GREENHILL HOUSE is set in a Residential Treatment Center mainly housing adolescent street kids who have been designated abused, neglected and/or remanded by the courts after being apprehended for criminal behavior. Their treatment, care and recreation is entrusted to professional and line staff who struggle to rehabilitate their charges, most often a frustrating and unrewarding task, further complicated by working under a tyrannical director. The antics of GREENHILL residents are often very funny, the youngsters sometimes tear-provoking and occasionally scary. Dart, Patricia, Bobbie. June and Fatso are just some of the child population whom you will meet and may want to adopt--- if you are unusually strong. You will also get a glimpse into the home-life and condition of some of their physically and mentally damaged parents and their unbearable living environments. This is also the story of sometimes long-winded psychologist Jason Rogowsky PHD, who offers a talented understanding of human psychology, Richerd Corwin MD. psychiatrist whose nickname, Rich, describes his main interest, Allison Blue, MA, a new teacher at Greenhill whose stormy romantic affair with Jason plays a major part in this book, dictatorial Donald Cheaver, residence director, depressed Dr. Seymour Rentwood, EDD, principal of the specialized school attached to the treatment center, among other well- drawn characters, including Reggie Donelly, recreation director, Jasons best friend and Janet, a delightful oppressed secretary. For those interested in the writing, you will find some exceptionally poetic passages and descriptions in this original novel to add to your enjoyment.
This stellar collection of Jewish science fiction and fantasy carries on in the tradition of its companion volume—the enduring classic Wandering Stars—breaking new ground with every story. Trouble with mothers; invading aliens and demons; the arrival of the long-awaited Messiah ... all these phenomena and more are tackled in these tales from a creative group of extraordinary writers. We go to the edges of the universe, finding humor, pain and humanity in the unlikeliest of places and situations. Filled with wit, vigor and sharp insight, this is a fantastic feast for the imagination that will intrigue and delight everyone who picks it up, Jew and non-Jew alike.
Doubts about James Earl Ray, Dr. Martin Luther King’s lone assassin, arose almost immediately after the civil rights leader was fatally shot on the balcony of the Lorraine Motel in Memphis on 4 April 1968. From the start, his aides voiced suspicions that a conspiracy was responsible for their leader’s death. Over time many Americans became convinced the government investigations covered up the truth about the alleged assassin. Exactly what led Ray to kill King continues to be a source of debate, as does his role in the murder. However, Mel Ayton believe the answers to the many intriguing questions about Ray and how conspiracy ideas flourished can now be fully understood. Missing from the wild speculations over the past fifty-two years has been a thorough investigation of the character of King’s assassin. Additionally, the author examines exactly how the conspiracy notions came about and the falsehoods that led to their promulgation. The Man Who Killed Martin Luther King is the first full account of the life of James Earl Ray based on scores of interviews provided to government and non-government investigators and from the FBI’s and Scotland Yard’s files plus the recently released Tennessee Department of Corrections prison record on Ray. Most importantly, the testimony of Anna Sandhu has often been ignored by writers but her story is crucial in gaining an understanding of Ray’s deceptive ways. A courtroom artist, who, after listening to Ray’s story, later married him. Also missing from accounts of the alleged ‘conspiracy’ is the story told to this author by Brushy Mountain State Penitentiary Deputy Warden Rolland H. Cisson, which decisively renders Ray’s claims of innocence to be bogus. In the short-lived freedom he acquired after escaping from the Missouri State Penitentiary in 1967, following being sentenced to twenty years in prison for repeated offenses, he traveled to Los Angeles and decided to seek notoriety as the one who would stalk and kill Dr. King, who he had come to hate vehemently. From the time of King’s murder, the reader will follow Ray to solitary confinement in a Nashville prison. Then, six years later, on 10 June 1977, James Earl Ray again escaped from prison, this time with five others. Ray was the last to be recaptured, having survived only on wheatgerm. Finally, the book relays Ray’s stabbing by several black inmates, then his resulting diagnosis with Hepatitis C, which caused his death twelve years later, in 1998.
