This book presents a general method that lawyers, prosecutors and judges can follows to assess the quality and scientific content of technical work done for an accident and crime scene reconstruction. Using multilevel sequence of events analysis allows all key events to be fully identified, which in turn assists judicial bodies in identifying where to assign specific criminal liability. Created from a concept long sought by the two authors (an engineer and an attorney), the method allows readers without any technical background to progress from an examination of evidence gathered at the scene of a complex accident and to reconstruct "beyond reasonable doubt" the events that took place. Once created and scientifically verified by the sequence of events analysis, the chain of key events serves as a reference source for various levels of complex organizations and inter-organization structures in cases involving complex criminal responsibilities.
A vivid portrayal of the great Italian philosopher - now in paperback In Niccolò's Smile, Maurizio Viroli brings to life the fascinating writer who was the founder of modern political thought. Niccolò Machiavelli's works on the theory and practice of statecraft are classics, but Viroli sugggests that his greatest accomplishment is his robust philosophy of life -- his deep beliefs about how one should conduct oneself as a modern citizen in a republic, as a responsible family member, as a good person. On these subjects Machiavelli wrote no books: the text of his philosophy is his life itself, a life that was filled with paradox, uncertainty, and tragic drama.
Throughout history, prophetic voices have bolstered the struggle for social and political emancipation. Such voices have given meaning to suffering, spoken with pathos and anger to touch passions, and set into motion the moral imagination guiding efforts toward redemption. This book provides the visions of social emancipation we need.
This book presents the results of two different excavation campaigns in a prehistoric archaeological site in a deep cave in Trentino Alto Adige (Castel Corno, Isera, Trento, Italy). The excavations uncovered a number of Early Bronze Age tombs deep in the cave and, outside, the remains of a settlement.
This book discusses the history of invertebrate fossil understanding and classification by exploring fossil studies between the 15th and 18th centuries. Before the modern age, the understanding of fossil findings went through several phases. The treatment by philologists, philosophers and historians of natural sciences involved religious, sometimes folkloristic, aspects before scientific ones. This work showcases and assesses these original findings by carrying out a bibliographical, and above all iconographical research, aimed at finding the first printed images of the objects that we now know as fossils. From here, the authors provide an understanding of the true nature of fossils by analyzing them through modern academic viewpoints, and describing each fossil group from a paleontological and taxonomic point of view, retracing their treatment in the course of the centuries. As a point of reference for each fossil group treated, the authors have considered indispensable the use of ancient prints as evidence of the first iconographic sources dedicated to fossils, starting from those in the late fifteenth century, dedicated to the most common groups of invertebrates without neglecting a necessary exception, the ichthyodontolites, fundamental in the discussion in Italy on the interpretation of the organic origin of fossils, and from the end of the sixteenth century to about half of the eighteenth century. The abundant iconographic apparatus used, often unpublished or specially reworked, is essential and functional to the understanding of the various aspects addressed, a visual complement to the text and vice versa, designed and used taking its cue from the need imposed on early scholars to document their discoveries visually. Among the chosen images there is no shortage of original attributions to fossil finds that have been poorly understood or misidentified until now. The English translation of this book from its Italian original manuscript was done with the help of artificial intelligence (machine translation by the service provider DeepL.com). A subsequent human revision of the content was done by the authors.
How Machiavelli's Christianity shaped his political thought To many readers of The Prince, Machiavelli appears to be deeply un-Christian or even anti-Christian, a cynic who thinks rulers should use religion only to keep their subjects in check. But in Machiavelli's God, Maurizio Viroli, one of the world's leading authorities on Machiavelli, argues that Machiavelli, far from opposing Christianity, thought it was crucial to republican social and political renewal—but that first it needed to be renewed itself. And without understanding this, Viroli contends, it is impossible to comprehend Machiavelli's thought. Viroli places Machiavelli in the context of Florence's republican Christianity, which was founded on the idea that the true Christian is a citizen who serves the common good. In this tradition, God participates in human affairs, supports and rewards those who govern justly, and desires men to make the earthly city similar to the divine one. Building on this tradition, Machiavelli advocated a religion of virtue, and he believed that, without this faith, free republics could not be established, defend themselves against corruption, or survive. Viroli makes a powerful case that Machiavelli, far from being a pagan or atheist, was a prophet of a true religion of liberty, a way of moral and political living that would rediscover and pursue charity and justice. The translation of this work has been funded by SEPS—Segretariato Europeo per le Pubblicazioni Scientifiche.
