Max Egremont's Some Desperate Glory presents the story of World War I through the lives and words of its poets. The hundredth anniversary of the outbreak of what many believed would be the war to end all wars is in 2014. And while World War I devastated Europe, it inspired profound poetry—words in which the atmosphere and landscape of battle are evoked perhaps more vividly than anywhere else. The poets—many of whom were killed—show not only the war's tragedy but also the hopes and disappointments of a generation of men. In Some Desperate Glory, the historian and biographer Max Egremont gives us a transfiguring look at the life and work of this assemblage of poets. Wilfred Owen with his flaring genius; the intense, compassionate Siegfried Sassoon; the composer Ivor Gurney; Robert Graves, who would later spurn his war poems; the nature-loving Edward Thomas; the glamorous Fabian Socialist Rupert Brooke; and the shell-shocked Robert Nichols—all fought in the war, and their poetry is a bold act of creativity in the face of unprecedented destruction. Some Desperate Glory includes a chronological anthology of the poets' works, telling the story of the war not only through the lives of these writers but also through their art. This unique volume unites the poetry and the history of the war—so often treated separately—granting readers the pride, strife, and sorrow of the individual soldier's experience coupled with a panoramic view of the war's toll on an entire nation.
A defense of traditional philosophical method against challenges from practitioners of “experimental philosophy.” In The Myth of the Intuitive, Max Deutsch defends the methods of analytic philosophy against a recent empirical challenge mounted by the practitioners of experimental philosophy (xphi). This challenge concerns the extent to which analytic philosophy relies on intuition—in particular, the extent to which analytic philosophers treat intuitions as evidence in arguing for philosophical conclusions. Experimental philosophers say that analytic philosophers place a great deal of evidential weight on people's intuitions about hypothetical cases and thought experiments. Deutsch argues forcefully that this view of traditional philosophical method is a myth, part of “metaphilosophical folklore,” and he supports his argument with close examinations of results from xphi and of a number of influential arguments in analytic philosophy. Analytic philosophy makes regular use of hypothetical examples and thought experiments, but, Deutsch writes, philosophers argue for their claims about what is true or not true in these examples and thought experiments. It is these arguments, not intuitions, that are treated as evidence for the claims. Deutsch discusses xphi and some recent xphi studies; critiques a variety of other metaphilosophical claims; examines such famous arguments as Gettier's refutation of the JTB (justified true belief) theory and Kripke's Gödel Case argument against descriptivism about proper names, and shows that they rely on reasoning rather than intuition; and finds existing critiques of xphi, the “Multiple Concepts” and “Expertise” replies, to be severely lacking.
The upper Arkansas River courses through the heart of America from its headwaters near the Continental Divide above Leadville, Colorado, to Arkansas City, just above the Kansas-Oklahoma border. Max McCoy embarked on a trip of 742 miles in search of the river’s unique story. Part adventure and part reflection, steeped in the natural and cultural history of the Arkansas Valley, Elevations is McCoy’s account of that journey. Going by kayak when he can—by Jeep, on foot, or by other means when he has to—McCoy takes us with him, navigating the Arkansas River as it reveals its nature and tests his own. Along the way, and when he isn’t battling the current for his overturned kayak; braving a frigid Christmas Eve along the river; or joining the search for a drowning victim, he steps out to explore the world beyond the river’s banks. Here for instance is Camp Amache, where Japanese Americans were imprisoned during World War II. Here is Ludlow, where thirteen women and children died in a standoff between striking coal miners and the militia in 1914. Farther along we find Sand Creek, site of a massacre by US soldiers in 1864, and, uncomfortably close, Garden City, where white supremacists were charged with planning a terror attack on Somali refugees in 2016. Whether traveling back in time, pausing in the present, or looking forward, Elevations captures the Arkansas River in its thrilling moments and placid stretches, in its natural splendor and degradation at human hands. The book shows us the river as a flowing repository of human history and, in the telling of this gifted writer, as a life-changing experience.
This clearly-written and comprehensive text, by two leading scholars of European intellectual property law, is extremely adaptable. It is a perfect platform for classroom teaching, and is also a fine resource for those researching in what is becoming an increasingly complex field.' – Graeme B. Dinwoodie, University of Oxford, UK 'This hybrid volume, part commentary, part primary sources, with questions to stimulate further thinking, serves both as a teaching tool and as a manual for lawyers who seek a comprehensive overview of EU intellectual property law. The book aims at a generalist legal audience, with very a helpful précis of international law, including the major multilateral treaties, as well as a summary of the EU legal framework that non-Europeans will find highly useful. The authors explore the full range of traditional and emerging IP rights. They also provide in-depth analysis of remedies and of the international private law issues that increasingly arise in contemporary complex IP litigation.' – Jane Ginsburg, Columbia Law School, US The first of its kind, this textbook has been carefully designed to give students and non-specialist practitioners a clear understanding of the fundamentals of European intellectual property law. Providing a comprehensive overview of both community IP rights, and areas of IP law that have been harmonised, and supported by judicious use of extracts from the most significant source material, the book assists the reader in navigating through the increasingly complex European IP system. European Intellectual Property Law deals with European patent, trade mark and copyright law copyright, as well as with adjacent areas such as protection of plant varieties, geographical indications, industrial design, competition law, enforcement, and private international law, with a focus on the most relevant case law to be found in those areas. Key Features: • Written by two of the leading authorities in European IP law • Concise and readable style • Extracts from key source material • Questions designed to stimulate thinking around legal problems • Coverage of related areas adjacent to IP • Offers an overview on international IP protection and the interrelation between European law and IP law in general. This detailed book is designed for all courses on European intellectual property, whether basic or advanced, as well as for practitioners looking for a comprehensive and concise overview on the structure and content of European IP law.
