Sweet Nothings has it all: silk ribbon, Venetian lace, the best bra fitter in town… and two unsolved murders. Emma Taylor thought she knew what to expect when she abandoned life as a big-city fashionista to help her aunt, Arabella, breathe new style into Sweet Nothings, her waning lingerie boutique. As Emma settles back in to Paris, Tennessee—a world where pie is served with a parable and a pitcher of sweet tea is the cure for most of life’s ills—her escape seems smooth as silk. But when the town acquires a touch of unneeded je ne sais quoi with the arrival of Emma’s philandering ex, an unseemly murder turns her world inside out. As the police’s top suspect, Emma is going to need more than fishnets to snare the real killer. And when she and Arabella refuse to let death threats wrapped in knifed nighties stall Sweet Nothings’ vintage lingerie fashion show, it becomes increasingly clear that any garter may hide a gun and that bullet bras might have to live up to their name…
You’re invited to the Sweet Nothings trunk show. See what the shop has to offer, taste some wonderful food, catch up with friends, and solve a murder… Emma Taylor is happy to be drawing in customers at her aunt Arabella’s lingerie shop, Sweet Nothings, but replacing the store’s broken window is going to cost a small fortune. Hoping to hoist up their sagging profits, Arabella arranges to have a trunk show at the home of a local socialite who will invite all of her friends and take care of the catering. All Emma and Arabella have to do is show up and show off their wares. Seems simple enough… A gorgeous spread is prepared for the event, including delicious cupcakes topped with edible flowers. But after one of the partygoers takes a bite and winds up dead, the guest list becomes a suspect list. Now Emma must separate facts from idle gossip before the killer gives the cops the slip…
From selling camisoles to solving crimes, the ladies of the Sweet Nothings lingerie shop in Paris, Tennessee, will make this Valentine’s a day to remember… For Valentine’s Day, Emma Taylor and her aunt Arabella have organized a special evening for men only to shop for their sweethearts in the Sweet Nothings lingerie shop, complete with champagne and hors d’oeuvres. But when a former valentine shows up, Aunt Arabella is not her usual bubbly self. Art dealer Hugh Granger is still a charmer, though. He invites the women to a ball he’s having to celebrate his birthday and his return to Paris, Tennessee. But when Granger is pushed from the balcony, it paints a sinister picture for Aunt Arabella, who gets framed…for her old flame’s murder.
National bestseller A Historical Novels Review Editors' Choice A Jewish Book Award Finalist The New York Times bestselling author of Beautiful Exiles conjures her best novel yet, a pre-World War II-era story with the emotional resonance of Orphan Train and All the Light We Cannot See, centering on the Kindertransports that carried thousands of children out of Nazi-occupied Europe—and one brave woman who helped them escape to safety. In 1936, the Nazi are little more than loud, brutish bores to fifteen-year old Stephan Neuman, the son of a wealthy and influential Jewish family and budding playwright whose playground extends from Vienna’s streets to its intricate underground tunnels. Stephan’s best friend and companion is the brilliant Žofie-Helene, a Christian girl whose mother edits a progressive, anti-Nazi newspaper. But the two adolescents’ carefree innocence is shattered when the Nazis’ take control. There is hope in the darkness, though. Truus Wijsmuller, a member of the Dutch resistance, risks her life smuggling Jewish children out of Nazi Germany to the nations that will take them. It is a mission that becomes even more dangerous after the Anschluss—Hitler’s annexation of Austria—as, across Europe, countries close their borders to the growing number of refugees desperate to escape. Tante Truus, as she is known, is determined to save as many children as she can. After Britain passes a measure to take in at-risk child refugees from the German Reich, she dares to approach Adolf Eichmann, the man who would later help devise the “Final Solution to the Jewish Question,” in a race against time to bring children like Stephan, his young brother Walter, and Žofie-Helene on a perilous journey to an uncertain future abroad.