Religion and liberty are often thought to be mutual enemies: if religion has a natural ally, it is authoritarianism--not republicanism or democracy. But in this book, Maurizio Viroli, a leading historian of republican political thought, challenges this conventional wisdom. He argues that political emancipation and the defense of political liberty have always required the self-sacrifice of people with religious sentiments and a religious devotion to liberty. This is particularly the case when liberty is threatened by authoritarianism: the staunchest defenders of liberty are those who feel a deeply religious commitment to it. Viroli makes his case by reconstructing, for the first time, the history of the Italian "religion of liberty," covering its entire span but focusing on three key examples of political emancipation: the free republics of the late Middle Ages, the Risorgimento of the nineteenth century, and the antifascist Resistenza of the twentieth century. In each example, Viroli shows, a religious spirit that regarded moral and political liberty as the highest goods of human life was fundamental to establishing and preserving liberty. He also shows that when this religious sentiment has been corrupted or suffocated, Italians have lost their liberty. This book makes a powerful and provocative contribution to today's debates about the compatibility of religion and republicanism.
What did Thomas Jefferson look like? How did he carry himself? Such questions, reasonable to ask as we look back on a person who lived in an era before photography, are the starting point for this boldly original new work. Maurizio Valsania considers all aspects of Jefferson’s complex conception of "the body," from eighteenth-century clothing and fashion to manners, adornment, posture, gesture, and visual and material culture. Drawing also from the fields of medical science, psychology, and cultural anthropology, the author conjures a vivid and detailed re-creation of the third president as a living, breathing—and pondering—human being. Having situated Jefferson in his own body, Valsania looks at the embodied Jefferson in the world of his fellow humans. Any one of the other people in Jefferson’s society—whether that other person was male or female, free or enslaved, African American or Native American—was a critical counterexample for the eighteenth-century Virginian to define himself against, and Valsania’s explorations here lead to numerous insightful discoveries about race, gender, and structures of power. The first comprehensive exploration of Jefferson’s corporeal world, Jefferson’s Body brings the man vividly to life for the modern reader while deepening our understanding of what it meant to Jefferson to be alive.
Dispelling common myths about the first US president and revealing the real George Washington. Finalist of the George Washington Book Prize by the George Washington's Mount Vernon George Washington—hero of the French and Indian War, commander in chief of the Continental Army, and first president of the United States—died on December 14, 1799. The myth-making began immediately thereafter, and the Washington mythos crafted after his death remains largely intact. But what do we really know about Washington as an upper-class man? Washington is frequently portrayed by his biographers as America at its unflinching best: tall, shrewd, determined, resilient, stalwart, and tremendously effective in action. But this aggressive and muscular version of Washington is largely a creation of the nineteenth century. Eighteenth-century ideals of upper-class masculinity would have preferred a man with refined aesthetic tastes, graceful and elegant movements, and the ability and willingness to clearly articulate his emotions. At the same time, these eighteenth-century men subjected themselves to intense hardship and inflicted incredible amounts of violence on each other, their families, their neighbors, and the people they enslaved. In First Among Men: George Washington and the Myth of American Masculinity, Valsania considers Washington's complexity and apparent contradictions in three main areas: his physical life (often bloody, cold, injured, muddy, or otherwise unpleasant), his emotional world (sentimental, loving, and affectionate), and his social persona (carefully constructed and maintained). In each, he notes, the reality diverges from the legend quite drastically. Ultimately, Valsania challenges readers to reconsider what they think they know about Washington. Aided by new research, documents, and objects that have only recently come to light, First Among Men tells the fascinating story of a living and breathing person who loved, suffered, moved, gestured, dressed, ate, drank, and had sex in ways that may be surprising to many Americans. In this accessible, detailed narrative, Valsania presents a full, complete portrait of Washington as readers have rarely seen him before: as a man, a son, a father, and a friend.
