If Why Shoot the Teacher, Never Sleep Three in a Bed, and The Night We Stole the Mountie’s Car made you smile, chuckle, and laugh out loud, then here (as the man said) is just the book for you! Yes, Max is back! And Braithwaite fans, along with anyone who reads for the warm companionship of a good laugh and some delightful insight, need look no further. Here is Max’s Book of Books – the wit and wisdom of a forty-year career that has won the author hundreds of thousands of book-reading and movie-going fans, and a Stephen Leacock Award for Humour as well. Here is Braithwaite on growing up on the prairies in the twenties and thirties, on the growing pains associated with raising children of your own, on Ontario, where he now lives, on himself, and on his writing career. Each fiction and non-fiction piece in this colourful collection is prefaced by the author with a short introduction dealing with the work itself and the author’s own feelings about it. Together, these personal observations provide a warm and insightful look at one man’s career and personal life throughout a lifetime of writing for and about Canadians. Max: The Best of Braithwaite brings together all the places, times, and faces – pensive, nostalgic, humorous – that Braithwaite fans have come to expect and love. Maximum Braithwaite indeed!
Max Braithwaite has the unique capacity to be both tender and caustic – both nostalgic and uncompromisingly honest. He is also one of Canada’s few original humorists. All these qualities are present in his latest bittersweet recollections of life on the Prairies during the early Thirties. It was a time of depression and drought; but for Max, a young schoolteacher, it was also a time for courtship and marriage, for those hilarious episodes in Wannego, Saskatchewan, which did much to belie the grimness of the era. There was Max’s disastrous umpiring of a Ladies’ Softball game; his writing and directing of a play that generated more drama off-stage than on; the awful problem of the wasps at the outhouse, and much, much, more. The Night We Stole the Mountie’s Car follows Never Sleep Three in a Bed and Why Shoot the Teacher? and completes the story of Max’s early years. It is also Braithwaite at his vintage best – lusty, thought-provoking, and consistently amusing.
Set in the Saskatchewan prairies during the Depression, Why Shoot the Teacher is the Canadian classic that tells the story of a young man’s first collision with reality: an ill-paid teaching assignment in an isolated country school. This autobiographical novel is riotous, grim, candid, and infinitely entertaining. While it is perhaps Braithwaite’s best-loved book, it is also a vivid evocation of the Dust Bowl desolation wrought by the “Dirty Thirties” on the Saskatchewan Prairies, the ordeal of youth among a people bereft of pity and charity, and the human compassion that adds warmth and poignancy to an unforgettable story.
If Why Shoot the Teacher, Never Sleep Three in a Bed, and The Night We Stole the Mountie’s Car made you smile, chuckle, and laugh out loud, then here (as the man said) is just the book for you! Yes, Max is back! And Braithwaite fans, along with anyone who reads for the warm companionship of a good laugh and some delightful insight, need look no further. Here is Max’s Book of Books – the wit and wisdom of a forty-year career that has won the author hundreds of thousands of book-reading and movie-going fans, and a Stephen Leacock Award for Humour as well. Here is Braithwaite on growing up on the prairies in the twenties and thirties, on the growing pains associated with raising children of your own, on Ontario, where he now lives, on himself, and on his writing career. Each fiction and non-fiction piece in this colourful collection is prefaced by the author with a short introduction dealing with the work itself and the author’s own feelings about it. Together, these personal observations provide a warm and insightful look at one man’s career and personal life throughout a lifetime of writing for and about Canadians. Max: The Best of Braithwaite brings together all the places, times, and faces – pensive, nostalgic, humorous – that Braithwaite fans have come to expect and love. Maximum Braithwaite indeed!
Going home isn't easy and almost always emotionally disruptive as famous playwright Hugh Windmar realizes when he returns to his hometown of Saskatoon. There he re-acquaints with family, people almost strangers to him now; more importantly, his own past rears its ugly head as Hugh meets with the woman he abandoned during his rise to fame. Max Braithwaite's All The Way Home so clearly portrays the discomfort of revisiting the past it sends readers into an unexpected period of their own self-reflection.
