All her life, May Sarton carried on a voluminous private correspondence with family, friends, and lovers. Early childhood into middle age covers topics of theater, study, travel, teaching, and the anguish as World War II approaches. Later joys of flowers, affection for animals, and illustrious acquaintances and intimates both here and abroad are shown.
The comprehensive collection detailing the career of a twentieth-century master In her prolific six-decade career, May Sarton was as at home crafting a novel as she was writing a memoir. However, it was in poetry that Sarton’s feelings were laid bare. She was a writer of immense creativity and strength, and created a back catalog of poetry that could rival those of any of her contemporaries. In Selected Poems of May Sarton, a collection from her first forty years of writing, many of the author’s classic themes are on display: There are her meditations on solitude, featuring the breathtaking “Gestalt at Sixty”; there is her beautifully written tribute to literature in “My Sisters, O My Sisters”; and there is a rumination on affairs of the heart in an excerpt from the sonnet collection “A Divorce of Lovers.” Sarton was a true literary force, with the ability to speak to readers of all genders, persuasions, and ages, and Selected Poems of May Sarton demonstrates that power perfectly.
This transcript from the film World of Light: A Portrait of May Sarton illuminates the life and writing of the poet while celebrating the joys of creativity, love, and solitude In June of 1979, May Sarton answered the questions of two filmmakers and read to them from her poetry. This four-day “jam session” ultimately became an acclaimed documentary about her life and work. For Sarton, the muse has always been female, and the writer says that her own poems “tell me where to go.” In this rare and inspiring window into a singular woman’s soul, Sarton speaks candidly about everything from how a single image opened the door to writing about her mother to the importance of transparency in art and life. She shares insights into her very personal art, including the unusual people and events that provide inspiration, how creativity can grow out of pain, solitude as a two-edged sword, the difficulties of being a female poet, and the ways love can open “the door into one’s own secret and . . . frightening real self.” Featuring sections entitled “On Inner Space,” “On Nature,” and “On Love,” this revealing volume is also about the need go on, even when up against overwhelming odds. May Sarton: A Self-Portrait pays tribute to an artist’s vision and serves as a revealing window into a fascinating life.
Her works ranges from passionately honest diaries like Journal of a Solitude and novels with memorable characters like As We Are Now to superbly crafted lyrical poems and evocative descriptions of nature in poetry and prose. Here for the first time in an anthology of the best of May Sarton's novels, journals, and poetry. The editor, Bradford Dudley Daziel, is chairman of the Department of Humanities and Social Sciences at Westbrook College in Portland, Maine.
Appearing in book form for the very first time, this trove of May Sarton's voluminous private correspondence illuminates the life of the beloved poet/writer from early childhood into middle age. Among her correspondents were Elizabeth Bowen, Virginia Woolf, Julian and Juliette Huxley, and Murial Rukeyser. 50 photos.
With increasing candor and openness May Sarton's conversations have given an intimate view of her honest, courageous inner life. Best known to her many readers as a novelist and keeper of journals, Sarton sees herself pre-eminently as a poet. In the interviews collected here she speaks forthrightly about herself, her independence, and her writing. Although born in Belgium, Sarton is quintessentially American in her choice of solitude on which her personal well-being and writing depend. She is a modernist who has defined herself as an artist, with the occasionally painful recognition that all else must finally be subordinated to her writing. Her journal After the Stroke makes clear that when she cannot write she stands on the edge of the abyss of nonbeing. These interviews offer Sarton's readers the model of a woman who has supported herself as a writer of achievement, who has made her way without the comforts of academic tenure, grants, or bestseller listings.