A fresh introduction to—and bold new interpretation of—Machiavelli's Prince In Redeeming "The Prince," one of the world's leading Machiavelli scholars puts forth a startling new interpretation of arguably the most influential but widely misunderstood book in the Western political tradition. Overturning popular misconceptions and challenging scholarly consensus, Maurizio Viroli also provides a fresh introduction to the work. Seen from this original perspective, five centuries after its composition, The Prince offers new insights into the nature and possibilities of political liberation. Rather than a bible of unscrupulous politics, The Prince, Viroli argues, is actually about political redemption—a book motivated by Machiavelli's patriotic desire to see a new founding for Italy. Written in the form of an oration, following the rules of classical rhetoric, the book condenses its main message in the final section, "Exhortation to liberate Italy from the Barbarians." There Machiavelli creates the myth of a redeemer, an ideal ruler who ushers in an era of peace, freedom, and unity. Contrary to scholars who maintain that the exhortation was added later, Viroli proves that Machiavelli composed it along with the rest of the text, completing the whole by December 1513 or early 1514. Only if we read The Prince as a theory of political redemption, Viroli contends, can we at last understand, and properly evaluate, the book's most controversial pages on political morality, as well as put to rest the cliché of Machiavelli as a "Machiavellian." Bold, clear, and provocative, Redeeming "The Prince" should permanently change how Machiavelli and his masterpiece are understood.
An examination of revolutions in the Iberian and Italian peninsulas, Sicily and Greece in the 1820s that reveals a popular constitutional culture in the South After the turbulent years of the Napoleonic Wars and the Congress of Vienna’s attempt to guarantee peace and stability across Europe, a new revolutionary movement emerged in the southern peripheries of the continent. In this groundbreaking study, Maurizio Isabella examines the historical moment in the 1820s when a series of simultaneous uprisings took the quest for constitutional government to Portugal, Spain, the Italian peninsula, Sicily and Greece. Isabella places these events in a broader global revolutionary context and, decentering conventional narratives of the origins of political modernity, reveals the existence of an original popular constitutional culture in southern Europe. Isabella looks at the role played by secret societies, elections, petitions, protests and the experience of war as well as the circulation of information and individuals across seas and borders in politicising new sectors of society. By studying the mobilisation of the army, the clergy, artisans, rural communities and urban populations in favour of or against the revolutions, he shows that the uprisings in the South—although their ultimate fate was determined by the intervention of more powerful foreign countries—enjoyed considerable popular support in ideologically divided societies and led to the introduction of constitutions. Isabella argues that these movements informed the political life of Portugal and Spain for many decades and helped to forge a long-lasting revolutionary tradition in the Italian peninsula. The liberalism that emerged as a popular political force across southern Europe, he contends, was distinct from French and British varieties.
Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as Domus and Casabella, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers' cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers' vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the “Modern Project.” The book also discusses Roger's willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time. With a foreword by Kenneth Frampton.
In an age of world citizenship, literary scholarship is focusing increasingly on texts which communicate effectively over cultural lines. Advocating a planetary approach to contemporary literature, this critical text examines eight novels from eight cultures. The writers discussed are Julian Barnes, Magda Szabo, Abraham B. Yehoshua, Ian McEwan, W.G. Sebald, Murakami Haruki, Jonathan Safran Foer, and Azar Nafisi. Focusing on the authors' encouragement to meditate on life's most pressing issues, the essays here invite us to reevaluate postmodernism as a current category.
