Drawing on examples of their own instantly recognizable Minimalist-inflected designs, often evoking the work of Donald Judd, celebrated architects Messana O’Rorke demonstrate how to create a serene haven for modern living. Founded in 1996 by Brian Messana and Toby O’Rorke in New York City, Messana O’Rorke is renowned for crafting spaces of sublime restraint and ethereal beauty. Their process utilizes a rigorously limited palette of materials orchestrated in an architectural language of distilled boxes, blocks, and containers that emphasize the qualities of space itself rather than the things that fill it. The apparent simplicity and serenity of Messana O’Rorke’s designs belie the astonishing richness and variety of the experiences they nurture. The architects’ projects span a wide spectrum of residential and commercial assignments in multiple geographies—city, country, mountain, desert, coastal. Yet even as they adapt their fundamental design vocabulary to address differences in program and context, Messana O’Rorke’s signature remains unmistakable in the ways they carve space and light. Their designs simultaneously foster both contemplation and invigoration, repose and action. There is no straining for theatrical effect, no tortured architectural calisthenics, simply a search for order, clarity, and beauty.
The first book on the work of Steven Volpe, a designer acclaimed for his grand-scale, bespoke interiors and his impeccable craftsmanship that blurs the line between art and furnishings. Steven Volpe combines a minimalist approach with a classical sensibility and a connoisseur’s appreciation for authenticity. Adept at mixing pieces from different periods—eighteenth-century pieces combine with midcentury furniture and contemporary art, for example—Volpe brings a richness to his modern interiors. Volpe was one of the first to champion loft living, moving into a 75-year-old converted warehouse, but he brings his classical training into the modern spaces he favors. “I learned what was appropriate and proper, and now I, too, can break those rules,” he says. One of the ways Volpe breaks the rules is by melding art with decor in his interiors, endearing him to a sophisticated, artistic clientele. This volume showcases ten recent projects, exploring work in a range of spaces, from New York City penthouses and modernist California homes to a traditional London townhouse. Each project displays Volpe’s refined sensibility and understated luxury, showing how he creates thought-provoking environments that quietly stimulate all the senses. With stunning photography and in-depth essays by Volpe and Architectural Digest writer Mayer Rus, this handsome volume offers inspiration and ideas to designers, art lovers, collectors, and homeowners.
An intimate look at this highly acclaimed and popular L.A.-based contemporary designer and artist, who marries old-world techniques with a modern twist, and is best known for his exquisite craftsmanship and detailed creations in bronze, porcelain, and crystal. David Wiseman is one of the leading American designers of his generation. Produced in collaboration with the artist, this monograph offers an in-depth look at his work, through Wiseman's extensive archives, documents, and illustrations. The book features sketches and photographs of his unique sculptural objects and environmental installations that reveal a true portrait of the artist at work. The book also shows readers many of his immersive creations that are in private homes and are rarely photographed. Wiseman's goal is creating work that brings nature indoors, ranging from small objects and sculptures to expansive installations. His signature Radial Branch chandelier, made of bronze and sculptured porcelain, is cast from fallen tree limbs he acquired on hiking trails in Los Angeles. His distinct patterns and motifs reveal his deeply rooted love of the natural world--which is evident in designs ranging from faceted-blown-Bohemian-glass crystal tumblers and porcelain vases to rugs, dining room tables, stools, and benches.
In this exquisite monograph, designer and antiques dealer Richard Shapiro demonstrates the alchemy required to create a home that seems cultivated over many generations. Shapiro has mastered the art of crafting refined, cultivated spaces that transport their inhabitants to distant lands and past epochs. Designers and homeowners who wish to endow their homes with authentic European charm and character will be inspired by Shapiro’s gift for conjuring Old World savoir faire. The book focuses on Shapiro’s two magnificent, much-imitated homes, which provide a broad array of examples related to living graciously with antiques, replicating the aura of antiquity, and the complex challenge of marrying centuries-old building materials with new construction. Shapiro shares ideas from his work as a designer as well as lessons learned from years of collecting and selling antiques and fine art. As a manufacturer of furnishings with a distinctly European sensibility, he also brings to bear a thorough knowledge of production processes and finishing techniques based on Old World archetypes. With breathtaking new photography, the book functions as a master class, filled with illustrations and takeaways for readers, offering practical ideas and creative inspirations for channeling the glories of the past to enrich the present.