DIVDIVA comprehensive volume collecting May Sarton’s poetry from over sixty years of work/divDIV This collection spanning six decades exposes the charm and clarity of Sarton’s poetry to the fullest. Arranged in chronological order, it follows the transformation of her writing through a wide range of poetic forms and styles. Her poetry meditates on topics including the American landscape, aging, nature, the act of creating art, and self-study. This compendium from one of America’s most beloved poets will enthrall readers. /div/div
A splendid collection from a true master It is often in solitude that a writer begins to understand herself. This becomes evident in The Land of Silence, May Sarton’s collection of poems previously published in the New Yorker and Harper’s Magazine, as Sarton searches for solitude and tries to understand the regrets and ecstasies associated with it. Images from these poems linger in the mind’s eye: a bird, a dream. Sarton’s verse feels real, yet it represents something more. Published in 1953, the year after Sarton won the Reynolds Lyric Award of the Poetry Society of America, The Land of Silence presents a poet at peak form.
Three compelling volumes of poetry from a feminist icon, poet, and author of the groundbreaking novel Mrs. Stevens Hears the Mermaids Singing. A Durable Fire: This collection borrows its title from Sir Walter Raleigh, who wrote, “Love is a durable fire / In the mind ever burning.” It is a fitting sentiment for a collection on solitude, wherein the author finds herself full of emotion even in seclusion. A Durable Fire is a transformative work by a masterful poet. A Grain of Mustard Seed: In this beautiful collection, Sarton explores dark and destructive femininity. She writes of “Crude power that forges a balance / Between hate and love,” finding an amalgam of dark and light within a single act. These graceful and nuanced poems join timeless ideas and specific moments in history. A Private Mythology: To celebrate her fiftieth birthday, Sarton embarked on a pilgrimage around the world. Traveling through Japan, India, and Greece, she captured her spiritual discoveries in this vivid collection of poetry. Arresting images and meditations on the differences between East and West are rendered in this “colorful, polished” winner of the Emily Clark Balch Prize (Kirkus Reviews).
In May Sarton’s debut novel, a mysterious and beloved Belgian poet finds new life when a young Englishman ventures to meet her Published under the pseudonym Jeanne Latour, Doro’s poetry inspired a generation. Her teaching of great literature and philosophy also fired up the imaginations of her young pupils. Throughout her adult life, Doro’s most important relationships have been those with Claire and Annette, fellow teachers who have nicknamed themselves the Little Owls and with whom she shares a close-knit friendship. Despite her full life, Doro can’t help but feel that her first sixty-three years have been but a prelude to something yet to come. The heartbreak of young poet Mark Taylor has stifled his art and well-being. In love with an older, unavailable married woman, Mark goes in search of Jean Latour, whose poetry, he believes, could be his salvation. But Mark knows nothing of the enigmatic writer’s true identity, and it is in their unexpected meeting that both poets begin to find a renewed and transformative sense of self. This ebook features an extended biography of May Sarton.
An affecting diary of one year’s hardships and healing, by one of the twentieth century’s most extraordinary memoirists For decades, readers have celebrated May Sarton’s journals for their candid look at relationships, success and failure, communion with nature, and the curious stages of aging. In Recovering, Sarton focuses on her sixty-sixth year—one marked by the turmoil of a mastectomy, the end of a treasured relationship, and the loneliness that visits a life of chosen solitude. Each deeply felt entry in the journal, written between 1978 and 1979, is laced with poignancy and honesty as she grapples with a cold reception for her latest novel, the sad descent of a close friend into senility, and other struggles. Despite the trials of this one painful year, Sarton writes of her progression toward a hard-won renewal, achieved through good friendships, the levity provided by her cherished dog, and peaceful days in her garden. A candid account of Sarton’s revival from personal darkness back into light, Recovering is another stunning entry in the author’s irrepressible oeuvre.
May Sarton’s exquisitely rendered tribute to her home state Over the course of her career, May Sarton wrote on a range of topics and places in both prose and poetry, and traveled across the world in search of new subjects. There is, however, one place that she always returned to in the end: Nelson, New Hampshire. Written in honor of the town’s bicentennial, As Does New Hampshire follows the course of a year in this rural hamlet. Sarton gracefully describes the ever-present role of nature, which always reminds humans that their presence on earth is temporary. She conveys both the beauty and the difficulty of a New England winter, and the full bloom of spring and summer. Above all, though, As Does New Hampshire is a lasting tribute not only to Sarton’s home, but to the greater concept of home found in the heart of every reader.
