A progressive, fictional reimagining of Bible Stories. These texts edited by Megan Rohrer and Daniel Tisdel will provoke, inspire and expand the diversity of the characters in our faith stories.
The idea of constitutional recognition of Indigenous Australians has become a highly political and contentious issue. It is entangled in institutional processes that rarely allow the diversity of Indigenous opinion to be expressed. With a referendum on the agenda, it is now urgent that Indigenous people have a direct say in the form of recognition that constitutional change might achieve. It's Our Country: Indigenous Arguments for Meaningful Constitutional Recognition and Reform is a collection of essays by Aboriginal and Torres Strait Islander thinkers and leaders including Patrick Dodson, Noel Pearson, Dawn Casey, Nyunggai Warren Mundine and Mick Mansell. Each essay explores what recognition and constitutional reform might achieve—or not achieve—for Indigenous people.
Obedientia Key Prosperethe words that define the land known as Umaric. Starkly divided into the Wealthy District and the Poor District, Umaric is a place of oppression, intimidation, and fear. Anora Russell, a woman from the Wealthy District, knows Umarics dark side and has worked for years to undermine its deception. Sharp-tongued and cynical, Anora is used to working alone until fate forces her into an unlikely partnership with Ezekiel Thoris, a man from the Poor District. Ezekiel has experienced Umarics harsh reality firsthand. Striving hard to protect his sixteen-year-old sister, Charity, and keeping his assassin friend, Rell, from falling into despair, its all he can do to survive. But when fate brings them together, Anora and Ezekiel must join forces to destroy Umaric and its corruption.
A seasonal collection of enticing, comforting recipes for sweet and savory whole-grain breakfasts including granola, warm porridges, muffins, savory tarts and eggs—as well as seasonal toppings and accompaniments like homemade yogurt and almond milk, all from the writer of the popular blog A Sweet Spoonful. A beautiful guide to morning meals, Whole-Grain Mornings offers sixty-five sweet and savory recipes for wholesome whole-grain breakfasts. Whether you’re cooking for busy weekdays, slow Sundays, or celebratory brunches, this charming cookbook will inspire you to look beyond the average bowl of cereal toward healthy and delicious ways to incorporate whole grains like amaranth, farro, and barley into your morning meals. Seasonally organized recipes feature favorite one-bowl breakfast fare like Apricot Pistachio Granola and Triple-Coconut Quinoa Porridge alongside more unconventional options like Saucy Tomato Poached Eggs with Kale and Wheat Berries and Nutty Millet Breakfast Cookies. With information on timesaving alternatives as well as a guide to the most commonly used whole grains—and sprinkled with abundant food and lifestyle photography throughout—this cookbook guarantees the most important meal of the day will also become your favorite.
CHARLOTTE SANDERS, a precocious American girl growing up in Paris in the late 1970s, leads a charmed life. But her idyllic childhood is turned upside down when her mother, Astrid, has an affair and the family is shattered. Leaving her sister in Paris, Charlotte follows Astrid to New York. There, in the shadow of her glamorous and erratic mother, Charlotte has to negotiate her path to womanhood, eventually living through her own unhappy love affair and returning to a Europe that has been reshaped by the downfall of Communism. At once a coming-of-age story and meditation on cultural identity, Dreaming in French is an enchanting portrayal of the challenges of adolescence and an honest account of one girl’s discovery that where we come from makes us who we are.
