This collection of iconic interviews helps demystify the documentary filmmaking process by deconstructing the most relevant and important scenes in some of today's most well-known documentary films. It offers concrete, real-world examples of the situations and decisions that filmmakers navigate. We go behind the scenes with the creators to learn the methodologies and approaches these directors, cinematographers, editors, and sound recordists have taken to bring these amazing documentaries to life. What makes a great scene? Why are they so important in the construction of a great film? The interviews included offer excellent insights from the directors of the award-winning The Truffle Hunters, My Octopus Teacher, Collective, Knock Down the House, Dick Johnson Is Dead, and Trapped; the cinematographer of RBG, Julia, and Fauci; the editor of Time; and sound recordist of Tiger King. Award-winning documentary filmmaker and esteemed Sundance advisor Maxine Trump goes in-depth with each filmmaker, asking about their creative process. Why did these scenes make such a deep impression on both the filmmakers and their audience? Was it the cinematic style, the dynamic dialogue, the magic of observational filmmaking, or a surprising turning point? This technical but creative and accessible resource is suitable for documentary filmmakers, aspiring directors, producers, editors, and cinematographers of non-fiction film. Each interview offers a fresh perspective to the emerging or professional filmmaker and audience alike.
The Documentary Filmmaker’s Roadmap is a concise and practical guide to making a feature-length documentary film—from funding to production to distribution, exhibition and marketing. Using her award-winning film Musicwood—a New York Times Critics’ Pick—as a case study, director Maxine Trump guides the reader through the complex lifecycle of the documentary Film. Her interviews with lawyers, funders, distributors, TV executives and festival programmers provide a behind-the-scenes look that will assist readers on their own filmmaking journey. Written from the perspective of a successful documentary filmmaker, the book covers mistakes made and lessons learned, a discussion on the documentary genre, crowdfunding, pre-production through post, test screenings, the festival circuit distribution, legal pitfalls, fair use and more. Perfect for documentary filmmaking students and aspiring filmmakers alike, this book emphasizes the skills needed to succeed in a competitive production market. An appendix includes useful web links for further study, a list of films for recommended viewing and sample release forms. This concise guide is ideal for the classroom or as a quick reference out in the field, at a budget meeting or in the editing room.
This interdisciplinary book focuses on Charles Darwin’s extensively detailed observations of all forms of animate life across the global world—humans included. These existential realities of Nature are not commonly recognized in today’s world, yet they are all of sizable import in impacting both flora and fauna, thus in human understandings of the nature of the world and the nature of all forms of animate life. Darwin’s descriptively anchored observations furthermore tie in directly with Edmund Husserl’s phenomenological analyses of experience. However different their inquiries and wonder at the world and at human experience, their analyses show how descriptive foundations and a concern with origins are integral to both, and how methodology and a living dynamics are central to a recognition of the complementarity of biological-neurological sciences and phenomenology.
From Tribal Division to Welcoming Inclusion: Psychoanalytic Perspectives provides a fascinating contribution to our understanding of the increasingly polarized and divisive nature of global politics. By describing the significant role of early mental mechanisms in interactions between the individual and society, the book offers a unique understanding of how our early mental life explains the social, cultural and political positions we assume later. Splitting and projection are early defences meant to shield the growing mind from unbearable aspects of reality, but they hinder our capacity for open-minded thought, and in contributing to the dangerous atmosphere of "us versus them", introduce tribal myths of an innocent group and external persecutors. The book illustrates these distortions of reality using a range of vignettes, notably the myth of white supremacy and the savage legacy of the Civil War in the United States. Gaining support from the work of Wilfred Bion, the book emphasises the need for integration of mind and the restoration of our capacity to face painful realities, including one’s own violence and hatred. This psychoanalytic study provides a balm for turbulent times. It will be of great interest to researchers and interested readers in the broad field of psychoanalysis, as well as those in the fields of political science, cultural studies and anthropology.
