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Made famous through the paintings of Swiss artist Karl Bodmer, the North American expedition of German naturalist Prince Maximilian of Wied in 1832–34 was the first scientific exploration of the Missouri River’s upper reaches since the epic journey of Lewis and Clark almost thirty years earlier. Maximilian’s journal has never been presented fully in English—until now. This collector’s-quality, oversized volume, the first of a three-volume set, draws on the Maximilian-Bodmer Collection at Joslyn Art Museum in Omaha, Nebraska. The North American Journals offer an incomparable view of the upper Missouri and its Native peoples at a pivotal moment in the history of the American West. This meticulous account, newly translated with extensive modern annotation, faithfully reproduces Maximilian’s 110 drawings and watercolors as well as his own notes, asides, and appendices. Volume I, which covers May 1832 to April 1833, documents Maximilian’s voyage to North America and his first encounters with Indians upon reaching the West. This is an essential resource for nineteenth-century western American history and a work of lasting value. This book is published with the assistance of the National Historical Publications and Records Commission.
Few historical chronicles are as informative and eloquent as the journal written by Prince Maximilian of Wied as a record of his journey into the North American interior in 1833, following the route Lewis and Clark had taken almost thirty years earlier. Maximilian's memorable descriptions of topography, Native peoples, and natural history were further brought to life through the now-familiar watercolors and sketches of Karl Bodmer, the young Swiss artist who accompanied him. The first of the three volumes of the North American Journals recounts the prince's journey from Europe to St. Louis—then the edge of the frontier. Volume II vividly narrates his experiences on the upper Missouri and offers an unparalleled view of the region and the peoples native to it. In these pages, we accompany Maximilian as he travels far up the Missouri River to Fort McKenzie, a trading post some 2,500 river miles from St. Louis near what is now Fort Benton, Montana. The handsome, oversize volume not only reproduces this historic document but also features every one of Maximilian's illustrations—more than 200 in all, including nearly 50 in color—from the original journal now housed at Joslyn Art Museum in Omaha, Nebraska. Maximilian recorded detailed observations of flora, fauna, geology, and climate. From his unique, scientifically trained perspective, he also undertook a serious field study of the cultures and languages of the central and northern Great Plains Indians he encountered. His journal contains important, firsthand descriptions of tribal social customs, religious rituals, material culture, and art, as well as an account of Native interactions with Euro-Americans engaged in the then-burgeoning fur trade. This book is published with the assistance of the National Historical Publications and Records Commission.
Few historical chronicles are as informative and eloquent as the journals written by Prince Maximilian of Wied as a record of his journey into the North American interior in 1833–34, following the route Lewis and Clark had taken almost thirty years earlier. In this third, and final, volume, Maximilian vividly narrates his extended stay at Fort Clark (near today’s Bismarck, North Dakota) and his return journey eastward across America and on to his home in Germany. This handsome, oversize volume not only reproduces the prince’s historic document but also features every one of his illustrations—nearly 100 in all, including several in color—from the original journal, along with other watercolors, now housed at Joslyn Art Museum in Omaha, Nebraska. This book is published with the assistance of the National Historical Publications and Records Commission.
The journals of Prince Maximilian of Wied rank among the most important firsthand sources documenting the early-nineteenth-century American West. Published in their entirety as an annotated three-volume set, the journals present a complete narrative of Maximilian’s expedition across the United States, from Boston almost to the headwaters of the Missouri in the Rocky Mountains, and back. This new concise edition, the only modern condensed version of Maximilian’s full account, highlights the expedition’s most significant encounters and dramatic events. The German prince and his party arrived in Boston on July 4, 1832. He intended to explore “the natural face of North America,” observing and recording firsthand the flora, fauna, and especially the Native peoples of the interior. Accompanying him was the young Swiss artist Karl Bodmer, who would document the journey with sketches and watercolors. Together, the group traveled across the eastern United States and up the Missouri River into present-day Montana, spending the winter of 1833–34 at Fort Clark, an important fur-trading post near the Mandan and Hidatsa villages in what is now North Dakota. The expedition returned downriver to St. Louis the following spring, having spent more than a year in the Upper Missouri frontier wilderness. The two explorers experienced the American frontier just before its transformation by settlers, miners, and industry. Featuring nearly fifty color and black-and-white illustrations—including several of Karl Bodmer’s best landscapes and portraits—this succinct record of their expedition invites new audiences to experience an enthralling journey across the early American West.
Few historical chronicles are as informative and eloquent as the journals written by Prince Maximilian of Wied as a record of his journey into the North American interior in 1833–34, following the route Lewis and Clark had taken almost thirty years earlier. In this third, and final, volume, Maximilian vividly narrates his extended stay at Fort Clark (near today's Bismarck, North Dakota) and his return journey eastward across America and on to his home in Germany. This handsome, oversize volume not only reproduces the prince's historic document but also features every one of his illustrations—nearly 100 in all, including several in color—from the original journal, along with other watercolors, now housed at Joslyn Art Museum in Omaha, Nebraska. This book is published with the assistance of the National Historical Publications and Records Commission.
