Riccardo Villani, dit Ricky, est un jeune avocat italien. Il vient d'être embauché comme agent musical par la Music World, une maison de disques londonienne. Volontaire, il se voit confier une mission en Jamaïque: y dénicher le talent musical de demain. Totalement inexpérimenté, Ricky arrive sur l'île où il entame sa quête. Il rencontre bientôt Derrick, l'étoile montante qu'il recherche. Depuis les studios d'enregistrement de Kingston, jusqu'au ghetto où vivent les sufferrah, depuis la propriété de Ras Emmanuel au coeur de la nature jamaïcaine, jusqu'aux scènes de concert du monde entier, Burned nous fait suivre les débuts de la carrière d'un jeune chanteur jamaïcain, aux côtés de son apprenti agent. Un regard sur un univers riche et complexe, une parenthèse jamaïcaine dans la vie d'un jeune européen, des rencontres bouleversantes, voilà ce qu'est Burned. Il ne s'agit pas d'un documentaire mais bien d'une histoire. Une histoire d'amour pour la musique et la culture jamaïcaine.
This study examines five decades of Italian economists who studied or researched at the Universities of Oxford and Cambridge between the years 1950 and 2000. Providing a detailed list of Italian economists associated with Hicks, Harrod, Bacharach, Flemming, Mirrlees, Sen and other distinguished dons, the authors examine eleven research lines, including the Sraffa and the neo-Ricardian school, the post-Keynesian school and the Stone’s and Goodwin’s schools. Baranzini and Mirante trace the influence of the schools in terms of 1) their fundamental role in the evolution of economic thought; 2) their promotion of four key controversies (on the measurement of technical progress, on capital theory, on income distribution and on the inter-generational transmission of wealth); 3) the counter-flow of Oxbridge scholars to academia in Italy, and 4) the invigoration of a third generation of Italian economists researching or teaching at Oxbridge today. A must-read for all those interested in the way Italian and British research has shaped the study and teaching of economics.
Luigi L. Pasinetti (born 1930) is arguably the most influential of the second generation of the Cambridge Keynesian School of Economics, both because of his achievements and his early involvement with the direct pupils of John Maynard Keynes. This comprehensive intellectual biography traces his research from his early groundbreaking contribution in the field of structural economic dynamics to the ‘Pasinetti Theorem’. With scientific outputs spanning more than six decades (1955–2017), Baranzini and Mirante analyse the impact of his research work and roles at Cambridge, the Catholic University of Milan and at the new University of Lugano. Pasinetti’s whole scientific life has been driven by the desire to provide new frameworks to explain the mechanisms of modern economic systems, and this book assesses how far this has been achieved.
This book describes the spread of new agricultural practice in the half millennium after 1350, and reconstructs a neglected part of Europe's agricultural past: the introduction of fodder crops, and the continuous reorganisation of traditional botanical inputs within a new system of farming. It breaks entirely new ground by showing the distant historical origins of a major transformation in land potential and farm productivity. A vast range of evidence is cited from Italy, France, England and elsewhere to produce in effect an economic, social and cultural history of Europe in which the focus is on the long-distance consequences of the 'agricultural revolution'.
A unique, clever, informative, and incomparable guide to Rome Written by one of Italy's most distinguished journalists, this guidebook-a favorite in Italy and Germany-combines vivid, engaging descriptions and background with great practicality and enormous breadth of knowledge. A book both for people visiting Rome for the first time and for those who find themselves frustrated by the city's sheer complexity, this is an utterly reliable and accessible companion that brings the staggering riches of the Eternal City to vivid life. Comprehensive in scope, but plotted with both precision and panache, it will help any visitor make the most of even the briefest time in Rome. • Ten original walks and diversions uncover the heart of Rome • Fascinating text reveals the city's extraordinary rich tangle of 27 centuries of history and architecture • Full indexes and a biographical dictionary of artists • Hundreds of maps and diagrams make orientation foolproof • Complete visitor information provides practical details about staying and eating Rome
Riccardo Villani, dit Ricky, est un jeune avocat italien. Il vient d'être embauché comme agent musical par la Music World, une maison de disques londonienne. Volontaire, il se voit confier une mission en Jamaïque: y dénicher le talent musical de demain. Totalement inexpérimenté, Ricky arrive sur l'île où il entame sa quête. Il rencontre bientôt Derrick, l'étoile montante qu'il recherche. Depuis les studios d'enregistrement de Kingston, jusqu'au ghetto où vivent les sufferrah, depuis la propriété de Ras Emmanuel au coeur de la nature jamaïcaine, jusqu'aux scènes de concert du monde entier, Burned nous fait suivre les débuts de la carrière d'un jeune chanteur jamaïcain, aux côtés de son apprenti agent. Un regard sur un univers riche et complexe, une parenthèse jamaïcaine dans la vie d'un jeune européen, des rencontres bouleversantes, voilà ce qu'est Burned. Il ne s'agit pas d'un documentaire mais bien d'une histoire. Une histoire d'amour pour la musique et la culture jamaïcaine.