The Documentary Filmmaker’s Roadmap is a concise and practical guide to making a feature-length documentary film—from funding to production to distribution, exhibition and marketing. Using her award-winning film Musicwood—a New York Times Critics’ Pick—as a case study, director Maxine Trump guides the reader through the complex lifecycle of the documentary Film. Her interviews with lawyers, funders, distributors, TV executives and festival programmers provide a behind-the-scenes look that will assist readers on their own filmmaking journey. Written from the perspective of a successful documentary filmmaker, the book covers mistakes made and lessons learned, a discussion on the documentary genre, crowdfunding, pre-production through post, test screenings, the festival circuit distribution, legal pitfalls, fair use and more. Perfect for documentary filmmaking students and aspiring filmmakers alike, this book emphasizes the skills needed to succeed in a competitive production market. An appendix includes useful web links for further study, a list of films for recommended viewing and sample release forms. This concise guide is ideal for the classroom or as a quick reference out in the field, at a budget meeting or in the editing room.
Wake up your social problems classes! Social Problems: Sociology in Action helps your students learn sociology by doing sociology. Social Problems will inspire your students to do sociology through real-world activities designed to increase learning, retention, and engagement with course material.
Broad agreement exists among politicians and policymakers that the family is a critical institution of American life. Yet the role that the state should play with respect to family ties among citizens remains deeply contested. This controversy over the state's role undergirds a broad range of public policy debates: Does the state have a responsibility to help resolve conflicts between work and family? Should same-sex marriage be permitted? Should parents who receive welfare benefits be required to work? Yet while these individual policy issues are endlessly debated, the underlying theoretical question of the stance that the state should take with families remains largely unexplored. In The Supportive State, Maxine Eichner argues that government must take an active role in supporting families. She contends that the respect for human dignity at the root of America's liberal democratic understanding of itself requires that the state not only support individual freedom and equality--the goods generally considered as grounds for state action in liberal accounts. It must also support families, because it is through families that the caretaking and human development needs which must be satisfied in any flourishing society are largely met. Families' capacity to satisfy these needs, she demonstrates, is critically affected by the framework of societal institutions in which they function. In the "supportive state" model she develops, the state bears the responsibility for structuring societal institutions to support families in performing their caretaking and human development functions. Although not all family forms will further the important functions that warrant state support, she argues that a broad range will. Eichner's vigorous defense of the state's responsibility to enhance families' capacity for caretaking and human development stands as a sharp rejoinder to the widespread conservative belief that the state's role in family life must be diminished in order for families to flourish.
Lessons for Non-Profit and Start-Up Leaders: Tales from a Reluctant CEOuses the experiences of a real company, Community Connections, to bring to life the practical dilemmas that an organization founded on a mission and guided by a set of ideals must confront and solve if it is to thrive. With no business or financial background, Maxine Harris and her partner Helen Bergman grew a tiny startup into a $35 million business. Through trial and error, they learned how to manage finances, hire staff, overcome barriers, and adapt to changing business models. In Lessons for Non-Profit and Start-Up Leaders, Harris shares her insights, struggles, and mistakes with the goal of helping others who may be starting and running non-profit organizations. She spells out the ways in which creativity, tenacity, and the power of relationships helped her and her partner overcome barriers that often cause start-ups to flounder in their first years of operation. In a humorous and novel twist, the book engages the reader with a series of original fables, each tailored to introduce a business dilemma in the language of “make-believe.” Michael O’Leary provides commentary that places the stories and case studies from Community Connections into a broader context, making the lessons accessible to anyone working in the non-profit or startup sector.
