Running Unconscious is the first collection of poetry by Toronto poet and poetry promoter Peter McPhee. 'Never Trust a Polar Bear in Shades,' 'Leaning against a lamppost at the corner of King and Diversity,' and, of course, 'Why the Stegosaurus is my favourite dinosaur' – Running Unconscious assembles all the McPhee classics in one goodlookin' volume.
On 14 July 1789 thousands of Parisians seized the Bastille fortress in Paris. This was the most famous episode of the Revolution of 1789, when huge numbers of French people across the kingdom successfully rebelled against absolute monarchy and the privileges of the nobility. But the subsequent struggle over what social and political system should replace the 'Old Régime' was to divide French people and finally the whole of Europe. The French Revolution is one of the great turning-points in history. It continues to fascinate us, to inspire us, at times to horrify us. Never before had the people of a large and populous country sought to remake their society on the basis of the principles of liberty and equality. The drama, success and tragedy of their project have attracted students to it for more than two centuries. Its importance and fascination for us are undiminished as we try to understand revolutions in our own times. There are three key questions the book investigates. First, why was there a revolution in 1789? Second, why did the revolution continue after 1789, culminating in civil war, foreign invasion and terror? Third, what was the significance of the revolution? Was the French Revolution a major turning-point in French, even world history, or instead just a protracted period of violent upheaval and warfare which wrecked millions of lives?
This volume provides an authoritative synthesis of recent work on the social history of France and is now thoroughly revised and updated to cover the 'long nineteenth century' from 1789-1914. Peter McPhee offers both a readable narrative and a distinctive, coherent argument about this century. McPhee explores themes such as peasant interaction with the environment, the changing experience of work and leisure, the nature of crime and protest, changing demographic patterns and family structure, the religious practices of workers and peasants, and the ideology and internal repercussions of colonisation.
What did it mean to live through the French Revolution? This volume provides a coherent and expansive portrait of revolutionary life by exploring the lived experience of the people of France's villages and country towns, revealing how The Revolution had a dramatic impact on daily life from family relations to religious practices.
What did a blind man, a leper, a Roman centurion, and a little child have in common? Who were they? What was their life story? The answer is: they all shared one very important moment in time, and their lives were impacted and changed forever . . . They all met Jesus, the Messiah! The ?Thirty Minute Series? is the author's imaginings about these people, mentioned only once in the Bible. Some of them were not even mentioned by name. These were real people who lived, and were just like you and me.
What did it mean to live through the French Revolution? This volume provides a coherent and expansive portrait of revolutionary life by exploring the lived experience of the people of France's villages and country towns, revealing how The Revolution had a dramatic impact on daily life from family relations to religious practices.
Some of Eileen's tight-knit circle of friends have made a suicide pact. When her best friend's body is found, another missing teen must be found fast to prevent another tragedy from happening.
For some historians and biographers, Maximilien Robespierre (1758-94) was a great revolutionary martyr who succeeded in leading the French Republic to safety in the face of overwhelming military odds. For many others, he was the first modern dictator, a fanatic who instigated the murderous Reign of Terror in 1793-94. This masterful biography combines new research into Robespierre's dramatic life with a deep understanding of society and the politics of the French Revolution to arrive at a fresh understanding of the man, his passions, and his tragic shortcomings. Peter McPhee gives special attention to Robespierre's formative years and the development of an iron will in a frail boy conceived outside wedlock and on the margins of polite provincial society. Exploring how these experiences formed the young lawyer who arrived in Versailles in 1789, the author discovers not the cold, obsessive Robespierre of legend, but a man of passion with close but platonic friendships with women. Soon immersed in revolutionary conflict, he suffered increasingly lengthy periods of nervous collapse correlating with moments of political crisis, yet Robespierre was tragically unable to step away from the crushing burdens of leadership. Did his ruthless, uncompromising exercise of power reflect a descent into madness in his final year of life? McPhee reevaluates the ideology and reality of "the Terror," what Robespierre intended, and whether it represented an abandonment or a reversal of his early liberalism and sense of justice.
