A woman’s story of learning to dance, and becoming comfortable in her own skin and in the arms of others: “Witty, incisive [and] vibrantly intelligent.”—Kirkus Reviews (starred review) Tango was an unlikely choice for Meghan Flaherty. A young woman living with the scars of past trauma, she was terrified of being touched and shied away from real passion. But by her late twenties, she knew something had to change. So she dug up an old dream and tried on her dancing shoes. In tango, there’s a leader and a follower, and, traditionally, the woman follows. As Meghan moved from beginner classes to the late-night dance halls of New York’s vibrant tango underground, she discovered that more than any footwork, the hardest and most essential lesson of the dance was to follow with strength and agency; to find her balance, regardless of the lead. And as she broke her own rule—never mix romance and tango—she started to apply those lessons in every corner of her life. Written in wry, lyrical prose, and beautifully enriched by the vivid history and culture of the dance, Tango Lessons is a transformative story of conquering your fears, living your dreams, and enjoying the dizzying freedom found in the closest embrace. “Like Sweetbitter, this is a memoir of a young woman trying to make it in contemporary New York City. Like H Is for Hawk and Julie and Julia, it is also portrait of obsession...Flaherty is self-aware and writes beautifully.”—New York Journal of Books “Flaherty's writing contains moments of real beauty.”—Newsday
How might performance serve as a means for facing ubiquitous trauma and pain, in humans and ecologies? While reflecting on her multidisciplinary work Systems of Pain/Networks of Resilience, artist Meghan Moe Beitiks considers bodies of knowledge in Trauma Theory, Intersectional Feminist Philosophy, Ecology, Disability Studies, New Materialism, Object-Oriented Ontology, Gender Studies, Artistic Research, Psychology, Performance Studies, Social Justice, Performance Philosophy, Performance Art, and a series of first-person interviews in an attempt to answer that question. Beitiks brings us through the first-person process of making the work and the real-life, embodied encounters with the theories explored within it as an expansion of the work itself. Facing down difficult issues like trauma, discrimination, and the vulnerability of the body, Beitiks looks to commonalities across species and disciplines as means of developing resilience and cultivating communities. Rather than paint a picture of glorious potential utopias, Beitiks takes a hard look at herself as an embodiment of the values explored in the work, and stays with the difficult, sucky, troubling, work to be done. Performing Resilience for Systemic Pain is a vulnerable book about the quiet presence and hard looking needed to shift systems away from their oppressive, destructive realities.
A woman’s story of learning to dance, and becoming comfortable in her own skin and in the arms of others: “Witty, incisive [and] vibrantly intelligent.”—Kirkus Reviews (starred review) Tango was an unlikely choice for Meghan Flaherty. A young woman living with the scars of past trauma, she was terrified of being touched and shied away from real passion. But by her late twenties, she knew something had to change. So she dug up an old dream and tried on her dancing shoes. In tango, there’s a leader and a follower, and, traditionally, the woman follows. As Meghan moved from beginner classes to the late-night dance halls of New York’s vibrant tango underground, she discovered that more than any footwork, the hardest and most essential lesson of the dance was to follow with strength and agency; to find her balance, regardless of the lead. And as she broke her own rule—never mix romance and tango—she started to apply those lessons in every corner of her life. Written in wry, lyrical prose, and beautifully enriched by the vivid history and culture of the dance, Tango Lessons is a transformative story of conquering your fears, living your dreams, and enjoying the dizzying freedom found in the closest embrace. “Like Sweetbitter, this is a memoir of a young woman trying to make it in contemporary New York City. Like H Is for Hawk and Julie and Julia, it is also portrait of obsession...Flaherty is self-aware and writes beautifully.”—New York Journal of Books “Flaherty's writing contains moments of real beauty.”—Newsday
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