Studio Shamshiri’s richly layered, narrative-driven interiors are a tour de force of contemporary design, balancing a deep respect for the past with a profound appreciation for the rhythms and rituals of modern life. Under the direction of Pamela Shamshiri, the firm has garnered a loyal following among design-savvy celebrities, creative entrepreneurs, and aficionados of high design across the globe. This book, the firm’s first monograph, offers a master class in design that nourishes the soul as well as the eye. Studio Shamshiri’s signature sensibility blends California bohemian, East Coast glamour, and classic European panache to create extraordinary spaces alive with color, texture, and unapologetic beauty. From restrained modern interiors to sumptuous fantasies, each project in this lavishly illustrated volume represents a unique, self-contained world of imagination and inspiration. The through lines that bind the studio’s wide-ranging projects are a meticulous attention to detail, a palpable sense of joy and comfort, and an emotional connection to the idea of home. The broad spectrum of houses—historic properties, midcentury masterpieces by the likes of Rudolf Schindler and A. Quincy Jones and daring contemporary marvels—underscores the dexterity of Shamshiri’s vision. The style of every project emerges from the context of its site as well as the dreams and aspirations of the particular clients. These homes are as delightfully different and idiosyncratic as the people who inhabit them. More than simply a voyeur’s delight, this book provides invaluable lessons on the art of decorating and what it means to live a life of grace and beauty.
Billy Cotton’s hand is deft and light, weaving together bold color palettes, custom-designed furniture and lighting, and striking artifacts and works of art to achieve livable and easy interiors for today. Cotton presents rooms that mix historical and modern influences, resulting in luxuriously sleek interiors for casual, yet sophisticated, living. The glam-orous spaces—many designed for art-world clients, including Cindy Sherman and Lisa Yuskavage—are anchored in tradition but reflect the relaxed sensibili-ties of our time. Cotton shares his multiscaled approach to design—successful turns with his varied collections, which are often included in his interior projects. Furniture, lighting, wallpaper, tableware, and terra-cotta planters are part of his repertoire. Cotton’s industrial designs—like his interiors—embody an intelligence and under-standing of design history. This book, the designer’s first, documents the groundbreaking work of a rising and notable talent and should be in the libraries of designers and connoisseurs of fine living.
LYDIA KNOWS SHE blew it big-time with Billy, and winning him back is her numero uno priority before her endless LA summer finally does come to an end. Esme can’t believe that a chica from Echo Park is going to spend senior year at über-wealthy Bel Air High, let alone that she’ll have her two best friends with her. Except there’s one tiny problem: the girl Esme was eager to help is slowly stealing Esme’s life. . . . Kiley doesn’t know what she’d do without Tom to lean on. Not only is she trying to work through her panic attacks, but she’s also been thrust into the national spotlight at the trial of Platinum. So with all that’s going on, why can’t Kiley get the guy she met at the all-night party out of her head?
The great romance and fear of bloody revolution--strange blend of idealism and terror--have been superseded by blind faith in the bloodless expansion of human rights and global capitalism. Flying in the face of history, violence is dismissed as rare, immoral, and counterproductive. Arguing against this pervasive wishful thinking, the distinguished historian Arno J. Mayer revisits the two most tumultuous and influential revolutions of modern times: the French Revolution of 1789 and the Russian Revolution of 1917. Although these two upheavals arose in different environments, they followed similar courses. The thought and language of Enlightenment France were the glories of western civilization; those of tsarist Russia's intelligentsia were on its margins. Both revolutions began as revolts vowed to fight unreason, injustice, and inequality; both swept away old regimes and defied established religions in societies that were 85% peasant and illiterate; both entailed the terrifying return of repressed vengeance. Contrary to prevalent belief, Mayer argues, ideologies and personalities did not control events. Rather, the tide of violence overwhelmed the political actors who assumed power and were rudderless. Even the best plans could not stem the chaos that at once benefited and swallowed them. Mayer argues that we have ignored an essential part of all revolutions: the resistances to revolution, both domestic and foreign, which help fuel the spiral of terror. In his sweeping yet close comparison of the world's two transnational revolutions, Mayer follows their unfolding--from the French Declaration of the Rights of Man and the Bolshevik Declaration of the Rights of the Toiling and Exploited Masses; the escalation of the initial violence into the reign of terror of 1793-95 and of 1918-21; the dismemberment of the hegemonic churches and religion of both societies; the "externalization" of the terror through the Napoleonic wars; and its "internalization" in Soviet Russia in the form of Stalin's "Terror in One Country." Making critical use of theory, old and new, Mayer breaks through unexamined assumptions and prevailing debates about the attributes of these particular revolutions to raise broader and more disturbing questions about the nature of revolutionary violence attending new foundations.
