National bestseller A Historical Novels Review Editors' Choice A Jewish Book Award Finalist The New York Times bestselling author of Beautiful Exiles conjures her best novel yet, a pre-World War II-era story with the emotional resonance of Orphan Train and All the Light We Cannot See, centering on the Kindertransports that carried thousands of children out of Nazi-occupied Europe—and one brave woman who helped them escape to safety. In 1936, the Nazi are little more than loud, brutish bores to fifteen-year old Stephan Neuman, the son of a wealthy and influential Jewish family and budding playwright whose playground extends from Vienna’s streets to its intricate underground tunnels. Stephan’s best friend and companion is the brilliant Žofie-Helene, a Christian girl whose mother edits a progressive, anti-Nazi newspaper. But the two adolescents’ carefree innocence is shattered when the Nazis’ take control. There is hope in the darkness, though. Truus Wijsmuller, a member of the Dutch resistance, risks her life smuggling Jewish children out of Nazi Germany to the nations that will take them. It is a mission that becomes even more dangerous after the Anschluss—Hitler’s annexation of Austria—as, across Europe, countries close their borders to the growing number of refugees desperate to escape. Tante Truus, as she is known, is determined to save as many children as she can. After Britain passes a measure to take in at-risk child refugees from the German Reich, she dares to approach Adolf Eichmann, the man who would later help devise the “Final Solution to the Jewish Question,” in a race against time to bring children like Stephan, his young brother Walter, and Žofie-Helene on a perilous journey to an uncertain future abroad.
Kyra and Fallen have strange pasts. A six years old Fallen fled from his unconventional home to the streets. Kyra, born to an underworld movement known as the Order, ran away when she was eight to be free of it. Both live in the city as street kids, living as strays for years, repressing their pasts as they try to survive, but no one can run forever. When the Order persuades Fallen to join them Kyra, in debt to Fallen feels compelled to return as well and both of them start the long journey back into their memories. Together they are made to delve into what was their past; face the harsh realities of the underground and find a way to help each other face their childhood demons. While training themselves into heartless killers their only hope is to reconcile their lives in time to save their future. On the 24th of March 2009 Meg at age 13, sat at her desk for recreational writing. A story about two strays she thought would be a short story to put in her journal one day, now almost 200 000 words later her story ‘The Order’s experiments’ is her first published novel.
Kyra and Fallen have strange pasts. A six years old Fallen fled from his unconventional home to the streets. Kyra, born to an underworld movement known as the Order, ran away when she was eight to be free of it. Both live in the city as street kids, living as strays for years, repressing their pasts as they try to survive, but no one can run forever. When the Order persuades Fallen to join them Kyra, in debt to Fallen feels compelled to return as well and both of them start the long journey back into their memories. Together they are made to delve into what was their past; face the harsh realities of the underground and find a way to help each other face their childhood demons. While training themselves into heartless killers their only hope is to reconcile their lives in time to save their future. On the 24th of March 2009 Meg at age 13, sat at her desk for recreational writing. A story about two strays she thought would be a short story to put in her journal one day, now almost 200 000 words later her story ‘The Order’s experiments’ is her first published novel.
This book examines posttraumatic autobiographical projects, elucidating the complex relationship between the ‘science of trauma’ (and how that idea is understood across various scientific disciplines), and the rhetorical strategies of fragmentation, dissociation, reticence and repetitive troping widely used the representation of traumatic experience. From autobiographical fictions to prison poems, from witness testimony to autography, and from testimonio to war memorials, otherwise dissimilar projects speak of past suffering through a limited and even predictable discourse in search of healing. Drawing on approaches from literary, human rights and cultural studies that highlight relations between trauma, language, meaning and self-hood, and the latest research on the science of trauma from the fields of clinical, behavioral and evolutionary psychology and neuroscience, I read such autobiographical projects not as ‘symptoms’ but as complex interrogative negotiations of trauma and its aftermath: commemorative and performative narratives navigating aesthetic, biological, cultural, linguistic and emotional pressure and inspiration.
Propelled by George Floyd’s murder in her hometown of Minneapolis, Meg Gorzycki addresses the question of why peace is difficult to cultivate and sustain, and finds that America has always had a love-hate relationship with peace. The Peace We Can’t Reach posits that peace is more than the absence of war and aggression, and in its most profound sense is shalom, the commitment to live for the well-being of all so that compassion and justice might prevail. Exploring shalom from the perspective of war, police brutality, mass shootings, and economic injustice, this book offers evidence that neither democracy nor Christianity as Americans have known them are capable of achieving peace. It asserts that the keys to peace are personal and social narratives that give people a sense of identity and their highest purpose, and concludes that gaining control over these narratives is vital to shalom.
Follows the story of two girls as they forge a powerful friendship that carries them through horrific circumstances at the Auschwitz concentration camp.
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