This London guide offers information on the best hotels and restaurants in this vibrant city, details special walking tours, and covers the museums and galleries in detail.
Printz Award-winning author Meg Rosoff's latest novel is a gorgeous and unforgettable page-turner about the relationship between parents and children, love and loss. Mila has an exceptional talent for reading a room—sensing hidden facts and unspoken emotions from clues that others overlook. So when her father’s best friend, Matthew, goes missing from his upstate New York home, Mila and her beloved father travel from London to find him. She collects information about Matthew from his belongings, from his wife and baby, from the dog he left behind and from the ghosts of his past—slowly piecing together the story everyone else has missed. But just when she’s closest to solving the mystery, a shocking betrayal calls into question her trust in the one person she thought she could read best.
From award-winning author Meg Gardiner, co-author of Michael Mann’s Heat 2--When a woman’s body washes up on the shore of California’s Jericho Point, she’s identified as Evan Delaney. Except that Evan is very much alive—apparently the victim of an identity thief who’d been scamming Hollywood elite. The thief may be dead, but the crimes she was murdered for—committed in Evan’s name—are turning Evan’s life into a nightmare. Now it’s all Evan can do to survive in the shadow of a dead woman’s lies.
With The Princess Diaries author Meg Cabot’s sparkling wit, this Victorian romance follows a young woman looking for lessons in love—now with a stunning new cover. Lady Caroline Linford is horrified to discover her fiancé, the Marquis of Winchilsea, in the arms of another woman. Unfortunately, the rest of Victorian society doesn’t seem to understand the betrayal. Such extracurriculars are par for the course—society believes there is certainly no reason for Caroline to cancel their imminent wedding. But Caroline is determined to make sure that the man she is to marry will desire only her, so she enlists the best teacher in the art of romance: London’s most notorious rake, Braden Granville. As their passionate tutelage begins, sparks fly and the lines between teacher and student get increasingly blurred. Now there is just one last lesson to learn: on the subject of true love, the heart chooses its own unpredictable ways.
Becoming a Teacher, 4e remains a unique and powerful combination of ideas, analysis, questions, answers and wisdom, drawing on the professional experience of the editors and contributors.
The Parliamentary Battle Over Brexit provides answers to those who want to understand the bitter arguments that occurred over Brexit, what might have been handled better, and the role that parliament played. Since the 2016 referendum, the hotly contested issue of Brexit has raised fundamental questions about the workings of British democracy. Nowhere was this more true than regarding the role of parliament. This book addresses important questions about parliament's role in the UK constitution, and the impact on this of the Brexit process. While initially intended to re-establish 'parliamentary sovereignty', Brexit wrought significant damage on the reputation of parliament, and the wider culture of UK democracy. Charting the full story of the parliamentary battle over Brexit, Meg Russell and Lisa James show that it wasn't always what it seemed. Based on careful documentary research and extensive interviews with key protagonists, the book explores multiple nail-biting moments, procedural innovations, and political 'what if's'. Drawing on insider accounts, alongside media and parliamentary debates, the book puts the events of Brexit into context and provides a clear and reliable document of record on a complex and disputed story. Ultimately, it argues that Brexit was largely a battle inside the Conservative Party, for which parliament got the blame. Insightful and comprehensive, the book is necessary reading to those with broader interests in British Politics, the culture of UK democracy, and the challenges of populism and democratic 'backsliding'.
