In this first English publication of a well-known and widely respected Italian scholar, readers will encounter the preeminent interpreter of the works of Maurice Merleau-Ponty engaged in a dialogue of critical concern to contemporary philosophy. In subtle and sensitive language eminently suited to the style and substance of Merleau-Ponty's own writings, Mauro Carbone fashions four essays around a central theme-the relations of the sensible and the intelligible, and of philosophy and non-philosophy-that occupied Merleau-Ponty in his later work. An original and innovative interpretation of the ontology of Merleau-Ponty--and themselves a significant contribution to the field of Continental thought--these essays constitute a sustained exploration of what Merleau-Ponty detected, and greeted, as a "mutation within the relations of man and Being," which would provide him with the basis for a new idea of philosophy or "a-philosophy." In lucid, often elegant terms, Carbone analyzes key elements of Merleau-Ponty's thought in relation to Proust's Recherche, Hegel's Phenomenology of Spirit, the new biology of Von Uexküll, Rimbaud's Lettre du voyant, and Heidegger's conception of "letting-be." His work clearly demonstrates the vitality of Merleau-Ponty's late revolutionary philosophy by following its most salient, previously unexplored paths. This is essential reading for any scholar with an interest in Merleau-Ponty, in the questions of embodiment, temporality and Nature, or in the possibility of philosophy today.
Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require.
Highlights Merleau-Pontys interest in film and connects it to his aesthetic theory. In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Pontys often misunderstood notion of flesh was another way to signify what he also called Visibility. Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the new idea of light that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Pontys continuous interest in cinemaan interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Pontys later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Pontys interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today.
This book shows that screens don’t just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment. By combining a series of historical-genealogical reconstructions going back to prehistoric times with the analysis of present and near-future technologies, the authors show that screens have always incorporated not only the hiding/showing functions but also the protecting/exposing ones, as the Covid-19 pandemic retaught us. The intertwining of these functions allows the authors to criticize the mainstream ideas of images as inseparable from screens, of words as opposed to images, and of what they call “Transparency 2.0” ideology, which currently dominates our socio-political life. Moreover, they show how wearable technologies don’t approximate us to a presumed disappearance of screens but seem to draw a circular pathway back to using our bodies as screens. This raises new relational, ethical, and political questions, which this book helps to illuminate.
Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature. From Proust, Merleau-Ponty developed his conception of “sensible ideas,” from Claudel, his conjoining of birth and knowledge as “co-naissance,” from Valéry came “implex” or the “animal of words” and the “chiasma of two destinies.” Literature also provokes the questions of expression, metaphor, and truth and the meaning of a Merleau-Pontian poetics. The poetic of Merleau-Ponty is, the book argues, a poetic of the flesh, a poetic of mystery, and a poetic of the visible in its relation to the invisible. Ultimately, theoretical figures or “figuratives” that appear at the threshold between philosophy and literature enable the possibility of a new ontology. What is at stake is the very meaning of philosophy itself and its mode of expression.
This volume aims to approach the reflection on Merleau-Ponty as thought projecting itself into the future, whose implications pose questions us questions for us about immanent transformations within thought and in the contemporary world. One such horizon of research is presented here from the perspective of young scholars who, by contributing to this section, have had the opportunity to invest in this aspect of Merleau-Pontian research and revive its concerns. Their contributions evaluate the work of Merleau-Ponty in different domains, in the effort to address what Merleau-Ponty gives us to think concerning the future of our societies, our cultures, and philosophy itself, through his engagement and by style of his reflection.
This book shows that screens don’t just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment. By combining a series of historical-genealogical reconstructions going back to prehistoric times with the analysis of present and near-future technologies, the authors show that screens have always incorporated not only the hiding/showing functions but also the protecting/exposing ones, as the Covid-19 pandemic retaught us. The intertwining of these functions allows the authors to criticize the mainstream ideas of images as inseparable from screens, of words as opposed to images, and of what they call “Transparency 2.0” ideology, which currently dominates our socio-political life. Moreover, they show how wearable technologies don’t approximate us to a presumed disappearance of screens but seem to draw a circular pathway back to using our bodies as screens. This raises new relational, ethical, and political questions, which this book helps to illuminate.
Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require. In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty’s interest in film and modern painting as it relates to his aesthetic theory and as it illuminates our contemporary relationship to images. Philosophy-Screens broadens the work undertaken in this earlier book, looking at the ideas of other twentieth-century thinkers concerning the relationship between philosophy and film, and extending that analysis to address our experience of electronic and digital screens in the twenty-first century. In the first part of the book, Carbone examines the ways that Sartre, Merleau-Ponty, Lyotard, and Deleuze grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth century. He then considers the significance of this philosophical framework for understanding the digital revolution, in particular the extent to which we are increasingly and comprehensively connected with screens. Smartphones, tablets, and computers have become a primary referential optical apparatus for everyday life in ways that influence the experience not only of seeing but also of thinking and desiring. Carbone’s Philosophy-Screens follows Deleuze’s call for “a philosophy-cinema” that can account for these fundamental changes in perception and aesthetic production, and adapts it to twenty-first-century concerns. “Mauro Carbone is one of the very best interpreters of French philosophy in general and aesthetics in particular. This book furthers recent research he has undertaken on cinema and more specifically its significance both in twentieth-century debates in philosophy and its role in our cultural experience. This is an insightful and informative book and will be of interest to a broad spectrum of readers.” — Stephen Watson, University of Notre Dame
Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature. From Proust, Merleau-Ponty developed his conception of “sensible ideas,” from Claudel, his conjoining of birth and knowledge as “co-naissance,” from Valéry came “implex” or the “animal of words” and the “chiasma of two destinies.” Literature also provokes the questions of expression, metaphor, and truth and the meaning of a Merleau-Pontian poetics. The poetic of Merleau-Ponty is, the book argues, a poetic of the flesh, a poetic of mystery, and a poetic of the visible in its relation to the invisible. Ultimately, theoretical figures or “figuratives” that appear at the threshold between philosophy and literature enable the possibility of a new ontology. What is at stake is the very meaning of philosophy itself and its mode of expression.
Highlights Merleau-Pontys interest in film and connects it to his aesthetic theory. In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Pontys often misunderstood notion of flesh was another way to signify what he also called Visibility. Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the new idea of light that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Pontys continuous interest in cinemaan interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Pontys later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Pontys interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today.
In this first English publication of a well-known and widely respected Italian scholar, readers will encounter the preeminent interpreter of the works of Maurice Merleau-Ponty engaged in a dialogue of critical concern to contemporary philosophy. In subtle and sensitive language eminently suited to the style and substance of Merleau-Ponty's own writings, Mauro Carbone fashions four essays around a central theme-the relations of the sensible and the intelligible, and of philosophy and non-philosophy-that occupied Merleau-Ponty in his later work. An original and innovative interpretation of the ontology of Merleau-Ponty--and themselves a significant contribution to the field of Continental thought--these essays constitute a sustained exploration of what Merleau-Ponty detected, and greeted, as a "mutation within the relations of man and Being," which would provide him with the basis for a new idea of philosophy or "a-philosophy." In lucid, often elegant terms, Carbone analyzes key elements of Merleau-Ponty's thought in relation to Proust's Recherche, Hegel's Phenomenology of Spirit, the new biology of Von Uexküll, Rimbaud's Lettre du voyant, and Heidegger's conception of "letting-be." His work clearly demonstrates the vitality of Merleau-Ponty's late revolutionary philosophy by following its most salient, previously unexplored paths. This is essential reading for any scholar with an interest in Merleau-Ponty, in the questions of embodiment, temporality and Nature, or in the possibility of philosophy today.