Love or legacy – only one can be chosen. “It was going to kill him to say goodbye to one to keep the other, when his family’s legacy already dictated which one he had to choose and which one to let go ...” Jake is set to take the reins as the next cattle king on the largest cattle station in the Northern Territory. With the vultures circling for their piece of his family’s land, and with time running out on Sienna’s work contract, Jake takes on a risky venture. But when a ghost from the past reveals a deep dark secret, it tears Jake’s family apart. And the only woman who can help them is leaving. Will this dusty Cinderella keep her prince? Or will Jake let the love of his life go, breaking both their hearts, in the epic conclusion to this heart-warming outback romance. For a better reading experience, it is recommended you read The Station: Volume One.
Bloodcurdling shrieks, fiendish schemes, deeds of darkness, mayhem and mutilation—we all have a rough idea of what Grand Guignol stands for. But until now it has been hard to find out much more about it than that. According to the American theater historian Mel Gordon, no major history of the theater so much as mentions it, although it is a form of entertainment that held its own on the Paris stage for more than half a century. But Mr. Gordon has made a thorough job of filling the gap."—John Gross, The New York Times Here is the expanded edition of classic outré book, The Grand Guignol, first published in 1988 and now long out of print. Like the original anthology, it includes an illustrated introduction to the theater of Paris and abroad, a breakdown of its stage tricks, a summary of one hundred plots, extensive photo documentation, André de Lord's essay, "Fear in Literature," and two originally produced Grand Guignol scripts. The expanded edition also contains additional graphic and textual material including a color insert of Grand Guignol posters; the 1938 autobiographical account of Maxa, the company's leading female performer entitled "I Am the Maddest Woman in the World"; and the controversial playscript Orgy in the Lighthouse.
This book presents an innovative and novel approach to linguistic semantics, beginning with the idea that language can be described as a system for the expression of linguistic Meanings as particular surface forms or Texts. Semantics is specifically that system of rules that ensures a correct transition from a Semantic Representation of the Meaning of a family of synonymous sentences to the Deep Syntactic Representation of a particular sentence. Framed in the terms of Meaning-Text linguistics, this volume discusses in detail the problems of Semantic Representation including the semantic structure of utterances, the semantics of Causation in English, and communicative, or information, structure. Based on the author's life-long dedication to the study of the semantics and syntax of natural language, this book is a paradigm-shifting contribution to the language sciences whose originality and daring will make it essential reading for linguists, anthropologists, semioticians, and computational linguists.
I am appealing to my Jewish brothers and sisters to help me right some wrongs before we all pay for them. History records how Jews have been persecuted but never really say why. I am telling you why. It is because of the greed of the Jewish power brokers and the discrimination by the rest of us. Here I track a crime family to America and reveal how they took over our money (via the Federal reserve and world banks). They control the media. They control the White House, Congress, and even your life. They assassinated both JFK and RFK, and will kill anyone else who stands up to them. In Oregon, they murdered James Ross and Michael Francke to silence them. That makes me a dead man. I also address Global warming, cosmology, treason, and a lot of other things you thought you knew. This book is enlightening, but it is also shocking. If we sit back and do nothing, we will all pay. History has proven that. Please help.
Musical theatre is an international form, not just an American one. It can take root anywhere. Few people would realise that such hit standards as "The Glow Worm", "Brazil", "Mack the Knife", "I Will Wait for You" and "El Condor Pasa" came from foreign language musicals. ""His research is monumental... This is an important book on a previously undocumented area of musical theatre."" -- Peter Pinne, Stage Whispers ""There's never been a better book for the armchair-traveler-theatergoer."" -- Peter Filichia
This deeply researched book offers a comprehensive analysis of the domestic politics and international consequences of Trump’s foreign policy. Mel Gurtov provides detailed case studies of policy toward key countries and regions, including China, Russia, North Korea, Europe, and the Middle East. He makes a vigorous argument, centered on human-interest priorities and values, for rejecting a foreign policy of neglect and ineptness when it comes to the major issues of our times: climate change, China’s rise, multiple US wars, human rights, authoritarian leadership, and nuclear weapons. Gurtov argues that Trump is a nationalist and illiberal populist whose policy views have been molded chiefly by his business practices, leading to an obsession with “winning,” elevation of ego and loyalty over expertise, and preference for threats over diplomacy. Trump holds to a few simple ideas about the US role in the world: too expensive, too subject to other countries and institutions, and too influenced by “globalist” concerns such as democracy, climate crisis, human rights, and the rule of law. Trump will leave a deeply negative mark on the reputation and credibility of the United States, and on its policy-making process. But Gurtov concludes that a liberal successor should be able to reverse the worst features of the Trump era and restore foreign policy to its true purpose: exemplifying America’s commitment to humane and democratic governance and cooperative economic relations with allies and economic partners.
