An International Bestseller! Perfect for fans of A Discovery of Witches and Serpent & Dove, this mesmerizing dark academia romantasy debut delves into a dangerous supernatural society hidden within our own—where forbidden love and immortal hunters collide, and a dark truth may unravel the entire world. Nicole Palmer and her family have been in hiding for years from the Wake—a shadowy organization that governs all supernatural creatures. If the Wake discovers that Nicole is an Empyreal—a rare kind of creature that can shapeshift into any creature’s natural predator—they’ll force her to join them or kill her for resisting. Like they did her mother. Nicole is close to uncovering a secret message hidden in a supernatural art collection—a message from her mother about how to destroy the Wake for good. But when the collector is murdered and a key painting stolen, the Wake sends their best Empyreal assassin to track down the dangerous creature on the loose. Kyan McCarter is handsome, perceptive, and the last person Nicole wants to work with to find the stolen painting. Their search sparks a powerful connection between them, but if Kyan finds out that Nicole is a rogue Empyreal, he’ll have no choice but to hunt her next. After all, no one disobeys the Wake and survives.
Abject Relations presents an alternative approach to anorexia, through detailed ethnographic investigations. Megan Warin looks at the heart of what it means to live with anorexia on a daily basis. Unraveling anorexia's complex relationships and contradictions, Warin provides a new theoretical perspective rooted in a socio-cultural context of bodies and gender. Abject Relations departs from conventional psychotherapy approaches and offers a different logic, one that involves the shifting forces of power, disgust, and desire and provides new ways of thinking that may have implications for future treatment regimes." --Publisher.
Making up 65 percent of Africa's population, young people between the ages of 18 and 35 play a key role in politics, yet they live in an environment of rapid urbanization, high unemployment rates and poor state services. Drawing from extensive fieldwork in Ghana, Uganda and Tanzania, this book investigates how Africa's urban youth cultivate a sense of citizenship in this challenging environment, and what it means to them to be a 'good citizen'. In interviews and focus group discussions, African youth, activists, and community leaders vividly explain how income, religion, and gender intertwine with their sense of citizenship and belonging. Though Africa's urban youth face economic and political marginalization as well as generational tensions, they craft a creative citizenship identity that is rooted in their relationships and obligations both to each other and the state. Privileging above all the voice and agency of Africa's young people, this is a vital, systematic examination of youth and youth citizenship in urban environments across Africa.
As Megan Volpert stood over train tracks preparing to surrender to the psychedelic blindness of simple human misery, of all the Heartbreakers tracks available to come through her headphones, “Straight Into Darkness” is the one that did. In this highly philosophical and deeply personal exploration of one obscure Tom Petty song, Volpert’s essays comb through the musical, historical, rhetorical, and sociological implications of a forgotten gem in a legendary catalog with satisfying results. Through this epic celebration of the fortieth anniversary of the Long After Dark album, Petty and Volpert each emerge as modern mystics who argue that in the face of powerlessness, we rebel anyway. Volpert judges the forty years of Petty’s career with one finger on the pulse of Bob Dylan and an occasional whiff of Bruce Springsteen, looking at the sometimes-violent mob scene of concerts as a type of transcendent communion. Straight Into Darkness offers a compelling vision of rock and roll fandom where the songwriter’s hardworking sense of humor is enough to save us from absurdity. All you need is Albert Camus and a couple of chords.
A study of France immediately following liberation from German rule that explores the difficulties of adjusting to peace and the conflicting views about administering justice.
Analysis and case studies show that including different orientations toward the natural world makes for more effective scientific practice and science education. The answers to scientific questions depend on who's asking, because the questions asked and the answers sought reflect the cultural values and orientations of the questioner. These values and orientations are most often those of Western science. In Who's Asking?, Douglas Medin and Megan Bang argue that despite the widely held view that science is objective, value-neutral, and acultural, scientists do not shed their cultures at the laboratory or classroom door; their practices reflect their values, belief systems, and worldviews. Medin and Bang argue further that scientist diversity—the participation of researchers and educators with different cultural orientations—provides new perspectives and leads to more effective science and better science education. Medin and Bang compare Native American and European American orientations toward the natural world and apply these findings to science education. The European American model, they find, sees humans as separated from nature; the Native American model sees humans as part of a natural ecosystem. Medin and Bang then report on the development of ecologically oriented and community-based science education programs on the Menominee reservation in Wisconsin and at the American Indian Center of Chicago. Medin and Bang's novel argument for scientist diversity also has important implications for questions of minority underrepresentation in science.