Few legal events loom as large in early modern history as the trial of Galileo. Frequently cast as a heroic scientist martyred to religion or as a scapegoat of papal politics, Galileo undoubtedly stood at a watershed moment in the political maneuvering of a powerful church. But to fully understand how and why Galileo came to be condemned by the papal courts--and what role he played in his own downfall--it is necessary to examine the trial within the context of inquisitional law. With this final installment in his magisterial trilogy on the seventeenth-century Roman Inquisition, Thomas F. Mayer has provided the first comprehensive study of the legal proceedings against Galileo. By the time of the trial, the Roman Inquisition had become an extensive corporatized body with direct authority over local courts and decades of documented jurisprudence. Drawing deeply from those legal archives as well as correspondence and other printed material, Mayer has traced the legal procedure from Galileo's first precept in 1616 to his second trial in 1633. With an astonishing mastery of the legal underpinnings and bureaucratic workings of inquisitorial law, Mayer's work compares the course of legal events to other possible outcomes within due process, showing where the trial departed from standard procedure as well as what available recourse Galileo had to shift the direction of the trial. The Roman Inquisition: Trying Galileo presents a detailed and corrective reconstruction of the actions both in the courtroom and behind the scenes that led to one of history's most notorious verdicts.
This work addresses the integration of today's infrastructure-based networks with infrastructure-less networks. The resulting Hybrid Routing System allows for communication over both network types and can help to overcome cost, communication, and overload problems. Mobility aspect resulting from infrastructure-less networks are analyzed and analytical models developed. For development and deployment of the Hybrid Routing System an overlay-based framework is presented.
Providing accurate, at-a-glance information on managing the diseases of birds and exotic pets, Clinical Veterinary Advisor: Birds and Exotic Pets is the only comprehensive resource on the market covering birds, reptiles, small mammals, and other non-traditional pets. Concise summaries of hundreds of common medical problems help you consider differential diagnoses, recommend diagnostic tests, interpret results mindful of unique species differences, utilize important concepts of species-specific husbandry and nutrition, prescribe treatments, and provide follow-up care. With contributions from recognized avian and exotics experts and edited by Jörg Mayer and Thomas M. Donnelly, this clinical reference provides all the information you need in one book! Six-books-in-one format includes six separate sections: Diseases and Disorders, Procedures and Techniques, Differential Diagnosis, Laboratory Tests, Clinical Algorithms, and Zoonoses. In-depth, cutting-edge coverage includes all exotic species - birds, reptiles, pocket pets, amphibians, and fish - in one comprehensive resource. Concise summaries feature a definition of each problem, epidemiology, physical findings and clinical presentation, etiology, differential diagnosis, diagnostic workup (such as laboratory tests and imaging studies), treatment, prognosis and patient follow-up, zoonotic potential, and references. Diagnostic and treatment algorithms provide easy-to-follow, step-by-step guidance to clinical assessment and treatment planning. A companion website includes the complete text from the book, making the entire contents fully searchable, along with 250 full-color illustrations, client handouts, and the ability to print out any pages.