Max is back! After a Lusty Winter in Ontario, Canada’s hearty humorist returns to the prairies with a naval spoof that’s awash with nautical nonsense. The time is early in the Second World War, the setting is Wabagoon, Saskatchewan, and the “ship” is a converted garage, christened hmcs Porpoise and used for the training of local navy recruits. And when the Porpoise weighs anchor in the Canadian dustbowl, the navy insists that sand is water, windows are portholes, and floors are decks. In the midst of it all – and very much at sea – is Robin Evelyn Francis Diespecker, familiarly known as “Dink”. A young, brash, impetuous boy, eager for adventure, Dink joins the war to get away from home and the Great Depression. But the “war,” as embodied on board the Porpoise, gives him both more and less than he bargained for, as one misadventure follows another. The people he meets and the exploits he survives – both “ashore” and “on board” – are rendered with the master touch of Max Braithwaite, whose wry humorous vision keeps a salvo of satire and comic escapades right on target all the way through. A riotous romp with a poignant edge, Braithwaite’s newest novel makes a mockery of war and finds fathoms of fun in human foibles.
Substantially revised and expanded, this is a new edition of a core text for undergraduates, students, and all those interested in philosophy and religion.
In Lusty Winter, Braithwaite portrays the contemporary world as a place of luxury, ambition, and endless potential where survival is difficult and often impossible. The person trying to survive the lusty winter of his life is George Wilson, a 65-year-old who is hale, hearty, and full of hate for modern society. Escaping from city life and his ambitious celebrity wife, Wilson sets himself up in an isolated cabin in northern Ontario. However, the detached lifestyle he seeks is continuously thwarted by rocky love affairs and violent snowmobilers.
This is the first English translation of Causalite ́ et Lois de La Nature, and is an important contribution to the theory of causation. Max Kistler reconstructs a unified concept of causation that is general enough to adequately deal with both elementary physical processes, and the macroscopic level of phenomena we encounter in everyday life. This book will be of great interest to philosophers of science and metaphysics, and also to students and scholars of philosophy of mind where concepts of causation and law play a prominent role.
With this issue we initiate the policy of expanding the scope of Tulane Studies in Philosophy to include, in addition to the work of members of the department, contributions from philosophers who have earned advanced degrees from Tulane and who are now teaching in other colleges and universities. The Editor THE LOGIC OF OUR LANGUAGE ROBERT L. ARRINGTON Wittgenstein wrote in the Tractatus that "logic is not a body of doctrine, but a mirror-image of the world. " 1 In line with his suggestion that a proposition is a 'picture', Wittgenstein argued that propositions 'show' the logical structure of the real. He was insistent, however, that "the apparent logical form of a proposition need not be its real one. " 2 As a result of this we can misunderstand the structure of fact. Philosophical problems arise just when "the logic of our language is mis understood. " 3 It is common knowledge that much of this view of logic was rejected by Wittgenstein himself in the Philosophical Investi gations. There we are told that language has no ideal or sublime 4 logic which mirrors the structure of the extra-linguistic world. Consequently, inferences from the structure of language to the structure of that extra-linguistic world are invalid. Reality can be 'cut up' in any of a number of ways by language. Wittgenstein adopted a view of philosophy which would render that discipline a non-explanatory, non-critical study of the multiple ways in which language can be used.