This book extends what we know about the development of civil rights and the role of the NAACP in American politics. Through a sweeping archival analysis of the NAACP's battle against lynching and mob violence from 1909 to 1923, this book examines how the NAACP raised public awareness, won over American presidents, secured the support of Congress, and won a landmark criminal procedure case in front of the Supreme Court.
From dial-up to wi-fi, an engaging cultural history of the commercial web industry In the 1990s, the World Wide Web helped transform the Internet from the domain of computer scientists to a playground for mass audiences. As URLs leapt off computer screens and onto cereal boxes, billboards, and film trailers, the web changed the way many Americans experienced media, socialized, and interacted with brands. Businesses rushed online to set up corporate “home pages” and as a result, a new cultural industry was born: web design. For today’s internet users who are more familiar sharing social media posts than collecting hotlists of cool sites, the early web may seem primitive, clunky, and graphically inferior. After the dot-com bubble burst in 2000, this pre-crash era was dubbed “Web 1.0,” a retronym meant to distinguish the early web from the social, user-centered, and participatory values that were embodied in the internet industry’s resurgence as “Web 2.0” in the 21st century. Tracking shifts in the rules of “good web design,” Ankerson reimagines speculation and design as a series of contests and collaborations to conceive the boundaries of a new digitally networked future. What was it like to go online and “surf the Web” in the 1990s? How and why did the look and feel of the web change over time? How do new design paradigms like user-experience design (UX) gain traction? Bringing together media studies, internet studies, and design theory, Dot-com Design traces the shifts in, and struggles over, the web’s production, aesthetics, and design to provide a comprehensive look at the evolution of the web industry and into the vast internet we browse today.
A helpful guide for Rapinoe fans looking to apply her wisdom to their own lives! In the summer of 2019, the US women's national soccer team offered fans a thrill when it won its fourth World Cup title and second straight, culminating in a 2–0 final over the Netherlands. Co-captain Megan Rapinoe led the team to victory with a penalty kick to score the first goal and ultimately captured MVP and top goal scorer designations for the tournament. The winger has also led the US to a gold medal in the 2012 London Olympics. In addition to her athletic success, Rapinoe has proven to be a leader off the field as well. A vocal advocate on behalf of several LGBT organizations and a voice behind the women's team's equal pay complaint, she is one of many players involved in the gender discrimination lawsuit against the United States Soccer Federation. In Secrets of Success, the latest book in the Women in Power series, author Meg Linehan translates Rapinoe's success both on and off the field into digestible leadership lessons. In doing so, she draws from Rapinoe's still-young career as an athlete, businesswoman, and advocate.
Romancing Treason examines English literature written during the Wars of the Roses. Focusing on the the theme of treason, Megan Leitch suggests that the idea of a literature of the Wars of the Roses offers a way of understanding an understudied period.
From 1870 until after World War I, reformers led an effort to place children from orphanages, asylums, and children's homes with farming families. The farmers received free labor in return for providing room and board. Reformers, meanwhile, believed children learned lessons in family life, citizenry, and work habits that institutions simply could not provide. Drawing on institution records, correspondence from children and placement families, and state reports, Megan Birk scrutinizes how the farm system developed--and how the children involved may have become some of America's last indentured laborers. Between 1850 and 1900, up to one-third of farm homes contained children from outside the family. Birk reveals how the nostalgia attached to misplaced perceptions about healthy, family-based labor masked the realities of abuse, overwork, and loveless upbringings endemic in the system. She also considers how rural people cared for their own children while being bombarded with dependents from elsewhere. Finally, Birk traces how the ills associated with rural placement eventually forced reformers to transition to a system of paid foster care, adoptions, and family preservation.
