The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic offers a comprehensive analysis of all eight of Cervantes's Ocho comedias (published 1615), moving beyond conventional anti-Lope approaches to Cervantine dramatic practise in order to identify what, indeed, his theatre promotes. Considered on its own aesthetic terms, but also taking into account ontological and socio-cultural concerns, this study compels a re-assessment of Cervantes's drama and conflates any monolithic interpretations which do not allow for the textual interplay of contradictory and conflicting discourses which inform it. Cervantes's complex and polyvalent representation of freedom underpins such an approach; a concept which is considered to be a leitmotif of Cervantes's work but which has received scant attention with regards to his theatre. Investigation of this topic reveals not only Cervantes's rejection of established theatrical convention, but his preoccupation with the difficult relationship between the individual and the early modern Spanish world. Cervantes's comedias emerge as a counter-perspective to dominant contemporary Spanish ideologies and more orthodox artistic imaginings. Ultimately, The Signifying Self seeks to recuperate the Ocho comedias as a significant part of the Cervantine, and Golden-Age, canon and will be of interest and benefit to those scholars who work on Cervantes and indeed on early modern Spanish theatre in general.
What role does dialogue play in peacebuilding? How can community-based activities contribute to broader peace processes? What can participatory research methods add to local efforts to build peace? In this book, the authors examine these questions through their work with two different Colombian communities who have pursued dialogue amidst ongoing violence, environmental injustice and socio-economic challenges. By reflecting on what people in these contrasting places have achieved through participatory peacebuilding, the authors explore different forms of local agency, the prospects for non-extractive academic engagement, and practical and theoretical lessons for participating in peace in other conflict-affected settings.
The little-known story of the mother of Mary, Queen of Scots and her feud with the Tudors: “Will fascinate anyone who loves a simmering, twisting tale” (All About History). Mary, Queen of Scots continues to intrigue both historians and the general public—but the story of her mother, Marie de Guise, is much less well known. A political power in her own right, she was born into the powerful and ambitious Lorraine family, spending her formative years at the dazzling, licentious court of François I. Although briefly courted by Henry VIII, she instead married his nephew, James V of Scotland, in 1538. James’s premature death four years later left their six-day-old daughter, Mary, as queen, and presented Marie with the formidable challenge of winning the support of the Scottish people and protecting her daughter’s threatened birthright. Content until now to remain in the background and play the part of the obedient wife, Marie spent the next eighteen years effectively governing Scotland—devoting her considerable intellect, courage, and energy to safeguarding her daughter’s inheritance by using a deft mixture of cunning, charm, determination, and tolerance. This biography, from the author of Marie Antoinette: An Intimate History, tells the story and offers a fresh assessment of this most fascinating and underappreciated of sixteenth-century female rulers.
Postcoloniality, Globalization, and Diaspora: What’s Next? looks forward within the field of postcolonial studies and goes beyond the notion of hybridity and postcolonial reason beyond just portraying it.This volume offers a futuristic vision going beyond the common paradigms of postcolonility, diaspora, and globalization, speculating a framework beyond master-slave dialectic. This new paradigm locates a humanitarian space purifying ego through various forms: writing, philosophizing, and theorizing new ideas. Authors focus on writers from Mauritius to India.
This is the story of the Peppers family of Counterpoint, Georgia. Henry and Florida Peppers are pertinacious Baptist parents whose dearest wishes are to keep their asthmatic son Roderick alive and their smart-ass daughter Louise from going to hell. Louise, the little hellion, tells the story. And what a story it is, about how ponderous Henry, hysterical Florida, and hell-bent-for-rebellion Louise, awash in grief after Roderick's death at fifteen, go on living. Steady-at-the-helm, Henry buries himself in his work managing Southern Board, the local cardboard factory. Flamboyant Florida, with a fine-honed knack for losing her cool, redecorates their custom-built house, the Aerie, and takes up painting by numbers. Louise indulges her addictions: at nine, she discovers vanilla extract. After Roderick dies, she adds liquor, food, sex (at sixteen, she seduces a Southern Board laborer), and out-and-out danger, finally, at eighteen running off to join the circus (a carnival, actually). Louise gets to be the clown. THE SCHOOL OF BEAUTY AND CHARM is a daring novel that walks a fine line between high comedy and real tragedy. But at heart, it is a moving portrait of a father and mother, two good-hearted people doing everything wrong to win back their daughter.
