In A Resonant Ecology, Max Ritts traces how sound’s integration into the environmental politics of Canada’s North Coast has paved the way for massive industrial expansion. While conservationists hope that the dissemination of whale songs and other nature sounds will showcase the beauty of local wildlife for people around the world, Ritts reveals how colonial capitalism can co-opt sonic efforts to protect the coast. He demonstrates how digital technologies allow industry to sonically map new shipping lanes and facilitate new ways of experiencing sound—premised not on listening, but on sound’s exploitable status as a data resource. By outlining how sound can both perpetuate and refuse capitalist colonialism, Ritts challenges the idea that the sonic realm is inherently liberatory and reveals sound to be a powerfully uncertain object. Through a situated geographical approach, he makes the case that only a decolonial and multigenerational environmental politics can counter the false promise of “sustainable marine development” held up by industry and the state.
Max Ferguson is a leading monochrome printer. Well established in his field, he has worked for many top photographic laboratories, including Joe's Basement and Visualeyes. He has also run his own successful business. Max is now based in Australia, working for Photo Technica. To find out 'what happens between click and ink area,' everyone involved in image production, from art directors to weekend amateurs, will find this an invaluable guide. These unique masterclasses, in the modern technique-led approach to photographic post-production, show how darkroom and digital techniques go hand in hand in finishing off an image. Max provides, among many others, a thorough explanation of: * split grade printing, * printing through stockings, * monochrome toning emulation. So you too can achieve professional-looking results, a number of images are shown with a breakdown of the methods used in their production. Featured work includes inspirational images from these leading international professional photographers: Spencer Rowell, Phil Jude, Bob Carlos Clarke, Tobi Corney, Graham Goldwater, Jon Bader and Mark Anthony. The accompanying CD-ROM contains: a series of tutorials for monitor viewing; some of the author's images in layered form for readers to edit and manipulate; extra information on colour management as PDFs; and relevant downloads from Adobe. Tryout versions [with limited functionality] of Adobe Photoshop® 5.5; Adobe Premiere® 5.0 and Adobe After Effects® 4.0, as well as Adobe GoLive TM and Adobe Acrobat Reader® for PC and Mac platforms, and Adobe InDesign TM and Adobe LiveMotion TM for MAC.
Focusing on glaciation and speleogenesis in the region of New York and New England, this book serves as an example of a karst region that has experienced large-scale continental glaciation. It reviews the literature on the controls of glaciation on karst development, exploring examples from the marbles of the Adirondacks, New England and eastern New York, the Ordovician strata of northern New York and the Siluro-Devonian strata of central New York. Each of these areas is examined in detail, demonstrating the evolution of thought on glaciated karst through case studies of individual caves as well as larger cave systems. Additionally, this book describes the geology and glaciation, the evolution of karst landscapes from pre-glacial times to the present and human interaction with the caves in the region.
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