The French countryside is as beloved by the many millions of tourists who visit it each year as it is of French people themselves. But it has not always looked like it does today. An Environmental History of France instead presents the countryside in which people live and work and through which they travel as a human creation across 250 years of economic and cultural change, war and revolution. It is a book about the 'making' of the French landscape and an engrossing story linking human geography, history, agriculture and culture. Showing an awareness of the origins and nature of current ecological and social challenges, Peter McPhee uses a blend of environmental and cultural approaches to paint a vivid picture of rural France's modern history. From the aristocratic control of agrarian resources in the 1770s, to widespread mechanisation in the 19th century, through to the impact of the World Wars and an intriguing discussion about the uncertain future of French rural communities, McPhee provides a nuanced, detailed and absorbing account of a distinctive version of France that is essential to the country's identity.
In 1638, Gianlorenzo Bernini began the ambitious architectural project of designing and constructing massive twin bell towers atop St. Peter's basilica. But the project failed spectacularly. This volume tells the story of the bell towers, presenting both visual and documentary evidence.
What did it mean to live through the French Revolution? This volume provides a coherent and expansive portrait of revolutionary life by exploring the lived experience of the people of France's villages and country towns, revealing how The Revolution had a dramatic impact on daily life from family relations to religious practices.
A literary legend’s engaging review of his career, stressing the work he never completed, and why. Over seven decades, John McPhee has set a standard for literary nonfiction. Assaying mountain ranges, bark canoes, experimental aircraft, the Swiss Army, geophysical hot spots, ocean shipping, shad fishing, dissident art in the Soviet Union, and an even wider variety of other subjects, he has consistently written narrative pieces of immaculate design. In Tabula Rasa, Volume 1, McPhee looks back at his career from the vantage point of his desk drawer, reflecting wryly upon projects he once planned to do but never got around to—people to profile, regions he meant to portray. There are so many examples that he plans to go on writing these vignettes, an ideal project for an old man, he says, and a “reminiscent montage” from a writing life. This first volume includes, among other things, glimpses of a frosty encounter with Thornton Wilder, interrogative dinners with Henry Luce, the allure of western Spain, criteria in writing about science, fireworks over the East River as seen from Malcolm Forbes’s yacht, the evolving inclinations of the Tower of Pisa, the islands among the river deltas of central California, teaching in a pandemic, and persuading The New Yorker to publish an entire book on oranges. The result is a fresh survey of McPhee’s singular planet.
This is an extraordinary tale of life on the high seas aboard one of the last American merchant ships, the S.S. Stella Lykes, on a forty-two-day journey from Charleston down the Pacific coast of South America. As the crew of the Stella Lykes makes their ocean voyage, they tell stories of other runs and other ships, tales of disaster, stupidity, greed, generosity, and courage.
With a foreword by Jennifer Richmond-Bryant In October 1948, a seemingly average fog descended on the tiny mill town of Donora, Pennsylvania. With a population of fewer than fifteen thousand, the town’s main industry was steel and zinc mills—mills that continually emitted pollutants into the air. The six-day smog event left twenty-one people dead and thousands sick. Even after the fog lifted, hundreds more died or were left with lingering health problems. Donora Death Fog details how six fateful days in Donora led to the nation’s first clean air act in 1955, and how such catastrophes can lead to successful policy change. Andy McPhee tells the very human story behind this ecological disaster: how wealthy industrialists built the mills to supply an ever-growing America; how the town’s residents—millworkers and their families—willfully ignored the danger of the mills’ emissions; and how the gradual closing of the mills over the years following the tragedy took its toll on the town.
