Contrary to the conventional wisdom that sectarianism is intrinsically linked to violence, bloodshed, or social disharmony, Max Weiss uncovers the complex roots of Shiʿi sectarianism in twentieth-century Lebanon. The template for conflicted relations between the Lebanese state and Shiʿi society arose under French Mandate rule through a process of gradual transformation, long before the political mobilization of the Shiʿi community under the charismatic Imam Musa al-Sadr and his Movement of the Deprived, and decades before the radicalization linked to Hizballah. Throughout the period, the Shiʿi community was buffeted by crosscutting political, religious, and ideological currents: transnational affiliations versus local concerns; the competing pull of Arab nationalism and Lebanese nationalism; loyalty to Jabal ʿAmil, the cultural heartland of Shiʿi Lebanon; and the modernization of religious and juridical traditions. Uncoupling the beginnings of modern Shiʿi collective identity from the rise of political Shiʿism, Weiss transforms our understanding of the nature of sectarianism and shows why in Lebanon it has been both so productive and so destructive at the same time.
The November 1970 coup that brought Hafiz al-Asad to power fundamentally transformed cultural production in Syria. A comprehensive intellectual, ideological, and political project--a Bathist cultural revolution--sought to align artistic endeavors with the ideological interests of the regime. The ensuing agonistic struggle pitted official aesthetics of power against alternative modes of creative expression that could evade or ignore the effects of the state. With this book, Max Weiss offers the first cultural and intellectual history of Bathist Syria, from the coming to power of Hafiz al-Asad, through the transitional period under Bashar al-Asad, and continuing up through the Syria War. Revolutions Aesthetic reconceptualizes contemporary Syrian politics, authoritarianism, and cultural life. Engaging rich original sources--novels, films, and cultural periodicals--Weiss highlights themes crucial to the making of contemporary Syria: heroism and leadership, gender and power, comedy and ideology, surveillance and the senses, witnessing and temporality, and death and the imagination. Revolutions Aesthetic places front and center the struggle around aesthetic ideology that has been key to the constitution of state, society, and culture in Syria over the course of the past fifty years.
Lonely? The Zen of Meeting Women will put you on the path to ending your loneliness. This step by step process will lead you to the woman you want, and more. Weaving the foundational concepts of Zen into the simple process of getting out and meeting women, The Zen of Meeting Women teaches you everything you need to know. Have you ever walked down the street and seen a cute girl coming your way? She's getting closer and your mind races. I wish I knew her. I bet she has a boyfriend. I'm probably not her type. Man I'd love to meet her. Oops, there she goes. Learn to recognize this type of self-talk for what it is. Stop psyching yourself out. Learn the steps that will take you from seeing her to meeting her. Life is short, don't spend it alone. Buy The Zen of Meeting Women today, and begin a journey that will bring fulfillment for a lifetime. Zen and women. Both might seem like mysterious puzzles. But follow the right path and you will solve those puzzles and achieve the success you've dreamed of. For the first time, the enlightened approach of Zen is applied to the challenge of meeting great women with total confidence. This book will change your life. New with this 2nd Edition are sections on Set Theory, Night Game, and meeting women online, as well as a revision of the entire text. "The Zen of Meeting Women" is now even more valuable than ever. Get your copy today, and begin your journey. You'll learn: - Where and when to meet women - How to approach - How to pump up your connection - The magic touch - How to close - Going for the kiss - Flirting through text, email, phone - Zen and the art of making love - and more! Pick up your copy today, and start practicing the Zen of Meeting Women tonight!
