How far will she go for the love of her sister? When Myra Brent's sister Eden visits her at Moorcroft House, instead of welcoming her, she gives Eden a stinging slap. Eden is devastated by her sister's cruel behaviour. Myra had always been devoted to the younger girl; what could have caused this change of heart? Myra is simply trying to prevent her beloved sister from catching the predatory eye of Ava Russell, the cruel mistress of Moorcroft House. But her action will have dire consequences. Believing herself abandoned, Eden sets off, penniless, to make her way in the world alone. Although she will enjoy the kindness of strangers, Eden's path will also cross that of vicious evildoers, bent only on drawing innocents into their web of depravity and corruption. And in the meantime, Myra makes the greatest sacrifice of all - for the love of her sister. ********* Praise for Meg Hutchinson: 'The mistress of simmering sagas' - Peterborough Evening Telegraph 'Hutchinson knows how to spin a good yarn. One for those cold nights curled up in front of the fire' - Birmingham Evening Mail 'Meg Hutchinson was the undisputed queen of the clogs and shawls saga' - Tarura Library
With mounting disbelief, Regan Trent realises that the death of her beloved mother has left her totally at her stepfather's mercy. But mercy is a foreign concept to Sherwyn Huntley. To this ruthless man, Regan is simply an obstacle between him and the Trent fortune. Denied a place at her mother's funeral, cruelly separated from her younger brother, promised in marriage to a sadistic pervert, Regan prefers to take her chance in the wide world. But Huntley will stop at nothing to achieve his cruel ambitions . . .
Raped and left pregnant by her drunken father, Anna Bradley knows she must abandon her baby and make a new life if her son is to have a future. As luck would have it, she is befriended by Maggie Fellen, and under her gruff but tender care, Anna builds up a successful business, and even finds a measure of happiness with Edward Royce. The happiness does not last: tragedy - and a cruel man - rob her of both husband and livelihood and once more she must rebuild her fortune. But Anna can never forget her firstborn; and when Fate leads her back to Wednesbury, it is to a confrontation that could break - or mend - her heart.
Robbed of marriage to the man she loved, Leah Bryce rears his daugther Miriam as her own. But her bitterness and desire for vengeance lead her to treat the girl with extreme cruelty, and when Miriam falls pregnant, Leah refuses to let her marry the father of her child. Leah's son Ralph has always loved the girl he believes to be his sister, and fights to subdue feelings that are more than brotherly. When he discovers Miriam's seducer has no intention of standing by her, he takes a terrible revenge: Saul Marsh will leave no other woman pregnant. But Miriam's trials are far from over. Her mother's hatred reaches new and evil heights - even on her deathbed she seeks to ruin the girl's happiness. Only when Leah's malign influence is removed for ever can Miriam overcome the horrors of her girlhood to find love and joy at last.
One of five sisters, Margaret Rose Astbury grew up in Wednesbury during the first half of the twentieth century. Despite the constant struggle to make ends meet, and the hardship and worry of wartime, life in the Black Country was not all doom and gloom. In the crowded terraced houses and teeming communal yards, there was love and laughter aplenty. Meg was no angel, and was often up to her armpits in mischief. But she knew she could rely on her sisters to stick up for her and her mom and dad were too soft-hearted to punish any of their beloved daughters. With all the humour and narrative skill that have made her novels bestsellers, Meg Hutchinson paints a loving portrait of family life in a more innocent age.
Rachel Cade is a miner's daughter on the run from a crime she did not commit. Jared Lytton is the hot tempered but well-meaning mine owner who cannot stop thinking about her. Stunned by her stepmother's accusation that she killed her beloved little brother, Rachel is even more shocked to be sent to the workhouse to await trial. There, Rachel is in despair, but just as she is about to give up hope, Jared steps in to rescue her. Running from her past, Rachel tries to move on, but her enemies have a habit of catching up with her. Fighting just to stay alive, with every meal hard earned, she is caught in a promise her pride will not allow her to renege on. Will she ever find peace, happiness and a love of her own?
