Internet technology has arguably changed the rules by which individuals, social movements, and institutions compete for political and cultural influence in technologically advanced societies. The author considers this reality through reference to the concept of hegemony; looking to the ways in which diverse actors in American civil society compete with one another while simultaneously challenging dominant sources of authority. The Arab/Israeli conflict is drawn upon as a boundary object holding direct interest to a wide range of state-aligned lobbies, broadly-based social movements, and marginalized 'extremist' groups, each of which hopes to affect the course of U.S. Mid-East policy. While various dimensions of internet use and activism are explored, Stephen Marmura directs particular attention to the importance and limitations of the World Wide Web as a mass medium. Examining phenomena ranging from mainstream news dissemination to the propaganda warfare visible online amongst racist, religious fundamentalist, and ultra-nationalist organizations, he argues the Net's greatest advantages are ultimately accrued by those most vested in the political status quo. Marmura argues further that widespread use of the Web is likely contributing to processes of social fragmentation, even as it reinforces ideological discourses favorable to state power.
Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
A comprehensive guide to methodological issues within feminist scholarship. Drawing upon the debates concerning the incidence of rape, public support for reproductive rights, and welfare reform, the author demonstrates how seemingly abstract questions about the nature of knowledge have palpable effects on the lives of contemporary women and men.
What is the relation between policy analysis and political decision-making? Is the policy analyst a handmaiden of democracy or an agent of technocracy? Do recent debates in the policy literature illuminate or obfuscate these issues? What analytic techniques are available to resolve such questions? This study considers the nature of policy inquiry in detail and explores norms and theoretical assumptions seldom subjected to scrutiny. The author demonstrates how conceptual presuppositions and methodological commitments have constricted our understanding of political problems and so hindered prescriptions for viable policy options. Proposed here is an alternative framework for policy inquiry that is both pragmatic and sophisticated. Hawkesworth considers the implications of this alternative model in a series of case studies that addresses important foreign and domestic policy issues. The epistemic and practical criticisms presented in this study provide new direction for the field of policy studies.
This is a research book on our teenagers that I thought was necessary to do at this time. With the coronavirus pandemic in our midst for over a year now and is expected to be around for at least through the year 2022, to some extent. I wanted to present the dilemma of blacks versus whites from a historical point of view and bringing it all the way up to the current times, to see if there have been major progress and/or changes for the good of all teenagers as a whole—equal in nature and in opportunities for all teenagers as a result and not just a segment of these groups. You will be able to make your own assessment from my research, and I will give you mine based on my interpretation of the actual data presented.
The Medusa Gaze offers striking insights into the desires and frustrations of women through the narratives of the impressive contemporary novelists Angela Carter, Toni Morrison, Sylvia Plath, Margaret Atwood, A.S. Byatt, Iris Murdoch, Jeanette Winterson, Jean Rhys and Michèle Roberts. It illuminates women’s power and vulnerability as they construct their own egos in opposition to their hostile alter egos or others facing them in their mirrors, and fixes a panoptic gaze on the women stalking its pages, as they learn how to deflect the menacing gaze of others by returning their look defiantly back at them. Some stare back and win assurance; others are stared down, reduced to psychic trauma, madness and even suicide. The book shows how Freud’s, Sartre’s and Lacan’s androcentric views define the Medusa m/other as monstrous, and how the efforts of mothers to nurture may be slighted as inadequate or devouring. It presents Medusa and other goddess figures as inspirational, repelling harm through the ‘evil eye’ of their powerful gaze. Conversely, it also shows women who are condemned as monstrous Gorgons, trapped in enmity, rivalry and rage. Representing English, American and African American, Canadian and Caribbean writing, the works explored here include realistic, social narrative and magical realist writings, in addition to tales of the past and dystopian narratives.
This book hopes to present the readers more than just an account of how Masi is made, though this will of course be a large component of the book. The book is divided into two sections. The first section sets Fiji in its geographical and historical context, at the same time showing the reader where Masi was traditionally made. This done, it then continues on to explain every aspect of the process used today to make Masi. The second sction of this book endeavours to describe the place of Masi in the world of the traditional Fijian. Finally, the authors look at Masi in the modern world of Fiji, exploring how many ancient rituals continue, and how others have been modified to cater to the demands of people who no longer live a village lifestyle, but are what one Fijian friend called "Fully Urbanised Natives""--Publisher's description.
Gillian Alban meticulously pursues the Fairy Melusine snake-woman image through the plot and the poetry of A. S. Byatt's novel Possession, into medieval legend, and beyond into her antecedents in ancient myth. The book describes the erotically inspiring force of Melusine's love story and draws parallels with goddesses such as Lamia, Ishtar or Inanna, Isis, and Asherah. Mother, creator, and leader, the figure of Melusine was ultimately vilified and tellingly converted into the demon of patriarchal accounts, as seen in the examples of Lilith, Medusa, Scylla, and the serpent in the Garden. Alban deconstructs part of Genesis, including the roles of Adam and Eve and Cain's crime, and illuminates the Old Testament worship of the goddess Asherah alongside the male Yahweh. A forceful exploration of literature, history, and myth, this study sweeps away limiting assumptions about the female sex. Melusine the Serpent Goddess restores the dignity acknowledged to women of old, making a forceful statement about the power and creativity of women.
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