Between Two Pillars breaks free of the regenerist-revisionist controversy over Samson Agonistes by discerning a dialectical opposition between Samson's irrevocable election by God and his subjection--instanced by his slavery--to a fallen, un-Godly order. Complementing God's act of election is Samson's genius for inventing exploits that prove him God's mighty minister. In every episode, it is evident that his heroic drive and inventive powers persist, even though his helplessness absolutely forecloses a career of heroic action.The contradiction of his situation is both epitomized and transcended by his destruction of the temple. Performed in an act of servile idolatry, and horribly violent, it confirms his subjection to sin; yet, by destroying the theater of his servility, it asserts his identity of God champion. This reading is introduced by chapters on Samson's magnanimous pride, his violence, and the characteristic style of his exploits. It is then elaborated by close readings of each episode. A chapter on three late sonnets confirms the dialectical cast of Milton's imagination. Author Joseph Mayer provides a concluding section on Paradise Regained, which corroborates his reading of Samson Agonistes by showing parallels between the two works.
The World Conferences on Research Integrity provide a forum for an international group of researchers, research administrators from funding agencies and similar bodies. The second such conference, held in Singapore in July 2010. This volume brings together a selection of presentations and key guidelines and statements emerging from the Conference.
Beginning in the 1930s and continuing through World War II, this stunning memoir tells the story of the Hungarian Revolution, as one woman lived it. Lucy Mayer describes how the Germans and Russians caused destruction and chaos throughout her country, as well as how the Communist Party oppressed the people of Hungary for so many years. The author tells of her escape from Communism, to finally realize freedom in the United States, where she began her family. “My family encouraged me to write my story, as they knew all the struggles we endured through the terrible years of the war.” The book is also a good reminder as to how terrible war is. A Terrifying Road to Freedom is the memoir of Lucy Mayer, whose family survived in Hungary under the Nazis, only to be invaded by Russia after the war. My story begins in 1938 in the peacetime of my childhood in Budapest, Hungary. Those years before the war were all happy memories. The good times were over when the war began in our country in 1943-44. We endured airstrikes all around us and had to hide in a bunker to save our lives. Then came the terrifying ground invasion of the Red Army. After World War II, the communist government controlled Hungary. We continued to feel afraid for our safety, as Hungarians were arrested, tortured, and killed by the Russians. Eventually, Hungary had enough and an uprising began in 1956. The Russian Army overcame the Hungarian Revolution, but it provided an opportunity for my brother, Steve, and I to escape. We risked our lives and left our family behind, not even able to say goodbye. It was a difficult journey, but we were elated to arrive in the U.S.A. With no money and only the clothes on our backs, we knew it would be difficult to begin our new lives in America, but at least we had freedom!
The cult of the saints is a phenomenon that expanded rapidly in the fourth century, and John Chrysostom's homilies are important witnesses to its growth. In this volume, Wendy Mayer investigates the liturgical, topographical, and pastoral aspects that marked the martyr cult at Antioch and Constantinople in John's time."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
National Book Award Finalist: Never before has the mentality of the average German under the Nazi regime been made as intelligible to the outsider.” —The New York TImes They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Milton Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” These ten men were not men of distinction, according to Mayer, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune. A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.
This new volume in the Reference Library of Judaism faithfully presents the complete Hebrew text of Rashi's (1040-1105) psalter commentary according to Vienna Heb. ms. 220 together with a fully annotated scientific translation into contemporary idiomatic English. The supercommentary places one of the finest commentaries by the single most influential Hebrew biblical exegete in dialogue with the full gamut of ancient, medieval and modern exegesis. The supercommentary identifies Rashi's sources and pinpoints the exegetical cruces to which Rashi responds, defines the nuances of Rashi's exegetical, linguistic and theological terminolgy, and guides readers to use the translation to gain access to the Hebrew. The introductory chapters constitute the most up-to-date discussion of the scope of Rashi's literary legacy and of the history of research. They include highly original discussions of the Chronicles and Ezra-Nehemiah commentaries commonly attributed to Rashi and fully annotated English translations of 1) Rashi's programmatic essay on the problem of homonymity in biblical exegesis; 2) Rashi's commentaries on liturgical poetry; 3) one of Rashi's liturgical poems, and 4) the famous medieval poem, which declares Rashi to be the Torah Commentator par excellence. "The final result is a valuable resource for students and scholars alike. With only seven other works on Rashi's commentary on the Psalms, G.'s work is a very welcome addition in the growing scholarship on both Rashi and the Psalms, indeed it is an indispensable reference volume for all those working in that area." A. Jeffers
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