This book moves beyond the purported dichotomy between university-based teacher education and alternatives such as Teach For America to consider their common challenges and suggest a starting place from which to imagine a future of more effective teacher preparation. In focusing on the experiences of the first Teach For America cohort between 1990-1992, the book anchors its analysis in a particular historical moment, allowing a significant accounting of a pivotal time in [teacher] education as well as thoughtful consideration of both change and continuity in how teachers have been prepared and entered the classroom over the decades since. Through its use of oral history testimonies, Schooling Teachers offers important stories about individuals' personal experiences and actions, but also reveals the broader collective and social forces that shaped and gave meaning to those experiences. Richly detailed qualitative data, in the form of oral history, enables the authors to draw from the specific narratives some general insights that speak to the larger issues of staffing and supporting urban schools"--
What happens when the classroom and the fantastic meet? When lessons cover spells and potions alongside science and language arts? Through fantastic school stories--fiction involving the intersection of fantasy and school--the cycle of lessons, homework, exams, and graduation becomes new again, inviting us to consider what schools are teaching, who can be a student, and how knowledge is developed. Introducing a new framework for analyzing texts in the fantastic school story subgenre, this book examines texts including the Harry Potter series, Lev Grossman's Magicians trilogy, Terry Pratchett's Discworld, and Patrick Rothfuss's Kingkiller Chronicle, along with works by Jane Yolen, Nnedi Okorafor, and Tracy Deonn. This holistic framework combines the methods of fantasy literature scholarship, the focus of school story analyses, and an awareness of hidden lessons taught alongside official subjects, allowing for nuanced examinations of topics such as standardized testing, apprenticeships, and access to education.
In this informative and entertaining book McArdle gets library staff up to speed on these engaging titles, showing how such crossover fiction appeals to fanbases of multiple genres.
Many observers have pointed out what is wrong with youth sport: an emphasis on winning at all costs; parental over-involvement; high participation costs that exclude many families; lack of vigorous physical activity; lack of player engagement; and no focus on development. Currently, most attempts at righting the wrongs of youth sport have focused on coach education and curriculum, but in this book, the authors offer a different approach—one that involves changing the game itself. Re-Designing Youth Sport combines vivid examples and case studies of innovative sport programs who are re-designing their sport with a comprehensive toolkit for practitioners on how to change their game for bigger and better outcomes. It offers a fresh and exciting perspective on the seemingly intractable issues in sport. It presents a practical and empowering pathway for readers to apply the examples and tools to the outcomes that they aspire to achieve in their sport, such as increased fun and excitement, life-skills building, gender inclusion, increased sportspersonship, greater parity and avoidance of one-sided competition, and positive parental roles. The book also reveals how community leagues as well as national and international sport governing bodies are using re-design to accelerate player skill development, tactical awareness, and physical fitness.
Applying intellect, insight, and intuition to promote school-wide transformation for educators through interpersonal reflection and hands-on tools. This is no one-size-fits-all approach to education that provides a formula or a practical how-to guide. The truths found in this book are about applying research-based best practices to the processes that lie outside of academia. Readers will find themselves getting out their pens and highlighters to write in the margins and apply personal reflection to the teachings. The three Is—intellect, insight, and intuition—are tools for educators to find personal growth and development inside the structure of the school system so that they can promote school-wide transformation. When educators stop fighting the system and instead look inward for the answers, they will begin to see the improved student achievement and involvement they crave. Readers will walk away with: — greater self-awareness that will improve the classroom and educational landscape around them, — improved self-appreciation that will fuel empathy in the classroom and workplace, — clarity about the origin and influence of their beliefs that will help them combat negative beliefs and take advantage of positive beliefs, and — better decision-making skills developed through a contemplative approach.