Nunzio è il classico bravo ragazzo. Studioso, corretto e, soprattutto, ottimista, come il Candido di Voltaire si lascia coinvolgere in grandi amicizie e profondi amori. Avvocato di successo, deve lasciare la toga ed emigrare in Germania dove è costretto a lavorare come operaio in un'azienda di stoccaggio e commercializzazione del pesce. Poi, improvvisamente, succede qualcosa che cambierà tutta la sua vita. Vince in premio con una bibita una bellissima Rolls e torna al suo paese natio. Al suo arrivo viene accolto come un esule che torna vittorioso e non ha il coraggio di spiegare come la vita sia dura per un emigrante e come non sia possibile riscattare le proprie origini nè metter soldi da parte. La mattina seguente, al suo risveglio, si rende conto di essere rimasto solo. Lui, le galline e pochi vecchi che non avevano più la forza di mettersi in viaggio.
Il linguaggio dell'Amore. Un concetto così vasto applicato a qualche mese di vita di un ragazzo, alla fine degli anni novanta. Una vita in cui niente sembrava increspare la superficie di un'esistenza che gli appariva piatta e già scritta. Fino a quando "Apparve una ragazza". Una piccola storia sulla scoperta dell'Amore e della Poesia.
C'erano passi cosi all'unisono nel bosco dei desii, che spiegarne poi da quale legge fisica fossero dettati, non trovava una spiegazione comprensibile. Si narra dell'incontro di due essenze che ignare del destino e del cammino che avrebbero vissuto, si erano dapprima intraviste, corteggiate, per poi unirsi in una luce unica. L'unica spiegazione logica in una razionalità della mente che non aveva senso, era nel godersi quell'attimo fino all'inverosimile. Un lungo viaggio in due tempi distinti. Dapprima alla ricerca sfrenata di sconfigger le lancette di un orologio biologico, che fremevano nel correr senza che si fossero mai sfiorati i corpi, per poi successivamente rievocare gli attimi trascorsi insieme portandoli all'eternità dello spirito. Il viaggio percorso allo spasmo di palpiti in cui la mente sovrana aveva lasciato spazio al loro palpitare.John e Dalida in un viaggio unico, osannando al sentimento più puro: L'amore.
Antologia poetica edita a Maggio 2013 Una raccolta dell'essenzialità della vita e del parafrasarsi all'anima, sviscerati nella loro essenza. Tutto si ferma al cospetto delle sensazioni, nessuno ne vive appieno la vera realtà. Ci si crogiola aspettando che alla fine il silenzio ci pervada, perdendone la vera luce: il destino colorato con la forza delle dita.
Raccolta di cinque racconti dissacranti, ironici e graffianti. L'autore attraverso i suoi personaggi surreali e situazioni comiche, a volte perfino grottesche, mette a nudo l'animo umano con le sue debolezze, paure e contraddizioni
Una spumeggiante pasquinata basata sull?ironica parodia di personaggi e circostanze trafugati all'immaginario collettivo o recuperati da notizie di stampa pi? o meno recenti. Due fantasiosi racconti che si svolgono in Sicilia e che prendono spunto dall?indagine sulla misteriosa morte di un investigatore privato molto noto in citt?. La pista seguita dal commissario di polizia incaricato delle indagini insieme a uno dei due collaboratori della vittima, si ingarbuglia come un gomitolo di corda sottile ogni volta che sembra arrivare a qualcosa. Pian piano appare sempre pi? evidente che dietro tutti quei delitti si nasconde una trama pi? sottile e quello che sembrava un giallo assume sembianze diverse, dove gli intrecci tra mafia, massoneria e politica rendono via via pi? chiari i contorni del disegno.
Nationalism and patriotism are two of the most powerful forces shaping world history. Maurizio Viroli's wide-ranging study shows exactly why patriotism is a political virtue and nationalism a political vice.