Winner of the George Perkins Marsh Prize Winner of the Stuart L. Bernath Prize Winner of the W. Turrentine Jackson Award Winner of the British Association of American Studies Prize “Extraordinary...Deftly rearranges the last century and a half of American history in fresh and useful ways.” —Los Angeles Review of Books “A smart, original, and ambitious book. Black demonstrates that the Interior Department has had a far larger, more invasive, and more consequential role in the world than one would expect.” —Brian DeLay, author of War of a Thousand Deserts When considering the story of American power, the Department of the Interior rarely comes to mind. Yet it turns out that a government agency best known for managing natural resources and operating national parks has constantly supported America’s imperial aspirations. Megan Black’s pathbreaking book brings to light the surprising role Interior has played in pursuing minerals around the world—on Indigenous lands, in foreign nations, across the oceans, even in outer space. Black shows how the department touted its credentials as an innocuous environmental-management organization while quietly satisfying America’s insatiable demand for raw materials. As presidents trumpeted the value of self-determination, this almost invisible outreach gave the country many of the benefits of empire without the burden of a heavy footprint. Under the guise of sharing expertise with the underdeveloped world, Interior scouted tin sources in Bolivia and led lithium surveys in Afghanistan. Today, it promotes offshore drilling and even manages a satellite that prospects for Earth’s resources from outer space. “Offers unprecedented insights into the depth and staying power of American exceptionalism...as generations of policymakers sought to extend the reach of U.S. power globally while emphatically denying that the United States was an empire.” —Penny Von Eschen, author of Satchmo Blows Up the World “Succeeds in showing both the central importance of minerals in the development of American power and how the realities of empire could be obscured through a focus on modernization and the mantra of conservation.” —Ian Tyrrell, author of Crisis of the Wasteful Nation
The question of tonality's origins in music's pitch content has long vexed many scholars of music theory. However, tonality is not ultimately defined by pitch alone, but rather by pitch's interaction with elements like rhythm, meter, phrase structure, and form. Hearing Homophony investigates the elusive early history of tonality by examining a constellation of late-Renaissance popular songs which flourished throughout Western Europe at the turn of the seventeenth century. Megan Kaes Long argues that it is in these songs, rather than in more ambitious secular and sacred works, that the foundations of eighteenth century style are found. Arguing that tonality emerges from features of modal counterpoint - in particular, the rhythmic, phrase structural, and formal processes that govern it - and drawing on the arguments of theorists such as Dahlhaus, Powers, and Barnett, she asserts that modality and tonality are different in kind and not mutually exclusive. Using several hundred homophonic partsongs from Italy, Germany, England, and France, Long addresses a historical question of critical importance to music theory, musicology, and music performance. Hearing Homophony presents not only a new model of tonality's origins, but also a more comprehensive understanding of what tonality is, providing novel insight into the challenging world of seventeenth-century music.
This biography introduces readers to Franklin D. Roosevelt, including his early political career and key events from Roosevelt's administration including the Great Depression, the New Deal, World War II, and Pearl Harbor. Information about his childhood, family, and personal life is included. A timeline, fast facts, and sidebars provide additional information. Aligned to Common Core Standards and correlated to state standards. Big Buddy Books is an imprint of Abdo Publishing, a division of ABDO.
Learn about how we organize our society in The Sociology Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Sociology in this overview guide to the subject, great for beginners looking to learn and experts wishing to refresh their knowledge alike! The Sociology Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Sociology, with: - More than 80 ideas from the world's most renowned sociologists - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Sociology Book is the perfect introduction to a range of societal issues, ranging from government and gender identity to inequalities and globalization, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Here you'll find biographies of key sociologists and social activists that give a historical context to each idea. Your Sociology Questions, Simply Explained This book explores the similar issues that affect us all; the tension between the needs of the individual and society, the changing workplace, and the role of everything from government to mass culture in our lives. If you thought it was difficult to learn about social theory, The Sociology Book presents key information in a clear layout. Learn about issues of equality, diversity, identity, and human rights; the role of institutions; and the rise of urban living in modern society, with fantastic mind maps and step-by-step summaries. The Big Ideas Series With millions of copies sold worldwide, The Sociology Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.
An interactive adventure where the reader visits historic battlefields haunted by the ghosts of war to gather information for a new museum exhibit. Includes additional information about war history.
One Australian woman is hospitalised every three hours and two more lose their lives each week as a result of family violence. But for some women, there is a punishment far more enduring than injury or their own death. Look What You Made Me Do, is a timely exploration of the evil inflicted by vengeful fathers who have killed their own flesh and blood simply to punish partners for ending unrewarding - often abusive - relationships. Focussing on ten different, but equally harrowing cases of ‘spousal revenge’ dating back thirty years, award winning author Megan Norris, draws upon her own experience as a former court and crime reporter, to examine the horrific murders of eighteen children who were the collateral damage in crimes where the real target of their angry dad's rage was their mother. From the 2018 cold-blooded shooting murders of Sydney teenagers, Jack and Jennifer Edwards, whose abusive businessman father was granted a licence to kill by the NSW Firearms Registry, despite a shocking history of family violence dating back three decades, to the heinous premeditated homicides of Queensland mum, Hannah Clarke, who succumbed to her own horrific injuries after watching her three young children burn to death at the hands of their violent father, this book shows it is not only women who are at risk when family violence turns deadly. Now recognised as the ultimate act of domestic violence a man could inflict on his partner, Norris’s award-winning book shines a light on the disturbing connection between family violence and retaliatory homicide and explores the shattering legacy of grief that such crimes have on surviving mothers. A book that allows these serious crimes to be better understood and ultimately informs and advocates for new approaches to managing these complex and deadly situations.
An unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists This timely book offers a wide-ranging and beautifully illustrated study of exiled artists from the 19th century through the present day, with notable attention to individuals who have often been relegated to the margins of publications on exile in art history. The artworks featured here, including photography, paintings, drawings, prints, and sculpture, present an expanded view of the conditions of exile--forced or voluntary--as an agent for both trauma and ingenuity. The introduction outlines the history and perception of exile in art over the past 200 years, and the book's four sections explore its aesthetic impact through the themes of home and mobility, nostalgia, transfer and adjustment, and identity. Essays and catalogue entries in each section showcase diverse artists, including not only European ones--like Jacques-Louis David, Paul Gauguin, George Grosz, and Kurt Schwitters--but also female, African American, East Asian, Latin American, and Middle Eastern artists, such as Elizabeth Catlett, Harold Cousins, Mona Hatoum, Lotte Jacobi, An-My Lê, Matta, Ana Mendieta, Abelardo Morell, Mu Xin, and Shirin Neshat.
My Very Own Fairy myveryownfairy.com Did you know that you have a fairy of your very own? You have probably forgotten your fairy or (if you are very young) haven’t met your fairy yet, but five sisters were fortunate enough to meet their very own fairies and to have amazing adventures with them. As you follow the story, each sister meets her fairy at a different time. What fun the sisters and fairies have together! It takes a great deal of patience to wait until each sister is old enough to meet her fairy, but finally, even the youngest has a fairy of her own to play with. They have a memorable meeting with the spider king, who is very nice. They also meet a goblin and a satyr, who are not so nice. They encounter messenger gnomes and leprechauns, who can be helpful, but who can also be annoying. They visit enchanting (and sometimes scary) places in Fairyland. They have a chance to meet their parents’ fairies as well!
Whereas modernist writers lauded the consecrated realm of subjective interiority, mid-century writers were engrossed by the materialization of the collective mind. An obsession with group thinking was fuelled by the establishment of academic sociology and the ubiquitous infiltration of public opinion research into a bevy of cultural and governmental institutions. As authors witnessed the materialization of the once-opaque realm of public consciousness for the first time, their writings imagined the potentialities of such technologies for the body politic. Polling opened new horizons for mass politics. Public Opinion Polling in Mid-Century British Literature traces this most crucial period of group psychology's evolution--the mid-century--when psychography, a term originating in Victorian spiritualism, transformed into a scientific praxis. The imbrication of British writers within a growing institutionalized public opinion infrastructure bolstered an aesthetic turn towards collectivity and an interest in the political ramifications of meta-psychological discourse. Examining works by H.G. Wells, Evelyn Waugh, Val Gielgud, Olaf Stapledon, Virginia Woolf, Naomi Mitchison, Celia Fremlin, Cecil Day-Lewis, and Elizabeth Bowen, this book utilizes extensive archival research to trace the embeddedness of writers within public opinion institutions, providing a fresh explanation for the new material turn so often associated with interwar writing.
This easy to read book gives you a plethora of insight on how to go about learning your second or third language. I give plenty of examples in each section of what you need to do, so that you know you're doing it correctly. This book teaches you how to teach yourself another language using a format I have used for myself to learn eight languages, that naturally comes to me. Learning another language in public school left millions of us frustrated and forgetting, but this method is a natural way to learn, starting small with phonemes and working your way up to constructing sentences using the correct syntax and grammar.
The history of American dance reflects the nation’s tangled culture. Dancers from wildly different backgrounds learned, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American. Using the stories of tapper Bill "Bojangles" Robinson, Ginger Rogers and Fred Astaire, ballet and Broadway choreographer Agnes de Mille, choreographer Paul Taylor, and Michael Jackson, Megan Pugh shows how freedom—that nebulous, contested American ideal—emerges as a genre-defining aesthetic. In Pugh’s account, ballerinas mingle with slumming thrill-seekers, and hoedowns show up on elite opera house stages. Steps invented by slaves on antebellum plantations captivate the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the issues of race and class that haunt everyday life shadow American dance as well. Deftly narrated, America Dancing demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement.
Hothouse is set in 1950's Seattle and features three generations of women; grandmother "Ma", mother Roz and daughter Jody, whose vitality is in sharp contrast to the mates they have chosen. Dissipated and with few options, the women and men are the walking wounded in the war of everyday, working class American life. A beautifully written play full of rich, earthy American humor.