Since its inception in 2001, the International Criminal Court (ICC) has been met with resistance by various African states and their leaders, who see the court as a new iteration of colonial violence and control. In Affective Justice Kamari Maxine Clarke explores the African Union's pushback against the ICC in order to theorize affect's role in shaping forms of justice in the contemporary period. Drawing on fieldwork in The Hague, the African Union in Addis Ababa, sites of postelection violence in Kenya, and Boko Haram's circuits in Northern Nigeria, Clarke formulates the concept of affective justice—an emotional response to competing interpretations of justice—to trace how affect becomes manifest in judicial practices. By detailing the effects of the ICC’s all-African indictments, she outlines how affective responses to these call into question the "objectivity" of the ICC’s mission to protect those victimized by violence and prosecute perpetrators of those crimes. In analyzing the effects of such cases, Clarke provides a fuller theorization of how people articulate what justice is and the mechanisms through which they do so.
Special 2018 Edition From the new Introduction by Michelle Fine, Graduate Center, CUNY : "Why now, you may ask, should I return to a book written in 1988? Because, in Maxine's words: 'When freedom is the question, it is always time to begin.'" In The Dialectic of Freedom, Maxine Greene argues that freedom must be achieved through continuing resistance to the forces that limit, condition, determine, and—too frequently—oppress. Examining the interrelationship between freedom, possibility, and imagination in American education, Greene taps the fields of philosophy, history, educational theory, and literature in order to discuss the many struggles that have characterized Americans’ quests for freedom in the midst of what is conceived to be a free society. Accounts of the lives of women, immigrants, and minority groups highlight the ways in which Americans have gone in search of openings in their lived situations, learned to look at things as if they could be otherwise, and taken action on what they found. Greene presents a unique overview of American concepts and images of freedom from Jefferson’s time to the present. She examines the ways in which the disenfranchised have historically understood and acted on their freedom—or lack of it—in dealing with perceived and real obstacles to expression and empowerment. Strong emphasis is placed on the focal role of the arts and art experience in releasing human imagination and enabling the young to reach toward their vision of the possible. The author concludes with suggestions for approaches to teaching and learning that can provoke both educators and students to take initiatives, to transcend limits, and to pursue freedom—not in solitude, but in reciprocity with others, not in privacy, but in a public space. “Greene triumphs in her search for a critical aesthetic to inform education.” —Harvard Educational Review “It is a book that deserves to be read by all who teach.” —Journal of Aesthetic Education
Presents the voices of over 100 practitioners and theorists of nonviolence, the vast majority either Palestinian or Israeli, as they reflect on their own involvement in nonviolent resistance and speak about the nonviolent strategies and tactics employed by Palestinian and Israeli organizations, both separately and in joint initiatives.
A gripping story of love and deception on the Otago Gold Fields of nineteenth-century New Zealand. Arrowtown, a goldfield settlement with an explosive mix of inhabitants, is the scene of an unlikely love story. Ming Yuet, a young Chinese woman seeking riches disguises herself as a male miner and comes to the goldfields, where she meets Conran, an Orcadian stonemason escaping a family tragedy. A secret love affair develops amidst suspicion, fear and hostility, culminating in an act of violence that irrevocably shatters the lives of those involved. Maxine Alterio's beautiful novel about love, forgiveness, alienation and friendship moves between past and present, homeland and adopted country, and from the living to the deceased . . .
When an alluring blonde with ties to the CIA disappears from a murder scene, Detective Lindsay Boxer turns to the Women's Murder Club to help her track down an elusive suspect: her husband. As she settles into motherhood and a happy marriage, Lindsay Boxer thinks she has found domestic bliss. But when a beautiful, alluring blonde woman with links to the CIA disappears from the scene of a brutal murder at a downtown luxury hotel, Lindsay's life begins to unravel. Before she can track down the woman for questioning, a plane crash plunges San Francisco into chaos and Lindsay's husband Joe vanishes. The deeper she digs, the more Lindsay suspects that Joe shares a secret past with the mystery blonde. Thrown into a tailspin and questioning everything she thought she knew, Lindsay turns to the Women's Murder Club for help as she tries to uncover the truth. Filled with the pulse-pounding intrigue that has made James Patterson the world's #1 bestselling writer, 15th Affair proves that all is fair in love, war, and espionage.