From one of our finest military historians, a monumental work that shows us at once the truly global reach of World War II and its deeply personal consequences. World War II involved tens of millions of soldiers and cost sixty million lives—an average of twenty-seven thousand a day. For thirty-five years, Max Hastings has researched and written about different aspects of the war. Now, for the first time, he gives us a magnificent, single-volume history of the entire war. Through his strikingly detailed stories of everyday people—of soldiers, sailors and airmen; British housewives and Indian peasants; SS killers and the citizens of Leningrad, some of whom resorted to cannibalism during the two-year siege; Japanese suicide pilots and American carrier crews—Hastings provides a singularly intimate portrait of the world at war. He simultaneously traces the major developments—Hitler’s refusal to retreat from the Soviet Union until it was too late; Stalin’s ruthlessness in using his greater population to wear down the German army; Churchill’s leadership in the dark days of 1940 and 1941; Roosevelt’s steady hand before and after the United States entered the war—and puts them in real human context. Hastings also illuminates some of the darker and less explored regions under the war’s penumbra, including the conflict between the Soviet Union and Finland, during which the Finns fiercely and surprisingly resisted Stalin’s invading Red Army; and the Bengal famine in 1943 and 1944, when at least one million people died in what turned out to be, in Nehru’s words, “the final epitaph of British rule” in India. Remarkably informed and wide-ranging, Inferno is both elegantly written and cogently argued. Above all, it is a new and essential understanding of one of the greatest and bloodiest events of the twentieth century.
This is Volume V of twenty-two of a collection on 20th Century Philosophy. Originally published in 1964, this collection contains original papers assembled and representative in their styles, methods, and preoccupations. The various problems here discussed where to the author both important and unsolved: if others are stimulated to make further progress in solving them, the main purpose of this collection will have been achieved.
This textbook on the sociology of law is organised according to the theoretical traditions of sociology, and oriented towards providing an accessible, but sophisticated, introduction to, and overview of, the central themes, problems and debates in this field. The book employs an international range of examples - including the state, minority rights, terrorism, family violence, the legal profession, pornography, mediation, religious tolerance, and euthanasia - in order to distinguish a sociological approach to law from 'black-letter', jurisprudential and empirical policy-oriented traditions. Beginning with 'classical', 'consensus' and 'critical' sociological approaches, the book covers the full range of contemporary perspectives, including the new institutionalism, feminism, the interpretive tradition, postmodernism, legal pluralism and globalisation. It then concludes with a consideration of current theoretical issues, as well as a reflection upon the importance of a sociological approach to law. Understanding Law and Society provides a clear, but critical, discussion of the relevant literature, along with study questions and guides to further reading. It is designed to support courses in law and society and in the sociology of law, but will also be of value to others with interests in these areas.
The New York Times bestseller that tells the story of an overheated stock market and the financial disaster that led to the Great Depression of the 1930s. A riveting living history about Black Tuesday, October 29, 1929. Captures the era, the intoxicating expectancy, the hope that ruled men’s heart and minds before the bubble burst and the black despair of the decade that followed.
Jammer then devotes a chapter to the distinction between inertial and gravitational mass and to the various versions of the so-called equivalance principle with which Newton initiated his Principia but which also became the starting point of Einstein's general relativity, which supersedes Newtonian physics. The book concludes with a presentation of recently proposed global and local dynamical theories of the origin and nature of mass."--BOOK JACKET.
After the Treaty of Paris ended the Seven Years’ War in 1763, British America stretched from Hudson Bay to the Florida Keys, from the Atlantic coast to the Mississippi River, and across new islands in the West Indies. To better rule these vast dominions, Britain set out to map its new territories with unprecedented rigor and precision. Max Edelson’s The New Map of Empire pictures the contested geography of the British Atlantic world and offers new explanations of the causes and consequences of Britain’s imperial ambitions in the generation before the American Revolution. Under orders from King George III to reform the colonies, the Board of Trade dispatched surveyors to map far-flung frontiers, chart coastlines in the Gulf of St. Lawrence, sound Florida’s rivers, parcel tropical islands into plantation tracts, and mark boundaries with indigenous nations across the continental interior. Scaled to military standards of resolution, the maps they produced sought to capture the essential attributes of colonial spaces—their natural capacities for agriculture, navigation, and commerce—and give British officials the knowledge they needed to take command over colonization from across the Atlantic. Britain’s vision of imperial control threatened to displace colonists as meaningful agents of empire and diminished what they viewed as their greatest historical accomplishment: settling the New World. As London’s mapmakers published these images of order in breathtaking American atlases, Continental and British forces were already engaged in a violent contest over who would control the real spaces they represented. Accompanying Edelson’s innovative spatial history of British America are online visualizations of more than 250 original maps, plans, and charts.