Juliet Henry knows nothing about modern art but that doesn't stop her from filling in when there is a sudden vacancy at a prestigious art show. She is surrounded by strangers but among the new faces there is one she knows from her days at the NSA. She can take no comfort in this fact though because the face belongs to a man that was supposedly killed by terrorists years before. Filled with uneasiness at his reappearance, Juliet is not entirely surprised to learn the next morning that Jessop Carmody, former NSA agent, is this time really and truly dead. Time is short and there are a lot of people who might want Jessop Carmody to leave this world. The most pressing question for Juliet is whether the killer wants her dead too.
Merriam Press World War 2 Memoir Series. The beautiful and amazing love letters written by an Irish woman and an American soldier from Lockport, New York, during WWII. This is the second of three volumes and covers 1944. The story continues with very detailed coverage of how the war affected these two people and the people around them. 80 photos, letters, envelopes, documents.
She's back! After an absence of almost a decade, Miss Henry returns in a double mystery more than worthy of a comeback. In this two-in-one mystery, Miss Henry is finding her way in the world of Bay Area haute couture where high tech meets high finance. But before she can say 'NSA', she finds herself summoned back to work by her old employer and stranded in an abandoned mansion in the middle of the Nevada desert with a defector, bitter rivals from the agency, and a crazed killer. Forced into finding the most desperate and final of solutions to her interrupted retirement, Juliet has little time to recover before being hurried back to the devolving situation at the fashion house where she has been hired. No one does pressure problem-solving better than Juliet Henry, but grace under pressure doesn't usually include a body-count. Don't miss the latest heart-pounding installment! Once more, Miss Henry finds herself at odds with her ex-employer, the National Security Agency (NSA). Assigned to identify a mole within the agency, her former controllers send Miss Henry to a remote abandoned mansion in the middle of the dessert which is supposedly functioning as a safehouse for a defector. There she must play a deadly game of cat-and-mouse with a hardened killer while her rivals from the agency are being downsized in a permanent way. Juliet is forced back into the life of spy where dirty tricks are required to avoid taking a dirt nap with her former duplicitous colleagues. Amid the fast and furious world of high fashion, changing hemlines and velvet-gloved larceny, Miss Henry must help Esteban find the bloody needle in the pin cushion at the fashion house before someone ends with scissors in their well-clad back. If you've followed Miss Henry's other adventures in the art world, this is a must read. If you're just browsing the series, there's no better time to make her acquaintance. Buy, beg, or borrow this book today! It will not disappoint you. What Readers Are Saying About Miss Henry In Miss Henry, Melanie Jackson has created another memorable detective and a particularly odious villain. All Ms. Jackson's strengths are on display in this first book of her new series--a smart, irreverent heroine, a cast of eccentric characters, and an interesting milieu for them all to collide in. Reading her books is like eating a box of bon bons--each one is tasty and you find yourself wanting more. ---Harry Squires I have just finished the 5th book in the series and have found every book to be as enjoyable as the first. I look forward to the next books. ---Zalewski Valerie "Lizards on the Brain..."??? Yep, that's a quote directly from Miss Henry...my kind of woman...LOL Enjoy 'cause it's highly recommended... ---Glenda There are currently 15 books in the Miss Henry series. Additional cozy mystery series by Melanie Jackson include Chloe Boston, Butterscotch Jones, Wendover House, Kenneth Mayhew and Jane Blackthorn. About the Author, Melanie Jackson Melanie has written and published over 100 books, available only on Amazon, ranging from paranormal romance to cozy mysteries. She lives in Las Vegas with her loving husband and Butterscotch, the cat.