A WONDROUS NEW BOOK OF MCPHEE'S PROSE PIECES—IN MANY ASPECTS HIS MOST PERSONAL IN FOUR DECADES The brief, brilliant essay "Silk Parachute," which first appeared in The New Yorker a decade ago, has become John McPhee's most anthologized piece of writing. In the nine other pieces here— highly varied in length and theme—McPhee ranges with his characteristic humor and intensity through lacrosse, long-exposure view-camera photography, the weird foods he has sometimes been served in the course of his reportorial travels, a U.S. Open golf championship, and a season in Europe "on the chalk" from the downs and sea cliffs of England to the Maas valley in the Netherlands and the champagne country of northern France. Some of the pieces are wholly personal. In luminous recollections of his early years, for example, he goes on outings with his mother, deliberately overturns canoes in a learning process at a summer camp, and germinates a future book while riding on a jump seat to away games as a basketball player. But each piece—on whatever theme—contains somewhere a personal aspect in which McPhee suggests why he was attracted to write about the subject, and each opens like a silk parachute, lofted skyward and suddenly blossoming with color and form.
Pieces of the Frame is a gathering of memorable writings by one of the greatest journalists and storytellers of our time. They take the reader from the backwoods roads of Georgia, to the high altitude of Ruidoso Downs in New Mexico; from the social decay of Atlantic City, to Scotland, where a pilgrimage for art's sake leads to a surprising encounter with history on a hilltop with a view of a fifth of the entire country. McPhee's writing is more than informative; these are stories, artful and full of character, that make compelling reading. They play with and against one another, so that Pieces of the Frame is distinguished as much by its unity as by its variety. Subjects familiar to McPhee's readers-sports, Scotland, conservation-are treated here with intimacy and a sense of the writer at work.
First published in book form 1985, Table of Contents is a collection of eight pieces written by John McPhee between 1981 and 1984. Geographically and thematically, they range from Alaska to New Jersey, describing, for example, the arrival of telephones in a small village near the Arctic Circle and the arrival of wild bears in considerable numbers in New Jersey, swarming in from the Poconos in search of a better life. The essays in this collection, which The New York Times called "pretty close to flawless," offer an excellent introduction to the work of one of our finest writers.
The New York Times–bestselling author of Yarn Harlot returns with more witty stories about knitting, motherhood, friendship, and more. In this all-new collection of yarns, New York Times–bestselling author and self-proclaimed yarn Harlot Stephanie Pearl-McPhee is all wound up about life, motherhood, losing her beloved washing machine, and, of course, knitting. With trademark humor and wit that have sustained her through thick and thin, including a few misshapen sweaters and an indoor water balloon fight among her otherwise darling daughters, Pearl-McPhee deftly examines knitting, parenting, friendship, and—gasp!—even crocheting in essays that are at times touching, often hilarious, and always entertaining. Praise for Yarn Harlot “A sort of David Sedaris-like take on knitting—laugh-out-loud funny most of the time and poignantly reflective when it’s not cracking you up.” —Library Journal “Pearl-McPhee turns both typical and unique knitting experiences into very funny and articulate prose.” —Meg Swansen, Schoolhouse Press “I laughed until my stitches fell helplessly from my needles!” —Lucy Neatby, author of Cool Socks Warm Feet
In this reliable and succinct introduction to the French Revolution, Peter McPhee tackles the questions which are central to an understanding of this crucial period of French history. Why was there a revolution in France in 1789? Was France fundamentally changed as a result of it? And what effects did it have on everyday life? As well as providing an accessible interpretation of the events and consequences of the Revolution, it also provides an up-to-date guide to the main historiographical debates.
The John McPhee Reader, first published in 1976, is comprised of selections from the author's first twelve books. In 1965, John McPhee published his first book, A Sense of Where You Are; a decade later, he had published eleven others. His fertility, his precision and grace as a stylist, his wit and uncanny brilliance in choosing subject matter, his crack storytelling skills have made him into one of our best writers: a journalist whom L.E. Sissman ranked with Liebling and Mencken, who Geoffrey Wolff said "is bringing his work to levels that have no measurable limit," who has been called "a master craftsman" so many times that it is pointless to number them.