The hospitality model called "Albergo Diffuso" (AD), or "scattered hotel," has been engneered by Mr Giancarlo Dall'Ara and described by The New York Times as a way of bringing life back to historic towns and rural hamlets by utilizing unused rooms for tourism. This "simple but genial" model devised in Italy in the mid-90's received an award from the UNDP for its sustainability, but despite the spread of AD's, no peer-reviewed books have previously been published in English focusing on this innovation. In this book, the author therefore begins by exploring the AD as a community-based hospitality model, examining both its pros and cons. He then considers conviviality, sense of security, and other factors that Hans Magnus Enzensberger referred to as luxuries of our time for urban dwellers. These represent the key pre-requisites a location must possess to be deemed suitable for this innovation. Next, investors and co-interested private, public and not-for-profit associations are provided with a structured framework to help them achieve a defensible competitive advantage by harnessing the economic potential of valuable, rare, inimitable and non-substitutable (VRIN) resources. The final section assesses the AD as a business model, evaluating various aspects at the heart of any business plan.
This book, based on authoritative sources and reports, links environmental communication to different fields of competence: environment, sustainability, journalism, mass media, architecture, design, art, green and circular economy, public administration, big event management and legal language. The manual offers a new, scientifically based perspective, and adopts a theoretical-practical approach, providing readers with qualified best practices, case studies and 22 exclusive interviews with professionals. A fluent style of writing leads the readers through specific details, enriching their knowledge without being boring. As such it is an excellent preparatory and interdisciplinary academic tool intended for university students, scholars, professionals, and anyone who would like to know more on the matter.
In questo secondo volume della trilogia, dopo aver individuato le fonti indicate nel primo libro, l'indagine sistematica procede attraverso la riproposizione e la rivisitazione degli straordinari avvenimenti che condussero alle fondazioni dei rinomati Ordini cavallereschi medievali. Tuttavia lo studio, che pur esamina le fasi dello sviluppo e della tragica decadenza che colpì le suddette fratellanze, è rivolto essenzialmente verso l'interpretazione, con chiave di lettura esoterica, del loro agire. Discostandosi dalle opinioni maggioritarie e convenzionali propugnate dalla critica storica moderna, al fine di far emergere le tracce celate che attestano il volontario coinvolgimento dei sodalizi in questione fin nel "cuore spirituale" della corrente del Santo Graal fluente nel Mezzogiorno della penisola italiana.
DANIELE MENOZZI, Tra “cambiamento d’epoca” e “cambiamenti epocali”. le radici di un giudizio sul presente di papa Francesco / Between “epochal Change” and “epochal Changes”. The Roots of a Judgement on the Pre- sent by Pope Francis AGOSTINO GIOVAGNOLI, Papa Francesco e la storia della Chiesa dopo il vati- cano II / Pope Francis and the History of the Church after vatican II PHILIPPE BORDEYNE, le courage de l’incomplétude dans une Église syno- dale / The Courage of Incompleteness in a synodal Church ORIETTA RACHELE GRAZIOLI, Donne, sinodo e sinodalità / Women, synod and synodality MAURIZIO CHIODI, gender studies e teologia / genders studies and Theology SIMONA SEGOLONI RUTA, Il gender come categoria euristica in teologia. alcune linee di sviluppo / gender as a Heuristic Category in Theology. some lines of Development JAIME RODRIGUEZ DÍAZ , la “Recíproca complementariedad”: interpretación de efesios 5 desde las Catequesis sobre el amor Humano de Juan Pa- blo II / The “Mutual Complementarity”: Interpretation of ephesians 5 from John Paul II’s Catechesis on Human love CYRIL PASQUIER, Toothing-stones in Irenaeus of lyon to apprehend Mar- riage Today / addentellati in Ireneo di lione per comprendere oggi il matrimonio NICOLA REALI, Per una teologia pastorale del sacramento della penitenza / For a Pastoral Theology of the sacrament of Penance
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