Fighting in the Streets provides a comparative analysis of some of the most severe episodes of urban unrest that took place in twentieth-century America, including the 1919 Chicago Riot, the 1943 Detroit Riot, the 1967 Newark and Detroit Riots, the 1980 Miami Riot, and the 1992 Los Angeles Riot. Examining the patterns of death and destruction of property that occurred during these events, as well as historical evidence regarding struggles for housing, jobs, and political power among members of different racial/ethnic groups, this book makes the case for a general explanatory model of urban unrest as a product of rapid demographic change. Focusing at the neighborhood level, where demographic changes have their greatest impact, Fighting in the Streets posits that riot-related violence is most likely to take place in neighborhoods characterized by high levels of black/white segregation, poverty, unemployment, and rapid population turnover. Such a "profile" of the riot-prone neighborhood may enable policy makers to avert future violence through targeted economic and political intervention, such as building community institutions that integrate newcomers and natives. This book is particularly suited for classes in urban studies, race/ethnic relations, and collective behavior/social movements as well as public policy and planning.
Contrasting "native" and "outsider" points of view, this book explores the contemporary realities of work, development and redevelopment in Pittsfield, Massachusetts, a New England community undergoing rapid industrial restructuring.
A monumental, groundbreaking work, now in paperback, that shows how technological and strategic revolutions have transformed the battlefield Combining gripping narrative history with wide-ranging analysis, War Made New focuses on four "revolutions" in military affairs and describes how inventions ranging from gunpowder to GPS-guided air strikes have remade the field of battle—and shaped the rise and fall of empires. War Made New begins with the Gunpowder Revolution and explains warfare's evolution from ritualistic, drawn-out engagements to much deadlier events, precipitating the rise of the modern nation-state. He next explores the triumph of steel and steam during the Industrial Revolution, showing how it powered the spread of European colonial empires. Moving into the twentieth century and the Second Industrial Revolution, Boot examines three critical clashes of World War II to illustrate how new technology such as the tank, radio, and airplane ushered in terrifying new forms of warfare and the rise of centralized, and even totalitarian, world powers. Finally, Boot focuses on the Gulf War, the invasion of Afghanistan, and the Iraq War—arguing that even as cutting-edge technologies have made America the greatest military power in world history, advanced communications systems have allowed decentralized, "irregular" forces to become an increasingly significant threat.
Fighting in the Streets provides a comparative analysis of some of the most severe episodes of urban unrest that took place in twentieth-century America, including the 1919 Chicago Riot, the 1943 Detroit Riot, the 1967 Newark and Detroit Riots, the 1980 Miami Riot, and the 1992 Los Angeles Riot. Examining the patterns of death and destruction of property that occurred during these events, as well as historical evidence regarding struggles for housing, jobs, and political power among members of different racial/ethnic groups, this book makes the case for a general explanatory model of urban unrest as a product of rapid demographic change. Focusing at the neighborhood level, where demographic changes have their greatest impact, Fighting in the Streets posits that riot-related violence is most likely to take place in neighborhoods characterized by high levels of black/white segregation, poverty, unemployment, and rapid population turnover. Such a "profile" of the riot-prone neighborhood may enable policy makers to avert future violence through targeted economic and political intervention, such as building community institutions that integrate newcomers and natives. This book is particularly suited for classes in urban studies, race/ethnic relations, and collective behavior/social movements as well as public policy and planning.
Editor Harold J. Bershady provides a richly detailed biographical portrait of Scheler, as well as an incisive analysis of how his work extends and integrates problems of theory and method addressed by Durkheim, Weber, and Parsons, among others.