The Westminster parliament is a highly visible political institution, and one of its core functions is approving new laws. Yet Britain's legislative process is often seen as executive-dominated, and parliament as relatively weak. As this book shows, such impressions can be misleading. Drawing on the largest study of its kind for more than forty years, Meg Russell and Daniel Gover cast new light on the political dynamics that shape the legislative process. They provide a fascinating account of the passage of twelve government bills - collectively attracting more than 4000 proposed amendments - through both the House of Commons and House of Lords. These include highly contested changes such as Labour's identity cards scheme and the coalition's welfare reforms, alongside other relatively uncontroversial measures. As well as studying the parliamentary record and amendments, the study draws from more than 100 interviews with legislative insiders. Following introductory chapters about the Westminster legislative process, the book focuses on the contribution of distinct parliamentary 'actors', including the government, opposition, backbenchers, select committees, and pressure groups. It considers their behaviour in the legislative process, what they seek to achieve, and crucially how they influence policy decisions. The final chapter reflects on Westminster's influence overall, showing this to be far greater than commonly assumed. Parliamentary influence is asserted in various different ways - ranging from visible amendments to more subtle means of changing government's behaviour. The book's findings make an important contribution to understanding both British politics and the dynamics of legislative bodies more broadly. Its readability and relevance will appeal to both specialists and general readers with interests in politics and law, in the UK and beyond.
This volume has grown over the years as a family project of Martha Harris, her two daughters Meg and Morag and her husband, Donald Meltzer. It therefore has its roots in English literature and its branches waving wildly about in psychoanalysis. It is earnestly hoped that it will reveal more problems than it will solve.
In the late fifteenth century, the production of print editions of Claudius Ptolemy’s second-century Geography sparked one of the most significant intellectual developments of the era—the production of mathematically-based, north-oriented maps. The production of world maps in England, however, was notably absent during this "Ptolemaic revival." As a result, the impact of Ptolemy’s text on English geographical thought has been obscured and minimalized, with scholars speculating a possible English indifference to or isolation from European geographic developments. Tracing English geographical thought through the material culture of literary and popular texts, this study provides evidence for the reception and transmission of Ptolemaic-based geography in England during a critical period of geographic innovation and synthesis, one that laid the foundation for modern geographical representation. With evidence from prose romance, book illustration, theatrical performance, cosmological ceilings, and almanacs, Mirror of the World proposes a new, interdisciplinary literary and cartographic history of the influence of Ptolemaic geography in England, one that reveals the lively integration of geographic concepts through narrative and non-cartographic visual forms.
This book takes a new approach to Shakespeare’s plays, exploring them as dream-thought in the modern psychoanalytic sense of unconscious thinking. Through his commitment to poetic language, Shakespeare offers images and dramatic sequences that illustrate fundamental developmental conflicts, the solutions for which are not preconceived but evolve through the process of dramatisation. In this volume, Meg Harris Williams explores the fundamental distinction between the surface meanings of plot or argument and the deep grammar of dreamlife, applied not only to those plays known as ‘dream-plays’ but also to critical sequences throughout Shakespeare’s oeuvre. Through a post-Kleinian model based on the thinking of Bion, Meltzer, and Money-Kyrle, this book sheds new light on both Shakespeare’s own relation to the play and on the identificatory processes of the playwright, reader, or audience. Dream Sequences in Shakespeare is important reading for psychoanalysts, playwrights, and students.
The outcome of therapy is always to some extent determined by success of the initial session. In Setting Out the issues surrounding this subject are explored, providing valuable insights into the significance of beginnings in psychotherapy.
Victoria Growing up in far-off India, wealthy young heiress Lady Victoria Arbuthnot was accustomed to handling her own affairs -- not to mention everyone else's. But in her sixteenth year, Vicky is unceremoniously shipped off to London to find a husband. With her usual aplomb, however, Lady Victoria gets herself engaged to the perfect English gentleman, even before setting foot on British soil. The Rogue Hugo Rothschild, ninth earl of Malfrey, is everything a girl could want in a future husband: he is handsome and worldly, if not rich. Lady Victoria has everything just as she'd like it. That is, if raffish young ship captain Jacob Carstairs would leave well enough alone. Jacob's meddling is nothing short of exasperating, and Victoria is mystified by his persistence. But when it becomes clear that young Lord Malfrey just might not be all that he's professed to be, Victoria is forced to admit, for the first time in her life, that she is wrong. Not only about her fiance, but about the reason behind the handsome ship captain's interference.