Merriam Press Military Monograph 137. First Edition (January 2013). In this concluding volume, the war in Europe is winding down and at last comes to an end—but there was another war to be fought—in the Pacific. As her parents continued with their struggle to meet they are faced with an array of new challenges. In September of 1945 they finally do come together, are married and able to take a brief honeymoon before they are separated again for another seven months—until her mother made her way over to the States on the U.S.A.T. Henry Gibbins with a contingent of War Brides in April of 1946. 87 photos and documents.
Juliet Henry, water-color artist and retired agent of the NSA, wouldn't stack up her knowledge of the human heart against the great romantic poets, but she knows a thing or two about human avarice and stupidity. It comes as no great surprise when the small artists' colony of Bartholomew's Woods ends up with a dead resident. Harvey Allen was a professional gossip, hated the length and breadth of the state for his scandal-mongering in the press, and it seemed that one of Juliet's talented but idiosyncratic neighbors had finally had enough of his pernicious tale-bearing and decided to paint him out of the picture. Juliet may sympathize, but she also knows that once a person resorts to murder to hide a secret, chances are good that they may choose to kill again. Can she find the murderer before the killer paints the town red?" --
Juliet Henry is no fan of blackmail but she submits when it is the only way to get to an important art show in Mexico. In return for her passport she must do the NSA a favor and discover if the Nazi war criminal hosting the event has a rare work of art in his stolen collection.
Veterinarian Carly Martin cares for the animals belonging to an eccentric millionaire. When the old man falls into a coma, and Valerie discovers she's to inherit his fortune, the man's illegitimate grandson of accuses her of being a gold digger--until he falls in love with her. Original.
Juliet Henry loved snow. Without snow there was no cross-country skiing. No skiing and there was no Christmas spirit, however feeble, to shine on the bleak winter. While others might scan the December skyline looking for the first Christmas lights in their neighborhood, or search the stores the principal Christmas tree to go up at the mall, or even to hear the first Christmas carol to grace the airwaves, each winter she waited for the weather reports and news of the first fat flakes falling in the mountains. This year the snow and two other events combined to make an alluring vacation and she looked forward both to skiing and attending the Requiem Mass written by her neighbor which was being performed at the Lake Tahoe Celtic Festival. But her plans go awry when she is stranded by a blizzard on a back road and finds herself the only the witness to a murder. Her woes are further compounded when the corpse disappears.
Postcoloniality, Globalization, and Diaspora: What's Next? looks forward within the field of postcolonial studies and goes beyond the notion of hybridity and postcolonial reason beyond just portraying it. This volume offers a futuristic vision going beyond the common paradigms of postcolonility, diaspora, and globalization, speculating a framework beyond master-slave dialectic. This new paradigm locates a humanitarian space purifying ego through various forms: writing, philosophizing, and theorizing new ideas. Authors focus on writers from Mauritius to India.
A vibrant selection of stories from the author of Sweet Hearts and First, Body This selection of Melanie Rae Thon's stories showcases her breathtaking ability to become each one of her characters, to move inside the bodies and minds of the dispossessed. One woman speaks for them all: "I'm your worst fear. But not the worst thing that can happen." In This Light shimmers with grace as a drunk young woman hits a Native American man on a desolate Montana road, a grieving slave murders the white child she nurses and loves, and two throwaway kids dance in the twinkling lights of a Christmas tree in a stranger's house. Thon's searing prose reveals that the radiant heat inside us all is the hope and hunger for love.