La Giamaica, il potere della musica, le guerre tra badman, la fede in Jah. Tutto questo è BURNED. Ricky è un giovane avvocato e quando viene spedito in Giamaica per scovare un nuovo talento della musica reggae, non immagina che l'incontro col talentuoso Derrick, un rudeboy, lo condurrà alla scoperta di un mondo che è anche un microcosmo di vita. In un'ambientazione ricca e fascinosa ma al contempo in grado di offrire molteplici spunti di riflessione, Cardinale spinge il lettore a guardare nelle baracche dei sufferah, nella fede Rastafariana e nei guasti del Babylon System, attraverso un romanzo che va ascoltato, oltre che letto.
Throughout his prodigious theological and ecclesiastical career, Joseph Ratzinger advanced a rich and nuanced theology of Revelation, reflecting at length on the nature, unity, and interrelationship of Scripture and Tradition, on their native ecclesial context, and on their transformative, Christ-centered purpose and aim. Ratzinger’s many writings in this area are marked not only by an unwavering fidelity to divinely revealed truth, but also by sensitivity to the difficulties of its interpretation, to the dynamics of historical progress and regress, and to the needs of the Church and the world within the modern era. In Revelation, Hermeneutics, and Doctrinal Development in Joseph Ratzinger, Mauro Gagliardi offers a penetrating diachronic study of Ratzinger’s thought on these foundational themes. Beginning with his 1955 Habilitationsschrift on St. Bonaventure’s understanding of Revelation and continuing in his works of the conciliar and post-conciliar periods through those of his episcopacy and later pontificate, Gagliardi traces Ratzinger’s vision of Scripture and Tradition, of the Magisterium and theology, and of faith and its transmission today. By turns critical and appreciative, Gagliardi elucidates the German theologian’s teaching on Revelation in depth, exploring its underlying hermeneutic commitments, and, in the book’s final chapter, elaborating its implications for the question of the development of doctrine, a topic of both longstanding and pressing importance within Catholic theology and Christian thought.
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Dosso's rich color schemes are akin to those of his fellow North Italian Titian; he learned something about innovative composition from Raphael and about the force of the body from Michelangelo. But his paintings have a very individual appeal. In leafy natural surroundings containing an array of animals and heavenly bodies, events unfold that are often enigmatic, enacted by characters whose interrelationships elude definition.
Today, the notion of 'diglossia' occupies a prominent place in sociolinguistic research. Since the 1960s, when the dominant sense of 'diglossia' was the complementary sociofunctional distribution of two varieties of the same language, the term has been applied — often controversially — to a growing number of diverse sociolinguistic situations. As a consequence of this extension of the scope of the concept, in combination with an increasing interest in the relationship between the role of language and the social structure, the number of publications in this field has risen exponentially over the last decades. However, despite the growing importance of the notion, up till now there was no adequate bibliography devoted to diglossia, while coverage in other bibliographies does not do justice to the number of works actually published in this area. This first comprehensive bibliography of the subject includes almost 3,000 entries; although the time span covered is 1960-1990, the book includes several dozens of entries from before 1960 and also a substantial number of very recent publications from the period 1990-1992. The selection of items has not been restricted to a specific definition of diglossia: all available publications in which the term (or one of its offsprings) appears have been included; moreover, when considered appropriate, some material relevant to the subject has been added even though the term is not explicitly used. The usefulness of the bibliography has been enhanced significantly by six indexes: (1) index of languages, (2) diglossia in literature, (3) historically oriented works, (4) pedagogically oriented works, (5) theoretical works, and (6) theses and dissertations.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.