Mobile, smartphone and pocket filmmaking is a global phenomenon with distinctive festivals, filmmakers and creatives that are defining an original film form. Smartphone Filmmaking: Theory and Practice explores diverse approaches towards smartphone filmmaking and interviews an overview of the international smartphone filmmaking community. Interviews with smartphone filmmakers, entrepreneurs, creative technologists, storytellers, educators and smartphone film festival directors provide a source of inspiration and insights for professionals, emerging filmmakers and rookies who would like to join this creative community. While not every story might be appropriate to be realized with a mobile device or smartphone, if working with communities, capturing locations or working in the domain of personal or first-person filmmaking, the smartphone or mobile device should be considered as the camera of choice. The mobile specificity is expressed through accessibility, mobility and its intimate and immediate qualities. These smartphone filmmaking-specific characteristics and personal forms of crafting experiences contribute to a formation of new storytelling approaches. Stylistic developments of vertical video and collaborative processes in smartphone filmmaking are evolving into hybrid formats that resonate in other film forms. This book not only develops a framework for the analysis of smartphone filmmaking but also reviews contemporary scholarship and directions within the creative arts and the creative industries. Smartphone Filmmaking: Theory and Practice initiates a conversation on current trends and discusses its impact on adjacent disciplines and recent developments in emerging media and screen production, such as Mobile XR (extended reality).
From his famous war poems to the gentler vision of his prose, Siegfried Sassoon wrote masterfully of war and lost idylls. This work and its complex author are illuminated in Egremont's definitive biography.
Through the shadowy persona of "Deep Throat," FBI official Mark Felt became as famous as the Watergate scandal his "leaks" helped uncover. Best known through Hal Holbrook's portrayal in the film version of Bob Woodward and Carl Bernstein's All the President's Men, Felt was regarded for decades as a conscientious but highly secretive whistleblower who shunned the limelight. Yet even after he finally revealed his identity in 2005, questions about his true motivations persisted. Max Holland has found the missing piece of that Deep Throat puzzle--one that's been hidden in plain sight all along. He reveals for the first time in detail what truly motivated the FBI's number-two executive to become the most fabled secret source in American history. In the process, he directly challenges Felt's own explanations while also demolishing the legend fostered by Woodward and Bernstein's bestselling account. Holland critiques all the theories of Felt's motivation that have circulated over the years, including notions that Felt had been genuinely upset by White House law-breaking or had tried to defend and insulate the FBI from the machinations of President Nixon and his Watergate henchmen. And, while acknowledging that Woodward finally disowned the "principled whistleblower" image of Felt in The Secret Man, Holland shows why that famed journalist's latest explanation still falls short of the truth. Holland showcases the many twists and turns to Felt's story that are not widely known, revealing not a selfless official acting out of altruistic patriotism, but rather a career bureaucrat with his own very private agenda. Drawing on new interviews and oral histories, old and just-released FBI Watergate files, papers of the Watergate Special Prosecution Force, presidential tape recordings, and Woodward and Bernstein's Watergate-related papers, he sheds important new light on both Felt's motivations and the complex and often problematic relationship between the press and government officials. Fast-paced and scrupulously fact-checked, Leak resolves the mystery residing at the heart of Mark Felt's actions. By doing so, it radically revises our understanding of America's most famous presidential scandal.
Max Harrison . . . surveys the whole history and development of jazz in a concise, well written and well illustrated . . . article together with an extensive bibliography.' —Richard D. C. Noble, Times Literary Supplement The chapters of this book are in roughly chronological sequence: Spirituals, Blues, Gospels, Ragtime, and Jazz. The first three are by Paul Oliver, whose New Grove entry on the Blues is widely regarded as the definitive brief history of the genre. He has revised and expanded it for this book publication and, in addition, has extended the coverage of his essays on Spirituals in The New Grove to discuss both black and white traditions. Similarly, Oliver has revised and recast his coverage of Gospel music, which has been considerably expanded. Max Harrison's long entry on Jazz, which has also been extended, draws together the separate strands of the book to discuss the concept of Jazz as a matrix of mutually influential folk and popular styles. William Bolcom's short and definitive article on Ragtime has been revised, and all the bibliographies have been updated to include new and important works.