Ever since Mel Nutig was a young boy in Coney Island, he knew he was profoundly sad. But for a long time, he hadn’t known the word “depression”— and once he had learned it years later, he had no money with which to seek treatment, nor any emotional support from his family. With no way forward but through, he pushed himself to complete the years of college and medical school, rife with loss and hardships. And then, at the age of thirty-two, his high pressure life as an orthopedic surgeon would finally begin... CODE BLUES is a candid memoir about Mel navigating his turbulent life with depression. At seventy-nine years old, he reflects on his journeys through the darkest valleys and coming out alive on the other side. Living through a childhood in an isolating, low-income household, years of medical training overseas, success as an orthopedic surgeon, and his retirement — Dr. Nutig spares no details about the storm clouds that have hung over his entire life, sharing his story to give hope and encouragement to others. Full of poignant reflections, CODE BLUES shows the resilience of humans in the face of incredible odds. If we meet along a trail somewhere, say hello, and I’ll gladly respond. I’ll be honored if you do. Just don’t call me “sir.”
When We Both Got to Heaven places James Atkey (1805-1868) on the shores of Georgian Bay at the time of treaty negotiations between the First Nations people of the Saugeen, Nawash and Colpoy’s Bay areas, and the Colonial government. A Methodist lay preacher, Atkey leaves the Isle of Wight and arrives at Colpoy’s Bay with his family in 1855. There he takes up the position of teacher for the Anishnaube children of the area. The great-great-great-grandson of James Atkey, author Mel Atkey engaged in extensive research of both primary and secondary sources. His efforts provide considerable insight into both the influence of Wesleyan Methodism of the time and the background context of the treaty negotiations that ultimately led to the surrender of much of the Saugeen Peninsula for pioneer settlement. People with leadership roles of the past, such as Chief Kegedonce, Kahkewaquonaby (Rev. Peter Jones), Laurence Oliphant and Sir Francis Bond Head, as well as many others, are part of Atkey’s story. Reverend Maggie McLeod of the Cape Croker United Church provides a thoughtful Foreword. This quite remarkable book is a compelling read for those interested in Ontario history, First Nations history, genealogy and the role of religion at the time of European settlement.
Robert F. Kennedy's assassination in 1968 seems like it should be an open-and-shut case. Many people crowded in the small room at Los Angeles's famed Ambassador Hotel that fateful night saw Sirhan Sirhan pull the trigger. Sirhan was also convicted of the crime and still languishes in jail with a life sentence. However, conspiracy theorists have jumped on inconsistencies in the eyewitness testimony and alleged anomalies in the forensic evidence to suggest that Sirhan was only one shooter in a larger conspiracy, a patsy for the real killers, or even a hypnotized assassin who did not know what he was doing (a popular plot in Cold War-era fiction, such as The Manchurian Candidate). Mel Ayton profiles Sirhan and presents a wealth of evidence about his fanatical Palestinian nationalism and his hatred for RFK that motivated the killing. Ayton unearths neglected eyewitness accounts and overlooked forensic evidence and examines Sirhan's extensive personal notebooks. He revisits the trial proceedings and convincingly shows Sirhan was in fact the lone assassin whose politically motivated act was a forerunner of present-day terrorism. The Forgotten Terrorist is the definitive book on the assassination that rocked the nation during the turbulent summer of 1968. This second edition features a new afterword containing interviews and new evidence, as well as a new examination of the RFK assassination acoustics evidence by technical analyst Michael O'Dell.
As countries seek to develop their education systems, achieving sustainable improvements amongst students from disadvantaged backgrounds remains a major challenge. This has considerable implications for those in the research community as they seek to influence developments in the field. Drawing on the authors’ extensive experiences as researchers, policy advisers and influencers, Changing Education Systems offers key insights on how to promote equity within education systems. Exploring three large-scale national reform programmes, the book: Presents a series of propositions that are the basis of a research-based approach to system change Explains the creation of relationships in which academic researchers collaborate in the process of development Considers smaller place-based projects that are set within policy contexts dominated by the idea of market forces as a strategy for improvement Explores the steps needed to overcome locally specific barriers Changing Education Systems is a must-read for policy-makers and practitioners involved in educational reforms, as well as researchers wishing to contribute to and learn from such developments.
