Living artfully, with integrity, guides my life. I seek to express Truth in personal vision, to communicate honestly with consideration, committed to excellence in all endeavor. I choose to be authentic. -Melanie Gendron Born in Boston, MA, Melanie attended The School of the Museum of Fine Arts, Boston in affiliation with Tufts University. She has developed a unique style rich in symbolism inspired by many cultures. Proficient in a variety of media, Melanie enjoys a renaissance attitude, creating with inspiration her authentic expression of Spirit. Melanie's prize winning artwork is widely exhibited and represented in numerous collections, both public and private. Among her publications are the internationally acclaimed Gendron Tarot, A Journal for Cat Lovers and The Goddess Remembered, a Spiritual Journal. Melanie is a multimedia, multi-tasking, professional artist who has served a variety of clients as: animator, art director, author, book designer, fashion designer, graphic artist, illustrator, poet, painter, portraitist, teacher-metaphysician, intuitive counselor-whatever skill applies to give her best effort. She currently manages Gendron Studios in the Santa Cruz Mountains of California, offering fine and commercial art and tarot products and services, on the web at www.melaniegendron.com, Email gentarot@comcast.net. ENDORSEMENTS: The personified tarot cards in This Fool's Journey talk about themselves, making the archetypes accessible to the reader. The line drawings of the Gendron Tarot major arcana make this book a visual as well as consciously expansive treat. -John Gray, Author of Men Are from Mars, Women Are from Venus Melanie Gendron infuses the 22 major arcana with her own spiritual journey. Her insights make the archetypes come alive. The result is delightful-a book of reflections, poetry, and artwork that reflect her skills as an innovative multimedia artist. -Stewart Florsheim, Author of A Short Fall from Grace and A Split Second of Light The "fool" according to Ms. Gendron, is a manifestation of child-like innocence. Melanie's work is a magical compilation of art, poetry, and everyday experience inspired by Tarot's major arcana. It is an invitation for all of us to awaken to the innocence, fullness, and beauty of life as it is. -Don Lofland, Ph.D., Author of Powerlearning and Thought Viruses Melanie Gendron takes you on a personal voyage of self discovery, This book is a beautiful example of self actualization. Very entertaining. Her latest book This Fool's Journey, will inspire you and stir your imagination, inviting you on the journey as a divine Fool to gain mastery of the Universe. This is a trip worth taking. This is a book well worth having in your collection. -Peggy Black, Author of Morning Messages "We Are Here" Transmissions and Morning Messages Invitations Contained by a cohesive vision, Melanie Gendron partitions her poetically painted rooms, housed in This Fool's Journey. Cleverly calling upon the elemental spirits, she spins cycles in duality's direction, the four corners of life: North and South, East and West, instilled inside our Center. As she shares each Arcana from her personally insightful journey, she weaves hidden names and messages within the patterns of our lives, moving emotions overflowing our empty cup. Melanie Gendron 'geminizes' words with dual meanings, unfolding archetypal visions released to channel the enlightenment of self-actualization and free will through her penetrating poetry. So, "Breathe" in "Shadows" of Pandora's Box while "Dancing with the Demon," "Reaching . . ." "Though Miles Apart," the senses from the "Love" of "My Goddess." -Justin R. Hart, Poetic Author of Harmonic Hart Visions of Goddesses, Angel, Mermaids, and Fairy Tales and The Crystal Kaleidoscope of a Searching Silhouette www.harmonic-hart-visions.com
Allow this spiritual deck and book set to serve as an esoteric tool to expand your consciousness, offer guidance on the road to self-actualization, and ultimately.True Self functioning.
In Thomas Wolfe’sLook Homeward, Angel, Margaret Leonard says, “Never mind about algebra here. That’s for poor folks. There’s no need for algebra where two and two make five.” Moments of mathematical reckoning like this pervade twentieth-century southern literature, says Melanie R. Benson. In fiction by a large, diverse group of authors, including William Faulkner, Anita Loos, William Attaway, Dorothy Allison, and Lan Cao, Benson identifies a calculation-obsessed, anxiety-ridden discourse in which numbers are employed to determine social and racial hierarchies and establish individual worth and identity. This “narcissistic fetish of number” speaks to a tangle of desires and denials rooted in the history of the South, capitalism, and colonialism. No one evades participation in these “disturbing equations,” says Benson, wherein longing for increase, accumulation, and superiority collides with repudiation of the means by which material wealth is attained. Writers from marginalized groups--including African Americans, Native Americans, women, immigrants, and the poor--have deeply internalized and co-opted methods and tropes of the master narrative even as they have struggled to wield new voices unmarked by the discourse of the colonizer. Having nominally emerged from slavery’s legacy, the South is now situated in the agonized space between free market capitalism and social progressivism. Elite southerners work to distance themselves from capitalism’s dehumanizing mechanisms, while the marginalized yearn to realize the uniquely American narrative of accumulation and ascent. The fetish of numbers emerges to signify the futility of both.
Farmers’ markets, veggie boxes, local foods, organic products and Fair Trade goods – how have these once novel, "alternative" foods, and the people and networks supporting them, become increasingly familiar features of everyday consumption? Are the visions of "alternative worlds" built on ethics of sustainability, social justice, animal welfare and the aesthetic values of local food cultures and traditional crafts still credible now that these foods crowd supermarket shelves and other "mainstream" shopping outlets? This timely book provides a critical review of the growth of alternative food networks and their struggle to defend their ethical and aesthetic values against the standardizing pressures of the corporate mainstream with its "placeless and nameless" global supply networks. It explores how these alternative movements are "making a difference" and their possible role as fears of global climate change and food insecurity intensify. It assesses the different experiences of these networks in three major arenas of food activism and politics: Britain and Western Europe, the United States, and the global Fair Trade economy. This comparative perspective runs throughout the book to fully explore the progressive erosion of the interface between alternative and mainstream food provisioning. As the era of "cheap food" draws to a close, analysis of the limitations of market-based social change and the future of alternative food economies and localist food politics place this book at the cutting-edge of the field. The book is thoroughly informed by contemporary social theory and interdisciplinary social scientific scholarship, formulates an integrative social practice framework to understand alternative food production-consumption, and offers a unique geographical reach in its case studies.
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