Superb. . . . In its careful handling of the biographical and the autobiographical, the factual and the speculative, this book will become a model for how studies of individual directors should be done in the future."--Peter Brunette, author of "Roberto Rossellini
Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films—Accattone, The Canterbury Tales, Medea, Saló—continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that "a certain realism" informed his filmmaking. Masterfully combining analyses of Pasolini's literary and theoretical writings and of all his films, Maurizio Viano offers the first thorough study of Pasolini's cinematic realism, in theory and in practice. He finds that Pasolini's cinematic career exemplifies an "expressionistic realism" that acknowledges its subjective foundation instead of striving for an impossible objectivity. Focusing on the personal and expressionistic dimensions of Pasolini's cinema, Viano also argues that homosexuality is present in the films in ways that critics have thus far failed to acknowledge. Sure to generate controversy among film scholars, Italianists, and fans of the director's work, this accessible film-by-film treatment is an ideal companion for anyone watching Pasolini's films on video.
This book is the first comprehensive study of debts and credit system at Emar. It focuses on the socio-economic aspects of credit access and indebtedness as well as on the motivations behind debts and debt settlement in the city of Emar. The credit system is analyzed through several factors: the purpose of debts, i.e., productive or consumptive; the procedures for granting loans; the strategies put in place to meet an obligation and to cope with economic difficulties; the consequences of non-fulfillment, which may lead to servitude or slavery; the different types of slavery; slave prices; the mechanisms of enslavement; and termination of slavery. Moneylending practices and the formation of servile conditions at Emar are studied in the context of the Syrian economy aiming to understand whether the Emar evidence conforms with a socio political and economic crisis that is generally acknowledged to have struck Syria, Anatolia and Northern Mesopotamia at the end of the Late Bronze Age. This work is of sure relevance for scholars interested in socio-economic history, not only of the pertinent historical-geographical area.
Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films—Accattone, The Canterbury Tales, Medea, Saló—continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that "a certain realism" informed his filmmaking. Masterfully combining analyses of Pasolini's literary and theoretical writings and of all his films, Maurizio Viano offers the first thorough study of Pasolini's cinematic realism, in theory and in practice. He finds that Pasolini's cinematic career exemplifies an "expressionistic realism" that acknowledges its subjective foundation instead of striving for an impossible objectivity. Focusing on the personal and expressionistic dimensions of Pasolini's cinema, Viano also argues that homosexuality is present in the films in ways that critics have thus far failed to acknowledge. Sure to generate controversy among film scholars, Italianists, and fans of the director's work, this accessible film-by-film treatment is an ideal companion for anyone watching Pasolini's films on video.
This book is the first comprehensive study of debts and credit system at Emar. It focuses on the socio-economic aspects of credit access and indebtedness as well as on the motivations behind debts and debt settlement in the city of Emar. The credit system is analyzed through several factors: the purpose of debts, i.e., productive or consumptive; the procedures for granting loans; the strategies put in place to meet an obligation and to cope with economic difficulties; the consequences of non-fulfillment, which may lead to servitude or slavery; the different types of slavery; slave prices; the mechanisms of enslavement; and termination of slavery. Moneylending practices and the formation of servile conditions at Emar are studied in the context of the Syrian economy aiming to understand whether the Emar evidence conforms with a socio political and economic crisis that is generally acknowledged to have struck Syria, Anatolia and Northern Mesopotamia at the end of the Late Bronze Age. This work is of sure relevance for scholars interested in socio-economic history, not only of the pertinent historical-geographical area.
Philosophical realism has taken a number of different forms, each applied to different topics and set against different forms of idealism and subjectivism. Maurizio Ferraris's Manifesto of New Realism takes aim at postmodernism and hermeneutics, arguing against their emphasis on reality as constructed and interpreted. While acknowledging the value of these criticisms of traditional, dogmatic realism, Ferraris insists that the insights of postmodernism have reached a dead end. Calling for the discipline to turn its focus back to truth and the external world, Ferraris's manifesto—which sparked lively debate in Italy and beyond—offers a wiser realism with social and political relevance.
This book studies a central but hitherto neglected aspect of Rousseau's political thought: the concept of social order and its implications for the ideal society which he envisages. The antithesis between order and disorder is a fundamental theme in Rousseau's work, and the author takes it as the basis for this study. In contrast with a widely held interpretation of Rousseau's philosophy, Professor Viroli argues that natural and political order are by no means the same for Rousseau. He explores the differences and interrelations between the different types of order which Rousseau describes, and shows how the philosopher constructed his final doctrine of the just society, which can be based only on every citizen's voluntary and knowing acceptance of the social contract and on the promotion of virtue above ambition. The author also shows the extent of Rousseau's debt to the republican tradition, and above all to Machiavelli, and revises the image of Rousseau as a disciple of the natural-law school.
The History and Theory of Fetishism, the expanded version of Iacono's enduring classic Teorie del feticismo and available for the first time in English, aims to provide the historical context necessary to understanding the concept of "fetishism" and offers an overview of the ideologies, prejudices, and critical senses that shaped the Western observer's view of otherness and of his own world. Iacono examines the moment when the Western observer turned his colonizing and evangelizing gaze to continents such as Africa and the Americas, while attempting to simultaneously destabilize and look at his own world critically.
If you told a woman her sex had a shared, long-lived history with weasels, she might deck you. But those familiar with mythology know better: that the connection between women and weasels is an ancient and favorable one, based in the Greek myth of a midwife who tricked the gods to ease Heracles’s birth—and was turned into a weasel by Hera as punishment. Following this story as it is retold over centuries in literature and art, Women and Weasels takes us on a journey through mythology and ancient belief, revising our understanding of myth, heroism, and the status of women and animals in Western culture. Maurizio Bettini recounts and analyzes a variety of key literary and visual moments that highlight the weasel’s many attributes. We learn of its legendary sexual and childbearing habits and symbolic association with witchcraft and midwifery, its role as a domestic pet favored by women, and its ability to slip in and out of tight spaces. The weasel, Bettini reveals, is present at many unexpected moments in human history, assisting women in labor and thwarting enemies who might plot their ruin. With a parade of symbolic associations between weasels and women—witches, prostitutes, midwives, sisters-in-law, brides, mothers, and heroes—Bettini brings to life one of the most venerable and enduring myths of Western culture.
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