Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Our sense of smell is crucial to our survival. We can smell fear, disease, food. Fragrance is also entertainment. We can smell an expensive bottle of perfume at a high-end department store. Perhaps it reminds us of our favorite aunt. A memory in a bottle is a powerful thing. Megan Volpert's Perfume carefully balances the artistry with the science of perfume. The science takes us into the neurology of scent receptors, how taste is mostly smell, the biology of illnesses that impact scent sense, and the chemistry of making and copying perfume. The artistry of perfume involves the five scent families and symbolism, subjectivity in perfume preference, perfume marketing strategies, iconic scents and perfumers, why the industry is so secretive, and Volpert's own experiments with making perfume. Object Lessons is published in partnership with an essay series in The Atlantic.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Our sense of smell is crucial to our survival. We can smell fear, disease, food. Fragrance is also entertainment. We can smell an expensive bottle of perfume at a high-end department store. Perhaps it reminds us of our favorite aunt. A memory in a bottle is a powerful thing. Megan Volpert's Perfume carefully balances the artistry with the science of perfume. The science takes us into the neurology of scent receptors, how taste is mostly smell, the biology of illnesses that impact scent sense, and the chemistry of making and copying perfume. The artistry of perfume involves the five scent families and symbolism, subjectivity in perfume preference, perfume marketing strategies, iconic scents and perfumers, why the industry is so secretive, and Volpert's own experiments with making perfume. Object Lessons is published in partnership with an essay series in The Atlantic.
Boss Broad contains forty poems and dozens of essays that explore what it takes to be a middle-aged hero. The poems are English-to-English translations of Bruce Springsteen songs--popular ones where he directly addresses a female listener, which Volpert audaciously rewrites to answer the Boss back using his own rhyme and meter. In these pages Volpert wears Springsteen's own lyrical swagger so that Rosalita becomes a drag queen, Wendy captains her own ship, and Bobby Jean finally comes out of the closet. The essays examine injections of spirituality in progressive politics, with topics including Stephen Colbert, Patti Smith, the author's career as a punk high school English teacher, what she learned surviving hurricanes in Louisiana, and meditations on what it means to be a cool liberal. As usual, Volpert trespasses on hallowed ground, doing battle with her white lady demons in the name of rock 'n' roll.
As Megan Volpert stood over train tracks preparing to surrender to the psychedelic blindness of simple human misery, of all the Heartbreakers tracks available to come through her headphones, “Straight Into Darkness” is the one that did. In this highly philosophical and deeply personal exploration of one obscure Tom Petty song, Volpert’s essays comb through the musical, historical, rhetorical, and sociological implications of a forgotten gem in a legendary catalog with satisfying results. Through this epic celebration of the fortieth anniversary of the Long After Dark album, Petty and Volpert each emerge as modern mystics who argue that in the face of powerlessness, we rebel anyway. Volpert judges the forty years of Petty’s career with one finger on the pulse of Bob Dylan and an occasional whiff of Bruce Springsteen, looking at the sometimes-violent mob scene of concerts as a type of transcendent communion. Straight Into Darkness offers a compelling vision of rock and roll fandom where the songwriter’s hardworking sense of humor is enough to save us from absurdity. All you need is Albert Camus and a couple of chords.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Our sense of smell is crucial to our survival. We can smell fear, disease, food. Fragrance is also entertainment. We can smell an expensive bottle of perfume at a high-end department store. Perhaps it reminds us of our favorite aunt. A memory in a bottle is a powerful thing. Megan Volpert's Perfume carefully balances the artistry with the science of perfume. The science takes us into the neurology of scent receptors, how taste is mostly smell, the biology of illnesses that impact scent sense, and the chemistry of making and copying perfume. The artistry of perfume involves the five scent families and symbolism, subjectivity in perfume preference, perfume marketing strategies, iconic scents and perfumers, why the industry is so secretive, and Volpert's own experiments with making perfume. Object Lessons is published in partnership with an essay series in The Atlantic.
1976 plucks the deepest chords of America's Bicentennial year. It exposes the guts of our country's political, historical, and cultural machine in a prose that matches the rhythms of horror, joy, and sheer madness in our national psyche. This is as original, inventive, and fresh a book as any historian or novelist of note has written about the US. A juggernaut of improbability and inevitability, her vision of America rolls in simultaneously from the past and the future, with a posse of grand ghosts. Her brilliant saga is driven by the music that never stops rocking the North American continent, and, in an essential way, births her. Volpert is heir to Whitman, Hunter S. Thompson, and the Ramones who, unbeknownst to themselves, will appear in 1976-a book that heralds a grand new genre." - Andrei Codrescu, author and Peabody Award-winner for the film Road Scholar, a journey into post-Kerouac America.
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