The award-winning author of The Peabody Sisters takes a fresh look at the trailblazing life of a great American heroine Thoreau s first editor, Emerson s close friend, the first female war correspondent, and a passionate advocate of personal liberation and political freedom. "Megan Marshall's brilliant Margaret Fuller brings us as close as we are ever likely to get to this astonishing creature. She rushes out at us from her nineteenth century, always several steps ahead, inspiring, heartbreaking, magnificent." Rebecca Newberger Goldstein, author of Betraying Spinoza: The Renegade Jew Who Gave Us Modernity "Megan Marshall gives new meaning to close reading from words on a page she conjures a fantastically rich inner life, a meld of body, mind, and soul. Drawing on the letters and diaries of Margaret Fuller and her circle, she has brought us a brave, visionary, sensual, tough-minded intellectual, a first woman who was unique yet stood for all women. A masterful achievement by a great American writer and scholar. Evan Thomas, author of Ike s Bluff: President Eisenhower s Secret Battle to Save the World "Megan Marshall s Margaret Fuller: A New American Life is the best single volume ever written on Fuller. Carefully researched and beautifully composed, the book brings Fuller back to life in all her intellectual vivacity and emotional intensity. Marshall s Fuller overwhelms the reader, just as Fuller herself overwhelmed everyone she met. A masterpiece of empathetic biography, this is the book Fuller herself would have wanted. You will not be able to put it down." Robert D. Richardson, author of Emerson: The Mind on Fire Praise for The Peabody Sisters: Three Women Who Ignited American Romanticism A stunning work of biography and intellectual history. Deftly weaving material from the letters and journals of all three sisters, Ms. Marshall . . . performs the intellectual equivalent of a triple axel. William Grimes, New York Times This beautifully written book is at once an intimate portrait of three remarkable sisters and a study of women s place in the vibrant intellectual and literary culture of nineteenth-century New England. The product of twenty years of research, Megan Marshall s tour de force is impossible to put down. Drew Gilpin Faust, author of The Republic of Suffering
*A New York Times Bestseller* Megan Mullally and Nick Offerman reveal the full story behind their epic romance—presented in a series of intimate conversations between the couple, including photos, anecdotes, and the occasional puzzle. The year: 2000. The setting: Los Angeles. A gorgeous virtuoso of an actress agreed to star in a random play, and a basement-dwelling scenic carpenter said he would assay a supporting role in the selfsame pageant. At the first rehearsal she surveyed her fellow cast members, determining if any of the men might qualify to provide her with a satisfying fling. Her gaze fell upon the carpenter, and like a bolt of lightning the thought struck her: no dice. Moving on. Yet, unbeknownst to our protagonists, Cupid had merely set down his bow and picked up a rocket launcher...that fired a love rocket (not a euphemism). The players were Megan Mullally and Nick Offerman, and the resulting romance, once ignited, was...epic. Beyond epic. It resulted in a coupling that has endured to this day; a sizzling, perpetual tryst that has captivated the world with its kindness, athleticism, astonishingly low-brow humor, and true (fire emoji) passion. How did they do it? They came from completely different families, ignored a significant age difference, and were separated by the gulf of several social strata. Megan loved books and art history; Nick loved hammers. But much more than these seemingly unsurpassable obstacles were the values they held in common: respect, decency, the ability to mention genitalia in almost any context, and an abiding obsession with the songs of Tom Waits. Eighteen years later, they're still very much in love and have finally decided to reveal the philosophical mountains they have conquered, the lessons they've learned, and the myriad jigsaw puzzles they've completed. Presented as an oral history in a series of conversations between the couple, the book features anecdotes, hijinks, photos, and a veritable grab bag of tomfoolery. This is not only the intoxicating book that Mullally's and Offerman's fans have been waiting for, it might just hold the solution to the greatest threat facing our modern world: the single life.
Drawing on extensive data including news media reports and commentaries, documentaries, courts and court reports, films, websites, professional literature and government and non-government agencies, this book explores the 'Alzheimerisation' of the euthanasia debate, examining the shift in recent years in public attitudes towards the desirability and moral permissibility of euthanasia as an end-of-life 'solution' for people living with the disease - not just at its end stage, but also at earlier stages. With attention to media representations and public understandings of Alzheimer's disease, Alzheimer's Disease, Media Representations and the Politics of Euthanasia sheds light on the processes contributing to these changes in public opinion, investigating the drivers of vexed political debate surrounding the issue and examining the manner in which both sides of the euthanasia debate mobilise support, portray their opponents and make use of media technologies to frame the terms of discourse. Paving the way for a greater level of intellectual honesty with regard to an issue carrying significant policy implications, this book will be of interest to scholars of media and communication, social movements and political communication, and the sociology of health and medicine, as well as researchers and professionals in the fields of palliative and end of life care.