John McPhee's twenty-sixth book is a braid of personal history, natural history, and American history, in descending order of volume. Each spring, American shad-Alosa sapidissima-leave the ocean in hundreds of thousands and run heroic distances upriver to spawn. McPhee--a shad fisherman himself--recounts the shad's cameo role in the lives of George Washington and Henry David Thoreau. He fishes with and visits the laboratories of famous ichthyologists; he takes instruction in the making of shad darts from a master of the art; and he cooks shad in a variety of ways, delectably explained at the end of the book. Mostly, though, he goes fishing for shad in various North American rivers, and he "fishes the same way he writes books, avidly and intensely. He wants to know everything about the fish he's after--its history, its habits, its place in the cosmos" (Bill Pride, The Denver Post). His adventures in pursuit of shad occasion the kind of writing--expert and ardent--at which he has no equal.
Hungry Beat is the story of an all-too-brief era where the short-circuiting of that industry seemed viable. But hell, the times were luminous as was the music these artists made. The songs and many of the players remain, and here they tell their story and lick their wounds' Ian Rankin The immense cultural contribution made by two maverick Scottish independent music labels, Fast Product and Postcard, cannot be underestimated. Bob Last and Hilary Morrison in Edinburgh, followed by Alan Horne and Edwyn Collins in Glasgow helped to create a confidence in being Scottish that hitherto had not existed in pop music (or the arts in general in Scotland). Their fierce independent spirit stamped a mark of quality and intelligence on everything they achieved, as did their role in the emergence of regional independent labels and cultural agitators, such as Rough Trade, Factory and Zoo. Hungry Beat is a definitive oral history of these labels and the Scottish post-punk period. Covering the period 1977-1984, the book begins with the Subway Sect and the Slits performance on the White Riot tour in Edinburgh and takes us through to Bob Last shepherding the Human League from experimental electronic artists on Fast Product to their triumphant number one single in the UK and USA, Don't You Want Me. Largely built on interviews for Grant McPhee's Big Gold Dream film with Last, Hilary Morrison, Paul Morley and members of The Human League, Scars, The Mekons, Fire Engines, Josef K, Aztec Camera, The Go-Betweens and The Bluebells, Hungry Beat offers a comprehensive overview of one of the most important periods of Scottish cultural output and the two labels that changed the landscape of British music.
When John McPhee returned to the island of his ancestors—Colonsay, twenty-five miles west of the Scottish mainland—a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were “incomers.” Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; the laird, the fourth Baron Strathcona, lived in Bath, appeared on Colonsay mainly in the summer, and accepted with nonchalance the fact that he was the least popular man on the island he owned. While comparing crofter and laird, McPhee gives readers a deep and rich portrait of the terrain, the history, the legends, and the people of this fragment of the Hebrides.
The Patch is the seventh collection of essays by the nonfiction master, all published by Farrar, Straus and Giroux. It is divided into two parts. Part 1, “The Sporting Scene,” consists of pieces on fishing, football, golf, and lacrosse—from fly casting for chain pickerel in fall in New Hampshire to walking the linksland of St. Andrews at an Open Championship. Part 2, called “An Album Quilt,” is a montage of fragments of varying length from pieces done across the years that have never appeared in book form—occasional pieces, memorial pieces, reflections, reminiscences, and short items in various magazines including The New Yorker. They range from a visit to the Hershey chocolate factory to encounters with Oscar Hammerstein, Joan Baez, and Mount Denali. Emphatically, the author’s purpose was not merely to preserve things but to choose passages that might entertain contemporary readers. Starting with 250,000 words, he gradually threw out 75 percent of them, and randomly assembled the remaining fragments into “an album quilt.” Among other things, The Patch is a covert memoir.
