agency, more than 30 whistleblowers filed complaints against him, a judge ruled that he had infringed journalists' constitutional right to freedom of speech, and he refused to respond to a subpoena issued by the Senate Committee on Foreign Relations. How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? What were the effects on news output? And what can we learn from this situation about how to protect media freedom in the future? Capturing News, Capturing Democracy puts these events in historical and international context--and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding. Drawing from in-depth interviews with network managers and journalists, and analysis of private correspondence and internal documents, Wright, Scott, and Bunce analyze how political appointees, White House officials, and right-wing media influenced VOA changing its reporting of the Black Lives Matter movement, the presidential election, and its contested aftermath. The authors stress that leaving the VOA unprotected opens it and other public media to targeting by authoritarian leadership and poses serious risks to US democracy. Further, they offer practical recommendations for how to protect the network and other international public service media better in the future.
The search for a missing boy and his dog illuminiates the inner lives of a multitude of individuals with charged needs and desires; a confession of faith, and a love song to the world.
From the world’s most repressive state comes rare good news: the escape to freedom of a small number of its people. It is a crime to leave North Korea. Yet increasing numbers of North Koreans dare to flee. They go first to neighboring China, which rejects them as criminals, then on to Southeast Asia or Mongolia, and finally to South Korea, the United States, and other free countries. They travel along a secret route known as the new underground railroad. With a journalist’s grasp of events and a novelist’s ear for narrative, Melanie Kirkpatrick tells the story of the North Koreans’ quest for liberty. Travelers on the new underground railroad include women bound to Chinese men who purchased them as brides, defectors carrying state secrets, and POWs from the Korean War held captive in the North for more than half a century. Their conductors are brokers who are in it for the money as well as Christians who are in it to serve God. The Christians see their mission as the liberation of North Korea one person at a time. Just as escaped slaves from the American South educated Americans about the evils of slavery, the North Korean fugitives are informing the world about the secretive country they fled. Escape from North Korea describes how they also are sowing the seeds for change within North Korea itself. Once they reach sanctuary, the escapees channel news back to those they left behind. In doing so, they are helping to open their information-starved homeland, exposing their countrymen to liberal ideas, and laying the intellectual groundwork for the transformation of the totalitarian regime that keeps their fellow citizens in chains.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.