For centuries, Arthurian legend has captured imaginations throughout Europe and the Americas with its tales of Camelot, romance, and chivalry. The ever-shifting, age-old tale of King Arthur and his world is one which depends on retellings for its endurance in the cultural imagination. Using adaptation theory as a framework, From Camelot to Spamalot foregrounds the role of music in selected Arthurian adaptations, examining six stage and film musicals. The book considers how musical versions in twentieth and twenty-first century popular culture interpret the legend of King Arthur, contending that music guides the audience to understand this well-known tale and its characters in new and unexpected ways. All of the productions considered include an overtly modern perspective on the legend, intruding and even commenting on the tale of King Arthur. Shifting from an idealistic utopia to a silly place, the myriad notions of Camelot offer a look at the importance of myth in American popular culture. Author Megan Woller's approach, rooted in the literary theory of scholars like Linda Hutcheon, highlights the intertextual connections between chosen works and Arthurian legend. In so doing, From Camelot to Spamalot intersects with and provides a timely contribution to several different fields of study, from adaptation studies and musical theater studies to film studies and Arthurian studies.
This book provides an original and compelling analysis of the ways in which British women’s golden age crime narratives negotiate the conflicting social and cultural forces that influenced depictions of gender in popular culture in the 1920s until the late 1940s. The book explores a wide variety of texts produced both by writers who have been the focus of a relatively large amount of critical attention, such as Agatha Christie, Dorothy L. Sayers and Margery Allingham, but also those who have received comparatively little, such as Christianna Brand, Ngaio Marsh, Gladys Mitchell, Josephine Tey and Patricia Wentworth. Through its original readings, this book explores the ambivalent nature of modes of femininity depicted in golden age crime fiction, and shows that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe’ solution to the conflicts raised in the texts.
Like the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used—with varying degrees of sophistication—to define the region’s presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.
Moving into an inherited mansion in Maine with their mother and stroke-afflicted father, three siblings uncover a mystery involving hidden passageways, family rivalries, and healing waters.
Humanitarianism has a narrative problem. Far too often, aid to Africa is envisioned through a tale of Western heroes saving African sufferers. While labeling white savior narratives has become a familiar gesture, it doesn’t tell us much about the story as story. Humanitarian Fictions aims to understand the workings of humanitarian literature, as they engage with and critique narratives of Africa. Overlapping with but distinct from human rights, humanitarianism centers on a relationship of assistance, focusing less on rights than on needs, less on legal frameworks than moral ones, less on the problem than on the nonstate solution. Tracing the white savior narrative back to religious missionaries of the nineteenth century, Humanitarian Fiction reveals the influence of religious thought on seemingly secular institutions and uncovers a spiritual, collectivist streak in the discourse of humanity. Because the humanitarian model of care transcends the boundaries of the state, and its networks touch much of the globe, Humanitarian Fictions redraws the boundaries of literary classification based on a shared problem space rather than a shared national space. The book maps a transnational vein of Anglophone literature about Africa that features missionaries, humanitarians, and their so-called beneficiaries. Putting humanitarian thought in conversation with postcolonial critique, this book brings together African, British, and U.S. writers typically read within separate traditions. Paustian shows how the novel—with its profound sensitivity to narrative—can enrich the critique of white saviorism while also imagining alternatives that give African agency its due.
Kate Whittaker will never find a husband as long as she keeps shocking the town with her newfangled inventions. That's just fine with Kate--until she meets Jonas Hunter, who dares to claim her inventions are his. Jonas is stunned to discover that this infuriating woman is stealing his ideas--and then his heart.
The unexpected duchess Archibald Salisbury, son of a viscount, war hero, and proficient in the proper ways of aristocratic society, has received orders for his most challenging mission: Genevieve, Duchess of Blakesley. How she inherited a duchy isn’t his problem. Turning her into a perfect duchess is. But how can he keep his mind on business when her beauty entices him toward pleasure? It was impossible, unprecedented…and undeniably true. Genevieve is now a “duke”, or, rather, a duchess. So what is she to do when the ton eyes her every move, hoping she’ll make a mistake? Genevieve knows she has brains and has sometimes been told she has beauty, but, out of her depth, she calls on an expert. And what an expert, with shoulders broad enough to lean on, and a wit that matches her own. Archie is supposed to teach her to be a lady and run her estate, but what she really wants to do is unladylike—run into his arms.
Recently impoverished orphan Titania Stanhope must marry money if she plans to survive. The Earl of Oakley has money, but, in an attempt to keep gold diggers away, keeps it a secret. Then he meets Titania, whose sharp wit and keen mind are rivaled only by her lovely face. Original.
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