Anne Corby flees from Russia when her mother dies in the wild savagery of the steppes. Pregnant with an illegitimate child - the result a brutal rape, Anna returns to Darlaston with nothing but a mysterious talisman, wrapped in a black velvet cloth, in which the peace of nations resides. But a return to Darlaston holds no sanctuary. For it is home to Anne's aunt Clara, who sees the girl's bastard as a threat to her ownership of Glebe Metalworks. As war clouds gather, Clara resolves to remove the usurper by fair means or foul, and enlists her depraved son Quenton in her evil plan. The turbulent years of the First World War create a dramatic backdrop for Meg Hutchinson's new novel in which Anne, the brave heroine, struggles to save her child and to survive her heritage of shame.
Young Philippa Cranley is living a lie. Her tyrannical father Archer forces her to masquerade as a man in order to comply with the terms of her maternal grandfather's Will, and enable him to inherit the glassworks. By threatening her fragile mother with imprisonment in a mental institution, he forces Philippa to become Philip, wearing men's clothes and unable to reveal her identity to anyone. To increase her humiliation, Archer Cranley forces 'Philip' to do a stint in the glassworks, which puts her in danger from her rough co-workers as well as from the machinery itself. There the girl is befriended by Joshua Fairley, whose pity is aroused by the gentle 'lad'. But soon Joshua finds his feelings for 'Philip' are more than just pity, and is tormented by the thought that he is being tempted into a homosexual relationship. Luckily, by the end of the novel Philippa is able to reveal the truth and marry Joshua.
Banished from her father's sight and home since the age of four, wheelchair-bound Esther Kerral is horrified when Jos Kerral forces her into an arranged marriage with Morgan Cosmore, the son of a local factory owner. Both fathers hope the union will save their ailing businesses; little do they know that each is as bankrupt as the other. But Morgan's inclinations have long lain in another, perverse, direction and poor Esther must struggle as best she can not only to survive a loveless marriage, but also to build up a business of her own in a man's world.
Emma Lawrence and her sister Rachel had been taken into the Gilmore household on the death of their parents and have known nothing but unkindness at the hands of Fenton and his wife. Now Rachel is dead, brutally raped and strangled, and Emma must dry her tears and flee if she is to escape the same fate.
Journalist Kate Mallory is covering a routine case of vandalism in a local churchyard when she comes across a mysterious foreign banknote and a drawing of an ancient talisman, the Seal of Ashmedai, used in rituals of black magic. At the same time, Richard Torrey is haunted by a young woman, dressed in white, who begs his help. But why can no one else see or hear her? Together, Kate and Richard decide to investigate a possible connection between these random events. They do not expect to find themselves embroiled in an attempt to create the havoc of war in the Middle East, large-scale currency counterfeiting - and devil worship.
Set against the backdrop of World War I, this is a heartbreaking tale for fans of Josephine Cox. Having suffered much cruelty at the hands of her father, Isabel Kenton is shocked to hear after his death that he was not her real father. Isabel inherits their house while her twin brother Mark is left the family steel works. But when World War I breaks out, Mark joins the RAF, and Isabel must take responsibility for the management of the business, much to the displeasure of the town's industrialists. Struggling to keep the business alive, she must also discover who she really is. Along the way she will make enemies, but she will also find answers - and love.
Saran Chandler is a locksmith's daughter but following her father's death, her happy family is torn apart and she is left to fend for herself. Luke Hipton is a workhouse orphan with a murky past who is wise beyond his years and becomes her loyal friend and companion. After the death of her father, Saran Chandler stands helplessly by as her mother and sister are sold by the vile Enoch Jacobs. But when Enoch drowns, Saran swears that she will not rest until she has secured her family's release. Penniless and alone, she barely knows where to start until she teams up with workhouse orphan Luke. Together they try to survive in the harsh environment of the industrial Midlands but before long they make both dangerous enemies who prey upon the vulnerable. Will they ever find Saran's family and their happily ever after?
