From their domestication to their taboo, the role of pigs in the ancient Near East is one of the most complicated topics in archaeology. Rejecting monocausal explanations, this book adopts an evolutionary approach and uses zooarchaeology and texts to unravel the cultural significance of swine from the Paleolithic to today. Five major themes emerge: The domestication of the pig from wild boar in the Pre-Pottery Neolithic, the unique roles that pigs developed in agricultural economies before and after the development of complex societies, the raising of swine in cities, the shifting ritual roles of pigs, and the formation and development of the pork taboo in Judaism and, later, Islam. The development of this taboo has inspired much academic debate. I argue that the well-known taboo described in Leviticus reflects the intention of the Biblical writers to develop an image of a glorious pastoral ancestry for a heroic Israelite past, something they achieved by tying together existing food traditions. These included a taboo on pigs, which was developed early in the Iron Age during conflicts between Israelites and Philistines and was revitalized by the Biblical writers. The taboo persisted and mutated, gaining strength over the next two and a half millennia. In particular, the pig taboo became a point of contention in the ethno-political struggles between Jewish and Greco-Roman cultures in the Levant. Ultimately, it was this continued evolution within the context of ethnic and religious politics that gave the pig taboo the strength it has today"--
Working reluctantly for a zealous Joe McCarthy at the height of 1950s anti-communist activities, Chicago detective Nate Heller is forced to choose between loyalties when he takes the case of a group of literary leftists who are supporting alleged spies Julius and Ethel Rosenberg.
This classic book examines the role of leading scholars, philosophers, historians, and scientists—in Hitler’s rise to power and eventual war of extermination against the Jews. Written in 1946 by one of the greatest scholars of European Jewish history and culture, it is now reissued with a new introduction by the prominent historian Martin Gilbert."Dr. Weinreich's main thesis is that ‘German scholarship provided the ideas and techniques that led to and justified unparalleled slaughter.’. . . In its implications and honest presentation of the facts [this book] constitutes the best guide to the nature of Nazi terror that I have read so far."—Hannah Arendt, Commentary"Mr. Weinreich's book, by the wealth of its material and by its intelligent approach, offers the reader—in addition to a thorough treatment of the Jewish aspect—many opportunities to think about the role of scholarship in a totalitarian society."—Hans Kohn, New York Times Book Review"Building, in the immediate aftermath of the war, on a formidable bibliography of books, pamphlets, and articles, Weinreich provides erudite evidence of the scale and ramifications of Nazi support in German intellectual life."—Martin Gilbert, from the introduction.
Anti-Americanism' is an unusual expression; although stereotypes and hostility exist toward every nation, we do not hear of 'anti-Italianism' or 'anti-Brazilianism'. Only Americans have elevated such sentiment to the level of a world view, an explanatory factor so significant as to merit a name - an 'ism' - usually reserved for comprehensive ideological systems or ingrained prejudice. This book challenges the scholarly consensus that blames criticism of the United States on foreigners' irrational resistance to democracy and modernity. Tracing 200 years of the concept of anti-Americanism, this book argues that it has constricted political discourse about social reform and US foreign policy, from the War of 1812 and the Mexican War to the Cold War, from Guatemala and Vietnam to Iraq. Research in nine countries in five languages, with attention to diplomacy, culture, migration and the circulation of ideas, shows that the myth of anti-Americanism has often damaged the national interest.
About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell. Lexicon reads like Elmore Leonard high out of his mind on Snow Crash." —Lev Grossman, New York Times bestselling author of The Magicians and The Magician King “Best thing I've read in a long time . . . a masterpiece.” —Hugh Howey, New York Times bestselling author of Wool Stick and stones break bones. Words kill. They recruited Emily Ruff from the streets. They said it was because she's good with words. They'll live to regret it. They said Wil Parke survived something he shouldn't have. But he doesn't remember. Now they're after him and he doesn't know why. There's a word, they say. A word that kills. And they want it back . . .
There are a considerable number of books on the art of the convicts, so Convicts & Art has been covered reasonably well but art is only once facet of the arts that has been examined to any extent. This book concerns itself with Convicts & the Arts. This book, then, endeavors to look at the convicts’ contribution to the arts, and demonstrates without doubt that the convicts made a significantly broader contribution to the culture of Australia than previously thought. There is a common misconception that all convicts were immediately institutionalised in a cell, and convict culture was solely a prison culture. It needs reinforcing that when the First Fleet arrived there were no prisons in Australia, no cells where they could put the convicts. The early governors and principal authorities quite logically endeavoured to use whatever skills the convicts had. So artists, generally forgers, were placed with those who were interested in recording a visual history of this new land. Among the convicts were bricklayers, house painters, jewelers, silversmiths, goldsmiths and so on, and some of them made significant contributions to the emerging society. Some of these contributions will be developed herein. This work endeavors to examine the convicts’ contribution to the arts in Australia, in areas like the writing of novels, poetry, autobiographies, sculpture, theatre, music, architecture, jewelry, the press, decorative arts and pottery.