This book was primarily written as a history of my life with Murray for my family and friends. It begins with with first thing I can remember and goes through my growing up until I meet Murray at the beach over a game of Scrabble. It chronicles our lives through the tumultuous engagement ring purchase, tragic death of our first daughter, adventurous world travels, and Murray's mysterious illness which lead to his untimely death at the age of seventy-four. The book ends with my experiences learning to live as a single woman.
Burning in Blueness is a haunting memoir of the world's foremost countertenor James Bowman. The author lyrically portrays and interprets her affinity with the great man and his music. The text is in three parts covering a total of three decades, to include James' work with David Munrow, Britten and Pears, and as the voice of Robert King's five-year Purcell series. The account is not chronological, but traces the creative contact between the author's literary interests and James Bowman's musical genius. The book makes a valuable contribution to musical history, as the famous and intensely private countertenor himself, has always resisted the suggestion of a conventional biography. Burning in Blueness is part of James' legacy as he approaches his 70th birthday in 2011.
Written by experienced Film Studies authors and teachers, this Student Book provides the core knowledge and exemplification you will need throughout your Film Studies course and will help to prepare you thoroughly for your exams. - Concepts are explored through in-depth case study chapters on 14 films from the specification including: Casablanca, Bonnie and Clyde, La La Land, Beasts of the Southern Wild, Trainspotting, Sightseers, Mustang, Taxi Tehran, Stories We Tell, Sunrise, Buster Keaton shorts, Pulp Fiction, Daisies and Saute ma Ville, as well as references to many other films - A dedicated chapter on the Non-Examined Assessment production element of the specification provides practical tips on film production - Independent Activities provide direction and suggestions for study outside the classroom to broaden knowledge of the genres under study - Study Tips give advice on skills and highlight best practice when revising for your exams - Key Definitions introduce and reinforce key terminology and examples of how they should be used are provided - Exam-style questions enable you to test yourself and help you refine your exam technique - Sample extracts from student essays with expert commentaries help you to improve your exam technique
Tenor saxophonist Dexter Gordon was one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present. She shows that his image of the cool jazzman fails to come to terms with the three-dimensional man full of humor and wisdom, a figure who struggled to reconcile being both a creative outsider who broke the rules and a comforting insider who was a son, father, husband, and world citizen. --
Longlisted for the FT/McKinsey Business Book of the Year Award A groundbreaking chronicle of the birth--and death--of a pair of jeans, that exposes the fractures in our global supply chains, and our relationships to each other, ourselves, and the planet Take a look at your favorite pair of jeans. Maybe you bought them on Amazon or the Gap; maybe the tag says "Made in Bangladesh" or "Made in Sri Lanka." But do you know where they really came from, how many thousands of miles they crossed, or the number of hands who picked, spun, wove, dyed, packaged, shipped, and sold them to get to you? The fashion industry operates with radical opacity, and it's only getting worse to disguise countless environmental and labor abuses. It epitomizes the ravages inherent in the global economy, and all in the name of ensuring that we keep buying more while thinking less about its real cost. In Unraveled, entrepreneur, researcher, and advocate Maxine Bédat follows the life of an American icon--a pair of jeans--to reveal what really happens to give us our clothes. We visit a Texas cotton farm figuring out how to thrive without relying on fertilizers that poison the earth. Inside dyeing and weaving factories in China, where chemicals that are banned in the West slosh on factory floors and drain into waterways used to irrigate local family farms. Sewing floors in Bangladesh and Sri Lanka are crammed with women working for illegally low wages to produce garments as efficiently as machines. Back in America, our jeans get stowed, picked, and shipped out by Amazon warehouse workers pressed to be as quick as the robots primed to replace them. Finally, those jeans we had to have get sent to landfills--or, if they've been "donated," shipped back around the world to Africa, where they're sold for pennies in secondhand markets or buried and burned in mountains of garbage. A sprawling, deeply researched, and provocative tour-de-force, Unraveled is not just the story of a pair of pants, but also the story of our global economy and our role in it. Told with piercing insight and unprecedented reporting, Unraveled challenges us to use our relationship with our jeans--and all that we wear--to reclaim our central role as citizens to refashion a society in which all people can thrive and preserve the planet for generations to come.