Laura Cadman had always assumed she would marry Edmund Shaw, the son of her father's partner, and keep the Shaw and Cadman name. But Edmund's violent refusal is just the beginning. When Jabez Shaw dies, Edmund takes advantage of Laura's father and cheats him out of the engineering works. Not content with that, he manufactures an accusation that lands Mr Cadman in Winson Green Prison. Penniless, her pride hurt and her heart broken, Laura vows to repay every pound that Edmund claims he is owed. Rafe Travers is often at hand when Laura is in trouble, but Edmund's cruel words blind her to Rafe's love. Only when he saves her from Edmund's final wickedness can she believe he loves her, and embrace happiness at last.
Philip Bartley stops to pick up a hitch-hiker one rainy night, hoping for sexual favours in return. But when the car crashes into a hedge, the slender, blonde figure with the seductive tongue is nowhere to be seen . . . Reverend Peter Darley has a mortal sin on his conscience, and as he struggles with his faith, he finds that even the church cannot provide sanctuary from his impure thoughts . . . A whiff of perfume, a pair of hyacinth blue eyes are oddly familiar to James Connor. Will they cause the Deputy Police Commissioner to lose his head? That is just the beginning. There are three men with one woman in common. Now that woman, Anna, is dead. Her lover Richard Torrey is determined to get at the bottom of her brutal murder and bring her killers to justice. But his investigations, helped by journalist Kate Mallory and Inspector Bruce Daniels, are hampered by a series of inexplicable events.
Meg Hutchinson's twentieth novel sweeps from the collieries of the Black Country to the sugar-scented islands of the Caribbean as it tells the story of a young woman who must suffer many violent wrongs before being saved by her own virtue, and by the love of a good man. When her selfish, flighty sister leaves home following a false promise of becoming the wife of a wealthy sugar plantation owner, Alyssa becomes solely responsible for her poor, deranged mother as well as for Thea's bastard son. Viciously raped, then thrown out of the family home, the girl goes on the run, fleeing her cruel rapist. Alyssa's journey is a perilous one. It will take her far from the Black Country to the wild shores of the Caribbean and put her in the path of evil men determined to despoil the young girl. For the palm-fringed island of Jamaica is home to a pernicious trade: white slavery . . .
Agnes Ridley has a cruel tongue and a heart of stone, and when she discovers housemaid Lizzie Burton has fallen pregnant, she turns her out with only the clothes on her back. If it weren't for loyal Debbie, who follows her friend into exile, Lizzie would be friendless as well as destitute. The girls are blessed when they meet big-hearted Sadie Trent, who takes them in and cherishes them like her own. But even Sadie cannot protect the girls from the vicious malice of Abe Turley, who is determined to take his pleasure - and then his revenge; and from sinister Fleur Masson, who hides an evil trade behind the respectable facade of a fashion house. After such tribulations, can there ever be true happiness for a child of sin?
Banished from her father's sight and home since the age of four, wheelchair-bound Esther Kerral is horrified when Jos Kerral forces her into an arranged marriage with Morgan Cosmore, the son of a local factory owner. Both fathers hope the union will save their ailing businesses; little do they know that each is as bankrupt as the other. But Morgan's inclinations have long lain in another, perverse, direction and poor Esther must struggle as best she can not only to survive a loveless marriage, but also to build up a business of her own in a man's world.
With mounting disbelief, Regan Trent realises that the death of her beloved mother has left her totally at her stepfather's mercy. But mercy is a foreign concept to Sherwyn Huntley. To this ruthless man, Regan is simply an obstacle between him and the Trent fortune. Denied a place at her mother's funeral, cruelly separated from her younger brother, promised in marriage to a sadistic pervert, Regan prefers to take her chance in the wide world. But Huntley will stop at nothing to achieve his cruel ambitions . . .
She thought her troubles were over . . . After her beloved father's suicide, increasingly desperate poverty forces a crisis for Callista Stanford - for vicious rent collector Oswin Slade will accept only the girl's body in payment for the rent due. Repulsed by his advances, Callista postpones the evil day until it is too late. Homeless and destitute, Callista finds refuge with Abigail and Daniel Roberts, a kindly couple, potters by trade. Taught by her father to appreciate beauty, Callista proves to have a feeling for the clay and with Daniel's help comes to be mistress of the Leabrook Pottery. But there is no happy ending yet. An unseen enemy, a depraved woman, lurks in the shadows, intent on harm to the pauper's child . . . ********* Praise for Meg Hutchinson: 'The mistress of simmering sagas' - Peterborough Evening Telegraph 'Hutchinson knows how to spin a good yarn. One for those cold nights curled up in front of the fire' - Birmingham Evening Mail 'Meg Hutchinson was the undisputed queen of the clogs and shawls saga' - Tarura Library
In the early 1960s, Phil Cross joined the Gypsy Jokers MC. In 1969, he patched over to the Hells Angels MC. This book chronicles the life and times of Mr. Cross in words and photos.
