New York Times Bestseller A Washington Post Notable Book (Nonfiction) Named one of the Best Books of the Year by Foreign Policy A New York Times Book Review Editors’ Choice Selection “Destined to be the classic account of what may be the oldest... hardest form of war.” —John Nagl, Wall Street Journal Invisible Armies presents an entirely original narrative of warfare, which demonstrates that, far from the exception, loosely organized partisan or guerrilla warfare has been the dominant form of military conflict throughout history. New York Times best-selling author and military historian Max Boot traces guerrilla warfare and terrorism from antiquity to the present, narrating nearly thirty centuries of unconventional military conflicts. Filled with dramatic analysis of strategy and tactics, as well as many memorable characters—from Italian nationalist Guiseppe Garibaldi to the “Quiet American,” Edward Lansdale—Invisible Armies is “as readable as a novel” (Michael Korda, Daily Beast) and “a timely reminder to politicians and generals of the hard-earned lessons of history” (Economist).
An examination of the Cuban Missile Crisis analyzes the roles, objectives, and actions of John Kennedy and Nikita Khrushchev during the October 1962 showdown between the U.S. and Soviet Union.
Established as America's first foreign naval base following the Spanish-American War, Guantanamo is now more often thought of as our Devil's Island, the gulag of our times. This book takes readers beyond the orange-jumpsuited detainees of today's headlines to provide the first comprehensive history of Guantanamo from its origins to the present. Occupying 45 square miles of land and sea, Guantanamo has for more than a century symbolized the imperial impulse within U.S. foreign policy, and its occupation is decried by Cuba as a violation of international law--even though a treaty legally grants the U.S. a lease in perpetuity. Stephen Schwab now describes the base's role in American, Caribbean, and global history, explaining how it came to be, why it's still there, and how it continues to serve a variety of purposes. Schwab views the base's creation as part of a broad U.S. strategy of annexations, protectorates, and limited interventions devised to create a strong sphere of influence in the western Atlantic. He charts its history from this early belief that it would prevent European powers from staking imperial claims in the Caribbean and examines the crucial defensive role that Guantanamo played as a convoy hub for strategic goods during World War II. He then looks at clashes over Guantanamo during the Cold War, culminating in LBJ's decision to make the base independent by firing Cuban workers and building a desalinization plant. Schwab also fleshes out Guantanamo's ongoing roles as the U.S. Navy's lone forward base in the Caribbean, providing refueling for U.S. and allied ships, as a Coast Guard station engaged in search-and-rescue missions and counternarcotics operations, and as a U.S. facility for processing undocumented aliens. Even though the Castro government persistently protests America's presence—and refuses even to bank the rent that the U.S. dutifully pays—Guantanamo remains the only place where diplomatic exchanges between the two countries occur, and Schwab documents how the facility has served mutual interests as both a point of nationalistic frictions and a center for diplomatic compromise. By presenting Guantanamo's story within its broader historical framework, his book gives readers a greater appreciation of America's true stake in this controversial Caribbean outpost.
Since 1949, when Pulitzer Prize-winning journalist Max Frankel began to write for The New York Times, readers have looked to his work as a lens through which they could witness America's role in a rapidly changing world. In this vivid and unforgettable memoir, Frankel chronicles the times of his extraordinary life as he experienced them...within the context of the news stories that defined an era. A quintessentially American story, The Times of My Life traces Frankel's riveting personal relationship with history...his harrowing escape from Nazi Germany...his life as an immigrant on the streets of New York...and his extraordinary half-century-long career at The Times. In a rich first-person account that moves from Hitler's Berlin to Cold War Moscow, from Castro's Havana to the newsroom of America's most influential newspaper, this powerful, compelling work interweaves Frankel's personal and professional lives with the era's greatest stories, from Sputnik to the Pentagon Papers to the collapse of the Berlin Wall. And it reveals Frankel's fascinating off-the-record encounters with Nikita Khrushchev, Henry Kissinger, John Kennedy, Richard Nixon, and a host of other history-makers who shaped their times--and ours. Guiding readers through Hitler's Berlin, Khrushchev's Moscow, Castro's Havana, and the Washington of Kennedy, Johnson, and Nixon, THE TIMES OF MY LIFE reevaluates the Cold War, and interweaves Frankel's personal and professional life with the greatest stories of the era. NOTE: This edition does not include photographs.