Walking west on 46th Street in Manhattan, just three blocks from Rockefeller Center, one passes Brazilian restaurants, the office of New York's Brazilian newspaper, a Brazilian travel agency, a business that sends remittances and wires flowers to Brazil, and a store that sells Brazilian food products, magazines, newspapers, videos, and tapes. These businesses are the tip of an ethnic iceberg, an unseen minority estimated to number some 80,000 to 100,000 Brazilians in the New York metropolitan area alone. Despite their numbers, the lives of these people remain largely hidden to scholars and the public alike. Now Maxine L. Margolis remedies this neglect with a fascinating and accessible account of the lives of New York's Brazilians. Showing that these immigrants belie American stereotypes, Margolis reveals that they are largely from the middle strata of Brazilian society: many, in fact, have university educations. Not driven by dire poverty or political repression, they are fleeing from chaotic economic conditions that prevent them from maintaining amiddle-class standard of living in Brazil. But despite their class origin and education, with little English and no work papers, many are forced to take menial jobs after their arrival in the United States. Little Brazil is not an insentient statistical portrait of this population writ large, but a nuanced account that captures what it is like to be a new immigrant in this most cosmopolitan of world cities.
Unforeseen and precipitous violence is a reality of the times we live in, but it has always been a reality in the mental health profession. The main premise of this book is to make art therapists aware of the unpredictable violence that may occur in their day-to-day work with clients and the presence of potential danger. The author stresses the importance of preventive measures to ensure safety. The preface describes the horrific event the author witnessed and her realization that psychotherapy is a dangerous profession. The first chapter sets the stage for the exploration of mass murders, violence, creativity, and mental illness. Chapter 2 provides framework for the cultural context concerning the contemporary societal and cultural landscape within which mass murders exist. Major changes in mental health laws are discussed, including the individual versus community rights in mental health systems. Chapter 3 is a brief history of the treatment of violence in the United States mental health system. Gun violence, the stigma of mental illness, and the threat assessment in schools are explored. Chapter 4 examines art, violence, and mental illness, including historic artistic figures in which violence and/or mental illness was an issue. The artwork of serial killers such as Adolf Hitler, the psychiatrically institutionalized artist Martin Ramirez, and the Outsider artist Henry Darger are discussed. The author also describes her own experience as an expert witness for the trial of serial killer Eric Leonard. Chapter 5 displays the author's mass murderers’ artwork with a brief description of each event. Chapter 6 depicts the mass murders that occurred in the United States, October 2017 through September 2018. Chapter 7 portrays a reaction to the Marjorie Stone Douglas school shooting and the essay evoked by this tragedy. Chapter 8 offers practical suggestions to help art therapists find assistance and support in a dangerous practice. Safety orientation in art therapy education programs and job orientation are provided. Chapter 9 discusses additional practical suggestions for art therapists with help and support in a dangerous practice and culture. The last chapter encompasses final comments including the danger and calling of art therapy. This unique book will be of special interest to mental health practitioners, art therapists, social workers, educational therapists, and consultants.
This is a true story. The events encompass a family history covering over 100 years. This family history is like no other incorporated into the significance of political events, including the Kent State shootings, the Persian Gulf War, as well as political and religious issues. It is a story of survival during times of crises.
The author of Time Future takes readers into a world torn apart by terrorism and injustice to explore the line that separates human and machine in this novel that is "intriguing and, more importantly, entertaining” (Science Fiction Chronicle). When a factory worker is mysteriously killed by a robot, cybernetics engineer Eleanor McGuire is unwilling to call the incident "human error." In a different part of Osaka, four teenagers are electrocuted in an apparent group suicide, and Police Inspector Ishihara isn't convinced it was self-inflicted. When their investigations cross paths, the foreign scientist and the aging cop find a trail that will lead them to more murders, corporate crime, and a strange online cult led by a secretive guru who promises immortality to his followers if they help him destroy civilization. But how can McGuire and Ishihara stop this psychopath if he doesn't seem to exist?
