Max Mannerin norjalaisetsivä Stein Storesen on elämänsä haasteen edessä. Rutiinihommaksi kuviteltu työkeikka kansainvälisessä tiedekonferenssissa uhkaa karata kokonaan otteesta.
This unique volume gathers Weber's writings on a broad array of themes, from the nature of work, to the political culture of democracy, to the uniqueness of the West, to the character of the family and race relations, to the role of science and the fate of ethical action in the modern world. Gathers Weber’s writings in a comprehensive collection, organized by topic. Rejuvenates a central, pivotal theme of Weberian thought: "How do we live?" and "How can we live in the industrial society?” Connects Weber’s writings to contemporary issues through modern essays and editorial introductions.
AN NYRB CLASSICS ORIGINAL Virginia Woolf called Max Beerbohm “the prince” of essayists, F. W. Dupee praised his “whim of iron” and “cleverness amounting to genius,” while Beerbohm himself noted that “only the insane take themselves quite seriously.” From his precocious debut as a dandy in 1890s Oxford until he put his pen aside in the aftermath of World War II, Beerbohm was recognized as an incomparable observer of modern life and an essayist whose voice was always and only his own. Here Phillip Lopate, one of the finest essayists of our day, has selected the finest of Beerbohm’s essays. Whether writing about the vogue for Russian writers, laughter and philosophy, dandies, or George Bernard Shaw, Beerbohm is as unpredictable as he is unfailingly witty and wise. As Lopate writes, “Today . . . it becomes all the more necessary to ponder how Beerbohm performed the delicate operation of displaying so much personality without lapsing into sticky confession.”
Humor at its best is a somewhat fluid and transitory element, but most books about it are illustrated with hardened old jokes from the comic papers, or classic witticisms jerked out of their context. Max Eastman, in this work, avoids this catastrophe by quoting mainly from contemporary American humor. This is not an anthology in that selections have been made with a view to making a point rather than covering the field. The purpose of Eastman's fabled work is to make the reader laugh. Since his early school days, it has seemed to him that textbooks are wrongly written in that they are conducted in a way which ignores the natural operation of the mind. As a result, the opinion is universal, and under the circumstances a fact, that in order to learn anything you have to study. Since this introduction to humor is itself near to writing a textbook, Eastman uses the very text he constructs to illustrate the manner in which textbooks should be written. Examination and classification of the kinds of humorous experience upon the basis of a theory is a science. As such, this work offers a fair chance to illustrate a method of instruction. However, the distinction between a good joke and a bad one will not prevent the reader from making bad jokes nor enable one to make good ones. There is an artistic and playful element that simply cannot be taught. Enjoyment of Laughter presents a total view of the science of laughter and draws upon some of the great American humorists to do so.
This is the colourful account of swing trumpeter Max Kaminsky’s life on the road in the formative years of jazz. Originally published in 1963, Kaminsky reminisces about playing with many notables, including Bix Beiderbecke, Fats Waller, Louis Armstrong, Gene Krupa, Artie Shaw, James P. Johnson, Bud Freeman, Pee Wee Russell, Artie Shaw and Jack Teagarden. A wonderful autobiographical work. “Max Kaminsky has written so realistically about the music world that you feel you, personally, were around for the whole great wonderful whirl!”—Jackie Gleason “I found My Life in Jazz absorbing reading and a true representation of the music and the people of the period.”—Bing Crosby
For the first time in 70 years, a new translation of Max Weber's classic The Protestant Ethic and the Spirit of Capitalism --one of the seminal works in sociology-- published in September 2001. Translator Stephen Kalberg is an internationally acclaimed Weberian scholar, and in this new translation he offers a precise and nuanced rendering that captures both Weber's style and the unusual subtlety of his descriptions and causal arguments. Weber's original italicization, highlighting major themes, has been restored, and Kalberg has standardized Weber's terminology to better facilitate understanding of the various twists and turns in his complex lines of reasoning. Weber's compelling work remains influential for these reasons: it explores the continuing debate regarding the origins and legacy of modem capitalism in the West; it helps the reader understand today's global economic development; and it plumbs the deep cultural forces that affect contemporary work life and the workplace in the United States and Europe. This new edition/translation also includes a glossary; Weber's 1906 essay, "The Protestant Sects and the Spirit of Capitalism"; and Weber's masterful prefatory remarks to his Collected Essays in the Sociology of Religion, in which he defines the uniqueness of Western societies and asks what "ideas and interests" combined to create modem Western rationalism