When people make a call on a cellphone, drive a car, or turn on a computer, few truly appreciate the innovations in material selection, technology, and fabrication that were required to make it all possible. Innovations in Materials Manufacturing, Fabrication, and Environmental Safety explores expected developments in analysis, design, testing, and
With contributions from those at the forefront of modern social work thought, this edited volume reflects the growing eminence of critical social work in the 21st Century. Taking a truly global outlook, this text advocates the promotion of equality through a range of radical perspectives and provides a blueprint for the future of practice
Meet the hot stars behind the big-screen adaptation of the thrilling Hunger Games series! Packed with four-color photos throughout! Ready to get up close and personal with the stars of The Hunger Games movie? Well now’s your chance. Filled with the latest photos, news from the set, and all the inside scoop on each of the actors—including Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Isabelle Fuhrman, and the rest of the “tributes”—this is a must-have for fans.
Today, surveillance and regulation of employees are pervasive at all levels (except the highest) in a wide variety of American workplaces. Digital information systems have become important tools of managerial control. The constraints built into these systems by so-called "business process reengineering" are a continuation of scientific management principles developed during the late 19th century. Additional means of control have included employment-based "welfare capitalism," and human relations and corporate culture approaches. This book provides fresh insight into various practices of managerial control from the 1880s to the present and their effects on work organization and quality, and worker skill requirements. The author highlights current developments--including those focused on highly skilled knowledge workers--accounting for enhanced automation, offshoring and related changes in the production and distribution of goods and services.
All seven volumes of Mel Bay's original, internationally acclaimed Modern Guitar Method series are included in this single, deluxe master compilation. No other comparable method exists for the guitar! As Mr. Bay perceived the need for a guitar method that would effectively teach beginning guitarists to read music, this method is intentionally written in standard notation only, providing just enough music theory to understand what the student is required to play at any given point. Although fingerstyle technique can be applied to the pieces and studies, this book is specifically tailored for the plectrum-style player. Contains hundreds of beginner through advanced solos and duets in all fretboard positions and all keys, plus all four-note rhythm chord formations on high, middle and low sets of adjacent strings. This edition also includes additional outstanding plectrum guitar solo arrangements not found in the original seven volumes. All in all, this outstanding method leads the student to total mastery of the fretboard.
Increasingly over the past decade, fan credentials on the part of writers, directors, and producers have come to be seen as a guarantee of quality media making—the “fanboy auteur.” Figures like Joss Whedon are both one of “us” and one of “them.” This is a strategy of marketing and branding—it is a claim from the auteur himself or industry PR machines that the presence of an auteur who is also a fan means the product is worth consuming. Such claims that fan credentials guarantee quality are often contested, with fans and critics alike rejecting various auteur figures as the true leader of their respective franchises. That split, between assertions of fan and auteur status and acceptance (or not) of that status, is key to unravelling the fan auteur. In A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises, authors Anastasia Salter and Mel Stanfill examine this phenomenon through a series of case studies featuring fanboys. The volume discusses both popular fanboys, such as J. J. Abrams, Kevin Smith, and Joss Whedon, as well as fangirls like J. K. Rowling, E L James, and Patty Jenkins, and dissects how the fanboy-fangirl auteur dichotomy is constructed and defended by popular media and fans in online spaces, and how this discourse has played in maintaining the exclusionary status quo of geek culture. This book is particularly timely given current discourse, including such incidents as the controversy surrounding Joss Whedon’s so-called feminism, the publication of Harry Potter and the Cursed Child, and contestation over authorial voices in the DC cinematic universe, as well as broader conversations about toxic masculinity and sexual harassment in Hollywood.
Often portrayed as an apolitical space, this book demonstrates that home is in fact a highly political concept, with a range of groups in society excluded from a ‘right to home’ under current UK policies. Drawing on resident interviews and analysis of political and media attitudes across three case studies – the criminalisation of squatting, the bedroom tax and family homelessness – the book explores the ways in which legislative and policy changes dismantle people’s rights to secure, decent and affordable housing by framing them as undeserving.
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