Three celebrated volumes of verse from a feminist icon, poet, and author of the groundbreaking novel Mrs. Stevens Hears the Mermaids Singing. Letters from Maine: A rugged coastline provides a stark background for Sarton’s images of a tragically brief love. With vulnerability and emotional depth, she explores the willingness to devote everything to a new love, as well as the despair at the memory of what is left over when it fades. Inner Landscape: This collection of May Sarton’s poems displays her inimitable mix of stately verse and depth of feeling that lurks beneath every line, creating a tantalizing, magnetically charged distance between reader and poet. Halfway to Silence: After decades of writing flowing lyric verse, May Sarton’s style turned to short, vibrant bursts of poetry. These condensed poems are rife with exuberant impressions of nature and of love, including two of her most acclaimed works, “Old Lovers at the Ballet” and “Of the Muse.” Recognized as a true pioneer in lesbian literature, “Sarton’s poems enter and illuminate every natural corner of our lives. . . . So strong in their faith and in their positive response to the human condition that they will outlast much of the fashionable, cynical poetry of our ear” (James Martin).
Winner of the American Book Award: May Sarton’s honest and engrossing journal of her seventieth year, spent living and working on the Maine coast. May Sarton’s journals are a captivating look at a rich artistic life. In this, her ode to aging, she savors the daily pleasures of tending to her garden, caring for her dogs, and entertaining guests at her beloved Maine home by the sea. Her reminiscences are raw, and her observations are infused with the poetic candor for which Sarton—over the course of her decades-long career—became known. An enlightening glimpse into a time—the early 1980s—and an age, At Seventy is at once specific and universal, providing a unique window into septuagenarian life that readers of all generations will enjoy. At times mournful and at others hopeful, this is a beautiful memoir of the year in which Sarton, looking back on it all, could proclaim, “I am more myself than I have ever been.”
DIVDIVIn May Sarton’s seventeenth and final collection of poetry, the writer reflects on life, aging, and mortality/divDIV Coming into Eighty presents a poet’s look at age. Herein, Sarton gives readers a glimpse into her quotidian tasks, her memories, her losses, and her triumphs. The volume explores topics ranging from the war in Iraq to the struggle of taking a cat to the vet. Dark and immediate, this work catalogues both the tedium and the splendor of life with equal wit and beauty. Winner of the Levinson Prize./div/div
The author and poet’s graceful elegy about life, love, work, and growing older: “The most moving and the most thoughtful [of her] journal-memoirs” (The Plain Dealer, Cleveland). When May Sarton uprooted her life after fifteen years in the refurbished New Hampshire house with the garden she tended so lovingly, she relied solely on instinct. And something told her it was time to move on. Accompanied by her wild cat, Bramble, and Tamas, a Shetland shepherd puppy—the first dog she ever owned—Sarton embarked on the next chapter of her life. The house she chose by the sea in the Maine village of York is completely isolated except during the summer months. Surrounded by nothing but endless ocean, woods, and vast skies, Sarton experiences a rare sense of peace. She creates a new garden and fears that in this tranquil state, she may never write again. But in her solitude—with its occasional interruptions for trips away and visits from friends—she realizes that creativity is constantly renewing itself. This journal offers fascinating insight into a remarkable woman and the work and friendships that form the twin pillars of her life. This ebook features an extended biography of May Sarton.