This book is written by Max Heindel, the founder, and Messenger of The Rosicrucian Fellowship. This is a reference book of the Fellowship students and Probationers. This book is also referred as Cosmo-Conception or Mystic Christianity. The founder of the Christian Religion stated an occult maxim when He said: "Whosoever shall not receive the kingdom of God as a little child shall not enter therein" (Mark 10:15). All occultists recognize the far-reaching importance of this teaching of Christ and endeavor to "live" it day by day. When a new philosophy is presented to the world it is met in different ways by different people. One person will grasp with avidity any new philosophical effort in an endeavor to ascertain how far it supports his own ideas. To such an one the philosophy itself is of minor importance. Its prime value will be its vindication of HIS ideas. If the work comes up to expectation in that respect, he will enthusiastically adopt it and cling to it with a most unreasoning partisanship; if not, he will probably lay the book down in disgust and disappointment, feeling as if the author had done him an injury. Another adopts an attitude of skepticism as soon as he discovers that it contains something which HE has not previously read, heard, or originated in his own thought. He would probably resent as extremely unjustified the accusation that his mental attitude is the acme of self- satisfaction and intolerance; such is nevertheless the case; and thus he shuts his mind to any truth which may possibly be hidden in that which he off-hand rejects. Both these classes stand in their own light. "Set" ideas render them impervious to rays of truth. "A little child" is the very opposite of its elders in that respect. It is not imbued with an overwhelming sense of superior knowledge, nor does it feel compelled to look wise or to hide its nescience of any subject by a smile or a sneer. It is frankly ignorant, unfettered by preconceived opinions and therefore eminently teachable. It takes everything with that beautiful attitude of trust which we have designated "child-like faith," wherein there is not the shadow of a doubt. There the child holds the teaching it receives until proven or disproven. In all occult schools the pupil is first taught to forget all else when a new teaching is being given, to allow neither preference nor prejudice to govern, but to keep the mind in a state of calm, dignified waiting. As skepticism will blind us to truth in the most effective manner, so this calm, trustful attitude of the mind will allow the intuition, or "teaching from within," to become aware of the truth contained in the proposition. That is the only way to cultivate an absolutely certain perception of truth. The pupil is not required to believe off-hand that a given object which he has observed to be white, is really black, when such a statement is made to him; but he must cultivate an attitude of mind which "believeth all things" as possible. That will allow him to put by for the time being even what are generally considered "established facts," and investigate if perchance there be another viewpoint hitherto unobserved by him whence the object referred to would appear black. Indeed, he would not allow himself to look upon anything as "an established fact," for he realizes thoroughly the importance of keeping his mind in the fluidal state of adaptability which characterizes the little child. He realizes in every fiber of his being that "now we see through a glass, darkly," and Ajax-like he is ever on the alert, yearning for "Light, more Light." The enormous advantage of such an attitude of mind when investigating any given subject, object or idea must be apparent.
“Distinctive, original, fresh in in tone and manner, with a quaint whimsicality of feeling and expression.”—The New York Times Life on the Western waterfront has always fascinated Max Miller, a special reporter for the San Diego Sun. Embraced by all the waterfront folk, he has joined them on their cruises, has learned the mystery of their crafts, and knows them like brothers. Max himself has become a part of the waterfront. Not a fishing boat ties up to the wharf without Max Miller getting the story. Not a submarine comes in nor an airplane soars out over the water without Max Miller’s being invited to go. He is one of the first men to climb up the ladder of the Pacific lines, especially when celebrities are aboard. A combination of newspaper reporter, philosopher, and poet, the author writes his charming sketches in his “studio” upstairs in the tugboat office, where he can look out over his domain. But reporting is not simply a job with Max Miller; it is the greatest pleasure of his life. He delights in setting down his impressions of the Western shore, where life is a constant flux and reflux, seasonal, immutable, and yet ever exciting—the departure of the sardine fleet, the hunt for elephant seals for the zoo, the sailing of the California fruit liners. I Cover the Waterfront was first published in the early 1930s and has since gone on to become a classic. It is as memorable for its unique stories as it is for its individual style—so keenly sensitive to the personalities of men and to the romantic environment of the harbor and deep-sea life.
This translation of Max Adler’s Die Staatsauffassung des Marxismus enables English readers to know a significant perspective on Marx’s theory of the state, which was central to the interwar period in which he was writing (1922).
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