When a young woman disappears, Inspector Henry Beaumont sets out to find her. Approaching the heart of the mystery, he finds himself deep in the countryside. He becomes involved with an enigmatic family, and discovers an age-old earth magic lingering in hidden places.
The suburban area of Bankhill is a seemingly quiet, affluent area, yet DCI Hunter finds his perceptions of this 'tamed arcadia' dramatically changed as he is drawn into the secrecy and deception surrounding the prominent Mannering family.
Arnold Peabody was a quiet man whose mother had died. He visited a local medium to see if he could obtain contact with his mother from beyond the grave. Not long after, Mildred Hewitt from Avenbridge falls to her death at a local beauty spot on a snowy night. Her son Gilbert goes off the rails and the community watches in fascination. Gilbert also decides to visit the medium. Henry Beaumont, who had frequently visited Avenbridge since he had been evacuated there, becomes more involved in the Hewitt case.
The Bee-all and End-all: The complete quilter's companion and essential resource, jam-packed with information, supplies, expert interviews, techniques, community, and inspiration. All the tools of the trade: rotary cutters, sewing machines, longarms, anddesign software; fabulous fabrics and where to find them; and if you're just starting out, everything that belongs in a quilting basket. The online world made manageable with a guide to the most useful blogs, websites, e-mail lists, free patterns, and podcasts. National and regional shows, guilds, and the best retreats and quilt museums. Batting parties, tutorials on fabric dying, and a breezy history of the quilt boom. Profiles of twenty top teachers-including television's Ricky Tims and Alex Anderson, Esterita Austin and her award-winning landscape quilts, and Ruth B. McDowell, known for her bravura technique. This is a book to help every quilter deepen and grow-keep it as close by as your stash of fat quarters -Cover.
Part of the American Literatures Initiative Series In the late nineteenth century, American teachers descended on the Philippines, which had been newly purchased by the U.S. at the end of the Spanish-American War. Motivated by President McKinley’s project of “benevolent assimilation,” they established a school system that centered on English language and American literature to advance the superiority of the Anglo-Saxon tradition, which was held up as justification for the U.S.’s civilizing mission and offered as a promise of moral uplift and political advancement. Meanwhile, on American soil, the field of American literature was just being developed and fundamentally, though invisibly, defined by this new, extraterritorial expansion. Drawing on a wealth of material, including historical records, governmental documents from the War Department and the Bureau of Insular Affairs, curriculum guides, memoirs of American teachers in the Philippines, and 19th century literature, Meg Wesling not only links empire with education, but also demonstrates that the rearticulation of American literary studies through the imperial occupation in the Philippines served to actually define and strengthen the field. Empire’s Proxy boldly argues that the practical and ideological work of colonial dominance figured into the emergence of the field of American literature, and that the consolidation of a canon of American literature was intertwined with the administrative and intellectual tasks of colonial management.
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