Since its beginning nearly one hundred fifty years ago, The Metropolitan Museum of Art has been a vital center for the display and collection of the art of its time. As the repository of an encyclopedic collection spanning five thousand years and myriad regions, The Met presents modern and contemporary art in a richly suggestive context. This beautifully illustrated volume, like the Museum’s galleries, gathers paintings, sculptures, photographs, decorative arts, drawings, and works in other media by celebrated artists of the twentieth and twenty-first centuries, juxtaposing them to suggest historical antecedents and evolving cultural practices. From acknowledged masterworks by Arbus, Brancusi, Demuth, Duchamp, Gris, Hepworth, Hopper, Léger, Nevelson, O’Keeffe, Picasso, Pollock, Rivera, Steichen, and Warhol to important newer works by El Anatsui, Mark Bradford, Vija Celmins, David Hammons, William Kentridge, Kerry James Marshall, Richard Serra, Cindy Sherman, Thomas Struth, and Kara Walker, this book delves into the magnificent modern holdings of a beloved museum. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
In the early summer of 1914, the headmaster of Brighton College, Canon W. R. Dawson, spoke to the school in chapel. He called on every boy present to stand ready to sacrifice his life in defence of his country. No shot had yet been fired in anger, Austria's Archduke still lived, few anticipated a European war, and yet Brighton's headmaster seemed to sense the approaching clouds of conflict. There were probably 280 boys in the Chapel that day. By November 1918, many of them were dead, some of the total of 149 Old Boys killed in the Great War. Ten of them were still teenagers. This book presents mini biographies of the School's former students killed in the First World War and serves as a fitting tribute to their bravery and fortitude.
Nathan Heller tangles with Joe McCarthy in Max Allan Collins's thrilling novel Better Dead: "Collins combines the historical and the hard-boiled thriller into a new genre-uniquely American, and uniquely his own."--Andrew Vacchss It's the early 1950's. Joe McCarthy is campaigning to rid America of the Red Menace. Nate Heller is doing legwork for the senator, though the Chicago detective is disheartened by McCarthy's witch-hunting tactics. He's made friends with a young staffer, Bobby Kennedy, while trading barbs with a potential enemy, the attorney Roy Cohn, who rubs Heller the wrong way. Not the least of which for successfully prosecuting the so-called Atomic Bomb spies, Julius and Ethel Rosenberg. When famous mystery writer Dashiell Hammett comes to Heller representing a group of showbiz and literary leftists who are engaged in a last minute attempt to save the Rosenbergs, Heller decides to take on the case. Heller will have to play both sides to do this, and when McCarthy also tasks Heller to find out what the CIA has on him, Heller reluctantly agrees. His main lead is an army scientist working for the C.I.A. who admits to Heller that he's been having misgivings about the work he's doing and elliptically referring to the Cold War making World War II look like a tea party. And then the scientist goes missing. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book is about the other Texas, not the state known for its cowboy conservatism, but a mid-twentieth-century hotbed of community organizing, liberal politics, and civil rights activism. Beginning in the 1930s, Max Krochmal tells the story of the decades-long struggle for democracy in Texas, when African American, Mexican American, and white labor and community activists gradually came together to empower the state's marginalized minorities. At the ballot box and in the streets, these diverse activists demanded not only integration but economic justice, labor rights, and real political power for all. Their efforts gave rise to the Democratic Coalition of the 1960s, a militant, multiracial alliance that would take on and eventually overthrow both Jim Crow and Juan Crow. Using rare archival sources and original oral history interviews, Krochmal reveals the often-overlooked democratic foundations and liberal tradition of one of our nation's most conservative states. Blue Texas remembers the many forgotten activists who, by crossing racial lines and building coalitions, democratized their cities and state to a degree that would have been unimaginable just a decade earlier--and it shows why their story still matters today.
First published in 1984 and reissued to coincide withthe publication of the second volume, this selection of the 250 best jazz records traces the earliest roots of the music to the beginnings of the modern jazz era. Volume One's focus is on LP collections of 78 rpm originals and nearly every significant musician--both familiar and obscure--of early 20th-century jazz is listed. For each record listed, full details of personnel, recording dates and locations are provided.
A university press is a curious institution, dedicated to the dissemination of learning yet apart from the academic structure; a publishing firm that is in business, but not to make money; an arm of the university that is frequently misunderstood and occasionally attacked by faculty and administration. Max Hall here chronicles the early stages and first sixty years of Harvard University Press in a rich and entertaining book that is at once Harvard history, publishing history, printing history, business history, and intellectual history. The tale begins in 1638 when the first printing press arrived in British North America. It became the property of Harvard College and remained so for nearly half a century. Hall sketches the various forerunners of the "real" Harvard University Press, founded in 1913, and then follows the ups and downs of its first six decades, during which the Press published steadily if not always serenely a total of 4,500 books. He describes the directors and others who left their stamp on the Press or guided its fortunes during these years. And he gives the stories behind such enduring works as Lovejoy's Great Chain of Being, Giedion's Space, Time, and Architecture, Langer's Philosophy in a New Key, and Kelly's Eleanor of Aquitaine and the Four Kings.