Now in one volume: Three exquisite meditations on nature, healing, and the pleasures of the solitary life from a New York Times–bestselling author. In a long life spent recording her personal observations, poet, novelist, and memoirist May Sarton redefined the journal as a literary form. This extraordinary volume collects three of her most beloved works. Journal of a Solitude: Sarton’s bestselling memoir chronicles a solitary year spent at the house she bought and renovated in the quiet village of Nelson, New Hampshire. Her revealing insights are a moving and profound reflection on creativity, oneness with nature, and the courage it takes to be alone. Plant Dreaming Deep: Sarton’s intensely personal account of how she transformed a dilapidated eighteenth-century farmhouse into a home is a loving, beautifully crafted memoir illuminated by themes of friendship, love, nature, and the struggles of the creative life. Recovering: In this affecting diary of one year’s hardships and healing, Sarton focuses on her sixty-sixth year, which was marked by the turmoil of a mastectomy, the end of a treasured relationship, and the loneliness that visits a life of chosen solitude. By turns uplifting, cathartic, and revelatory, Sarton’s journals still strike a chord in the hearts of contemporary readers. Through them, in the words of the Los Angeles Times, “we are able to see our own experiences reflected in hers and we are enriched.”
DIVDIVMay Sarton’s poetic celebrations of the American landscape/divDIV Written in Santa Fe, New Mexico, May Sarton’s third collection of poems takes inspiration from the land, the light, and the palette of the American Southwest. With archaeological precision, Sarton uncovers American history and heredity. “Plain grandeur escapes definition,” begins one poem. But Sarton’s America is alive with history and is continually redefined by its own settings and mythology./div/div
National Book Award Finalist: A couple returns to an Irish village after years away in this novel by the New York Times–bestselling author of As We Are Now. The Irish estate home Dene’s Court has been empty for years—its icy visage, shuttered windows, and overgrown tennis court are a burden for its caretakers and a curiosity for the nearby townspeople. And so the announcement that Violet Dene Gordon and her husband, Charles, are on their way back from British Burma to settle in the long-dormant estate sends a ripple of excitement through the sleepy village. For Violet, Dene’s Court stands as a monument to her childhood, but lingering doubts remain about whether she and Charles will be happy there. Adding complexity to the arrangement is the arrival of Violet’s American niece, a college student named Sally who has been sent by her mother in an effort to put an ocean between the impetuous young woman and the object of her affection, an actor. Anxiety, tempers, and long-buried emotions flare as the estate’s new residents search for a sense of belonging and peace between its hallowed and serene walls.
A beautifully organized collection of a poet’s works in homage to nature One of the primary themes of May Sarton’s work, especially in the first few decades of her career as a poet, memoirist, and novelist, is a veneration for and desire to understand nature. This yearning is collected in Cloud, Stone, Sun, Vine, which comprises more than two decades of Sarton’s impressive output. The anthology marks a turning point in Sarton’s career as her meditations on being alone become more and more frequent, foreshadowing her famous memoir Journal of a Solitude. Featuring the classic sonnet collection “A Divorce of Lovers,” Cloud, Stone, Sun, Vine is not to be missed by any Sarton fan.
Three luminous novels from a New York Times–bestselling author and National Book Award finalist whose “prose leaves compelling echoes in one’s mind” (The New York Times Book Review). Throughout her long and acclaimed career, May Sarton refused to be categorized. As a memoirist, poet, and novelist, she broke new ground by openly exploring homosexuality, gender inequality, and other once taboo social issues. Gathered here in one volume are three of her most memorable and moving works of fiction. Mrs. Stevens Hears the Mermaids Singing: Widely regarded as her most important work, Sarton’s 1965 semiautobiographical novel centers upon Hillary Stevens, an author now in her twilight years. As she prepares to publish anew, Stevens sits down to discuss her life, the arc of her creative journey, and her love affairs—with both men and women. “The plot of this short novel is deceptively simple, the mood subtle, the feeling intense” (The New York Times Book Review). A Shower of Summer Days: The Irish estate home Dene Court has been shuttered for years—but this summer Violet Dene Gordon and her husband Charles return from British Burma, electrifying life in the sleepy village that adjoins Violet’s childhood home. As an added complication, Violet’s American niece is being sent to Ireland to separate her from an unsuitable romantic attachment. A National Book Award finalist, “A Shower of Summer Days establishes once and for all [Sarton’s] unmistakable authority” (The New York Times Book Review). The Magnificent Spinster: This “absolutely compelling . . . monument to love . . . [and] friendship” is actually the story of two women: Cam, the novel’s narrator, and the recently deceased Jane Reid. Unmarried and childless, Jane left no family to remember her, so Cam sets out to immortalize the life of her quietly remarkable friend and teacher in fiction (The Cleveland Plain Dealer).