A flamboyant and controversial figure, William Marion Reedy was one of the most successful literary entrepreneurs of his day. Editor of the Mirror, a St. Louis weekly, from 1891 to 1920, Reedy played a large role in breaking down the genteel literary tradition, developing a native poetry, and helping to form some fifty significant poets. Emily Dickinson, Stephen Crane, Ezra Pound, Edwin Arlington Robinson, Amy Lowell, Sara Teasdale, Carl Sandburg, and Vachel Lindsay are just a few of the writers whose works Reedy featured in his magazine. The Man in the Mirror offers a colorful description of Reedy's boyhood in St. Louis during the turbulent period following the Civil War. This well-documented biography follows Reedy throughout his years as a reporter in the early days of the St. Louis Post-Dispatch and Globe-Democrat and as editor of the St. Louis Star. Only seven years after Reedy founded the Mirror as a national journal of opinion--a potpourri of political comment, social gossip, and literary miscellany--the magazine's circulation far surpassed that of the Dial, Atlantic Monthly, or Nation. Max Putzel truly conveys the spirit and personality of Reedy by carefully examining his life within the context of the literary world he influenced so significantly. Full chapters are devoted to his relationships with Theodore Dreiser, Ezra Pound, Vachel Lindsay, Amy Lowell, and others. Edgar Lee Masters, whose Spoon River Anthology first appeared in the Mirror, called Reedy both the "Literary Boss of the Middle West" and his best friend. In fact, Reedy had quite a range of friends, from librarians to politicians, St. Louis locals to Teddy Roosevelt. His personal effect on people, writers and readers alike, is what has made him such an important historical figure. It is a tribute to Reedy's critical judgment that the reputations he helped to build would later overshadow his own. The Man in the Mirror, lauded as "the first substantial study of Reedy's work" by American Literature, reveals Reedy's notable contribution to the literary world.
Admiral Lord Collingwood, the eldest son of a Newcastle merchant, went to sea in 1761 at the age of thirteen. In his nearly fifty years in the Navy he rose to become a fine seaman, a master of gunnery, a battle commander the equal of his friend – and rival in love – Nelson. He was also an accomplished writer and wit, a doting father, inveterate gossip and consummate diplomat and strategist. Collingwood's service took him to Boston, where he lived and fought during the American War of Independence; to Antigua, where he and Nelson both fell in love with Mary Moutray; to Corsica; Sicily; and Menorca, where he began as a young midshipman and ended his career as the effective viceroy of the Mediterranean. ADMIRAL COLLINGWOOD is an intimate portrait of a forgotten British naval hero and a thrilling portrait of the glory years of the age of sail.
This book arises from a research project funded in Australia by the Criminology Research Council. The topic, bail reform, has attracted attention from criminologists and law reformers over many years. In the USA, a reform movement has argued that risk analysis and pre-trial services should replace the bail bond system (the state of California may introduce this system in 2020). In the United Kingdom, Europe and Australia, there have been concerns about tough bail laws that have contributed to a rise in imprisonment rates. The approach in this book is distinctive. The inter-disciplinary authors include criminologists, an academic lawyer and a forensic psychologist together with qualitative researchers with backgrounds in sociology and anthropology. The book advances a policy argument through presenting descriptive statistics, interviews with practitioners and detailed accounts of bail applications and their outcomes. There is discussion of methodological issues throughout the book, including the challenges of obtaining data from the courts.
In the cataclysmic decade that is the focus of this book, Nigeria was subject to several near-death experiences. These began when the country nearly tore itself apart after the northern-led military government annulled the results of a 1993 presidential election won by the southerner Moshood Abiola, and ended with former military ruler General Olusegun Obasanjo being the unlikely conduit of democracy. This mini-history of a nation's life also reflects on three mesmerizing protagonists who personified that era. First up is Abiola: the multi-billionaire businessman who had his election victory voided by the generals who made him rich, and who was later assassinated. General Sani Abacha was the mysterious, reclusive ruler under whose watch Abiola was arrested and pro-democracy activists (including Abiola's wife) were murdered. He also oversaw a terrifying Orwellian state security operation. Although Abacha is today reviled as a tyrant, the author eschews selective amnesia, reminding Nigerians that they goaded him into seizing power. The third protagonist is Obasanjo, who emerged from prison to return to power as an elected civilian leader. The penumbra of military rule still looms over Nigeria nearly twenty years after the soldiers departed, and key personalities featured in this book remain in government, including the current president.