On 6 June 1944 Britain woke up to a profound silence. Overnight, 160,000 Allied troops had vanished and an eerie emptiness settled over the country. The majority of those men would never return. This is the story of that extraordinary 24 hours. Using a wealth of first person testimonies, renowned historian Max Arthur recounts a remarkable new oral history of D-Day, beginning with the two years leading up to the silent day which saw the UK transformed by the arrival of thousands of American and Canadian troops. We also hear the views of the American troops, who quickly formed strong views of both the British military and civilian populations. Then, on that June morning, many Britain people woke up to discover that vast areas of the country, which had throbbed with life only the day before, were now empty and silent. Civilian workers found coffee pots still warm on the stove but not a soul to greet them. Many women - and children - felt bewildered and betrayed. Then, throughout that day and the days that followed, the whole population gathered around wireless sets, waiting for news. There are powerful testimonies from families of who lost loved ones on the beaches of Normandy, and dramatic personal accounts from young widows who had never had the chance to say goodbye. THE SILENT DAY is an original and evocative portrait of a key event in world history, and a poignant reminder of the human cost of D-Day.
Richard Halliburton was the quintessential world traveler of the early 20th century. In 1930, his celebrity equaled that of Charles Lindbergh and Amelia Earhart. Halliburton called himself a "horizon chaser" and recommended that one should see the world before committing to a routine. Not only did he live up to his ideal, but he was eager to write about his adventures. A prolific partnership with gifted editor and ghost writer Paul Mooney produced excellent work, and theirs became a close personal relationship. Sadly, Halliburton and Mooney disappeared at sea on March 24, 1939, along with the entire crew of Halliburton's Chinese junk Sea Dragon, as they attempted to cross the Pacific from Hong Kong to the San Francisco World's Fair. This biography records the life and adventures of Halliburton and Mooney, focusing--as no other Halliburton biography has--on the productive literary collaboration between the two. Drawing on the recollections of people who knew them both, the work discusses their backgrounds, the early years of their acquaintance, and their possible romantic relationship. Finally, their fateful journey to Hong Kong and the ill-advised voyage of the Sea Dragon is described in detail. A good deal of first-hand evidence is provided by William Alexander, Paul Mooney's best friend and designer of Halliburton's Laguna Beach house. Appendices contain seven poems by Mooney and facsimile letters, including one of praise written by Richard Halliburton to William Alexander. Never-before-published photographs are also included.
A critical biography of the great modernist editor and novelist. Ford Madox Ford (1873–1939) lived among several of the most important artists and writers of his time. Raised by Pre-Raphaelites and friends with Henry James, H. G. Wells, and Joseph Conrad, Ford was a leading figure of the avant-garde in pre-WWI London, responsible for publishing Ezra Pound, Wyndham Lewis, and D. H. Lawrence. After the war, he moved to Paris, published Gertrude Stein, and discovered Ernest Hemingway. A prolific writer in his own right, Ford wrote the modernist triumph The Good Soldier (1915) as well as one of the finest war stories in English, the Parade’s End tetralogy (1924–1928). Drawing on newly discovered letters and photographs, this critical biography further demonstrates Ford’s vital contribution to modern fiction, poetry, and criticism.
Max Hastings’s “exceptional” (Kirkus Reviews, starred review) account of the famous World War II D-Day landings “[will] stand with that of the best journalists and writers who witnessed it” (The New York Times Book Review). On June 6, 1944, the American and British armies staged the greatest amphibious landing in history—called Operation Overlord—the battle for the liberation of Europe. Despite the Allies’ absolute command of sea and air and vast firepower, it took ten weeks of fierce fighting for them to overpower the tenacious, superbly skilled German army. Forty years later, British war correspondent and military historian Max Hastings shares a dense, dramatic portrait of the Normandy invasion that overturns the traditional legends. First published in 1984, Overlord “will shock those who regard the invasion of Normandy and the subsequent battles as triumphs of American, British, and Canadian military heroism” (The New York Times). Instead, Hastings provides a brilliant, controversial perspective on the devastating battles, based on the eyewitness accounts of survivors from both sides, plus a wealth of previously untapped sources and documents. “A masterly book, rich in insight, shrewd and weighty in judgement…Max Hastings stands in the first rank of writers on modern war” (Financial Times).