Bestselling author Max Hastings offers a welcome re-evaluation of one of the most gripping and tense international events in modern history—the Cuban Missile Crisis—providing a people-focused narrative that explores the attitudes and conduct of Russians, Cubans, Americans, and a terrified world that followed each moment as it unfolded. In The Abyss, Max Hastings turns his focus to one of the most terrifying events of the mid-twentieth century—the thirteen days in October 1962 when the world stood on the brink of nuclear war. Hastings looks at the conflict with fresh eyes, focusing on the people at the heart of the crisis—America President John F. Kennedy, Soviet First Secretary Nikita Khrushchev, Cuban Prime Minister Fidel Castro, and a host of their advisors. Combining in-depth research with Hasting’s well-honed insights, The Abyss is a human history that unfolds on a wide, colorful canvas. As the action moves back and forth from Moscow to Washington, DC, to Havana, Hastings seeks to explain, as much as to describe, the attitudes and conduct of the Soviets, Cubans, and Americans, and to recreate the tension and heightened fears of countless innocent bystanders whose lives hung in the balance. Reflecting on the outcome of these events, he reveals how the aftermath of this momentous crisis continues to reverberate today. Powerful, and riveting, filled with compelling detail and told with narrative flair, The Abyss is history at its finest.
Finalist for the Pulitzer Prize (Biography) A New York Times bestseller, this “epic and elegant” biography (Wall Street Journal) profoundly recasts our understanding of the Vietnam War. Praised as a “superb scholarly achievement” (Foreign Policy), The Road Not Taken confirms Max Boot’s role as a “master chronicler” (Washington Times) of American military affairs. Through dozens of interviews and never-before-seen documents, Boot rescues Edward Lansdale (1908–1987) from historical ignominy to “restore a sense of proportion” to this “political Svengali, or ‘Lawrence of Asia’ ”(The New Yorker). Boot demonstrates how Lansdale, the man said to be the fictional model for Graham Greene’s The Quiet American, pioneered a “hearts and minds” diplomacy, first in the Philippines and then in Vietnam. Bringing a tragic complexity to Lansdale and a nuanced analysis to his visionary foreign policy, Boot suggests Vietnam could have been different had we only listened. With contemporary reverberations in Iraq, Afghanistan, and Syria, The Road Not Taken is a “judicious and absorbing” (New York Times Book Review) biography of lasting historical consequence.
From the 1920s to the present day, Max Bygraves, one of our best-loved entertainers, shares his personal memories of a glittering life in show business, and the greats he has worked with along the way. These include Jack Benny, Judy Garland, Frankie Howerd, Eric Sykes, Danny La Rue, Shirley Bassey, The Goons, Gracie Burns, Laurence Olivier and Peter Sellers, who have all brightened a very full life, and Max has marvellous stories, both hilarious and poignant, to tell about them all. Stars in My Eyes celebrates a dazzling milestone in Bygraves' theatre, television, film and recording career.