A collection of personal essays by popular young adult and women's fiction writers considers the ways in which the books of Judy Blume influenced their emotional, social, and physical developments.
George Washington. John Adams. Benjamin Franklin. These great leaders--and many others--made innumerable contributions that laid the groundwork for our nation. But who were they really? In actuality, the founding fathers were a diverse group of men and not the homogenous collection history has shaped them into. Some were puritanical but some were philanderers; some were wealthy while others were plagued with money woes. Inside you'll discover the triumphs, failures, and little-known facts about our founding fathers, including: Why George Washington never lived in the White House What John Adams and Thomas Jefferson stole from Shakespeare's birthplace Why Alexander Hamilton never ran for president How Thomas Paine narrowly escaped execution in France Why Thomas Jefferson kept grizzly bears on the White House lawn Featuring fun quizzes to test your knowledge, this book uncovers both the great accomplishments and also the very human flaws of the founding fathers and brings them to life like no dry history book can!
For courses in English Composition, Argumentative Writing, and Introduction to Literature. Strategies for Reading and Arguing about Literature brings together the often divergent studies of argumentation and literature. This textbook teaches the art of academic argumentation through a focus on classic and contemporary literature. Using this book, students will learn, practice and master critical reading strategies, critical writing and research strategies, the essentials of academic argumentation, and basic literary theory as it relates to the development of an argument. Concurrently, students will explore and appreciate a variety of literature ranging from the classical to the contemporary in a variety of genres and critical analyses of literary works.
The Number One bestseller. When Tam's brother Benjie is wrongly accused of theft, and locked in a prison cell, his sister makes a solemn promise that she will not let the little lad down. But Fate makes her break her word almost immediately: Benjie is transported to Australia and Tam must embark upon an epic journey to find him. Friendless and penniless, she makes her way to Bristol, finding employment as a lady's maid on board the Porpoise, a ship bound for the colonies. The voyage is long and perilous and Tam's life is threatened by two depraved seamen; though First Mate James Allen offers her his protection, she cannot return his love. For Tamar's heart already belongs to another seafaring man - Captain Nathan Burford, who, like Tamar, haunts the seas looking for lost loved ones. Under the blazing Australian sun, Tam must endure hardship and cruelty, but she also encounters generosity and friendship from unexpected quarters on her quest. Will one poor girl right a terrible wrong and rescue her brother from the Judas Touch?
“How is it that I seem to be this Margaret Fuller,” the pioneering feminist, journalist, and political revolutionary asked herself as a child. “What does it mean?” Filled with new insights into the causes and consequences of Fuller’s lifelong psychic conflict, this biography chronicles the journey of an American Romantic pilgrim as she wanders from New England into the larger world--and then back home under circumstances that Fuller herself likened to those of both the prodigal child of the Bible and Oedipus of Greek mythology. Meg McGavran Murray discusses Fuller’s Puritan ancestry, her life as the precocious child of a preoccupied, grieving mother and of a tyrannical father who took over her upbringing, her escape from her loveless home into books, and the unorthodox--and influential--male and female role models to which her reading exposed her. Murray also covers Fuller’s authorship of Woman in the Nineteenth Century, her career as a New-York Tribune journalist first in New York and later in Rome, her pregnancy out of wedlock, her witness of the fall of Rome in 1849 during the Roman Revolution, and her return to the land of her birth, where she knew she would be received as an outcast. Other biographies call Fuller a Romantic. Margaret Fuller, Wandering Pilgrim illustrates how Fuller internalized the lives of the heroes and heroines in the ancient and modern Romantic literature that she had read as a child and adolescent, as well as how she used her Romantic imagination to broaden women’s roles in Woman in the Nineteenth Century, even as she wandered the earth in search of a home.