This book offers an in-depth understanding of the unique challenges and contributions of urban primary schools. The authors set urban education in the wider social context of structural disadvantage, poverty, oppression and exclusion, and reassert some critical urban educational concerns. Recognising that practice needs to be informed by theory, they provide a strong theoretical framework alongside contemporary ethnographic data. Drawing on their extensive experience in urban primary schools, as well as numerous case studies, the authors present a fresh and stimulating view of urban primary schools which will inspire education professionals and academics alike. The Urban Primary Schoolis essential reading for teachers and trainee teachers in urban primary schools, as well as for students of education, policy-makers, parents and school governors.
I have eagerly awaited the follow up to Bond & Holland's ground breaking first edition published some 12 years ago. This second edition is completely revisited, retaining the readable chapter structure, but tackling the key questions head on pertinent to clinical supervision development for nursing in the 21st century. Once again the authors do not pull any punches critically reviewing the nature of and challenges posed for its full implementation in practice. The strengths of this book as I expected are its practical application in and for practice. The continued emphasis on skills development in the clinical supervision relationship is evident, embroidered within the emotional work of everyday nursing practice. This is an essential read for all those still wrestling with full implementation in practice and presents a treasure trove of ideas for those actively engaging in the process. John Driscoll, CONTINUING PROFESSIONAL Development (CPD) Consultant (Healthcare) This perennial bestseller provides a practical and accessible, skills-based text on how to implement and engage in clinical supervision. It provides clear frameworks to guide learning, with real-life examples from across the range of nursing specialisms. Offering grounded perspectives on supervision for nurses, it has been thoroughly updated to reflect changes and developments in the profession. The book includes: Exploration of the theory and development of clinical supervision An analysis of the process and skills of in-depth reflection Guidelines on developing key skills for both supervisors and supervisees A critique of group supervision and ways to make it more effective New ideas for developing organizational frameworks for supervision The authors' wealth of experience is reflected in their outline for a code of ethics that addresses self-disclosure and accountability issues in clinical supervision. This book is key reading for nurses, midwives and health visitors and their managers as well as professional support workers and educators who have an interest in the practical implementation of clinical supervision.
Literature is recognised as having significantly influenced the development of modern psychoanalytic thought. In recent years psychoanalysis has drawn increasingly on the literary and artistic traditions of western culture and moved away from its original medical–scientific context. Originally published in 1991 The Chamber of Maiden Thought (Keats's metaphor for 'the awakening of the thinking principle') is an original and revealing exploration of the seminal role of literature in forming the modern psychoanalytic model of the mind. The crux of the 'post-Kleinian' psychoanalytic view of personality development lies in the internal relations between the self and the mind's 'objects'. Meg Harris Williams and Margot Waddell show that these relations have their origins in the drama of identifications which we can see played out metaphorically and figuratively in literature, which presents the self-creative process in aesthetic terms. They argue that psychoanalysis is a true child of literature rather than merely the interpreter or explainer of literature, illustrating this with some examples from clinical experience, but drawing above all on close scrutiny of the dynamic mental processes presented in the work of Shakespeare, Milton, the Romantic poets, Emily Bronte and George Eliot. The Chamber of Maiden Thought will encourage psychoanalytic workers to respond to the influence of literature in exploring symbolic mental processes. By bringing psychoanalysis into creative conjunction with the arts, it enables practitioners to tap a cultural potential whose insights into the human mind are of immense value.
This internationally appealing book is based on a two-year case study of a group of young people as they move through their final year of mandatory schooling and into their first year of post-16 experience. It looks at their choices, the market behaviour of local education and training providers and those who help and advise these choices. The authors show that recent and current political policies for post-16 education disadvantage, marginalise and exclude young people rather than improve their life chances. The book draws together the major issues and attempts to suggest alternative ways forward for a more inclusive post-16 education and training system.