2012 Eric Hoffer Book Awards for General Fiction Honorable Mention 2011 Utah Book Award Finalist "Maximilian Werner is a fresh and grounded writer, a welcome and original new voice." —THOMAS MCGUANE Crooked Creek takes place during the latter part of westward expansion and chronicles the lives (and deaths) of the Wood family. The Woods—Preston and Sara—must flee Arizona when they, along with Sara's parents and little brother Jasper, unwittingly get caught up in the plunder and sale of American Indian corpses and funerary objects. Preston, Sara, and Jasper end up in the Heber Valley of Utah, where they seek the support of Sara's Uncle Neff until they can be reunited with Sara's mother and father. But from the moment they ride into Heber, Preston and Sara learn that life in the valley is not as it appears, and that no matter how far we run, we cannot escape the past.
The Imitatio Christi is considered one of the classic texts of Western spirituality. There were 800 manuscript copies and more than 740 different printed editions of the Imitatio between its composition in the fifteenth century and 1650. During the Reformation period, the book retained its popularity with both Protestants and Catholics; with the exception of the Bible it was the most frequently printed book of the sixteenth century. In this pioneering study, the remarkable longevity of the Imitatio across geographical, chronological, linguistic and confessional boundaries is explored. Rather than attributing this enduring popularity to any particular quality of universality, this study suggests that its key virtue was its appropriation by different interest groups. That such an apparently Catholic and monastic work could be adopted and adapted by both Protestant reformers and Catholic activists (including the Jesuits) poses intriguing questions about our understanding of Reformation and Counter Reformation theology and confessional politics. This study focuses on the editions of the Imitatio printed in English, French, German and Latin between the 1470s and 1650. It offers an ambitious and comprehensive survey of the process of translation and its impact and contribution to religious culture. In so doing it offers a fresh analysis of spirituality and devotion within their proper late medieval and early modern contexts. It also demonstrates that spirituality was not a peripheral dimension of religion, but remains at the very heart of both Catholic and Protestant self-perception and identity.
I is perhaps the most important and the least understood of our everyday expressions. This is a constant source of philosophical confusion. Max de Gaynesford offers a remedy: he explains what this expression means, its logical form and its inferential role. He thereby shows the way to an understanding of how we express first-personal thinking. He dissolves various myths about how I refers, to the effect that it is a pure indexical. His central claim is that thekey to understanding I is that it is the same kind of expression as the other singular personal pronouns, you and he/she: a deictic term, whose reference depends on making an individual salient. He addresses epistemological questions as well as semantic questions, and shows how they interrelate.The book thus not only resolves a key issue in philosophy of language, but promises to be of great use to people working on problems in other areas of philosophy.
After a terrible incident, Wolf flees from his remote village, pursued by the lord's men. He's joined by his best friend and a bizarre female warrior from snow-covered Pythagor, only to discover that something from his nightmares might be chasing them as well. Tusk, the greatest knight the Fist of the Sun has ever seen, patrols the sprawling capital city and witnesses a disturbing change overtaking it. Unsettling sightings are being reported to the Faithful by villagers all across the mainland. High Priest Liverand desperately searches his ancient texts for the cause. From what he's uncovered so far, the implications could be catastrophic. If evil is coming, who will unify the forces against it?
An essential companion to M. Vishik’s groundbreaking work in fluid mechanics The incompressible Euler equations are a system of partial differential equations introduced by Leonhard Euler more than 250 years ago to describe the motion of an inviscid incompressible fluid. These equations can be derived from the classical conservations laws of mass and momentum under some very idealized assumptions. While they look simple compared to many other equations of mathematical physics, several fundamental mathematical questions about them are still unanswered. One is under which assumptions it can be rigorously proved that they determine the evolution of the fluid once we know its initial state and the forces acting on it. This book addresses a well-known case of this question in two space dimensions. Following the pioneering ideas of M. Vishik, the authors explain in detail the optimality of a celebrated theorem of V. Yudovich in the sixties, which states that, in the vorticity formulation, the solution is unique if the initial vorticity and the acting force are bounded. In particular, the authors show that Yudovich’s theorem cannot be generalized to the L^p setting.
This detailed, accessible introduction to the field of quantum decoherence reviews the basics and then explains the essential consequences of the phenomenon for our understanding of the world. The discussion includes, among other things: How the classical world of our experience can emerge from quantum mechanics; the implications of decoherence for various interpretations of quantum mechanics; recent experiments confirming the puzzling consequences of the quantum superposition principle and making decoherence processes directly observable.
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