Part of the popular BERA/SAGE Research Methods in Education series, this is the first book to specifically focus on the ethics of Education research. Drawn from the authors’ experiences in the UK, Australia and mainland Europe and with contributions from across the globe, this clear and accessible book includes a wide range of examples The authors show how to: identify ethical issues which may arise with any research project gain informed consent provide information in the right way to participants present and disseminate findings in line with ethical guidelines All researchers, irrespective of whether they are postgraduate students, practising teachers or seasoned academics, will find this book extremely valuable for its rigorous and critical discussion of theory and its strong practical focus. Rachel Brooks is Professor of Sociology and Head of the Sociology Department at the University of Surrey, UK. Kitty te Riele is Principal Research Fellow in the Victoria Institute for Education, Diversity and Lifelong Learning, at Victoria University in Australia. Meg Maguire is Professor of Sociology of Education at King’s College London.
A dramatic tale of a wronged woman who rises above adversity to grasp love and happiness at last. For fans of Josephine Cox and Catherine Cookson. Shocked beyond measure at her wrongful imprisonment, Phoebe Pardoe finds it hard to adjust to the harshness of life in the infamous Handsworth Prison. Abused and beaten, she struggles to maintain her unconquered spirit, little suspecting that her arrest is the work of her jealous Aunt Annie. Phoebe has a guardian angel in the form of Sir William Dartmouth, who eventually engineers her release. But even so, cruelly disinherited, Phoebe must strive to make a living for herself in a man's world. Especially as Annie has not given up her perverse quest for revenge...
Agnes Ridley has a cruel tongue and a heart of stone, and when she discovers housemaid Lizzie Burton has fallen pregnant, she turns her out with only the clothes on her back. If it weren't for loyal Debbie, who follows her friend into exile, Lizzie would be friendless as well as destitute. The girls are blessed when they meet big-hearted Sadie Trent, who takes them in and cherishes them like her own. But even Sadie cannot protect the girls from the vicious malice of Abe Turley, who is determined to take his pleasure - and then his revenge; and from sinister Fleur Masson, who hides an evil trade behind the respectable facade of a fashion house. After such tribulations, can there ever be true happiness for a child of sin?
Laura Cadman had always assumed she would marry Edmund Shaw, the son of her father's partner, and keep the Shaw and Cadman name. But Edmund's violent refusal is just the beginning. When Jabez Shaw dies, Edmund takes advantage of Laura's father and cheats him out of the engineering works. Not content with that, he manufactures an accusation that lands Mr Cadman in Winson Green Prison. Penniless, her pride hurt and her heart broken, Laura vows to repay every pound that Edmund claims he is owed. Rafe Travers is often at hand when Laura is in trouble, but Edmund's cruel words blind her to Rafe's love. Only when he saves her from Edmund's final wickedness can she believe he loves her, and embrace happiness at last.
Maura Deverell is a young Irish peasant girl whose mother is dying of consumption. Their cruel landlord threatens to throw them out of their cottage unless Maura agrees to marry his young son, Liam Riordan. But before Maura can decide, she is brutally raped by Liam's brother Padraig, who gloats that once she is under their roof, Maura will be at his mercy - his sexual slave. Weak though she is, Maura's mother does not let this vicious act go unavenged. She curses the Riordans and then, on her deathbed, makes Maura promise to leave Ireland for good. Maura ends up in Birmingham, after many narrow escapes from rape and death. Even when she makes staunch friends, and discovers a protector in the shape of Aiden Shanley, she longs to go home, stopped only by her promise to her mother. Eventually the wicked Riordans meet a well deserved sticky end and Maura is persuaded to return and marry Liam after all.