Engaged debate among feminist, political, and psychoanalytic thinkers has secured Julia Kristeva's status as one of the most formidable figures in twentieth-century critical theory. Nevertheless, her precise relevance to the study of literature - the extent to which her theory is specifically a literary theory - can be hard for new readers to fathom. This approachable volume explores Kristeva's definition of literature, her methods for analyzing it, and the theoretical ground on which those endeavors are based. Megan Becker-Leckrone argues that Kristeva's signature concepts, such as abjection and intertextuality, lose much of their force when readers extract them from the specific, complex theoretical context in which Kristeva produces them. Early chapters situate her theory in a broader conversation with Roland Barthes, Sigmund Freud, Jacques Lacan and others around the issues of reading, textuality, and subjectivity. Subsequent chapters look at Kristeva's actual engagements with literary texts, specifically her challenging, highly performative reading of French novelist Louis-Ferdinand Céline in Powers of Horror: An Essay on Abjection and her career-long preoccupation with James Joyce. A final chapter of the book looks at the way contemporary literary critics have marshaled her ideas in re-reading the poetry of William Wordsworth, while a helpful glossary identifies Kristeva's most pertinently "literary" theoretical concepts, by way of synopses of the texts in which she presents them.
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand? In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy—the practice of binding books in this most intimate covering. Dozens of such books live on in the world’s most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives—captivating and macabre in all the right ways—she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.
One Australian woman is hospitalised every three hours and two more lose their lives each week as a result of family violence. But for some women, there is a punishment far more enduring than injury or their own death. Look What You Made Me Do, is a timely exploration of the evil inflicted by vengeful fathers who have killed their own flesh and blood simply to punish partners for ending unrewarding - often abusive - relationships. Focussing on ten different, but equally harrowing cases of ‘spousal revenge’ dating back thirty years, award winning author Megan Norris, draws upon her own experience as a former court and crime reporter, to examine the horrific murders of eighteen children who were the collateral damage in crimes where the real target of their angry dad's rage was their mother. From the 2018 cold-blooded shooting murders of Sydney teenagers, Jack and Jennifer Edwards, whose abusive businessman father was granted a licence to kill by the NSW Firearms Registry, despite a shocking history of family violence dating back three decades, to the heinous premeditated homicides of Queensland mum, Hannah Clarke, who succumbed to her own horrific injuries after watching her three young children burn to death at the hands of their violent father, this book shows it is not only women who are at risk when family violence turns deadly. Now recognised as the ultimate act of domestic violence a man could inflict on his partner, Norris’s award-winning book shines a light on the disturbing connection between family violence and retaliatory homicide and explores the shattering legacy of grief that such crimes have on surviving mothers. A book that allows these serious crimes to be better understood and ultimately informs and advocates for new approaches to managing these complex and deadly situations.
This biography introduces readers to Gerald Ford including his early political career and key events from Ford's administration including the Watergate scandal, pardon of former President Richard Nixon, and the Vietnam War. Information about his childhood, family, personal life, and retirement years is included. A timeline, fast facts, and sidebars provide additional information. Aligned to Common Core Standards and correlated to state standards. Checkerboard Library is an imprint of Abdo Publishing, a division of ABDO.