This rollercoaster ride through the colorful history of slang—from highwaymen to hip-hop—is a fresh and exciting take on the subject: entertaining and authoritative without being patronizing, out-of-touch or voyeuristic. Slang is the language of pop culture, low culture, street culture, underground movements and secret societies; depending on your point of view, it is a badge of honor, a sign of identity or a dangerous assault on the values of polite society. Of all the vocabularies available to us, slang is the most alive, constantly evolving and—as it leaks into the mainstream and is taken up by all of us—infusing the language with a healthy dose of vitality. Witty, energetic and informative Vulgar Tongues traces the many routes of slang, beginning with the thieves and prostitutes of Elizabethan London and ending with the present day, where the centuries-old terms rap and hip-hop still survive, though their meanings have changed. On the way we will meet Dr. Johnson, World War II flying aces, pickpockets, schoolchildren, hardboiled private eyes, carnival geeks and the many eccentric characters who have tried to record slang throughout its checkered past. If you’re curious about flapdragons and ale passion, the changing meanings of punk and geek, or how fly originated on the streets of eighteenth-century London and square in Masonic lodges, this is the book for you.
Since the end of the Cold War, and especially since September 11, 2001, the United States has faced daunting challenges in the areas of foreign policy and national security. Threatened by failing states, insurgencies, civil wars, and terrorism, the nation has been compelled to re-evaluate its traditional responses to global conflict. In this timely book, John T. Fishel and Max G. Manwaring present a much-needed strategy for conducting unconventional warfare in an increasingly violent world. In the early 1990s, Manwaring introduced a new paradigm for addressing low-intensity conflicts, or conflicts other than major wars. Termed the Manwaring Paradigm or SWORD (Small Wars Operations Research Directorate) model, it has been tested successfully by scholars and practitioners and refined in the wake of new and significant “uncomfortable wars” around the world, most notably the conflicts in Afghanistan and Iraq. Uncomfortable Wars Revisited broadens the definition of the original paradigm and applies it to specific confrontations
The political practice of declaring victory and coming home has provided a false and dangerous domestic impression of great success for U.S. unilateral and multilateral interventions in failing and failed states around the world. The reality of such irresponsibility is that the root causes and the violent consequences of contemporary intranational conflict are left to smolder and reignite at a later date with the accompanying human and physical waste. This book discusses why it is incumbent on the international community and individual powers involved in dealing with the chaos of the post-Cold War world to understand that such action requires a long-term, holistic, and strategic approach. The intent of such an approach is to create and establish the proven internal conditions that can lead to a mandated peace and stability—with justice. The key elements that define those conditions at the strategic level include: (1) the physical establishment of order and the rule of law; (2) the isolation of belligerents; (3) the regeneration of the economy; (4) the shaping of political consent; (5) fostering peaceful conflict resolution processes; (6) achieving a complete unity of effort toward stability; and (7) establishment and maintenance of a legitimate civil society. These essential dimensions of contemporary global security and stability requirements comprise a new paradigm that will, hopefully, initiate the process of rethinking both problem and response.
MAX McCOY Award-winning Author of the The Moon Pool HINTERLAND Andy Kelsey is a reporter who may have just stumbled on the story of a lifetime. He's infiltrated a white separatist group in the Ozarks, an underground organization ready to fight and die—and kill—for their extreme beliefs. The deeper Kelsey gets in the group, the more he's trusted, and the bigger his story becomes. Until he realizes the shocking extent of their scheme... The separatists have finalized plans for a spectacular cataclysm that they hope will bring about Armageddon. What terrifies Kelsey is that they have the weapon and the means to achieve their mad goal. Will he be able to fight them from the inside without being discovered? Or has he gotten in too deep to ever get out?
Late eighteenth- and early nineteenth-century landowners in the hinterlands of Baltimore, Maryland, cobbled together workforces from a diverse labor population of black and white apprentices, indentured servants, slaves, and hired workers. This book examines the intertwined lives of the poor whites, slaves, and free blacks who lived and worked in this wheat-producing region along the Mason–Dixon Line. Drawing from court records, the diaries, letters, and ledgers of farmers and small planters, and other archival sources, Max Grivno reconstructs how these poorest of southerners eked out their livings and struggled to maintain their families and their freedom in the often unforgiving rural economy.
When Harry Gloster returns to camp and finds his mining partners murdered, he panics. Unknown in the town of Wickson, Gloster believes he’ll be accused of killing his friends for their share of the gold, so he sets out for Mexico. En route, he chances upon Joan Daniels and begins to fall in love with her. Suddenly, Gloster finds himself surrounded by a posse—he has lingered too long. Now, Harry Gloster must choose fast. Stay and risk hanging—or run and forget the girl! Best remembered as the creator of Dr. Kildare, Max Brand (Frederick Faust) was also a prolific western and historical adventure writer. Wildside Press is reissuing many of his classic novels. This volume includes a biographical introduction by Karl Wurf.
First published in 1984 and reissued to coincide withthe publication of the second volume, this selection of the 250 best jazz records traces the earliest roots of the music to the beginnings of the modern jazz era. Volume One's focus is on LP collections of 78 rpm originals and nearly every significant musician--both familiar and obscure--of early 20th-century jazz is listed. For each record listed, full details of personnel, recording dates and locations are provided.
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