A major work of documentary history–the brilliantly edited and annotated transcripts, most of them never before published, of the presidential conversations of Lyndon B. Johnson regarding the Kennedy assassination and its aftermath. The transition from John F. Kennedy to Johnson was arguably the most wrenching and, ultimately, one of the most bitter in the nation’s history. As Johnson himself said later, “I took the oath, I became president. But for millions of Americans I was still illegitimate, a naked man with no presidential covering, a pretender to the throne….The whole thing was almost unbearable.” In this book, Max Holland, a leading authority on the assassination and longtime Washington journalist, presents the momentous telephone calls President Johnson made and received as he sought to stabilize the country and keep the government functioning in the wake of November 22, 1963. The transcripts begin on the day of the assassination, and reveal the often chaotic activity behind the scenes as a nation in shock struggled to come to terms with the momentous events. The transcripts illuminate Johnson’s relationship with Robert F. Kennedy, which flared instantly into animosity; the genuine warmth of his dealings with Jacqueline Kennedy; his contact with the FBI and CIA directors; and the advice he sought from friends and mentors as he wrestled with the painful transition. We eavesdrop on all the conversations–including those with leading journalists–that persuaded Johnson to abandon his initial plan to let Texas authorities investigate the assassination. Instead, we observe how he abruptly established a federal commission headed by a very reluctant chief justice of the Supreme Court, Earl Warren. We also learn how Johnson cajoled and drafted other prominent men–among them Senator Richard Russell (who detested Warren), Allen Dulles, John McCloy, and Gerald Ford–into serving. We see a sudden president under unimaginable pressure, contending with media frenzy and speculation on a worldwide scale. We witness the flow of inaccurate information–some of it from J. Edgar Hoover–amid rumors and theories about foreign involvement. And we glimpse Johnson addressing the mounting criticism of the Warren Commission after it released its still-controversial report in September 1964. The conversations rendered here are nearly verbatim, and have never been explained so thoroughly. No passages have been deleted except when they veered from the subject. Brought together with Holland’s commentaries, they make riveting, hugely revelatory reading.
About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell. Lexicon reads like Elmore Leonard high out of his mind on Snow Crash." —Lev Grossman, New York Times bestselling author of The Magicians and The Magician King “Best thing I've read in a long time . . . a masterpiece.” —Hugh Howey, New York Times bestselling author of Wool Stick and stones break bones. Words kill. They recruited Emily Ruff from the streets. They said it was because she's good with words. They'll live to regret it. They said Wil Parke survived something he shouldn't have. But he doesn't remember. Now they're after him and he doesn't know why. There's a word, they say. A word that kills. And they want it back . . .
In the aftermath of the Cuban Missile Crisis, questions persisted about how the potential cataclysm had been allowed to develop. A subsequent congressional investigation focused on what came to be known as the “photo gap”: five weeks during which intelligence-gathering flights over Cuba had been attenuated. In Blind over Cuba, David M. Barrett and Max Holland challenge the popular perception of the Kennedy administration’s handling of the Soviet Union’s surreptitious deployment of missiles in the Western Hemisphere. Rather than epitomizing it as a masterpiece of crisis management by policy makers and the administration, Barrett and Holland make the case that the affair was, in fact, a close call stemming directly from decisions made in a climate of deep distrust between key administration officials and the intelligence community. Because of White House and State Department fears of “another U-2 incident” (the infamous 1960 Soviet downing of an American U-2 spy plane), the CIA was not permitted to send surveillance aircraft on prolonged flights over Cuban airspace for many weeks, from late August through early October. Events proved that this was precisely the time when the Soviets were secretly deploying missiles in Cuba. When Director of Central Intelligence John McCone forcefully pointed out that this decision had led to a dangerous void in intelligence collection, the president authorized one U-2 flight directly over western Cuba—thereby averting disaster, as the surveillance detected the Soviet missiles shortly before they became operational. The Kennedy administration recognized that their failure to gather intelligence was politically explosive, and their subsequent efforts to influence the perception of events form the focus for this study. Using recently declassified documents, secondary materials, and interviews with several key participants, Barrett and Holland weave a story of intra-agency conflict, suspicion, and discord that undermined intelligence-gathering, adversely affected internal postmortems conducted after the crisis peaked, and resulted in keeping Congress and the public in the dark about what really happened. Fifty years after the crisis that brought the superpowers to the brink, Blind over Cuba: The Photo Gap and the Missile Crisis offers a new chapter in our understanding of that pivotal event, the tensions inside the US government during the cold war, and the obstacles Congress faces when conducting an investigation of the executive branch.