A formal analysis A Singing Contest comprises close readings of Seamus Heaney's poetry. Tyler argues that in an era of fractured poetry and politics, Seamus Heaney stands out: his impulse is towards unity and regeneration. Her book considers the interplay between different kinds of literary tradition and community in his poetry. For Heaney, poetry represents a structure allowing imaginative mediation of conflicts that appear irreconcilable in the social, political and historical realms. By detailed structural analysis of diction, meter, imagery and generic form, Tyler illustrates how Heaney's poems create concords from discords, unities from fracture. From the preface by Rosanna Warren: A Singing Contest is written with imaginative and emotional urgency, and in some large sense, as it examines Heaney's spells, it seems itself to want to cast a spell against death. Hence Tyler's return, in various ways, to readings of elegy, whether the fictive elegies of classical pastoral poems, or Heaney's personal elegies. She pores in detail over Clearances, the sonnet sequence composed in memory of the poet's mother in The Haw Lantern, and she concludes her book with a chapter on literary elegies, Heaney's farewells to his friends and admired contemporaries Ted Hughes, Zbigniew Herbert, and Joseph Brodsky. In these analyses, one sees the wholeness of Tyler's project: her argument that for Heaney, literary tradition itself, rightly received and transformed, reaches into the voids made by death, and establishes connection across rupture. Her thesis is an ancient one, and she gives it particular shape and force in asking us to contemplate it at work in Heaney, where it binds individual to collective experience, and past to present.
Drawing on broad research, this study explores the different social and theatrical masking activities in England during the Middle Ages and the early 16th century. The authors present a coherent explanation of the many functions of masking, emphasizing the important links among festive practice, specialized ceremonial, and drama. They elucidate the intellectual, moral and social contexts for masking, and they examine the purposes and rewards for participants in the activity. The authors' insight into the masking games and performances of England's medieval and early Tudor periods illuminates many aspects of the thinking and culture of the times: issues of identity and community; performance and role-play; conceptions of the psyche and of the individual's position in social and spiritual structures. Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices, demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods; but is also useful for historians of culture, theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance, and with broader cultural and historical questions of social organization, identity and the self, the performance of power, and shifting spiritual understanding.
This insightful biography introduces readers to Justice Sonia Sotomayor, a remarkable woman with a single-minded pursuit of educational excellence, who rose from poverty in a Bronx housing project to a seat on the U.S. Supreme Court. Sonia Sotomayor: A Biography is an overview of Justice Sotomayor's life and career from her childhood to her ascent to the Supreme Court. It is also an early assessment of her performance on the court, her relationships with her colleagues, and the particular influence she is likely to exert on future decisions. Sharing an inspirational, rags-to-riches story, the book begins with Sotomayor's childhood in an East Bronx housing project. It follows her to Princeton, where she was a student activist, and to Yale Law School. Equally important to an understanding of this influential judge is the discussion of her career as a prosecutor for the City of New York and as a judge in the District Court for the Southern District of New York and the Second Circuit Court. Examining her reputation as a tough but fair jurist, the book explores the influence of these years which, at the time of her appointment, established her as the only Supreme Court justice with experience as a trial judge.
Literature is recognised as having significantly influenced the development of modern psychoanalytic thought. In recent years psychoanalysis has drawn increasingly on the literary and artistic traditions of western culture and moved away from its original medical–scientific context. Originally published in 1991 The Chamber of Maiden Thought (Keats's metaphor for 'the awakening of the thinking principle') is an original and revealing exploration of the seminal role of literature in forming the modern psychoanalytic model of the mind. The crux of the 'post-Kleinian' psychoanalytic view of personality development lies in the internal relations between the self and the mind's 'objects'. Meg Harris Williams and Margot Waddell show that these relations have their origins in the drama of identifications which we can see played out metaphorically and figuratively in literature, which presents the self-creative process in aesthetic terms. They argue that psychoanalysis is a true child of literature rather than merely the interpreter or explainer of literature, illustrating this with some examples from clinical experience, but drawing above all on close scrutiny of the dynamic mental processes presented in the work of Shakespeare, Milton, the Romantic poets, Emily Bronte and George Eliot. The Chamber of Maiden Thought will encourage psychoanalytic workers to respond to the influence of literature in exploring symbolic mental processes. By bringing psychoanalysis into creative conjunction with the arts, it enables practitioners to tap a cultural potential whose insights into the human mind are of immense value.
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