From our earliest years we have heard proverbs, and many of them are repeated without much thought. Yes, ‘birds of a feather flock together’ and ‘absence makes the heart grow fonder’, but these sayings are so familiar that we are scarcely aware they are proverbs. It has been so for thousands of years, in every culture. It is only when someone like Max Cryer takes the time to look at them that we can see how these ‘pearls of wisdom’ have played such a key role in the moral guidance of every society. Sometimes the wisdom is distinctly odd, sometimes it has become outdated, and sometimes it is simply contradictory. After all, do ‘many hands make light work’ or do ‘too many cooks spoil the broth’? You can’t really have it both ways.In 'Preposterous Proverbs', Max Cryer looks at a vast array of proverbs from around the world. Proverbs on birth, food, women and love rub shoulders with others on money, animals, sin and death. He has chosen some of the most interesting and perplexing, and with his characteristic wry wit he analyses their meaning and truth. A great book to dip into, 'Preposterous Proverbs' will take you from Greece (‘A thousand men cannot undress a naked man’) and China (‘A dry finger cannot pick up salt’) to Japan (‘Fools and scissors must be carefully handled’) and India (‘A fat spouse is a quilt for the winter’).
In this text, a variety of modal logics at the sentential, first-order, and second-order levels are developed with clarity, precision and philosophical insight. All of the S1-S5 modal logics of Lewis and Langford, among others, are constructed. A matrix, or many-valued semantics, for sentential modal logic is formalized, and an important result that no finite matrix can characterize any of the standard modal logics is proven. Exercises, some of which show independence results, help to develop logical skills. A separate sentential modal logic of logical necessity in logical atomism is also constructed and shown to be complete and decidable. On the first-order level of the logic of logical necessity, the modal thesis of anti-essentialism is valid and every de re sentence is provably equivalent to a de dicto sentence. An elegant extension of the standard sentential modal logics into several first-order modal logics is developed. Both a first-order modal logic for possibilism containing actualism as a proper part as well as a separate modal logic for actualism alone are constructed for a variety of modal systems. Exercises on this level show the connections between modal laws and quantifier logic regarding generalization into, or out of, modal contexts and the conditions required for the necessity of identity and non-identity. Two types of second-order modal logics, one possibilist and the other actualist, are developed based on a distinction between existence-entailing concepts and concepts in general. The result is a deeper second-order analysis of possibilism and actualism as ontological frameworks. Exercises regarding second-order predicate quantifiers clarify the distinction between existence-entailing concepts and concepts in general. Modal Logic is ideally suited as a core text for graduate and undergraduate courses in modal logic, and as supplementary reading in courses on mathematical logic, formal ontology, and artificial intelligence.
Although the range is wide (philosophy of language, logic, philosophy of science) in this collection of essays, there is a certain unity of treatment arising from the author's steady interest in using "linguistic analysis" to cast some new light on old problems, such as the nature of logic, causation, and induction.