This study tackles a controversial topic in international law and contemporary international relations, namely, the legality of intervention by a major power against weaker states within the same geographic region. Specifically, the author examines the practice of United States intervention in the Western Hemisphere, with particular emphasis on the relationship between the United States and its Latin American and Caribbean neighbours. The work highlights six cases of U.S. intervention-Guatemala in 1954, Cuba in 1961, the Dominican Republic in 1965, Grenada in 1983, Nicaragua in 1985, and Panama in 1989. In each case the United States arguably violated international law and the sovereignty of the states involved but claimed it had a right to intervene to protect the lives of its nationals or to defend its national security against an external threat. These cases amply demonstrate the conflict between international law on the one hand, and regional norms, power politics, and political doctrines on the other. They also illustrate how international law can be manipulated to advance the foreign policy goals of a major power. The author adopts an interdisciplinary approach, combining international law, political doctrines, international relations theory and historical antecedents, to provide a better understanding of the relationship between a major power and its subordinates and of the relevance of international law in such a relationship.
This book examines the life of the Australian artist Harry Reade (1927–1998) and his largely overlooked contribution to animation. It constitutes a biography of Reade, tracing his life from his birth to his period of involvement with animation between 1956 and 1969. It explores the forces that shaped Reade and chronicles his experiences as a child, his early working life, the influence of left-wing ideology on his creative development, his introduction to animation through the small but radical Waterside Workers’ Federation Film Unit (WWFFU), and the influence he had on the development of Cuban animation as an educational tool of the Revolution. Key Features The text offers an alternative framework for considering the political, social, and cultural themes that characterised 1950s Australia and 1960s Cuba. A rare look into the cultural heritage of labor organizations and the populist power of animation to stimulate radical social consciousness. The book also crosses a range of intellectual disciplines, including Animation Studies, Art History, Cinema Studies, and the social and political histories of Australia and Cuba. Max Bannah lives on Queensland’s Sunshine Coast. Between 1976 and 2010, he worked in Brisbane as an animator producing television commercials, short films, and cartoon graphics. He also lectured in Animation History and Practice and Drawing for Animation at the Queensland University of Technology where, in 2007, he completed his Masters by Research thesis, A Cause for Animation: Harry Reade and the Cuban Revolution.
Inspector Bismark Pacheco, the most respected man in Costa Rica, would rather practice playing his tuba, but he is called to the mountain resort of Monteverde to investigate an armed robbery of a group of tourists from Sheboygan. Pacheco finds himself pitted against the oily professional criminal Delgado, masquerading as a bank vice president, and his hulking henchman, the evil Romulo. Journalist Wilson Abut writes it all down… the four muchachos who roam the cloud forest collecting quetzal feathers; Kenneth, the vodka-drinking poet who searches for meaning; Kaufmann, the mysterious Swiss businessman who has come to buy the town, and his gnomish valet Igor; Paco, the beer-swilling taxi driver who shaves on Tuesday and Thursday, and sings Cielito Lindo; Bonnie and Arnold, the UCLA students who came to see tropical birds and instead become kidnap victims; Dunbar, the Jamaican guide with the $1,000 binoculars, who ends up with an arrow through his throat. Pacheco and Luz Stella, his beautiful assistant, face death at the Monteverde Music Festival.
From the world’s leading expert on negotiation, an essential guide to negotiating in any situation—whether over Zoom, across political and cultural divides, or during a supply chain crisis The world has changed dramatically in just the past few years—and so has the game of negotiation. COVID-19, Zoom, political polarization, the online economy, increasing economic globalization, and greater workplace diversity—all have transformed the who, what, where, and how of negotiation. Today, traditional negotiating tactics, while still effective, need to be tailored to vastly different situations and circumstances. In Negotiation: The Game Has Changed, legendary Harvard Business School professor Max Bazerman, a pioneer in the field of negotiation, shows you how to negotiate successfully today by adapting proven negotiation principles and strategies to the challenging new contexts you face—from negotiating across cultural and political differences to trying to reach an agreement over Zoom or during a supply chain crisis. Negotiation offers a groundbreaking new way of thinking about the importance of the unique context of any negotiation—and when and how it should influence how you negotiate. At the same time, the book provides a concise and expert overview of essential negotiating techniques for anyone new to the subject or who wants a refresher. The result is a must-read—a powerful toolkit for successfully negotiating in a world where the game of negotiation has changed.