In admirable disregard for the orthodoxy of public relations, the Swiss Army has chosen Luc Massy to be the soldier companion of the American observer John McPhee during various exercices of a "refresher" course among the high Alps of the Canto de Valais.
Neil seemed like a dream come true for Rachel: a handsome, impeccably mannered, success-oriented Englishman, the fairytale husband she had dreamed of meeting. By the time Neil and Rachel Entwistle were husband and wife, living the good life in a New England town, it was too late to guess the truth: that beneath Neil's good looks and manners was a deceit and darkness... On a winter day in 2006, police came to the Entwistle home and found the decomposing bodies of twenty-seven-year-old Rachel and their nine-month old daughter Lillian Rose. Rachel had been shot in the head. Lillian in the stomach. And Neil was gone. Soon, authorities would begin a desperate search that would take them across the Atlantic to find Neil...and bring him to trial for the killing of his family. Heartless is the shocking story of Neil Entwistle's cold-blooded murder of his wife and child.
The narratives in this book are of journeys made in three wildernesses - on a coastal island, in a Western mountain range, and on the Colorado River in the Grand Canyon. The four men portrayed here have different relationships to their environment, and they encounter each other on mountain trails, in forests and rapids, sometimes with reserve, sometimes with friendliness, sometimes fighting hard across a philosophical divide.
After a gang of thugs beat him up, Paul's parents decide they've had enough of Glasgow's tough streets and move the family to Winnipeg. Still healing from his injuries, Paul also has deep inner scars that will make his new high school, in this new country, even more of a battleground. New Blood is an edgy yet moving account of violence, bullying, recovery, and hope.
Running Unconscious is the first collection of poetry by Toronto poet and poetry promoter Peter McPhee. 'Never Trust a Polar Bear in Shades,' 'Leaning against a lamppost at the corner of King and Diversity,' and, of course, 'Why the Stegosaurus is my favourite dinosaur' – Running Unconscious assembles all the McPhee classics in one goodlookin' volume.
Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. The #1 annual internal medicine guide that clinicians turn to first―extensively revised and updated A Doody's Core Title for 2020! CURRENT Medical Diagnosis & Treatment is the most comprehensive, reliable, and timely reference available to answer common questions that arise in everyday clinical practice. Written by clinicians renowned in their respective fields, this trusted classic offers expert advice on all aspects of outpatient and inpatient medical care. You’ll find authoritative, evidence-based coverage of more than 1,000 diseases and disorders including concise, yet thorough synopsis of diagnosis and treatment. Presented in full-color, this single source reference has been fully updated with the latest developments and breakthroughs in medicine, guidelines, references, drug prices, and more. This essential clinical companion features: A strong emphasis on the practical aspects of clinical diagnosis and patient management Detailed review of all internal medicine disciplines, including geriatrics, preventive medicine, and palliative care, plus gynecology and obstetrics, dermatology, ophthalmology, neurology, psychiatry, and more An annual update on HIV/AIDS and other new, emerging viral infections Specific information regarding disease prevention and prognosis Medication treatment tables, with indexed trade names and updated prices Key recent references on each topic with PMID numbers for quick online access Many full-color photographs, tables, figures and other illustrations. Here are some of the many updates and additions: Extensive updating of tables and images New FDA-approved medication for multiple sclerosis New summary of recommended FDA treatment regimens for hepatitis C U.S. Preventive Services Task Force recommendations for osteoporosis, prostate cancer, ovarian cancer, and cervical cancer Extensive update of immune modulation therapy and adjuvant treatments of breast cancer Targeted therapies for advanced non-small cell lung cancers Thoroughly revised chapter on viral and rickettsial infections, including recent measles, polio, and acute flaccid paralysis outbreaks, and on related immunizations Clarification of the appropriate role of opioids and buprenorphine formulations in chronic pain management Revised section on health care for sexual and gender minority patients Information on new biologic agents for asthma, and many other disorders
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