Is perception reality? Editor Melanie Metzger investigates the cultural perceptions by and of deaf people around the world in Bilingualism and Identity in Deaf Communities. "All sociocultural groups offer possible solutions to the dilemma that a deaf child presents to the larger group," write Claire Ramsey and Jose Antonio Noriega in their essay, "Ninos Milagrizados: Language Attitudes, Deaf Education, and Miracle Cures in Mexico." In this case, Ramsey and Noriega analyze cultural attempts to "unify" deaf children with the rest of the community. Other contributors report similar phenomena in deaf communities in New Zealand, Nicaragua, and Spain, paying particular attention to how society's view of deaf people affects how deaf people view themselves. A second theme pervasive in this collection, akin to the questions of perception and identity, is the impact of bilingualism in deaf communities. Peter C. Hauser offers a study of an American child proficient in both ASL and Cued English while Annica Detthow analyzes "transliteration" between Spoken Swedish and Swedish Sign Language. Like its predecessors, this sixth volume of the Sociolinguistics in Deaf Communities series distinguishes itself by the depth and diversity of its research, making it a welcome addition to any scholar's library.
A story inspired by the marriage between Charles and Anne Morrow Lindbergh traces the romance between a handsome young aviator and a shy ambassador's daughter whose relationship is marked by wild international acclaim, history-making flights and the world-shocking abduction of their child. 30,000 first printing.
Does a family mystery stand in the way of saving Kip’s best friend? Katherine Pearl Baker—“Kip” for short—is the only child on her family’s rural peach farm. She longs for a pet to ease the loneliness. Unfortunately, her father has an angry opposition to all animals—horses in particular. Why he dislikes them is a confounding mystery. Hiding in the woods on the Fourth of July, Kip encounters a bedraggled donkey with one eye and a floppy ear. Immediately smitten and compelled to protect him, she feeds him biscuits and takes him home. When it is discovered the donkey fled an abusive owner, Kip’s father finally relents, reluctantly allowing him to stay. Kip is elated when her grandfather agrees to help her foster the donkey, who she names “Liberty Biscuit,” along with two emaciated horses removed by the local sheriff from the same home, as the cruelty case goes to court. While caring for the animals, Kip’s happiness is overshadowed by a shocking discovery in a trunk in the family farm’s hayloft—a faded photograph of her father as a boy that reveals secrets long kept. A court order to return the horses, and even worse, Kip’s beloved Liberty Biscuit, to the owner who had starved and beaten them, throws Kip’s world into turmoil. She knows she must find a way to keep them, or she will have betrayed the best friend she has ever had. But saving the animals means risking the complete unraveling of her family as she exposes the long-buried truth about a tragic accident and a hurt like she’s never known before.
In Literature of Place Melanie Simo looks beyond crowded malls and boarded-up storefronts on Main Street to our collective memory, finding answers to these questions in stories, novels, memoirs, poetry, essays, diaries, travel writing, and nature writing that range in origin from New England and the Southern Highlands to Hawaii and in subject from little gardens to lost or reinhabited places in cities, mill towns, deserts, and woodlands. In her consideration of selected American works from 1890 to 1970 - years that mark the closing of the Western frontier and later openings in space exploration, environmental protection, genetic engineering, and cyberspace - Simo uncovers a literature of place and the often-surprising relationship of place to our daily lives."--BOOK JACKET.
The brainchild of children's book mogul Edward Stratemeyer, Nancy Drew was brought to life by two women. In a century- spanning story Rehak traces their roles--and Nancy's--in forging the modern American woman.
A journey across England puts two strangers on the road to love in this contemporary British romance. Winner of the Romantic Novelists’ Association 2016 Contemporary Romantic Novel of the Year Award Celebrity photographer Grace Buchanan always assumed she would inherit her mother’s cottage in Devon. But it turns out she knows far less about her mother than she thought. In order to receive her inheritance, she must now retrace the course of her mother’s life, escorted by a mysterious companion—the handsome and war-weary Royal Marine Alasdair Finn. Travelling across England with a letter from her mother to read at each stop, Grace and Alasdair discover breathtaking landscapes, incredible family secrets, and an undeniable attraction. As her mother’s instructions unfold, the lessons of the past inspire Grace and Alasdair to rethink their futures. But will their trip together end with the last letter, or begin the journey of a lifetime? “Moved me to tears.” —Josephine Cox
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