A steady drumbeat of bad news about the state of our nation has convinced Americans that our country has gone off the rails. But where, exactly, did we go wrong? Maxine Eichner argues that the problem is that market pressures are overwhelming American families today. Eichner links "free-market family policy," a system in which families must fend for themselves without help from the government, to unstable relationships, reduced lifespans, kids' declining academicachievement, and low levels of happiness, compared with other wealthy countries. What's called for, she argues, is market regulation and an economy structured around supporting families.
Fearing an imminent Nazi invasion, the British government interned 28,000 men and women of enemy nationality living in Britain in the spring of 1940. Most were Jewish refugees who, having fled Nazi persecution, were appalled to find themselves imprisoned as potential Nazi spies. Using oral histories, unpublished letters and memoirs, artifacts and newspapers from the camps, and government documents, We Built Up Our Lives tells the compelling story of sixty-three of these internees. It is a seldom-told part of the history of World War II and the Holocaust and a classic tale of human courage and resilience. We Built Up Our Lives describes the survival mechanisms relied upon by the Jewish refugees. Although the internees, imprisoned in Britain, the Isle of Man, Canada, and Australia, were adequately housed and fed and rarely mistreated, they were cut off from family, friends, school, and work--everything that had given meaning to their lives. Resisting boredom, anger, and despair, the internees made the best of a bad situation by creating education, culture, and community within the camps. Before and after as well as during the internment--in Nazi Germany and in Britain--educational resources and social networks were essential to the refugees' efforts to build up their lives. Equally important were personal qualities of courage, ingenuity, assertiveness, and resilience.
This book is an attempt to give art therapy identity the front and center position it deserves. Despite efforts toward clarity, there will nevertheless remain many contradictory notions, often paradoxically existing at the same time. This is the nature of identity and of art therapy’s identity. “Art therapy” is neither a form of artist nor a form of therapist, but rather a whole new field – a separate and special profession with core values and attributes of its own that must lead to a special and separate identity. Chapter 1 is the “Introduction” to this book. In Chapter 2, “Images of Identity,” the basic groundwork is laid describing definitions of personal and professional identity and discussion of the concept of “intersectionality.” Chapter 3, “Living in the Real World,” discusses some unique problems faced by art therapists as they strive to achieve personal and professional identity and credibility. Chapter 4, “Essays on Identity by Art Therapists,” contains 22 essays by prominent art therapists who were invited to contribute their ideas. These essays can be considered different “readings” of what identity is in the art therapy field. Chapter 5, “Identity Initiative, Steps Toward a New Definition: An Action Plan,” describes a two-year process, including all segments of the art therapy community, to achieve and promulgate a shared public professional identity. Chapter 6 underscores “Conclusions” to discover some baseline information about identity for students entering graduate art therapy programs. A brief questionnaire was given to three art therapy master’s program directors to conduct this survey with their entering students in the fall 2012. An important and essential discussion of the nuances of identity by the art therapy community is a significant intention of the book. Identity and Art Therapy is primarily written for art therapists–both experienced and novice. It is for people who teach now and for those thinking about entering the field in the future.
The most exciting thing about anthropology is that it enables the student to become acquainted with people of different cultures. The Tapestry of Culture provides the student with the basic concepts necessary to understand these different cultures while showing that cultural variations occur within certain limits. Though the forces of globalization have caused cultures of the world around us to become increasingly similar, the book shows that people nevertheless cling to ethnic identities, and their cultural distinctiveness. The tenth edition of this popular textbook incorporates new material throughout, such as ethnographic examples in every chapter; strengthened discussions of gender, transnationalism, and globalization; and more. To enhance the experience of both instructors and students, the tenth edition is accompanied by a learning package that includes an instructor’s manual with outlines, key terms, discussion questions, lists of films and other resources, and more; a test bank; and a companion website.