The New York Times bestseller that tells the story of an overheated stock market and the financial disaster that led to the Great Depression of the 1930s. A riveting living history about Black Tuesday, October 29, 1929. Captures the era, the intoxicating expectancy, the hope that ruled men’s heart and minds before the bubble burst and the black despair of the decade that followed.
There are a considerable number of books on the art of the convicts, so Convicts & Art has been covered reasonably well but art is only once facet of the arts that has been examined to any extent. This book concerns itself with Convicts & the Arts. This book, then, endeavors to look at the convicts’ contribution to the arts, and demonstrates without doubt that the convicts made a significantly broader contribution to the culture of Australia than previously thought. There is a common misconception that all convicts were immediately institutionalised in a cell, and convict culture was solely a prison culture. It needs reinforcing that when the First Fleet arrived there were no prisons in Australia, no cells where they could put the convicts. The early governors and principal authorities quite logically endeavoured to use whatever skills the convicts had. So artists, generally forgers, were placed with those who were interested in recording a visual history of this new land. Among the convicts were bricklayers, house painters, jewelers, silversmiths, goldsmiths and so on, and some of them made significant contributions to the emerging society. Some of these contributions will be developed herein. This work endeavors to examine the convicts’ contribution to the arts in Australia, in areas like the writing of novels, poetry, autobiographies, sculpture, theatre, music, architecture, jewelry, the press, decorative arts and pottery.
Max Harrison . . . surveys the whole history and development of jazz in a concise, well written and well illustrated . . . article together with an extensive bibliography.' —Richard D. C. Noble, Times Literary Supplement The chapters of this book are in roughly chronological sequence: Spirituals, Blues, Gospels, Ragtime, and Jazz. The first three are by Paul Oliver, whose New Grove entry on the Blues is widely regarded as the definitive brief history of the genre. He has revised and expanded it for this book publication and, in addition, has extended the coverage of his essays on Spirituals in The New Grove to discuss both black and white traditions. Similarly, Oliver has revised and recast his coverage of Gospel music, which has been considerably expanded. Max Harrison's long entry on Jazz, which has also been extended, draws together the separate strands of the book to discuss the concept of Jazz as a matrix of mutually influential folk and popular styles. William Bolcom's short and definitive article on Ragtime has been revised, and all the bibliographies have been updated to include new and important works.
Three books on Jewish heritage from the author of Jews, God, and History, “the best popular history of the Jews written in the English language” (Los Angeles Times). With over a million and a half copies sold, Jews, God and History introduced readers to “the fascinating reasoning” of acclaimed scholar Max I. Dimont’s “bright and unorthodox mind” (San Francisco Sunday Examiner and Chronicle). In these three volumes, Dimont builds on the themes and insights presented in that seminal work, providing a rich and comprehensive portrait of the cultural and religious history of the Jewish people. The Indestructible Jews traces the four-thousand-year journey of the Jewish people from an ancient tribe with a simple faith to a global religion with adherents in every nation. Through countless expulsions and migrations, the great tragedy of the Holocaust and the joy of founding a homeland in Israel, this compelling history evokes a proud heritage while offering a hopeful vision of the future. The Jews in America offers an overview of Judaism in the United States from colonial times to twentieth-century Zionism. Dimont follows the various waves of immigration, recounts the cultural achievements of those who escaped oppression in their native lands, and discusses the attitudes of American Jews—both religious and secular—toward Israel. Appointment in Jerusalem explores the mystery surrounding the predictions Jesus made about his fate. Dimont re-creates the drama in three acts using his knowledge of the events recorded in the Bible. Thoughtful and fascinating, his account offers fresh insights into questions that have surrounded religion for centuries. Who was Jesus—the Christian messiah or a member of a Jewish sect?