Temos o prazer de lançar o primeiro livro internacional do ano de 2022 voltado a área do desenvolvimento, que tem como título Principles and concepts for development in nowadays society, essa obra contém 152 artigos voltados a área multidisciplinar, sendo a mesma pela Seven Publicações Ltda. A Seven Editora, agradece e enaltasse os autores que fizeram parte desse livro. Desejamos uma boa leitura a todos
This book discusses key conceptual aspects and explores the connection between triangulated manifolds and quantum physics, using a set of case studies ranging from moduli space theory to quantum computing to provide an accessible introduction to this topic. Research on polyhedral manifolds often reveals unexpected connections between very distinct aspects of mathematics and physics. In particular, triangulated manifolds play an important role in settings such as Riemann moduli space theory, strings and quantum gravity, topological quantum field theory, condensed matter physics, critical phenomena and complex systems. Not only do they provide a natural discrete analogue to the smooth manifolds on which physical theories are typically formulated, but their appearance is also often a consequence of an underlying structure that naturally calls into play non-trivial aspects of representation theory, complex analysis and topology in a way that makes the basic geometric structures of the physical interactions involved clear. This second edition further emphasizes the essential role that triangulations play in modern mathematical physics, with a new and highly detailed chapter on the geometry of the dilatonic non-linear sigma model and its subtle and many-faceted connection with Ricci flow theory. This connection is treated in depth, pinpointing both the mathematical and physical aspects of the perturbative embedding of the Ricci flow in the renormalization group flow of non-linear sigma models. The geometry of the dilaton field is discussed from a novel standpoint by using polyhedral manifolds and Riemannian metric measure spaces, emphasizing their role in connecting non-linear sigma models’ effective action to Perelman’s energy-functional. No other published account of this matter is so detailed and informative. This new edition also features an expanded appendix on Riemannian geometry, and a rich set of new illustrations to help the reader grasp the more difficult points of the theory. The book offers a valuable guide for all mathematicians and theoretical physicists working in the field of quantum geometry and its applications.
Male infertility is a multifaceted disease where genetic, epigenetic and environmental factors all contribute to the development of the phenotype. In recent years, there has been an increasing concern about a decline in reproductive health, paralleled by an increase in demand for infertility treatments. This calls for a detailed and thorough understanding of normal and aberrant testicular function and the environmental influences on the establishment and integrity of the male germ cell. This is crucial for understanding the complex pathophysiology of male infertility and eventual success of Assisted Reproductive Technologies.
Atlanta. In un giorno qualsiasi, una violenta esplosione rade al suolo un intero quartiere; morti e feriti a non contare, distruzione ovunque e un inquietante e drammatico senso di terrore che lentamente si diffonde tra la popolazione e le alte cariche dello Stato. Dietro tutto questo, un uomo, solo uno, apparentemente la personificazione del male in terra... o forse no... Questo l’inizio di un romanzo noir sorprendente che, attraverso una narrazione incalzante e coinvolgente, sarà capace di mettere in dubbio ogni vostra certezza sul Bene e sul Male. Mauro Cavallini, nato a Castellanza (VA) nell’inverno del 1979, sceglie per la sua vita lavorativa un mondo ricco di numeri da far quadrare e regole da rispettare che, soprattutto ad uno sguardo distratto, sembra calzargli a pennello. È un uomo posato, ama la semplicità delle sue prevedibili quanto confortevoli abitudini e si fa vanto di conservare in ottimo stato il suo lato più dolce, delicato ed infantile. Verso i trent’anni sarà la scrittura a permettere ad un’altra parte di lui di raggiungere il resto del mondo. Il suo lato nascosto si svela nei suoi romanzi costruendo realtà piene di vitalità, azione e ritmi serrati, in cui i sentimenti sono più forti, i dilemmi sono parte della quotidianità e l’aggressività trova spazio per essere espressa.