There is an expectation that women will be nurturers and carers. Women who have been judged violent, destructive and criminal and who are detained in the criminal justice system can find themselves perceived through a distorted lens as unwomanly. This book explains how they become hypervisible in their difference, while the histories of trauma and suffering that are communicated through their offending and other risk behaviour remain hidden, and so are unseen. Bringing together authors uniquely placed as experts in their fields, Invisible Trauma argues that it is essential to trace the traumatic roots of women’s violence and criminality. Powerful intergenerational factors perpetuate the cycles of offending and trauma re-enactment that current sentencing practice overlooks. The authors present a psychoanalytically informed account of the development of violence and other offending, identifying pathways for change to address trauma within the lives of these women and their children, and also to create a responsive, effective and sensitive workforce. Invisible Trauma highlights the role of emotional, social and cultural forces in traumatising women who come into contact with the criminal justice system and uncovers areas of their lives that are all too often hidden from view. It will be invaluable to those working in clinical and forensic psychology, mental health nursing, psychotherapy, social work, medical practice and women’s health, as well as frontline practitioners in the criminal justice system, the health service and third sector organisations and for anyone with an interest in racism, equality and social justice.
James Patterson returns to the genre that made him famous with a #1 New York Times bestselling teen detective novel about the mysterious Angel family . . . and the dark secrets they're keeping from one another. On the night Malcolm and Maud Angel are murdered, Tandy Angel knows just three things: 1) She was the last person to see her parents alive. 2) The police have no suspects besides Tandy and her three siblings. 3) She can't trust anyone-maybe not even herself. As Tandy sets out to clear the family name, she begins to recall flashes of experiences long buried in her vulnerable psyche. These memories shed light on her family's dark secrets, and digging deeper into her powerful parents' affairs proves to be a disturbing and dangerous game. Who knows what any of the Angels are truly capable of?
In May of 1986, Drew Jackson reflects on the steps-or, more likely, the missteps-that have brought him to this point in his life. He had it all: a successful international shipping company serving the offshore drilling and exploration industry, corporate jets, friendships with the rich and famous, a big house, and a trophy wife. But it's all about to end. High Tide shows one family's resolve, stamina, and tenacity in developing one of America's most important industries. The story of this visionary generation will engage those who believe in courage, in living their dreams, and in self-determination-to look the unknown in the face and not flinch. "Maxine Domino has written a richly textured, sweepingly panoramic novel that chronicles the heady growth of the oil industry in mid-twentieth century America through the story of one gifted ambitious man. His story is told with the warmth and wisdom of his rural Texas roots. After following my husband for years around the oil fields of southern Louisiana, Nigeria, and Singapore, I am impressed with the authenticity of the novel. Domino has mastered the use of the telling detail and natural dialogue. The story is memorable and the characters finely drawn, a satisfying reading experience." -Barbara Faye Munson, PhD
we are all just one small disaster away from sinking, and sometimes you only realise when you're gasping for air On a daylight street in Minneapolis Minnesota, a Black man is asphyxiated - by callous knee of an officer, by cruel might of state, and under crushing weight of colony. In Melbourne the body of another woman has been found - this time, after catching a late tram home. The Atlantic has run out of the English alphabet, when christening hurricanes this season. The earth is on fire - from the redwoods of California, to Australia's east coast. The sea draws back, and tsunamis lash out in Samoa and Sumatra. Water rises in Sulawesi and Nagasaki. Bloated cod are surfacing, all along the Murray Darling. The virus arrives, and the virus thrives. Authorities seal the public housing towers up, and truck in one cop to every five residents. Notre Dame is ablaze - the cathedral spire blackened, and teetering. Out in Biloela, the deportation vans have arrived. Every Friday, in cities all across the world, children are walking out of school. The wolves are circling. The wolves are circling. These poems speak of the world that is, and sing for a world that may one day be. 'One of the most compelling voices in Australian poetry this decade' Overland Literary Journal 'a powerful and fearless storyteller' Dave Eggers 'Readers are left with the sense they have been seen, heard and understood' Books + Publishing