Becoming a Teacher provides a broad context for understanding education, addressing issues such as the influence of international policy and practice, education ideology and social justice. This is balanced with practical advice for the classroom on topics such as assessment for learning, learning technologies, literacy, numeracy and English as an additional language. Becoming a Teacher draws extensively on contemporary research and empirical evidence to support critical reflection about learning and teaching. Encouraging you to reflect on your knowledge and beliefs, it explores some of the complex social and cultural influences that influence professional learning and practice. The approach chimes with the government’s recognition that trainee teachers should take a research-informed approach towards classroom practice. The fifth edition is refreshed and revitalized throughout, with: • a complete revision of each chapter • new chapters on 'Reforming ITE', 'Teachers Lives and Careers', 'International Influences', 'Engagement and Motivation', ‘Learning and the Emotions', 'Data Usage in Schools', 'Safeguarding' and 'Learning with Digital Technologies' • up-to-date referencing of research findings • insightful policy analysis • critical commentary on issues For those training to teach in secondary school on a Postgraduate Certificate in Education (PGCE) or a School Direct programme, or taking an undergraduate or postgraduate Education Studies course, Becoming a Teacher provides invaluable support, insight and guidance. “With every new edition this book confirms its place as one of the most commanding, authoritative and influential texts in teacher education”. Meg Maguire's leadership of this new editorial team means that this book remains my umbilical cord to those pivotal principals that I cherish in education: integrity, passion, critical engagement and transformation.” Gerry Czerniawski, Professor of Education, University of East London, UK “An excellent contribution to the Teacher Education and development literature”. “Many of the authors are leading thinkers in their field and as such the book offers a significant breadth, depth and coherence to the teacher development discourse.” Professor David Spendlove, School of Environment, Education and Development, The University of Manchester, UK
A formal analysis A Singing Contest comprises close readings of Seamus Heaney's poetry. Tyler argues that in an era of fractured poetry and politics, Seamus Heaney stands out: his impulse is towards unity and regeneration. Her book considers the interplay between different kinds of literary tradition and community in his poetry. For Heaney, poetry represents a structure allowing imaginative mediation of conflicts that appear irreconcilable in the social, political and historical realms. By detailed structural analysis of diction, meter, imagery and generic form, Tyler illustrates how Heaney's poems create concords from discords, unities from fracture. From the preface by Rosanna Warren: A Singing Contest is written with imaginative and emotional urgency, and in some large sense, as it examines Heaney's spells, it seems itself to want to cast a spell against death. Hence Tyler's return, in various ways, to readings of elegy, whether the fictive elegies of classical pastoral poems, or Heaney's personal elegies. She pores in detail over Clearances, the sonnet sequence composed in memory of the poet's mother in The Haw Lantern, and she concludes her book with a chapter on literary elegies, Heaney's farewells to his friends and admired contemporaries Ted Hughes, Zbigniew Herbert, and Joseph Brodsky. In these analyses, one sees the wholeness of Tyler's project: her argument that for Heaney, literary tradition itself, rightly received and transformed, reaches into the voids made by death, and establishes connection across rupture. Her thesis is an ancient one, and she gives it particular shape and force in asking us to contemplate it at work in Heaney, where it binds individual to collective experience, and past to present.
A tender and magical tale from the 2016 recipient of the Astrid Lindgren award and author of international bestseller How I Live Now, National Book Award finalist Picture Me Gone, and most recently Jonathan Unleashed Pell Ridley, daughter of a good-for-nothing preacher in mid-nineteenth century England, has watched her mother crushed by the burden of too many children and too little money. Unwilling to repeat her fate, Pell runs away on her wedding day taking only her beautiful, white horse. But, as she journeys through a strange world of gypsies in search of a new life, Pell finds that her ties to home refuse to release her. Like the works of Philip Pullman and Sue Monk Kidd, The Bride's Farewell will resonate with readers of all ages as it grapples with timeless questions of how to live, how to love, and how to be true to one's self.