Grossman & Baim's Cardiac Catheterization, Angiography, and Intervention, 8e is the premier reference on cardiac catheterization, and appeals to seasoned practitioners, residents and cardiology fellows. This title reflects the rapid evolution and growing clinical use of hemodynamic data and of imaging and interventional techniques.
A unique, clever, informative, and incomparable guide to Rome Written by one of Italy's most distinguished journalists, this guidebook-a favorite in Italy and Germany-combines vivid, engaging descriptions and background with great practicality and enormous breadth of knowledge. A book both for people visiting Rome for the first time and for those who find themselves frustrated by the city's sheer complexity, this is an utterly reliable and accessible companion that brings the staggering riches of the Eternal City to vivid life. Comprehensive in scope, but plotted with both precision and panache, it will help any visitor make the most of even the briefest time in Rome. • Ten original walks and diversions uncover the heart of Rome • Fascinating text reveals the city's extraordinary rich tangle of 27 centuries of history and architecture • Full indexes and a biographical dictionary of artists • Hundreds of maps and diagrams make orientation foolproof • Complete visitor information provides practical details about staying and eating Rome
Derived from the renowned multi-volume International Encyclopaedia of Laws, this practical analysis of the law of contracts in Italy covers every aspect of the subject - definition and classification of contracts, contractual liability, relation to the law of property, good faith, burden of proof, defects, penalty clauses, arbitration clauses, remedies in case of non-performance, damages, power of attorney, and much more. Lawyers who handle transnational contracts will appreciate the explanation of fundamental differences in terminology, application, and procedure from one legal system to another, as well as the international aspects of contract law. Throughout the book, the treatment emphasizes drafting considerations. An introduction in which contracts are defined and contrasted to torts, quasi-contracts, and property is followed by a discussion of the concepts of ‘consideration’ or ‘cause’ and other underlying principles of the formation of contract. Subsequent chapters cover the doctrines of ‘relative effect’, termination of contract, and remedies for non-performance. The second part of the book, recognizing the need to categorize an agreement as a specific contract in order to determine the rules which apply to it, describes the nature of agency, sale, lease, building contracts, and other types of contract. Facts are presented in such a way that readers who are unfamiliar with specific terms and concepts in varying contexts will fully grasp their meaning and significance. Its succinct yet scholarly nature, as well as the practical quality of the information it provides, make this book a valuable time-saving tool for business and legal professionals alike. Lawyers representing parties with interests in Italy will welcome this very useful guide, and academics and researchers will appreciate its value in the study of comparative contract law.
An easily accessible, ready reference for the entire cardiac team, Grossman & Baim’s Handbook of Cardiac Catheterization, Angiography, and Intervention is an essential resource in today’s cardiac catheterization lab. This practical handbook, edited by Dr. Mauro Moscucci with contributions from associate editor, Marc D. Feldman, follows the bestselling text, Grossman & Baim's Cardiac Catheterization, Angiography, and Intervention, providing fast, convenient access to authoritative information in a portable handbook format.
This third edition of International Arbitration Law and Practice has been largely enriched by covering international commercial arbitrations, investment treaty arbitrations, arbitrations between public bodies, between states and individuals, the UNCITRAL model law and Iran-US Tribunal proceedings as well as commodity arbitration, online arbitration and sports arbitral proceedings. International Arbitration Law and Practice, 3rd edition elaborates new concepts such as a definition of international arbitration based on procedural law (different from transnational law) and a doctrine (the tronc commun doctrine) to identify the applicable substantive law on disputes between parties belonging to different countries. It further suggests that a law of international arbitration has arisen from the various conventions and laws. Besides dealing with all the aspects of arbitration on a topic by topic basis, the writer presents a third generation arbitration which builds on analysis of major obstacles to a smooth running arbitration.International Arbitration Law and Practice, 3rd edition is a work that anyone involved in arbitral proceedings will find to be absolutely indispensable.
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