This volume in the Studying World Religions series is an essential guide to the study of Judaism. Clearly structured to cover all the major areas of study, including historical foundations, scripture, worship, society, material culture, thought and ethics, this is the ideal study aid for those approaching Judaism for the first time. Studying Judaism offers readers the chance to engage with a religious tradition as a diverse, living phenomenon. Its approach is 'critical' in two major respects: its use of the dimensional approach to the study of religions as an interpretive framework, and its focus on matters perceived as problematic by insider and/or outsider commentators, such as gender, demography, geo-politics, the 'museumization' of Jewish cultures and its impact on religion and identity. This book is the perfect companion for the fledgling student of Judaism.
Quantum Computing for the Brain argues that the brain is the killer application for quantum computing. No other system is as complex, as multidimensional in time and space, as dynamic, as less well-understood, as of peak interest, and as in need of three-dimensional modeling as it functions in real-life, as the brain.Quantum computing has emerged as a platform suited to contemporary data processing needs, surpassing classical computing and supercomputing. This book shows how quantum computing's increased capacity to model classical data with quantum states and the ability to run more complex permutations of problems can be employed in neuroscience applications such as neural signaling and synaptic integration. State-of-the-art methods are discussed such as quantum machine learning, tensor networks, Born machines, quantum kernel learning, wavelet transforms, Rydberg atom arrays, ion traps, boson sampling, graph-theoretic models, quantum optical machine learning, neuromorphic architectures, spiking neural networks, quantum teleportation, and quantum walks.Quantum Computing for the Brain is a comprehensive one-stop resource for an improved understanding of the converging research frontiers of foundational physics, information theory, and neuroscience in the context of quantum computing.
This book explores the retelling of the life of Moses in three 20th-century American narratives: Moses in Red, by Lincoln Steffens; Moses, Man of the Mountain, by Zora Neale Hurston; and Cecil B. DeMille's film, The Ten Commandments. Wright's analysis reveals that the figure of Moses has strong currency in American culture at many levels.
From silent films to contemporary blockbusters, religion has always proved a popular theme for the cinema. However, all too often religion and film are discussed from narrowly confessional perspectives, with the result that the field has long been dominated by the question of a film's fidelity to a religious text or worldview, or its value as a tool in ministry and mission. "Religion and Film: An Introduction" seeks to redress this balance, and argues for a new, holistic approach to the subject that draws on work from cultural studies, religious studies and film studies alike. Wright argues that the 'meanings' of a film are not encoded by its textual organisation, but are bound up with its interpretation by viewers in specific contexts. Focusing on religiously diverse films like "The Ten Commandments", "La Passion de Jeanne d'Arc", "Kadosh", "Lagaan", "My Son the Fanatic", "Keeping the Faith", "The Wicker Man" and Mel Gibson's "The Passion of The Christ", the author looks at varied screen representations of religion; at films shaped by strong convictions about the place of religion in society; and at the roles that audiences play as consumers of film. The book will have strong appeal to students as well as general readers interested in all aspects of the inter-relationship of religion and the cinema.
From silent films to contemporary blockbusters, religion has always proved a popular theme for the cinema. However, all too often religion and film are discussed from narrowly confessional perspectives, with the result that the field has long been dominated by the question of a film's fidelity to a religious text or worldview, or its value as a tool in ministry and mission. "Religion and Film: An Introduction" seeks to redress this balance, and argues for a new, holistic approach to the subject that draws on work from cultural studies, religious studies and film studies alike. Wright argues that the 'meanings' of a film are not encoded by its textual organisation, but are bound up with its interpretation by viewers in specific contexts. Focusing on religiously diverse films like "The Ten Commandments", "La Passion de Jeanne d'Arc", "Kadosh", "Lagaan", "My Son the Fanatic", "Keeping the Faith", "The Wicker Man" and Mel Gibson's "The Passion of The Christ", the author looks at varied screen representations of religion; at films shaped by strong convictions about the place of religion in society; and at the roles that audiences play as consumers of film. The book will have strong appeal to students as well as general readers interested in all aspects of the inter-relationship of religion and the cinema.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. This book describes and defines inclusive research, outlining how to recognize it, understand it, do it, and know when it is done well. In doing so it will address the areas of overlap and distinctiveness in relation to participatory, emancipatory, user-led and partnership research as well as exploring the various practices encompassed within each of these inclusive approaches. The book will focus on how and why more inclusive approaches to research have evolved. It will position inclusive research within the key debates and shifts in policy, define key ideas and terms, disuss the contested nature of inclusive research and illustrate a range of approaches using examplars. The aim is to discuss the range of challenges involved and to examine the degree to which these challenges have so far been met.
This volume in the Studying World Religions series is an essential guide to the study of Judaism. Clearly structured to cover all the major areas of study, including historical foundations, scripture, worship, society, material culture, thought and ethics, this is the ideal study aid for those approaching Judaism for the first time. Studying Judaism offers readers the chance to engage with a religious tradition as a diverse, living phenomenon. Its approach is 'critical' in two major respects: its use of the dimensional approach to the study of religions as an interpretive framework, and its focus on matters perceived as problematic by insider and/or outsider commentators, such as gender, demography, geo-politics, the 'museumization' of Jewish cultures and its impact on religion and identity. This book is the perfect companion for the fledgling student of Judaism.
This book explores the retelling of the life of Moses in three 20th-century American narratives: Moses in Red, by Lincoln Steffens; Moses, Man of the Mountain, by Zora Neale Hurston; and Cecil B. DeMille's film, The Ten Commandments. Wright's analysis reveals that the figure of Moses has strong currency in American culture at many levels.
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