Part memoir, part essay collection, Megan Dunn’s ingenious, moving, hilariously personal Things I Learned at Art School tells the story of her early life and coming-of-age in New Zealand in the ‘70s, ‘80s and ‘90s. From her parents’ divorce to her Smurf collection, from the mean girls at school to the mermaid movie Splash!, from her work in strip clubs and massage parlours (and one steak restaurant) to the art school of the title, this is a dazzling, killer read from a contemporary voice of comic brilliance. Chapters include: The Ballad of Western Barbie; A Comprehensive List of All the Girls Who Teased Me at Western Heights High School, What They Looked Like and Why They Did It; On Being a Redhead; Life Begins at Forty: That Time My Uncle Killed Himself; Good Girls Write Memoirs, Bad Girls Don’t Have Time; Videos I Watched with My Father; Things I Learned at Art School; CV of a Fat Waitress; Nine Months in a Massage Parlour Called Belle de Jour; Various Uses for a Low Self-esteem; Art in the Waiting Room and Submerging Artist. Praise for Tinderbox: “Tinderbox is deadpan hilarious and Megan Dunn is a comic genius.” - Susanna Andrew, Metro “Megan Dunn's wry, whip-smart memoir about Fahrenheit 451, literary ambition & the last days of Borders Bookstores is funny & insightful as hell. Like Kathy Acker meets Sue Townsend. The read of the summer! ... already one of my favourite New Zealand books.” - Hera Lindsay Bird “Witty, highly entertaining.” - Philip Matthews, Stuff "Tinderbox is such a shape-shifter, such a sui generis work, that to call it a memoir does it a disservice ... [Dunn’s] voice is hard to resist – sardonic, brazen, sagacious – recalling, in places, Nora Ephron, John Jeremiah Sullivan, and Maggie Nelson.” - James Cook, Review 31
Honorable Mention for the Society for the Anthropology of Work (SAW) Book prize The potential of floriculture grows at Lake Naivasha Kenya supplies more than 35 percent of the fresh-cut roses and other flowers sold annually in the European Union. This industry—which employs at least 90,000 workers, most of whom are women—is lucrative but enduringly controversial. More than half the flowers are grown near the shores of Lake Naivasha, a freshwater lake northwest of Nairobi recognized as a Ramsar site, a wetland of international importance. Critics decry the environmental side effects of floriculture, and human rights activists demand better wages and living conditions for workers. In this rich portrait of Kenyan floriculture, Megan Styles presents the point of view of local workers and investigates how the industry shapes Kenyan livelihoods, landscapes, and politics. She investigates the experiences and perspectives of low-wage farmworkers and the more elite actors whose lives revolve around floriculture, including farm managers and owners, Kenyan officials, and the human rights and environmental activists advocating for reform. By exploring these perspectives together, Styles reveals the complex and contradictory ways that rose farming shapes contemporary Kenya. She also shows how the rose industry connects Kenya to the world, and how Kenyan actors perceive these connections. As a key space of encounter, Lake Naivasha is a synergistic center where many actors seek to solve broader Kenyan social and environmental problems using the global flows of people, information, and money generated by floriculture.
Davies' study of institutional life is multi-textured, informed by social and architectural theory while telling us much about daily life in these facilities. We learn about angry rebellion and harsh discipline, fun and festivals, death and compassion. And we see how the twentieth century witnessed the gradual withdrawal of these institutions from the life of the community, further enhancing the marginal place of the old age home in our society. Chronicling the evolution of professional ideas about residential care facilities and an innovative program to move elderly patients out of acute care hospital beds, Into the House of Old provides a context for understanding this problematic institution as both an offspring of the poor law and a product of the post-Second World War expansion of state medical services.
A group of friends in hiding try to stay alive—and learn that freedom has a price—in the follow-up to the “exceptional” dystopian thriller Unregistered (Publishers Weekly). The Metrics government has claimed success in relocating millions of Unregistered citizens out west. But those who escaped their insidious plan knows the truth—the government had their fellow outsiders murdered. As winter approaches the hidden monastery in the hills, Bristol, Samara, Denver, and Jude realize that the responsibilities of keeping their community safe and plotting their next escape have fallen upon them. But even when they make it outside, the political turmoil in their new country makes them question if life there is any better than under the Metrics. As trust fractures between the four friends and each tries to find a way to function in this strange new world, will they be able to continue working together to find the future they thought they wanted?
An “exceptional” dystopian tale with “scathing commentaries on police brutality, crime prevention, population control, classism, and state-sponsored murder.”—Publishers Weekly Living the ideal life is a human right—unless you’re unregistered… Bristol lives under the watchful eye of the Metrics as an unlucky second child. The government grants its citizens the ideal life. Perfect spouse. Perfect job. Perfect home. But dare to have more than one child, and you’ll become an outcast—the unregistered. Now, he’ll protest the abusive system in the only way he knows how, painting controversial murals in the hidden parts of town. But the government doesn’t condone dissent. And the frustrated unregistered citizens need to be handled. The relocation plan goes into effect and all unregistered must be sent to far-off desert states. The question is whether Bristol and his friends will be able to escape the government’s clutches—and survive long enough to discover an unknown world…
Four young friends band together in a frightening new world in this conclusion to the thrilling dystopian trilogy… The liberation of their homeland depends on Bristol, Samara, Denver, and Jude. Each has a unique role to play—but they all share the same mission. Yet, when the first phase of their plan is botched, the political climate of their new country turns on the little assembly of American refugees and forces them back into the shadows. Now, in a race against the clock, they must come together to save those they love back home and find their place in a new world. Will they be able to find justice for the people and save their homes, their freedom—and their lives?