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - If I were `seeing over' a house, and found in every room an iron cage let into the wall, and were told by the caretaker that these cages were for me to keep lions in, I think I should open my eyes rather wide. Yet nothing seems to me more natural than a fire in the grate. oubtless, when I began to walk, one of my first excursions was to the fender, that I might gaze more nearly at the live thing roaring and raging behind it; and I dare say I dimly wondered by what blessed dispensation this creature was allowed in a domain so peaceful as my nursery. I do not think I ever needed to be warned against scaling the fender. I knew by instinct that the creature within it was dangerous - fiercer still than the cat which had once strayed into the room and scratched me for my advances. As I grew older, I ceased to wonder at the creature's presence and learned to call it `the fire, ' quite lightly. There are so many queer things in the world that we have no time to go on wondering at the queerness of the things we see habitually. It is not that these things are in themselves less queer than they at first seemed to us. It is that our vision of them has been dimmed.
From "Sputnik" to the Pentagon Papers, from the building of the Berlin Wall to its collapse, Pulitzer Prize winner Max Frankel recalls some of the momentous events of the later half of the 20th century, which he witnessed as he worked his way to the helm of the world's greatest newspaper. Photos. Online feature.
From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city’s end have been prolific and diverse. Why have Americans repeatedly imagined New York’s destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001. Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York’s development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era’s destruction genre has reflected the city’s economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans’ perceptions of New York and of cities in general.
London's rock 'n' roll history is in many ways the world's rock 'n' roll history. It has given birth to some of the most influential rock bands ever -- The Beatles, The Who, The Rolling Stones, Pink Floyd, Elton John, The Sex Pistols -- and many popular movements -- psychedelia, mod, punk, ska, and Brit-pop. This meticulously researched and entertaining guide explores London's long and occasionally sordid rock history from the 1950s to the present day, providing the casual traveler with a neighborhood-by-neighborhood look at the venues, clubs, pubs, people, studios, stores, and events that rocked the world. Where was David Bowie brought up? Where did the Beatles play their last gig? Where did Keith Moon spend his last night? Each chapter/neighborhood is accompanied by locator maps and detailed street directions, and is filled to the brim with stunning photographs, ephemera, and rock trivia.
(Applause Books). "Where were you when the page was blank?!" a beleaguered screenwriter once asked a demanding director back in the golden age of movies. Max Wilk, an esteemed writer himself, admits "dignity for screenwriters is long overdue." That's why he has assembled this insightful homage to the men and women whose words created the foundation for our best and most-loved films. Here are face-to-face interviews with some of the historic giants of the industry, spanning the silent era to the 1960s, including Billy Wilder, Ernst Lubitsch, Sidney Buchman ( Mr. Smith Goes to Washington ), Donald Ogden Stewart ( The Philadelphia Story ), R.C. Sherriff ( Goodbye Mr. Chips ), Albert and Frances Hackett ( It's a Wonderful Life ), Evan Hunter ( The Birds ), John Collier, Edmund Hartmann, Ben Hecht, Nunnally Johnson and many more. In addition, Schmucks with Underwoods (a derogatory label for screenwriters coined by none other than the irascible Jack Warner) includes quotes and commentary about many other towering figures of the day, including Raymond Chandler, Edward Chodorov, Preston Sturges, Howard Koch, Dorothy Parker, Herman Mankiewicz and Paddy Chayefsky. Always entertaining, this book offers invaluable insight into the craft of writing, a fascinating portrait of a lost era of Hollywood, with enough hilarious anecdotes and behind-the-scenes trivia to please even the most casual movie buff.
How can humans keep thousands of words in mind and have no difficulty understanding trillions of sentences? The answer to this question might lie in parents teaching their children language skills, or in in the human brain, which may be equipped with a language instinct or maybe in impressive memory skills that link words to their perceptual information. Undoubtedly, there is some truth to some of these explanations. But one answer – perhaps the most important answer – has been largely ignored. Keeping Those Words in Mind tries to remedy this oversight. Linguist and cognitive psychologist Max Louwerse, PhD. argues that understanding language is not just possible because of memory, brains, environment and computation, but because of the patterns in the sequence of sounds and words themselves.He demonstrates that what seems to be an arbitrary communication system, with arbitrary characters and sounds that become words, and arbitrary meanings for those words, actually is a well-organized system that has evolved over tens of thousands of years to make communication as efficient as it is. What is needed for humans to acquire language, is for humans to recognize and discover the patterns in our communication system. By examining how our brains process language and find patterns, the intricacies of the language system itself, and even scientific breakthroughs in computer science and artificial intelligence, Keeping Those Words in Mind brings a brand new and interdisciplinary explanation for our ability to extract meaning from language.
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still finds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
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