A mechanical Jesus for your shrine, the myths of cuttlefish, a vampire in residential schools, a Muslim woman who wants to get closer, surgically, to her god, the demons of outer space, the downside of Nirvana. The 24 science fiction and fantasy stories and poems included in Wrestling with Gods (Tesseracts Eighteen) take their faith and religion into the future, into the weird and comic and thought-provoking spaces where science fiction and fantasy has really always gone, struggling with higher powers, gods, the limits of technology, the limits of spiritual experience. At times profound, these speculative offerings give readers a chance to see faith from the believer and the skeptic in worlds where what you believe is a matter of life, death, and afterlife. Featuring works by: Derwin Mak, Robert J. Sawyer, Tony Pi, S. L. Nickerson, Janet K. Nicolson, John Park, Mary-Jean Harris, David Clink, Mary Pletsch, Jennifer Rahn, Alyxandra Harvey, Halli Lilburn, John Bell, David Jón Fuller, Carla Richards, Matthew Hughes, J. M. Frey, Steve Stanton, Erling Friis-Baastad, James Bambury, Savithri Machiraju, Jen Laface and Andrew Czarnietzki, David Fraser, Suzanne M. McNabb, and Megan Fennell.
The story of sex tourism in the Gringo Gulch neighborhood of San José, Costa Rica could be easily cast as the exploitation of poor local women by privileged North American men—men who are in a position to take advantage of the vast geopolitical inequalities that make Latin American women into suppliers of low-cost sexual labor. But in Gringo Gulch, Megan Rivers-Moore tells a more nuanced story, demonstrating that all the actors intimately entangled in the sex tourism industry—sex workers, sex tourists, and the state—use it as a strategy for getting ahead. Rivers-Moore situates her ethnography at the intersections of gender, race, class, and national dimensions in the sex industry. Instead of casting sex workers as hapless victims and sex tourists as neoimperialist racists, she reveals each group as involved in a complicated process of class mobility that must be situated within the sale and purchase of leisure and sex. These interactions operate within an almost entirely unregulated but highly competitive market beyond the reach of the state—bringing a distinctly neoliberal cast to the market. Throughout the book, Rivers-Moore introduces us to remarkable characters—Susan, a mother of two who doesn’t regret her career of sex work; Barry, a teacher and father of two from Virginia who travels to Costa Rica to escape his loveless, sexless marriage; Nancy, a legal assistant in the Department of Labor who is shocked to find out that prostitution is legal and still unregulated. Gringo Gulch is a fascinating and groundbreaking look at sex tourism, Latin America, and the neoliberal state.
I slept through my first labour. Eventually a midwife woke me. ‘It’s time to push,’ she said, pointing to the machine that was monitoring my baby. It showed contraction after contraction, spiking and declining with mountainous patterns like the heart rate machines on medical shows. Beside the machine was my husband, Steve’s, face, watching me closely, complete with massive eye bags from worry and exhaustion; it appeared that while I’d been sleeping he’d been on high alert. Taking one for the team, you could say, which was only fair because apparently — I was about to push an entire human through my hoo-ha. With her career down the toilet, a husband who was never home, a baby screaming non-stop and her cries for help falling on deaf ears, Megan Blandford spent years saying, 'I’m fine'. Spoiler alert (not really): she wasn’t fine. Megan sank into postnatal depression and anxiety, with a highly negative inner voice leading the charge in the battle for better mental health. Until Megan faced a life-changing question: What if the enemy inside isn’t the enemy after all? I'm Fine (and other lies) is a touching true story of motherhood: the challenges it presents, and the hope that can be found within it. 'I could kiss this book. I’m Fine (and other lies) was such an unexpected wonder...I’m Fine is the Mother’s Day read we all owe ourselves. Beautifully written, moving and powerful, it is a challenge to the stigma of not just postnatal depression, but all mental illness. I am so very glad I read this uplifting book and I look forward to more writing from Megan Blandford.' — Robert O'Hearn, Booktopia
A mechanical Jesus for your shrine, the myths of cuttlefish, a vampire in residential schools, a Muslim woman who wants to get closer, surgically, to her god, the demons of outer space, the downside of Nirvana. The 24 science fiction and fantasy stories and poems included in Wrestling with Gods (Tesseracts Eighteen) take their faith and religion into the future, into the weird and comic and thought-provoking spaces where science fiction and fantasy has really always gone, struggling with higher powers, gods, the limits of technology, the limits of spiritual experience. At times profound, these speculative offerings give readers a chance to see faith from the believer and the skeptic in worlds where what you believe is a matter of life, death, and afterlife. Featuring works by: Derwin Mak, Robert J. Sawyer, Tony Pi, S. L. Nickerson, Janet K. Nicolson, John Park, Mary-Jean Harris, David Clink, Mary Pletsch, Jennifer Rahn, Alyxandra Harvey, Halli Lilburn, John Bell, David Jón Fuller, Carla Richards, Matthew Hughes, J. M. Frey, Steve Stanton, Erling Friis-Baastad, James Bambury, Savithri Machiraju, Jen Laface and Andrew Czarnietzki, David Fraser, Suzanne M. McNabb, and Megan Fennell.
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