Presents the distinguished poet talking about herself and her work and reading from her poems, with a section of poems accompanied by the poet's commentary on each.
May Sarton’s powerful and profound novel of an extraordinary life, and of one woman’s efforts to preserve the force and vitality of her experiences on the pages of a book For the second time in my life—and I am now seventy—I am embarking on an effort which may well come to nothing but which has possessed my mind, haunts, and will not let me sleep. From her opening statement, Cam, the narrator of The Magnificent Spinster, declares her grand intentions: to write a novel—a worthy and important one in celebration of her recently deceased friend and teacher, Jane Reid, whose dearth of family threatens the memory of her almost tangible greatness. And so she writes, re-creating Jane’s childhood, adolescence, and years as a teacher—including the one in which Cam was her student. She writes of Jane’s irrepressible spirit and the charming letters Jane penned about her adventures, and she recounts Jane’s growing isolation as she aged, which, rather than softening her, only made her shine brighter. Raw, warm, and beautifully rendered, The Magnificent Spinster is a stunning achievement—part memoir, part epistolary recollection, and part novel within a novel about friendship, memory, and the power of a brilliant soul.
The bestselling feminist author’s “lyrical, candid, sensitive” account of her efforts to regain her health, art, and sense of self after a stroke (Publishers Weekly). Feeling cut off and isolated—from herself most of all—after suffering a stroke at age 73, May Sarton began a journal that helped her along the road to recovery. She wrote every day without fail, even if illness sometimes prevented her from penning more than a few lines. From her sprawling house off the coast of Maine, Sarton shares the quotidian details of her life in the aftermath of what her doctors identified as a small brain hemorrhage. What they did not tell her was the effect it would have on her life and work. Sarton’s journal is filled with daily accounts of the weather, her garden, beloved pets, and her concerns about losing psychic energy and no longer feeling completely whole. A woman who had always prized her solitude, Sarton experiences feelings of intense loneliness. When overwhelmed by the past, she tries to find comfort in soothing remembrances of her travels, and struggles to learn to live moment by moment. As Sarton begins to regain her strength, she rejoices in the life “recaptured and in all that still lies ahead.” Interspersed with heartfelt recollections about fellow poets and aspiring writers who see in Sarton a powerful muse, this is a wise and moving memoir about life after illness.
Set in the academic world of Harvard and Cambridge, this acclaimed novel dramatizes the plight of the embattled American liberal in the 1950s. Its central character is Edward Cavan, a brilliant English professor, who commits suicide. His death sets off a shock wave among Cavan's friends--and changes things for some of them forever.
The author’s tribute to the 18th-century New England farmhouse she called home: “[A] tender and often poignant book by a woman of many insights” (The New York Times Book Review). In Plant Dreaming Deep, Sarton shares an intensely personal account of transforming a house into a home. She begins with an introduction to the enchanting village of Nelson, where she first meets her house. Sarton finds she must “dream the house alive” inside herself before taking the major step of signing the deed. She paints the walls white in order to catch the light and searches for the precise shade of yellow for the kitchen floor. She discovers peace and beauty in solitude, whether she is toiling in the garden or writing at her desk. This is a loving, beautifully crafted memoir illuminated by themes of friendship, love, nature, and the struggles of the creative life. This ebook features an extended biography of May Sarton.
Beginning her first teaching job, at a New England women's college, Lucy Winter is embroiled in a scandal that tests the personal and academic lives of teachers and students alike.
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