A fast-paced, fashionable, and "intriguing novel [that] may not be as far-fetched as you think" from the author of Spy in a Little Black Dress (Kitty Kelley, New York Times bestselling author of Jackie Oh!). Young Jacqueline Bouvier's first CIA assignment was supposed to be simple: Meet with a high-ranking Russian while he's in Paris and help him defect. But when the Comrade ends up dead, and Jackie-in her black satin peep-toe stiletto heels-barely escapes his killer, it's time to get some assistance. Enter Jacques Rivage, a French photographer and freelance CIA agent who seems too brash and carefree to grapple with spies, though he's all too able to make Jackie's heart skip a beat. Together the two infiltrate 1951 high society in the City of Lights, rubbing shoulders with the likes of the Duchess of Windsor, Audrey Hepburn, and Evelyn Waugh. Jackie, no longer a pampered debutante, draws on her quick intelligence, equestrian skills, and even her Chanel No. 5 atomizer as a weapon to stay alive in the shadowy world of international intrigue-and to keep her date with a certain up-and-coming, young Congressman from Massachusetts . . .
Life hasn't always been easy for Zipporah "Z" Saldano, but at 35, she's finally come to grips with some of her demons, and things are looking up. She's moved beyond mourning the loss of her LAPD job, her partner, and her murdered nephew. She has a new love, Detective Romero Gonzalez, and she's dedicated to remaining sober. Her new business, Saldano's Private Investigations, is thriving. Just when she thinks she has a handle on life, though, her older brother, Mayhem, is kidnapped. His involvement with the Crips leads Z to believe that a Mexican gang has something to do with his disappearance. Chaos returns to Z's life when she discovers that the gang has ties to her boyfriend's family. Will Z be able to get her brother back? Will her relationship with Romero survive? Things are going on that are not right. Nothing is as it seems, and once again Zipporah Saldano will have to contend with mystery and mayhem in the City of Angels.
Triple-Portrait traces over time a unique empathy with the voice of world-renowned countertenor James Bowman. First entranced by his May 1972 live performance of the Britten/Purcell realisation Sweeter Than Roses, the author later commissioned a Scena to mark his 50th birthday. A decade of creative contact followed, during which, James made his ecstatic music personal and even more beautiful, wrapping his listener in the dignity of Art.
When we think about society and culture, often we think of our own culture – the culture in which we were raised or currently live – as the default. The eleventh edition of The Tapestry of Culture uses anthropological tools to translate the concepts, ideas, and behaviors of other cultures into language recognizable by today’s students. The book’s comparative approach balances the history of ethnography, fieldwork, and anthropological with today’s globalized world, including the impact of climate change, social movements, social media and technology, global health issues, and shifting political landscapes. New to the Eleventh Edition New Chapter 12, “Global Health and Wellness,” examines the historical, political, and cultural issues that shape disease and health including inequalities in access to physical and mental health services, the delivery of health care services, and health intervention strategies New Chapter 11, “Spaces and Places of Creative Expression,” explores how social media and internet technologies play a major role in how contemporary audiences view and understand creativity including music, dance, theater, film, painting and other performance styles Expanded discussion of the cultural construction of gender and sexuality, as well as LGBTQ issues in activism explores gender and sexuality through queer studies and in postcolonial settings (Chapter 7) New discussion of critical race theory highlights its contributions to analyzing multiple forms of racism and discrimination while providing an exploration of the challenges of multiculturalism in contexts of nationality, ethnicity, and political representation (Chapter 14) New discussions of environmental anthropology, political ecology, climate change inequality, social movements, globalization, and transnationalism highlight these contemporary issues as subjects of anthropological inquiry (Chapter 1)
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