* What is action research and how can it best be understood? * How can practitioners use action research to deal with problems and improve services? * What are the different types of action research and which might be most appropriate for use in a particular setting? This book has been designed for use as a core text on research methods courses at undergraduate and postgraduate level and on professional training courses. It is divided into three parts. Part one traces the history of action research and shows the links between its use in education, community development, management research and nursing. Building on this background the book explores different ways in which action research has been defined and proposes four different types, each appropriate to a different problem situation and context. In part two, five case studies of action research are described from the perspective of the researcher, including case studies of success and instructive failure. Part three is designed to enable the reader to find a route through the maze of methods and approaches in action research by the use of such things as self-assessment and mapping exercises, a guide to diary keeping and to evaluation. The final chapter suggests that by developing a 'project perspective' action research can be of practical benefit to health and social care professionals in promoting service improvements.
From award-winning author Meg Gardiner, co-author of Michael Mann’s Heat 2 Evan Delaney learns that not only has her ex-sister-in-law joined a religious cult, but the unstable young mother plans to regain custody of her son and disappear with him into the fold of the fanatical group. But when murder raises the stakes, Evan is dragged even deeper into the nightmare.
This book offers a definitive reading of Bion's remarkable autobiographical writings from a perspective embedded in the poetry of the ages, that of the Romantics in particular. It is at once learned and, utterly freshly, able to explore the inside story of Bion's life and mind. The volume is a distillation and elaboration of the work of many years. Whilst ostensibly an extended commentary on the autobiographical works themselves, it is also, in its own right, a tour de force, engaging, as it does, with the heart of the matter: with the development of a psychoanalyst, of a life, a self, a mind, thoroughly inward with the "dark and sombre world of thought".'- Margot Waddell, psychoanalyst and consultant child psychotherapist, Tavistock Clinic
In this intelligent and insightful work, Meg Harris Williams presents a clear and readable introduction to the works of influential psychoanalyst Donald Meltzer. The book covers Meltzer’s ideas on key themes including sexuality, dreams, psychosis, perversion and aesthetics, and his work with both children and adults. This book focuses especially on Meltzer’s views on the nature of psychoanalysis itself, as an investigative method conducted by the cooperation between two people. His intuitive understanding of dreams is underscored by a scholarly interest in philosophy and linguistics. The book will give readers a window into Meltzer’s clinical seminars and supervisions, as well as a comprehensive overview of his published work, all thoughtfully brought together by someone who worked with Meltzer for many years. Bringing Meltzer’s ideas into contemporary context, this fresh approach to his work makes his rich and complex theories about our inner world accessible to all. Part of the Routledge Introductions to Contemporary Psychoanalysis series, this book will be of great importance to psychoanalysts, clinicians and scholars familiar with Meltzer’s ideas, as well as those seeking an introduction to his work.
“Mothers. Those women with purses the size of meat trays that hold an entire deck of school portrait photos and a chequebook, make a casserole without a recipe, make the tightest bed you'll ever sleep in and only swear under extreme duress. How, how, would I go from me to that?” At twenty-four, Meg Mason was newly married to a man “essentially indistinguishable from a young Matt Damon” after landing her dream job writing for The Times in London. Nothing, she told herself, could possibly go wrong. A holiday shortage of birth control and eight months later, she was heavily pregnant and sobbing on the side of a road over trading her career for something she knew zip about. But she soldiered on. One fine Sunday, she invented motherhood by Having a Baby. On Monday, she discovered that a bunch of women had already done that, but still they couldn't tell her how to do it. Thanks to a helpful neighbour, she learned that convincing a newborn to take a bottle by letting it lick a Dorito first to “get more thirsty” didn't always work, but not what to do when your child won't sleep for roughly two years, why making friends at the park is more difficult than meeting deadlines, or how to remove your hand from a stroller—after you've Super-Glued it to the handle. Hair-raising and hilarious, Say It Again in a Nice Voice is the story of Meg’s journey from parenting novice to . . . well . . . Meg With Kids. Along the way she discovers that being a mother, however disaster-prone, might just be the only thing that she is truly irreplaceable at.
