1944, Northern Italy. Antonio’s life is shattered when he is deported to Germany as a forced labourer. Thereafter, his joys consist of small things: being able to breathe, to feel the plaster of a wall with his fingers, and the hope that perhaps, one day, he will return to his world. The book, partly in the form of letters and postcards, reconstructs that former world and is itself an act of commemoration…
This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.
In an age of world citizenship, literary scholarship is focusing increasingly on texts which communicate effectively over cultural lines. Advocating a planetary approach to contemporary literature, this critical text examines eight novels from eight cultures. The writers discussed are Julian Barnes, Magda Szabo, Abraham B. Yehoshua, Ian McEwan, W.G. Sebald, Murakami Haruki, Jonathan Safran Foer, and Azar Nafisi. Focusing on the authors' encouragement to meditate on life's most pressing issues, the essays here invite us to reevaluate postmodernism as a current category.
Using silent cinema as a critical lens enables us to reassess Katherine Mansfield's entire literary career. Starting from the awareness that innovation in literature is often the outcome of hybridisation, this book discusses not only a single case study, but also the intermedia exchanges in which literary modernism at large is rooted.
1944, Northern Italy. Antonio’s life is shattered when he is deported to Germany as a forced labourer. Thereafter, his joys consist of small things: being able to breathe, to feel the plaster of a wall with his fingers, and the hope that perhaps, one day, he will return to his world. The book, partly in the form of letters and postcards, reconstructs that former world and is itself an act of commemoration…
In an age of world citizenship, literary scholarship is focusing increasingly on texts which communicate effectively over cultural lines. Advocating a planetary approach to contemporary literature, this critical text examines eight novels from eight cultures. The writers discussed are Julian Barnes, Magda Szabo, Abraham B. Yehoshua, Ian McEwan, W.G. Sebald, Murakami Haruki, Jonathan Safran Foer, and Azar Nafisi. Focusing on the authors' encouragement to meditate on life's most pressing issues, the essays here invite us to reevaluate postmodernism as a current category.
This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.
“A simply magnificent book describing the Italian Navy of the Second World War, profiling all classes of vessels, from battleships . . . [to] submarines.” —Pegasus Archive This book is a complete guide to the Regia Marina, the navy with which Italy fought the Second World War. Starting with the historical background, it describes how the navy developed, how it was organized, the facilities that supported it, and the operations it conducted both before and after the armistice in 1943. It also details all its ships, with full technical particulars, plans and photos. Furthermore, there are chapters on special topics like camouflage; uniforms, decorations and insignia; and a “who’s who” of important naval personalities; and the reference value of the book is enhanced by a comprehensive bibliography and guide to sources. The illustration is a noteworthy feature of the book as the author’s collection of naval photographs is one of the best in Italy. He is also a fine draughtsman, and his ship plans and color illustrations are both detailed and accurate, adding a particular appeal for modelmakers. Of all the main combatant navies of this era, the Italian is probably the most poorly represented in English publications, so this comprehensive handbook will be especially welcomed by the naval community. “An overview of the wartime Italian Navy, including its bases and organization, ships and aircraft . . . an enjoyable book.” —Warships International Fleet Review “A major achievement and a milestone in the renaissance of Italian Naval history . . . [the] book is a gem and is thoroughly recommended.” —The Navy Vol 75
When the Washington Naval Treaty of 1922 effectively banned the building of battleships, competition between the major navies concentrated on the next most powerful category, heavy cruisers limited to 10,000 tons displacement and 8-inch guns. Italy followed this trend, the first design for what became Trento and Trieste being ordered in 1924. These were the fastest of the first generation ‘Treaty’ cruisers but were very lightly armored, and the succeeding Zara class of four ships were slower but better protected. However, before the final ship of this class (Pola) had been completed, there was a return to the earlier fast, lightly protected concept with the Bolzano, although this ship also incorporated aspects of the Zara design. The political background, design history and technical features of these classes are covered in great depth in this volume. They were important ships, subject to incremental improvement so no two were identical, and modelmakers in particular will appreciate the space devoted to the variations in appearance, using both description and illustration. As major units of the Italian battlefleet, they were more active than most during the war and their careers are fully detailed, including analyzes of damage suffered. Tragically, they were all sunk and the full circumstances of each loss is explored. As befits a technical history, the book is thoroughly illustrated with ship and armament plans, detail drawings and color camouflage schemes, as well as an outstanding collection of photographs. Translated from the same series that produced the highly successful Italian Battleships, this volume is a fitting companion.
For many years the etiology of human tumors has almost exclusively been attributed to environmental factors, which seemed to be involved not only in the induction of neo plasms but also in other phases of tumorigenesis. Cigarette smoking and alcohol are the two best known examples of factors related to our modern lifestyle which have been implicated in the development of cancer of various organs. From the 1960s onward, the pioneer work of a few investigators clearly showed that hereditary factors were not only related to rare neoplasms, but could also be respon sible for the occurrence of a sizeable fraction of tumors that do not usually show features of inheritance (as in the case of breast or colorectal cancer). Thus, the idea that some common human malignancies could be transmitted from one generation to another with features of mendelian gene tics became more and more evident. In addition, the verit able explosion of molecular biology in the last 15 years has made a further and substantial contribution to the emerging role of genetics in biomedical research and particularly in cancer.
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