George Hell is a shallow man, fond of gambling, drinking, and womanizing. Set in his socialite ways, George does whatever it takes to satisfy his desires. However, when cupid strikes George with his arrow, his lavish life is thrown into disarray. Now head over heels for a young dancer named Jenny, George immediately proposes to her, confident that no woman can resist him. But, after Jenny rejects George, claiming that she would only marry a man with the face of a saint, George is forced to reflect on his lifestyle. First, he attempts to buy a solution, going to a shop to buy a mask of a saint’s face. Now assuming a new identity of George Heaven, George proposes to Jenny once again, hoping that his new identity will trick Jenny into falling in love with him. When she agrees to marry him, George is delighted that his plan worked, but cannot abandon his charade. Slowly, with the help of Jenny’s love, George is able to let go of his vain nature, growing to be a better person. However, as Jenny and George enjoy their new, happy life, George’s ex-lover, La Gambogi, resents the sentiment. Determined to prove that George is not the man he says he is, La Gambogi sets out to expose George’s true face. Featuring masterful storytelling and themes of redemption, true love, and morality, The Happy Hypocrite by Max Beerbohm is a bright comedy with a valuable message. With complex characters and exemplary prose, Beerbohm’s work is clever and entertaining, inspiring laughter and reflection. First published in 1897, The Happy Hypocrite continues to be humorous centuries later, appealing to the wit of modern readers. This edition of The Happy Hypocrite by Max Beerbohm features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, The Happy Hypocrite caters to a contemporary audience while preserving the original levity of Beerbohm’s work.
In Seven Men the brilliant English caricaturist and critic Max Beerbohm turns his comic searchlight upon the fantastic fin-de-siècle world of the 1890s—the age of Oscar Wilde, Aubrey Beardsley, and the young Yeats, as well of Beerbohm's own first success. In a series of luminous sketches, Beerbohm captures the likes of Enoch Soames, only begetter of the neglected poetic masterwork Fungoids; Maltby and Braxton, two fashionable novelists caught in a bitter rivalry; and "Savonarola" Brown, author of a truly incredible tragedy encompassing the entire Italian Renaissance. One of the masterpieces of modern humorous writing, Seven Men is also a shrewdly perceptive, heartfelt homage to the wonderfully eccentric character of a bygone age.
AN NYRB CLASSICS ORIGINAL Virginia Woolf called Max Beerbohm “the prince” of essayists, F. W. Dupee praised his “whim of iron” and “cleverness amounting to genius,” while Beerbohm himself noted that “only the insane take themselves quite seriously.” From his precocious debut as a dandy in 1890s Oxford until he put his pen aside in the aftermath of World War II, Beerbohm was recognized as an incomparable observer of modern life and an essayist whose voice was always and only his own. Here Phillip Lopate, one of the finest essayists of our day, has selected the finest of Beerbohm’s essays. Whether writing about the vogue for Russian writers, laughter and philosophy, dandies, or George Bernard Shaw, Beerbohm is as unpredictable as he is unfailingly witty and wise. As Lopate writes, “Today . . . it becomes all the more necessary to ponder how Beerbohm performed the delicate operation of displaying so much personality without lapsing into sticky confession.”
Sir Henry Maximilian Beerbohm (1872-1956) was an English parodist and caricaturist. His first book, The Works of Max Beerbohm, was published in 1896. Having been interviewed by George Bernard Shaw himself, in 1898 he followed Shaw as drama critic for the Saturday Review, on whose staff he remained until 1910. From 1935 onwards, he was an occasional radio broadcaster, talking about cars and carriages and music halls for the BBC. His wit is shown often enough in his caricatures but his letters contain a carefully blended humour-a gentle admonishing of the excesses of the day-whilst remaining firmly tongue in cheek. Beerbohm's best known works are: Yet Again (1909), A Christmas Garland (1912), a parody of literary styles, and Seven Men (1919), which includes Enoch Soames, the tale of a poet who makes a deal with the devil to find out how posterity will remember him. In 1911 he wrote Zuleika Dobson, or, An Oxford Love Story, his only novel. He also wrote And Even Now (1920).
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