Max Egremont's Some Desperate Glory presents the story of World War I through the lives and words of its poets. The hundredth anniversary of the outbreak of what many believed would be the war to end all wars is in 2014. And while World War I devastated Europe, it inspired profound poetry—words in which the atmosphere and landscape of battle are evoked perhaps more vividly than anywhere else. The poets—many of whom were killed—show not only the war's tragedy but also the hopes and disappointments of a generation of men. In Some Desperate Glory, the historian and biographer Max Egremont gives us a transfiguring look at the life and work of this assemblage of poets. Wilfred Owen with his flaring genius; the intense, compassionate Siegfried Sassoon; the composer Ivor Gurney; Robert Graves, who would later spurn his war poems; the nature-loving Edward Thomas; the glamorous Fabian Socialist Rupert Brooke; and the shell-shocked Robert Nichols—all fought in the war, and their poetry is a bold act of creativity in the face of unprecedented destruction. Some Desperate Glory includes a chronological anthology of the poets' works, telling the story of the war not only through the lives of these writers but also through their art. This unique volume unites the poetry and the history of the war—so often treated separately—granting readers the pride, strife, and sorrow of the individual soldier's experience coupled with a panoramic view of the war's toll on an entire nation.
This book provides a comprehensive review of melancholia as a severe disorder of mood, associated with suicide, psychosis, and catatonia. The syndrome is defined with a clear diagnosis, prognosis, and range of management strategies. It challenges accepted doctrines and describes melancholia as a treatable and preventable mental illness.
Examines how Charles Lindbergh's support for Nazi militarism and U.S. isolationism and Henry Ford's business dealings with Germany tarnished their idealized images. Drawing on original lsources, Wallace brings out some pertinent connections between the two men's anti-Semitism and their ties with the rising Nazi regime. Their influence culminated in an abuse of power that helped strengthen Hitler's regime and undermined the Allied war effort.
Electroshock therapy has long suffered from a controversial and bizarre public image, effectively removing it as a treatment option for many patients. In Electroshock, Max Fink, M.D., draws on 45 years of clinical and research experience to argue that ECT is now a safe, painless, and sometimes life-saving treatment for emotional and mental disorders. Dr. Fink traces the development of ECT from its discovery in 1934 followed by widespread use for two decades, to the 1950s when it was largely replaced by the introduction of psychotropic drugs, to its revival in the past twenty years as a viable treatment. He provides actual case studies of patients who have been treated with ECT and illustrates that many disorders--such as depression, mania, catatonia, and schizophrenia--respond well to it. As he explains the whole procedure from preparation to recovery, we see what the patient experiences. Fink also shows how anesthesia and muscle relaxation have refined ECT, minimizing discomfort and reducing risks to a level far lower than those experienced by patients using psychotropic drugs routinely prescribed for the same problems. Clarifying the many misconceptions surrounding ECT, Electroshock is an excellent sourcebook for patients, their families, and mental health professionals.
Max Egremont, author of Some Desperate Glory, tells stories from the "Glass Wall" between Europe and Asia. Few countries have suffered more from the convulsions and bloodshed of twentieth-century Europe than those in the eastern Baltic region. Caught between the giants of Germany and Russia, on a route across which armies surged or retreated, small nations like Latvia and Estonia were for centuries the subjects of conquests and domination as foreign colonizers claimed control of the territory and its inhabitants, along with their religion, government, and culture. The Glass Wall features an extraordinary cast of characters—contemporary and historical, foreign and indigenous—who have lived and fought in the Baltic, western Europe’s easternmost stronghold. Too often the destiny of this region has seemed to be to serve as the front line in other people’s wars. By telling the stories of warriors and victims, of philosophers and barons, of poets and artists, of rebels and emperors, and of others who lived through years of turmoil and violence, Max Egremont sets forth a brilliant account of a long-overlooked region, on a frontier whose limits may still be in doubt.
Rethinking Health Care explains that the context for the reorganization of U.S. health care over the last several decades has been set by broader developments in the national and international political economies and shows how these health care developments have, in turn, affected the larger social and economic transformations that were occurring.
Monograph on the historical appeal of the nazi political party in Germany to the working class during the period from 1919 to 1933 - examines the propaganda, social theories and 'socialist' labour policies through which the party strove to win the workers' support, and comments on nazi politicians, political leadership, nationalism, etc. Bibliography pp. 219 to 237 and references.
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