As Syria’s anti-authoritarian uprising and subsequent civil war have left the country in ruins, the need for understanding the nation’s complex political and cultural realities remains urgent. The second of a two-volume series, Syria from Reform to Revolt: Culture, Society, and Religion draws together closely observed, critical and historicized analyses, giving vital insights into Syrian society today. With a broad range of disciplinary perspectives, contributors reveal how Bashar al-Asad’s pivotal first decade of rule engendered changes in power relations and public discourse—dynamics that would feed the 2011 protest movement and civil war. Essays focus on key arenas of Syrian social life, including television drama, political fiction, Islamic foundations, and Christian choirs and charities, demonstrating the ways in which Syrians worked with and through the state in attempts to reform, undermine, or sidestep the regime. The contributors explore the paradoxical cultural politics of hope, anticipation, and betrayal that have animated life in Syria under Asad, revealing the fractures that obstruct peaceful transformation. Syria from Reform to Revolt provides a powerful assessment of the conditions that turned Syria’s hopeful Arab spring revolution into a catastrophic civil war that has cost over 200,000 lives and generated the worst humanitarian crisis of the twenty-first century.
The Baseball King, Max C. Weiss' first published book, was inspired by this eight-year-old author's entrepreneurial spirit, his love for baseball, and his interest in storytelling. Encouraged by his younger siblings, Max weaves a narrative that explores the bond of friendship and the dedication and sacrifice required to become the best. Illustrated by Max's grandmother.
Luke's family moves to a strange suburb in North Dakota where he finds himself lost among the trees and watching his new home splinter and disappear with each passing day. Can the beautiful girl across the street save him, or will he have to find his own way through the woods. Will his new high school offer a chance to reinvent himself or more proof that he doesn't belong. A journey that passes through a deep darkness to emerge somewhere unexpected.
The “extraordinary” true story of the St. Louis, a German ship that, in 1939, carried Jews away from Hamburg—and into an unimaginable ordeal (The New York Times). On May 13, 1939, the luxury liner St. Louis sailed from Hamburg, one of the last ships to leave Nazi Germany before World War II erupted. Aboard were 937 Jews—some had already been in concentration camps—who believed they had bought visas to enter Cuba. The voyage of the damned had begun. Before the St. Louis was halfway across the Atlantic, a power struggle ensued between the corrupt Cuban immigration minister who issued the visas and his superior, President Bru. The outcome: The refugees would not be allowed to land in Cuba. In America, the Brown Shirts were holding Nazi rallies in Madison Square Garden; anti-Semitic Father Coughlin had an audience of fifteen million. Back in Germany, plans were being laid to implement the final solution. And aboard the St. Louis, 937 refugees awaited the decision that would determine their fate. Gordon Thomas and Max Morgan Witts have re-created history in this meticulous reconstruction of the voyage of the St. Louis. Every word of their account is true: the German High Command’s ulterior motive in granting permission for the “mission of mercy;” the confrontations between the refugees and the German crewmen; the suicide attempts among the passengers; and the attitudes of those who might have averted the catastrophe, but didn’t. In reviewing the work, the New York Times was unequivocal: “An extraordinary human document and a suspense story that is hard to put down. But it is more than that. It is a modern allegory, in which the SS St. Louis becomes a symbol of the SS Planet Earth. In this larger sense the book serves a greater purpose than mere drama.”
With this issue we initiate the policy of expanding the scope of Tulane Studies in Philosophy to include, in addition to the work of members of the department, contributions from philosophers who have earned advanced degrees from Tulane and who are now teaching in other colleges and universities. The Editor THE LOGIC OF OUR LANGUAGE ROBERT L. ARRINGTON Wittgenstein wrote in the Tractatus that "logic is not a body of doctrine, but a mirror-image of the world. " 1 In line with his suggestion that a proposition is a 'picture', Wittgenstein argued that propositions 'show' the logical structure of the real. He was insistent, however, that "the apparent logical form of a proposition need not be its real one. " 2 As a result of this we can misunderstand the structure of fact. Philosophical problems arise just when "the logic of our language is mis understood. " 3 It is common knowledge that much of this view of logic was rejected by Wittgenstein himself in the Philosophical Investi gations. There we are told that language has no ideal or sublime 4 logic which mirrors the structure of the extra-linguistic world. Consequently, inferences from the structure of language to the structure of that extra-linguistic world are invalid. Reality can be 'cut up' in any of a number of ways by language. Wittgenstein adopted a view of philosophy which would render that discipline a non-explanatory, non-critical study of the multiple ways in which language can be used.
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