This book examines literary representations of Sydney and its waterway in the context of Australian modernism and modernity in the interwar period. Then as now, Sydney Harbour is both an ecological wonder and ladened with economic, cultural, historical and aesthetic significance for the city by its shores. In Australia’s earliest canon of urban fiction, writers including Christina Stead, Dymphna Cusack, Eleanor Dark, Kylie Tennant and M. Barnard Eldershaw explore the myth and the reality of the city ‘built on water’. Mapping Sydney via its watery and littoral places, these writers trace impacts of empire, commercial capitalism, global trade and technology on the city, while drawing on estuarine logics of flow and blockage, circulation and sedimentation to innovate modes of writing temporally, geographically and aesthetically specific to Sydney’s provincial modernity. Contributing to the growing field of oceanic or aqueous studies, Sydney and its Waterway and Australian Modernism shows the capacity of water and human-water relations to make both generative and disruptive contributions to urban topography and narrative topology
This book examines literary representations of Sydney and its waterway in the context of Australian modernism and modernity in the interwar period. Then as now, Sydney Harbour is both an ecological wonder and ladened with economic, cultural, historical and aesthetic significance for the city by its shores. In Australia’s earliest canon of urban fiction, writers including Christina Stead, Dymphna Cusack, Eleanor Dark, Kylie Tennant and M. Barnard Eldershaw explore the myth and the reality of the city ‘built on water’. Mapping Sydney via its watery and littoral places, these writers trace impacts of empire, commercial capitalism, global trade and technology on the city, while drawing on estuarine logics of flow and blockage, circulation and sedimentation to innovate modes of writing temporally, geographically and aesthetically specific to Sydney’s provincial modernity. Contributing to the growing field of oceanic or aqueous studies, Sydney and its Waterway and Australian Modernism shows the capacity of water and human-water relations to make both generative and disruptive contributions to urban topography and narrative topology
Deirdre Brandenburg has an MBA and a dream. What she doesn’t have is money, courtesy of her billionaire father’s scheme to make her come home. All she needs is three months until her trust fund kicks in. Until then, she needs a job. Hiring the new girl next door is no-brainer for ex-gambler Tom Ames. He’s already succeeded in making his bar, The Faro, a growing tourist draw. Deirdre’s beauty will pull in the locals—particularly every red-blooded male in the Hill Country. As he watches her transform into a confident, sassy barmaid, he realizes he wants first crack at her heart. When Big John Brandenburg sends Deirdre’s ex-boyfriend to drag her home, the plan backfires, leaving Tom’s bar in shambles and Deirdre kidnapped by a band of loony Texas secessionists. Tom will have to decide just how far he’s willing to go to get her back. Each book in the Konigsburg series is STANDALONE: * Venus in Blue Jeans * Wedding Bell Blues * Be My Baby * Long Time Gone * Brand New Me * Don’t Forget Me * Fearless Love * Hungry Heart
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