She was immortal and did not die of old age. She used a knife in her hand to unravel all the mysteries around her. He, the current prince, calmly played chess with every move he made. A broken piece of jade pushed the two unrelated people together. She gave up love and wanted nothing more than to find a way to live. Facing each other day and night, a deep love, hand in hand and retreat, cutting through thorns and thorns. Power conspiracy, mystery, who was the most important person!
After the changes in the court, Su Jinruo, who disguised herself as a man, left the official scene as the 'son' of a sinful official. However, it had only been half a month, yet she was forced to return to the capital. Looking at the bright red bridal dress before her, she frowned. "Prince, you said you would let me go." "Leave?" Shen Hancheng narrowed his eyes and leaned forward, "You still have the guts to leave after lying to me?" Liar, little liar! He had cheated her to such an extent. If he didn't marry her back home, he would never let her go!
How sad must an individual be in order to successively die three times. How lucky must a person be to be able to die three times and be reborn three times? And look, the female lead of this book's latest interpretation: What is the most valiant rebirth in history?
Lin Xuejing was carrying a blood feud with her, and her master was her pet. Lin Xuejing was depressed in her heart. Her master was teasing her. Lin Xuejing went back to the palace to be betrothed to another man, but the Prince was silent. Then he put his arm around her waist and was shocked. One of them included her. Lin Xueju had never thought of marrying a member of the royal family, but once she had married, she saw the picture scroll on Wang Ziwen's paper. She opened it to take a look, and as soon as she saw it, she became both embarrassed and angry. "When did you draw it?!" "This is no longer important," he smiled. "You are already by my side.
Mu Yu threw the money back and said her farewells. "Mr Lu loves people, but I don't care about it!" But Mr. Lu was addicted. To help her care for her, to help her turn into a berserk wife, to be spoiled to heaven and earth!
An official writing about the skills of an official and how to rise through the ranks; a handbook about how to use a conspiracy to succeed. Let's see how the Red Second Generation Luo Tianyun and the Nong Second Generation Ma Yingjie can leverage their strength to reach the pinnacle of power one step at a time. A car accident had taken the lives of the mayor's wife and daughter. And Ma Yingjie, the mayor's secretary, accidentally discovered one of Mayor Luo Tianyun's big secrets
The first agent turned out to be the number one poisoner in the history of the Mo Dynasty. As soon as he opened his eyes, he faced the imperial edict. Hehe, you want to fight me? Even the emperor wants to get close to me!
Drawing from Anglo-American, Asian American, and Asian literature as well as J-horror and manga, Chinese cinema and Internet, and the Korean Wave, Sheng-mei Ma's Asian Diaspora and East-West Modernity probes into the conjoinedness of West and East, of modernity's illusion and nothing's infinitude. Suspended on the stylistic tightrope between research and poetry, critical analysis and intuition, Asian Diaspora restores affect and heart to the experience of diaspora in between East and West, at-homeness and exilic attrition. Diaspora, by definition, stems as much from socioeconomic and collective displacement as it points to emotional reaction. This book thus challenges the fossilized conceptualizations in area studies, ontology, and modernism. The book's first two chapters trace the Asian pursuit of modernity into nothing, as embodied in horror film and the gaming motif in transpacific literature and film. Chapters three through eight focus on the borderlands of East and West, the edges of humanity and meaning. Ma examines how loss occasions a revisualization of Asia in children's books, how Asian diasporic passing signifies, paradoxically, both "born again" and demise of the "old" self, how East turns "East" or the agent of self-fashioning for Anglo-America, Asia, and Asian America, how the construct of "bugman" distinguishes modern West's and East's self-image, how the extreme human condition of "non-person" permeates the Korean Wave, and how manga artists are drawn to wartime Japan. The final two chapters interrogate the West's death-bound yet enlightening Orientalism in Anglo-American literature and China's own schizophrenic split, evidenced in the 2008 Olympic Games.
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