No institution in America has changed more in the past 25 years, observes Max Green, than the American labour movements. Green documents the descent into radicalism of these unions and concludes that as currently constituted and led, they no longer serve the public or national interest.
Son of the Midwest, movie star, and mesmerizing politician—America’s fortieth president comes to three-dimensional life in this gripping and profoundly revisionist biography. In this “monumental and impressive” biography, Max Boot, the distinguished political columnist, illuminates the untold story of Ronald Reagan, revealing the man behind the mythology. Drawing on interviews with over one hundred of the fortieth president’s aides, friends, and family members, as well as thousands of newly available documents, Boot provides “the best biography of Ronald Reagan to date” (Robert Mann). The story begins not in star-studded Hollywood but in the cradle of the Midwest, small-town Illinois, where Reagan was born in 1911 to Nelle Clyde Wilson, a devoted Disciples of Christ believer, and Jack Reagan, a struggling, alcoholic salesman. Boot vividly creates a portrait of a handsome young man, indeed a much-vaunted lifeguard, whose early successes mirrored those of Horatio Alger. And contextualizing Reagan’s life against American history, Boot re-creates the world in which Reagan transitioned from local Iowa sportscaster to budding screen actor. The world of Hollywood from the 1930s to the 1950s would prove significant, not only in Reagan’s coming-of-age in such classics as Knute Rockne and Kings Row but during the twilight of his film career, when he played opposite a chimpanzee in Bedtime for Bonzo, and then his eventual emergence as a television host of General Electric Theater, which established his bona fides as one of the leading conservative voices of the time. Indeed, the leap to California governor in 1966 seemed almost preordained, in which Reagan became a bellwether for a nation in the throes of a generational shift. Reagan’s 1980 presidential election augured a shift that continues into this century. Boot writes not as a partisan but as a historian seeking to set the story straight. He explains how Reagan was an ideologue but also a supreme pragmatist who signed pro-abortion and gun control bills as governor, cut deals with Democrats in both Sacramento and Washington, and befriended Mikhail Gorbachev to end the Cold War. A master communicator, Reagan revived America’s spirits after the traumas of Vietnam and Watergate. But Boot also shows how Reagan was armored in obliviousness. He traces Reagan’s opposition to civil rights over forty years, reveals how he neglected the exploding AIDS epidemic, and details how America experienced a level of income inequality not seen since the Gilded Age. With its revelatory insights, Reagan: His Life and Legend is no apologia, depicting a man with a good-versus-evil worldview derived from his moralistic upbringing and Hollywood westerns. Providing fresh examinations of “trickle-down economics,” the Cold War’s end, the Iran-Contra affair, as well as a nuanced portrait of Reagan’s family, this definitive biography is as compelling a presidential biography as any in recent decades.
This book features extended conversations with Spanish filmmaker Luis Bunuel (1900-1983) and interviews with his family members, friends and colleagues--including Salvador Dali, Louis Aragon and Fernando Rey--conducted by Max Aub in the late 1960s and early 1970s. Notorious for inventing fanciful versions of his life and his creative output, Bunuel was hard put to deceive the astute Max Aub, who shared Bunuel's background in Spain, in Paris during the Spanish Civil War, and in Mexico, where they were friends and collaborators. Originally published in Spain in 1985, this translated (the first in English) and expanded edition (with several significant interviews and a detailed index not found in the original) provides a detailed picture of Bunuel's life and art. Extensive notes contextualize the conversations and acknowledge the discoveries of recent studies on Bunuel.
Combining history, archeology, sociology, political science, and agricultural studies, Y=Arctgx: The Hyperbola of the World Order presents a theory claiming that any political system with a firm agricultural foundation is pre-destined to reach political unity and turn this state into the norm. Using the circumscription theory-the idea that states first arose in areas of the world where agricultural land was in short supply-and exhaustive historical evidence, this timely work proposes the emergence of a single world state.
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