Mechthild of Magdeburg's The Flowing Light of the Godhead is one of the great surprises of German medieval literature. Compiled between c.1250 and c.1282, it is an extraordinary piece of imaginative writing. It integrates visions, auditions, dialogues, prayers, hymns, lyrical love poems, letters, allegories and parables, and draws creatively on features from hagiography, the disputation, the treatise, and magic spells, as the author documents her relationship with God and with her contemporaries. Within the context of German literary history, it is the first text in the tradition of mystical writing that was neither a translation nor a free adaptation of a Latin text, but rather an independent composition in the vernacular. Also of major significance is the fact that this text was written by a woman, thus offering insights into the cultural and social-historical context of the female religious (Mechthild lived her adult life as a beguine and latterly as a nun) in thirteenth-century northern Europe. Selections from the text are presented here in translation with introduction and notes. Dr Elizabeth A. Andersen teaches in the School of Modern Languages, Newcastle University.
Mechthild of Magdeburg's The Flowing Light of the Godhead is one of the great surprises of German medieval literature. Compiled between c.1250 and c.1282, it is an extraordinary piece of imaginative writing. It integrates visions, auditions, dialogues, prayers, hymns, lyrical love poems, letters, allegories and parables, and draws creatively on features from hagiography, the disputation, the treatise, and magic spells, as the author documents her relationship with God and with her contemporaries. Within the context of German literary history, it is the first text in the tradition of mystical writing that was neither a translation nor a free adaptation of a Latin text, but rather an independent composition in the vernacular. Also of major significance is the fact that this text was written by a woman, thus offering insights into the cultural and social-historical context of the female religious (Mechthild lived her adult life as a beguine and latterly as a nun) in thirteenth-century northern Europe. Selections from the text are presented here in translation with introduction and notes. Dr Elizabeth A. Andersen teaches in the School of Modern Languages, Newcastle University.
2012 Reprint of Original 1953 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. (c)New introduction and foreword Martino Publishing. This work is the first English translation of her 13th century classic-the mystical writings of Mechthild of Magdeburg. The only complete codex of this work is in the library of Einsiedeln in Switzerland, where the translator spent three years translating the codex from a South German translation of 1344. The book is a collection of visions, revelations, thoughts and letters written in alternating prose and poetry. The variety of its contents includes practical advice on daily conduct, as well as the most sublime descriptions of high mystical experience. Her works were early translated into Latin, and were almost certainly known to Dante, whose vision of heaven, hell and purgatory went on to have a great influence in Western Literature. Her influence is traceable in the Paradiso and by some scholars she is thought to have been the Matilda in the earthly paradise. Her works remains to this day a classic text of Christian mysticis
Here is the first English translation based on the new critical edition of The Flowing Light of the Godhead, the sole mystical visionary work of Mechthild, a 13th-century (c. 1260-c. 1282/94) German Beguine. This challenging work of deep religious insight reflects Mechthild's inner life, and God's as well, employing a great variety of traditional medieval literary forms and genres in prose and verse.
Masking the Abject traces the beginnings of the malediction of play in Western metaphysics to Aristotle. Mechthild Nagel's innovative study demonstrates how play has served as a "castaway" in western philosophical thinking: It is considered to be repulsive and loathsome, yet also fascinating and desirable. The book illustrates how play "succeeds" and proliferates after Hegel--despite its denunciation by classical philosophers--entering Marxist, phenomenological, postmodern, and feminist discourses. This work provides the reader with a superb analyisis of how the distinction between the serious and the playful has developed over time, charting play's changing ontological status, and ethical and aesthetic dimensions, from the logocentric to the bacchnalian.
The name Emmy Noether is one of the most celebrated in the history of mathematics. A brilliant algebraist and iconic figure for women in modern science, Noether exerted a strong influence on the younger mathematicians of her time and long thereafter; today, she is known worldwide as the "mother of modern algebra." Drawing on original archival material and recent research, this book follows Emmy Noethers career from her early years in Erlangen up until her tragic death in the United States. After solving a major outstanding problem in Einsteins theory of relativity, she was finally able to join the Göttingen faculty in 1919. Proving It Her Way offers a new perspective on an extraordinary career, first, by focusing on important figures in Noethers life and, second, by showing how she selflessly promoted the careers of several other talented individuals. By exploring her mathematical world, it aims to convey the personality and impact of a remarkable mathematician who literally changed the face of modern mathematics, despite the fact that, as a woman, she never held a regular professorship. Written for a general audience, this study uncovers the human dimensions of Noethers key relationships with a younger generation of mathematicians. Thematically, the authors took inspiration from their cooperation with the ensemble portraittheater Vienna in producing the play "Diving into Math with Emmy Noether." Four of the young mathematicians portrayed in Proving It Her Way - B.L. van der Waerden, Pavel Alexandrov, Helmut Hasse, and Olga Taussky - also appear in "Diving into Math.".
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