Every major singer from Frank Sinatra to Christina Aguilera. Every major composer from Irving Berlin to Stephen Sondheim. Every major song from a century of favorites. Every major musician and lyricist. Every major styling from blues, jazz, and country to folk, big band, and rock and roll The most recorded songs of all time. A guide to understanding the "standard" lingo. The evolution of popular music from Tin Pan Alley to contemporary musical theater, and more.
In her 1927 autobiography Carrie Jacobs-Bond wrote: "The only thing that seems to me at all remarkable about my life is that I was nearly thirty-two years old before I even thought of having a career." After years of research I have concluded, on the contrary, that everything about her life was remarkable. A divorcee, then a widow, she was nearly forty years old before her music lifted her out of poverty. She went on to make a fortune as her own publisher, becoming an international celebrity, world traveler, friend of the rich and famous, sometime vaudeville star, and a charitable woman who gave away most of her money before she died. The woman's life needs to be revisited. Her own book was long on anecdotes and platitudes but short on times and places, and on the secrets of her heart. I have filled in some of the blank pages in her life's story by creating this new autobiography. Names and places and dates within reach of my research are faithfully employed. The rest is an affectionate and studied re-telling of her life, knit together by a man who never met Carrie Jacobs-Bond but has been under her spell ever since he sang "I Love You Truly" in 7th grade Boys' Glee Club. MAX MORATH EDITOR: USE THIS QUOTE BOTTOM BACK PAGE: Morath brings to everything he touches a keen intelligence and encyclopedic knowledge of every aspect, musical and otherwise, of late 19th and early 20th century Americana. New York Post
Every major singer from Frank Sinatra to Christina Aguilera. Every major composer from Irving Berlin to Stephen Sondheim. Every major song from a century of favorites. Every major musician and lyricist. Every major styling from blues, jazz, and country to folk, big band, and rock and roll The most recorded songs of all time. A guide to understanding the "standard" lingo. The evolution of popular music from Tin Pan Alley to contemporary musical theater, and more.
In her 1927 autobiography Carrie Jacobs-Bond wrote: "The only thing that seems to me at all remarkable about my life is that I was nearly thirty-two years old before I even thought of having a career." After years of research I have concluded, on the contrary, that everything about her life was remarkable. A divorcee, then a widow, she was nearly forty years old before her music lifted her out of poverty. She went on to make a fortune as her own publisher, becoming an international celebrity, world traveler, friend of the rich and famous, sometime vaudeville star, and a charitable woman who gave away most of her money before she died. The woman's life needs to be revisited. Her own book was long on anecdotes and platitudes but short on times and places, and on the secrets of her heart. I have filled in some of the blank pages in her life's story by creating this new autobiography. Names and places and dates within reach of my research are faithfully employed. The rest is an affectionate and studied re-telling of her life, knit together by a man who never met Carrie Jacobs-Bond but has been under her spell ever since he sang "I Love You Truly" in 7th grade Boys' Glee Club. MAX MORATH EDITOR: USE THIS QUOTE BOTTOM BACK PAGE: Morath brings to everything he touches a keen intelligence and encyclopedic knowledge of every aspect, musical and otherwise, of late 19th and early 20th century Americana. New York Post
Max Harrison . . . surveys the whole history and development of jazz in a concise, well written and well illustrated . . . article together with an extensive bibliography.' —Richard D. C. Noble, Times Literary Supplement The chapters of this book are in roughly chronological sequence: Spirituals, Blues, Gospels, Ragtime, and Jazz. The first three are by Paul Oliver, whose New Grove entry on the Blues is widely regarded as the definitive brief history of the genre. He has revised and expanded it for this book publication and, in addition, has extended the coverage of his essays on Spirituals in The New Grove to discuss both black and white traditions. Similarly, Oliver has revised and recast his coverage of Gospel music, which has been considerably expanded. Max Harrison's long entry on Jazz, which has also been extended, draws together the separate strands of the book to discuss the concept of Jazz as a matrix of mutually influential folk and popular styles. William Bolcom's short and definitive article on Ragtime has been revised, and all the bibliographies have been updated to include new and important works.
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