The national bestselling author of No Greater Pleasure delivers a new novel featuring a reluctant student of seduction. To escape an arranged marriage, Annalise Marony decides to become a Handmaiden of the Order of Solace. But she is thwarted at every turn by Cassian, a teacher of the faith, who must test her dedication. Older than most of the girls, Annalise knows that she will be expected to please a patron in pleasures of the flesh-and she is not shy about teasing Cassian. And as they both play out the game of master and student, the secrets in their souls will either tear them apart-or bind them together forever.
Like the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used—with varying degrees of sophistication—to define the region’s presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.
In one ebook volume, the complete trilogy—including Unregistered, Unafraid, and Undone—that portrays an “exceptional near-future totalitarian nightmare” (Publishers Weekly). If you like Ally Condie, Dan Wells, Caragh M. O’Brien, Kyla Stone, and J.B. Simmons you’ll love this gripping dystopian ride into a sci-fi world! Unregistered (Book 1) Living the ideal life is a human right . . . unless you’re unregistered. Under the watchful eye of the Metrics, Bristol and his friends fight to escape the government’s clutches and survive long enough to discover an unknown world. Unafraid (Book 2) When freedom has a price, who will stand unafraid? The Metrics government has claimed success in relocating millions of Unregistered citizens out west. But the group who escaped their insidious plan knows the truth—the government had their fellow outsiders murdered. Undone (Book 3) Hope can finish a struggle left undone. In a race against the clock, the allies must come together to save those they love back home and find their place in a new world. Will they be able to save their homes, their freedom, and their lives? Series praise “Quite engaging, with deep, thought-provoking ideas of government. The book is darkly written, but there are friendships, hope and faith intertwined throughout.”—InD’tale Magazine “A science fiction story with a lot of heart. I warmed up quickly to all four of the core characters within this grim dystopian world.”—E. J. Wenstrom, award-winning author of the Chronicles of the Third Realm War “Packs in scathing commentaries on police brutality, crime prevention, population control, classism, and state-sponsored murder.”—Publishers Weekly
“Clever, surprisingly fast-paced, and enlightening.” —Forbes Most new products fail. So do most businesses. And most of us, if we are honest, have experienced a major setback in our personal or professional lives. So what determines who will bounce back and follow up with a home run? What separates those who keep treading water from those who harness the lessons from their mistakes? One of our most popular business bloggers, Megan McArdle takes insights from emergency room doctors, kindergarten teachers, bankruptcy judges, and venture capitalists to teach us how to reinvent ourselves in the face of failure. The Up Side of Down is a book that just might change the way you lead your life.
In the late eighteenth-century English novel, the question of feminism has usually been explored with respect to how women writers treat their heroines and how they engage with contemporary political debates, particularly those relating to the French Revolution. Megan Woodworth argues that women writers' ideas about their own liberty are also present in their treatment of male characters. In positing a 'Gentleman's Liberation Movement,' she suggests that Frances Burney, Charlotte Smith, Jane West, Maria Edgeworth, and Jane Austen all used their creative powers to liberate men from the very institutions and ideas about power, society, and gender that promote the subjection of women. Their writing juxtaposes the role of women in the private spheres with men's engagement in political structures and successive wars for independence (the American Revolution, the French Revolution, and the Napoleonic Wars). The failures associated with fighting these wars and the ideological debates surrounding them made plain, at least to these women writers, that in denying the universality of these natural freedoms, their liberating effects would be severely compromised. Thus, to win the same rights for which men fought, women writers sought to remake men as individuals freed from the tyranny of their patriarchal inheritance.
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