Hektor’s life of privilege is forever changed when a man, allegedly possessed by the sun god, inspires revolution among the oppressed townspeople of Wilusa – the historical Troy of myth. For Hektor, son of Bronze Age Wilusa’s despotic ruler, social equality contradicts every principle he has been indoctrinated into believing. But his principles and obsession with duty is alienating him from his young son, Hapi, with whom he has a fractured relationship. When the ‘possessed’ man saves Hapi’s life, Hektor is compelled to question the foundations upon which his father has constructed his life as he rebuilds his relationship with his child through the breaking of a foal. Wilusa collapses into political violence as the commoners rise up, and Hektor must decide whether to defend the people, but lose his identity, or remain loyal to an irrational, dangerous father. Breaking the Foals is a breathless gallop through an ancient world carved out by tradition, stained with blood and immortalised in the lives of heroes and villains.
This story is full of adventure and heart! A real page turner!' Dani Harmer 'Warm, funny, pacy, endlessly inventive and life-affirming; there are lots of young readers who will identify with Rory' Chris Beckett, Arthur C. Clarke-Award winner Eleven-year-old Rory Hobble has it tough: he gets upsetting thoughts all the time and they won't go away – 'Obsessive Compulsive Disorder (OCD)', the head doctors call it. His mum hasn't been very well for a long while either. Perhaps it's his fault... Maybe that's why she doesn't always feed him; maybe that's why she screams at him. At least Rory has his telescope – gazing at the unchanging stars keeps him calm. But, one night, Rory sees something impossible in the sky: mysterious lights – artificial and definitely not of earthly origin. When his mum is abducted by the shadowy Whiffetsnatcher, Rory – accompanied by his space-faring, care-experienced social worker, Limmy – travels beyond the Earth, chasing those mysterious lights to the frozen ends of the Solar System. Along the way he must outwit a breakaway human civilisation living on a Martian moon; survive the threat of otherworldly monsters; and learn to speak to alien whales. But his greatest challenge left Earth with him and it will take all the courage he has not only to overcome his OCD, but to decide whether he wants to rescue an abusive mother if he gets his chance...
Phenomenologies of the City: Studies in the History and Philosophy of Architecture brings architecture and urbanism into dialogue with phenomenology. Phenomenology has informed debate about the city from social sciences to cultural studies. Within architecture, however, phenomenological inquiry has been neglecting the question of the city. Addressing this lacuna, this book suggests that the city presents not only the richest, but also the politically most urgent horizon of reference for philosophical reflection on the cultural and ethical dimensions of architecture. The contributors to this volume are architects and scholars of urbanism. Some have backgrounds in literature, history, religious studies, and art history. The book features 16 chapters by younger scholars as well as established thinkers including Peter Carl, David Leatherbarrow, Alberto Pérez-Gomez, Wendy Pullan and Dalibor Vesely. Rather than developing a single theoretical statement, the book addresses architecture’s relationship with the city in a wide range of historical and contemporary contexts. The chapters trace hidden genealogies, and explore the ruptures as much as the persistence of recurrent cultural motifs. Together, these interconnected phenomenologies of the city raise simple but fundamental questions: What is the city for, how is it ordered, and how can it be understood? The book does not advocate a return to a naive sense of ’unity’ or ’order’. Rather, it investigates how architecture can generate meaning and forge as well as contest social and cultural representations.
Hektor’s life of privilege is forever changed when a man, allegedly possessed by the sun god, inspires revolution among the oppressed townspeople of Wilusa – the historical Troy of myth. For Hektor, son of Bronze Age Wilusa’s despotic ruler, social equality contradicts every principle he has been indoctrinated into believing. But his principles and obsession with duty is alienating him from his young son, Hapi, with whom he has a fractured relationship. When the ‘possessed’ man saves Hapi’s life, Hektor is compelled to question the foundations upon which his father has constructed his life as he rebuilds his relationship with his child through the breaking of a foal. Wilusa collapses into political violence as the commoners rise up, and Hektor must decide whether to defend the people, but lose his identity, or remain loyal to an irrational, dangerous father. Breaking the Foals is a breathless gallop through an ancient world carved out by tradition, stained with blood and immortalised in the lives of heroes and villains.
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