Until recently most discussions of William Faulkner have centered exclusively on his novels. Yet no chronicle of Faulkner's Growth as a literary artist, perhaps America’s foremost in this century, can afford to overlook the years he spent struggling to establish himself as a writer of short stories. To trace in detail Faulkner's personal and artistic growth during the prolific years 1925-1931, when he was approaching artistic ripeness and earning belated recognition, has hitherto been impossible. There seemed to be no means of dating the innumerable drafts, the false starts and fumbling revisions, among the thousands of sheets left behind when he died in 1962. Max Putzel’s critical study of these crucial formative years fills this gap—assigning dates to the sketches and drafts of stories and relating them both to Faulkner’s jealously guarded private life and the several critical histories of the novels that have recently appeared. Putzel maintains there is a necessary, a “symbiotic” relation between the novels and the stories. He also finds that the short story form Faulkner found so hard to master liberated a lyrical power that had been stifled during his confused dilettante period as a poet in a provincial southern town. Yet his turbulent, ambivalent feelings about that town and its inhabitants were essential to his development, however slowly and reluctantly he surrendered to their benign influence—the genius of his homeplace. Faulkner also was sensitive to the monumental revolutionary changes, even the trivial fads and foibles, of his own time—the changes that swept the world outside of Oxford, Mississippi, after the Great War he so regretted having missed. Faulkner’s maturing vision of man, history, and class and caste relations was affected by Einstein’s theory of relativity, Freud’s probing into the hidden wellsprings of human behavior, Eliot’s borrowings from anthropology, Joyce’s new rhetoric, Diaghilev’s eclecticism, Picasso’s ventures in cubism and classicism---not to mention the Treaty of Versailles, Prohibition, jazz, free love, free spending, gang violence, false prosperity, the crash, and the depression. These factors also helped shape a style capable of evoking passion and tenderness, anger and laughter, and every intermediate shade of feeling---a style demanding the creative effort of readers. Genius of Place takes all this into account while seeking to determine what is likely to endure and reward future readers of works like “Carcassonne” and The Sound and the Fury, the Snopes trilogy and As I Lay Dying, “Dry September” and Sanctuary.
Based on papers presented at the XI International Congress for Tropical Medicine and Malaria, this publication provides an authoritative evaluation of treatment and control of helminth parasite infections. A section on leprosy and a brief review of malaria vaccination are included. A comprehensive review of the history of schistosomiasis control programs presents information unavailable elsewhere. This book is of special interest to professionals concerned with health problems of less developed countries and in particular to public health officials, epidemiologists and clinicians dealing with patients in or returning from the tropics.
Secrecy is one of the defining characteristics of the Italian Mafia. Wiretaps, financial records, and the rare informant occasionally reveal its inner workings, but these impressions are all too often spotty and fleeting, hampering serious scholarship on this major form of criminal activity. During her years as a consultant to the Italian government agency responsible for combating organized crime, Letizia Paoli was given unparalleled insider access to the confessions by pentiti (literally, repentants), former Mafia operatives who had turned. This mafia "hard core" came primarily from the two largest and most influential Southern Italian mafia associations, known as Cosa Nostra and 'Ndrangheta, each composed of about one hundred mafia families. The sheer volume of these confessions, numbering in the hundreds, and the detail they contained, enabled the Italian government to effectively break up the Italian mafia in one of the dramatic law enforcement successes in modern times. It is on these same documents that Paoli draws to provide a clinically accurate portrait of mafia behavior, motivations, and structure. Puncturing academic notions of a modernized Mafia, Paoli argues that to view mafia associations as bureaucracies, illegal enterprises, or an industry specializing in private protection, is overly simplistic and often inaccurate. These conceptions do not adequately describe the range of functions in which the mafia engages, nor do they hint at the mafia's limitations. The mafia, Paoli demonstrates are essentially multifunctional ritual brotherhoods focused above all on retaining and consolidating their local political power base. It is precisely this myopia that has prevented these organizations from developing the skills needed to be a successful and lasting player in the entrepreneurial world of illegal global commerce. A truly interdisciplinary work of history, politics, economics, and sociology, Mafia Brotherhoods reveals in dramatic detail the true face of one of the world's most mythologized criminal organizations.
Going home isn't easy and almost always emotionally disruptive as famous playwright Hugh Windmar realizes when he returns to his hometown of Saskatoon. There he re-acquaints with family, people almost strangers to him now; more importantly, his own past rears its ugly head as Hugh meets with the woman he abandoned during his rise to fame. Max Braithwaite's All The Way Home so clearly portrays the discomfort of revisiting the past it sends readers into an unexpected period of their own self-reflection.
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