Tiefste Tiefen meiner Seele, Schwärzer als die tiefste Nacht. In ihr ward ich neu geboren - Gerade bin ich aufgewacht. Roh und neu in der Welt, frisch geschlüpfter Schmetterling nach langer Wandlungsphase im Kokon. Rohe Wildheit urtümlicher Gefühle: Wut, Trauer, Wollen, Liebe, Lust und wilde, pure Lebendigkeit. Rohe Menschlichkeit, ungeschminkt und ehrlich; mal hart, oft zart, immer verletzlich. Rohe Gedichte, unverfälscht, authentisch, ohne Filter. Rohes, pures Sein. Roh-zarte Poesie. In jeder Hinsicht roh.
Tiefste Tiefen meiner Seele, Schwärzer als die tiefste Nacht. In ihr ward ich neu geboren - Gerade bin ich aufgewacht. Roh und neu in der Welt, frisch geschlüpfter Schmetterling nach langer Wandlungsphase im Kokon. Rohe Wildheit urtümlicher Gefühle - Wut, Trauer, Wollen, Liebe, Lust und wilde, pure Lebendigkeit. Rohe Menschlichkeit, ungeschminkt und ehrlich; mal hart, oft zart, immer verletzlich. Rohe Gedichte, unverfälscht und bisher unveröffentlicht. Rohes, pures Sein. In jeder Hinsicht roh.
In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet animation produced between 1919 and 1989, from cutting-edge art films like Tale of Tales to cartoons featuring “Soviet Mickey Mouse” Cheburashka, she finds that these works played a key role in articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union. Furthermore, she considers how Jewish filmmakers used animation to depict distinctive elements of their heritage and ethnic identity, whether producing films about the Holocaust or using fellow Jews as models for character drawings. Providing a copiously illustrated introduction to many of Soyuzmultfilm’s key artistic achievements, while revealing the tumultuous social and political conditions in which these films were produced, Drawing the Iron Curtain has something to offer animation fans and students of Cold War history alike.
A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.
Now in a fully updated Fifth Edition, Shnider and Levinson's Anesthesia for Obstetrics, continues to provide the comprehensive coverage that has made it the leading reference in the field. The rising number of Cesarean births and the more advanced age of first-time mothers in the United States have brought with them an increased risk for complications, making the role of the obstetric anesthesiologist increasingly important. This comprehensive reference addresses maternal and fetal physiology; fetal assessment; anesthesia and analgesia in both vaginal and Ceserean delivery; neonatal well-being; management of fetal, maternal, and anesthetic complications; and management of coexisting disorders in the mother. The Fifth Edition includes a new editorial team, a new full-color format, and new sections on Assessment of the Fetus, Anesthesia for Cesarean Delivery; Neonatal Well-Being: Old and New Concepts; Ethical, Medical, and Social Challenges and Issues; Maternal Safety, Difficult and Failed Intubation, Morbidity, and Mortality; and Anesthetic Considerations for Reproductive, In-Utero, and Non-Obstetric Procedures
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