From award-winning author Meg Gardiner, co-author of Michael Mann’s Heat 2 JUDGE, JURY—AND EXECUTION. Rory Mackenzie vowed to never return to her hometown of Ransom River, California. But she comes back and does her civic duty. Now she’s juror number seven on a high-profile murder case. While most of the town is focused on the tense and shocking circumstances of the trial, Rory’s return to Ransom River dredges up troubling memories from her childhood that she can no longer ignore. And in the wake of a desperate attack on the courthouse, Rory realizes exposing these dark skeletons has connected her to an old case that was never solved, and that bringing the truth to light just might destroy her. You can’t go home again—and survive—in this mesmerizing crime novel by Meg Gardiner, “a top-tier mystery writer at the top of her game” (BookPage).
Donald Meltzer coined the term ‘aesthetic conflict’ to describe the emotional complexities of the ‘apprehension of beauty’. It had its roots in art, literature, infant observation, and above all, in clinical experience. This concept affirmed and illustrated Bion’s formula of L, H, K (Love, Hate, and Knowledge), together with its negative (minus L, H, K) as a revision of Klein’s fundamental emotional dynamics of Envy and Gratitude. As such, any emotional situation may be read in terms of either struggling with or retreating from the aesthetic conflict that occurs naturally at all key points of psychic development. Meltzer could be said to have encapsulated the essence of Bion’s post-Kleinian trajectory when he wrote that ‘If we follow Bion’s thought closely, we see that the new idea presents itself as an emotional experience of the beauty of the world and its wondrous organisation.’ The contributions in this book are by analysts and therapists from a wide variety of countries working with both children and adults. They have all, in individual ways, found ‘aesthetic conflict’ a useful frame of reference in terms of illuminating the significance of clinical observation, understanding countertransference responses, or practising the psychoanalytic method itself.
Bertolt Brecht’s methods of collective experimentation, and his unique framing of the theatrical event as a forum for change, placed him among the most important contributors to the theory and practice of theatre. His work continues to have a significant impact on performance practitioners, critics and teachers alike. Now revised and reissued, this book combines: an overview of the key periods in Brecht’s life and work a clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung an account of his groundbreaking 1954 production of The Caucasian Chalk Circle an in-depth analysis of his practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are an invaluable resource for students and scholars.
“Every war has turning points and every person too.” Fifteen-year-old Daisy is sent from Manhattan to England to visit her aunt and cousins she’s never met: three boys near her age, and their little sister. Her aunt goes away on business soon after Daisy arrives. The next day bombs go off as London is attacked and occupied by an unnamed enemy. As power fails, and systems fail, the farm becomes more isolated. Despite the war, it’s a kind of Eden, with no adults in charge and no rules, a place where Daisy’s uncanny bond with her cousins grows into something rare and extraordinary. But the war is everywhere, and Daisy and her cousins must lead each other into a world that is unknown in the scariest, most elemental way. A riveting and astonishing story.
Paris. August. One long summer of nothing. 48 hours of everything. From the inimitable Meg Rosoff comes a chaotic and irresistible new YA. 17-year-old Callum is facing an unfortunate truth: his summer exchange in rural France was a failure. No epic adventure, no summer fling, and his French is still rubbish. Just as he should be boarding the Eurostar home, without even a hint of a plan, Callum impulsively decides to stay (and doesn't bother telling his parents). He only knows one person in Paris: his long-lost cousin, Harrison, an oboist. As night falls on the hottest weekend of the year, an adventure begins – involving a motorbike, a curfew, a stolen oboe, a priceless Matisse painting, at least one police chase, a climate protest and the enigmatic, alluring, irresistible Lilou ... A completely delicious, funny, fast-paced summer read from the multi-award-winning author of How I Live Now, The Great Godden and Friends Like These.
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